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tarotwithlove · 1 year

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18+ only ⋆ pac ⋆ what are their secret sexual fantasies about you

reminder that this is a general reading and messages found here may not apply to everyone. take what resonates, leave what doesn’t, and don’t force anything if it does not fit

BOOK A READING WITH ME · TWITTER · TIPS ♡ tips and feedback are highly appreciated

☆ GROUP ONE

cards pulled ⋆ six of cups, judgement, page of wands, seven of pentacles, ten of wands (rx), knight of wands, the moon, the chariot

channelled songs ⋆ crazy in love - remix by beyoncé · dog days are over by florence + the machine

my dear group one ♡ this person is thinking of the sex they have had with people in the past, or, rather, with you before life got busy and your sex life became as boring and predictable as it is now.

it's not as if they are unsatisfied with the sex you have, rather, they want to inject some excitement back into the relationship. and not only do they fantasise about spicing up the relationship, but it's almost as if they are hounded by thoughts of it.

by thoughts of a threesome (or foursome, or orgy 😳), in particular.

they know that they should be open with you, but they don't know if letting you in on their secret desires will ruin the relationship that you have built. they're worried that you will feel disrespected by this secret desire; that you'll feel as if you're not enough for them, when that is not the case.

they don't want to bring in a new person or to have an affair or an open marriage. they want a one off experience that will he fun for the both of you–and not just the sex itself, but choosing the right time, the right person (or people), the right approach, the right outfits, the right toys, the right positions. it's not just the sex itself they're fantasising about, but this whole adventure with someone that they love.

they fantasise about this being the beginning of a new chapter in your sex life. and that while threesomes (etc) won't become a mainstay in your sexual life, it will open you two up to trying more and more exciting things in the bedroom. even a little light bdsm.

they want you to feel interested in sex again. they fantasise about sex being as exciting, uneasy, adrenaline inducing now as it was the very first time. in whatever shape that actually takes. because, more than anything, this person is motivated by love for you. passionate love for you. and they want the sex you're having to reflect that again.

☆ GROUP TWO

cards pulled ⋆ five of cups, the tower (rx), nine of wands, justice (rx), four of pentacles (rx), four of wands (rx), high priestess (rx), ace of wands

channelled songs ⋆ hello stranger by kai · if you had my love by jennifer lopes

my dear group two ♡ this person is someone who attaches a great deal of shame to their sexual attraction to you, and, in turn, the secret sexual fantasies that they have for you.

you two are not close or not in communication and, because of this, they feel as if they are not allowed to feel the way they feel about you. or think the things that they think about you.

this person may have heavy or prominent scorpio placements and, to put it simply, they're ruled by scorpio in their desire for you. they want to fuck. that's the end all and be all of it.

they desire you intensely, in a way that may have surprised even them for how unusual it is for them to experience this kind of sexual attraction at all.

this person views you as someone who is sexually experienced, or at least sexually active. they fantasise about proving to you that they're not only good, but that they're better than anyone you've ever been with.

it's a competition for them. and they'll be damned if they don't show you that they're the best option for you.

they're almost at their limit in this way, not knowing how much longer they can stay away from you. how much longer they can keep their fantasy as just fantasy.

ultimately, they fear that you two are too incompatible. they're not as experienced as you are (or as they believe you are) and fear not measuring up to a certain standard of expectation. besides, what they really want from you is a relationship.

do they want to please you, to have you crying from how good they're making you feel, to have you practically begging them? yes, but not in anything less than a wholly committed relationship.

it's only in a place where they know that they are loved and can love can they unveil this part of themselves. like a wary cat biting at the hands of strangers, purring sweetly only when you let them curl in your lap.

☆ GROUP THREE

cards pulled ⋆ eight of cups, knight of swords, ten of pentacles (rx), the lovers (rx), the chariot, nine of swords, seven of cups (rx), the devil

channelled songs ⋆ ok! by nct u · partition by beyoncé

my dear group three ♡ now why do i keep hearing “fuck nasty”... this person fantasises about the moment that comes after an argument, after they've pushed your buttons enough, after they've riled you up so much that the only option is for you two to go to the nearest secluded (or barely secluded) place and release all this tension.

a lot of the times they do this on purpose because that annoyed, angry, passionate sex is all that fills their mind, even when they're with others–with a partner in particular.

this person has a hint of exhibitionist in them and they fantasise about pushing everything to the limit with you. of seeing how far you two can go before you're caught, or nearly caught. it's dangerous and fun with you. something that they don't have with other partners, and yet that they crave.

they wait, on edge, to see you, because it's only with you that they can experience actual relief.

there's a sense of the madonna-whore complex here. they “respect” their partner too much to do any of this with, so they turn to you to fulfill all their sexual fantasies.

you or this person may also have a certain level of fame or notability and this affair is easier than a public divorce.

☆ GROUP FOUR

cards pulled ⋆ high priestess (rx), knight of cups, the world, strength, seven of pents, queen of cups, knight of pents, the devil (rx), the star (rx)

channelled songs ⋆ wait for it by leslie odom jr · call you tonight by whitney houston

my dear group four ♡ this person feels as if you are completely out of reach for them, and that the only way to get close to you is through their fantasies.

they have at one point been completely infatuated with you, with thoughts of you invading their mind throughout the day and their fantasies of you are like secret treasures they return to over and over in their mind.

their fantasies of you range from sweet to wild, as if, in knowing that you are untouchable, they feel safe to explore a broad world of sexual activity in their inner world.

ranging from fantasies of gentle, sensitive, sex after romantic dates, to sex that feels desperate in its impatient passion, they want all of you.

they fantasise of being held by, groped by you, of being lovingly teased and touched and worshipped by you. of letting go of all their inhibitions in this one intimate act with you.

they are unwilling to fully embrace their fantasies, however, and look upon them with a bit of embarrassment. even though they may at times masturbate to these fantasies, it's with a sense of being removed from the situation; reminding themselves that it's just a fantasy.

that it is just wishful thinking.

#**#minors dni #tarot #pac #pick a card #pick an image #pick a picture #pick a pile #18+ tarot #tarotblr #witchblr #tarot community #tarotcommunity #tarot reading

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killed-by-choice · 3 months

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Harjit Kaur, 30 (Australia 2024)

Harjit with her four-year-old and two-year-old, who she loved dearly

Harjit Kaur had so much to look forward to. Thanks to her hard work, she had just gotten a new job and she and her husband Sukhjinder Singh were about to buy a new home where they would raise their children. The future looked bright.

Harjit already had a four-year-old daughter and a two-year-old son. When she found out she was pregnant with her third child, she didn’t feel ready. Harjit underwent a “consultation” where she was told surgical abortion was “very safe” and that “she would be able to go home in a couple of hours.”

First-trimester surgical abortion is not as safe as she was led to believe. The uterus, cervix, the intestines, bladder, and nearby blood vessels are at risk of being torn. Risks include hemorrhage, infection, organ perforation, embolism and death. A few of the other women and girls killed by “safe and routine” first-trimester legal abortion include Kenniah Epps, Ruth Montero, Maria Gomez, Sandra Williams, Luz Maria Rodriguez, Elise Kalat, 17-year-old Chivon Williams, Erika Charlotte Wullschleger, Tia Archeiva Parks, 19-year-old Lisa Marie Hoefener, Pamela Colson, Maria Leho, Jennifer Hallner, Louchrisser Jackson, Regina Johnson, “Audrey Roe,” “Betty Roe,” “Dawn Roe,” “Evie Roe,” “Dorothy Roe,” “Vanessa Roe,” “Saanvi Roe,” and “Roxanne Roe.”

On January 12, 2024, Harjit went to the Hampton Park Women's Health abortion facility in Melbourne. She had told this was “safe” and a “routine procedure,” and she believed it. She was headed to the operating room at 12:57, when she messaged her husband and said she would call him after the abortion. That was the last time her family ever heard from her.

Abortionist Rudolph “Rudy” Lopes called Sukhjinder later that day to tell him what happened. Moments after the abortion was over, Harjit was being moved to another room when it was discovered that her heart had stopped. An ambulance was called and CPR administered for 45 minutes. Despite all this, Lopes described the abortion as “successful.”

Sukhjinder immediately drove to the facility, but when he arrived the staff refused to let him see Harjit. He was kept out of the ward entirely. He described the horrible day to news sources later:

“Five minutes later the doctor came to me and said, "Sorry your wife is dead".

“I was dead then. My life destroyed in a second.”

Staff finally let Sukhjinder into the room where Harjit’s body lay. “I begged her to come back for our little kids,” he said.

An investigation is now underway, with police and the coroner involved in the case.

Sukhjinder is devastated and doesn’t understand how Harjit, who was perfectly healthy, was killed by something they were repeatedly told was “safe and routine.” He struggles to comprehend what his future will look like without her and has described her needless death as unacceptable.

Harjit did not have to die. It is unacceptable that she was not warned of the potential dangers of the operation that killed her. More support should also be made available for families who are unsure if they are ready to care for a new baby. Resources to help her and Sukhjinder care for the new baby or for adoption could have helped. She and her baby should both be alive. Harjit deserved better than to be collateral damage of an industry that has already killed so many.

A GoFundMe has been set up to help the family. (Please consider donating to help them if you can.) https://www.gofundme.com/f/for-my-wifes-funeral-and-kids-support

https://www.heraldsun.com.au/news/victoria/shock-as-melbourne-motheroftwo-dies-at-hampton-park-medical-clinic/news-story/d41ffb636ea8173bc75fb741f39ed541

#tw abortion #unsafe yet legal #tw murder #tw ab*rtion #abortion #abortion debate #death from legal abortion #pro life

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dustedmagazine · 10 months

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Dusted Mid-Year 2023, Part One

Meg Baird photo by Rachael Cassells

It’s halfway through another year, and while that doesn’t seem possible, the trail of good-to-excellent releases argues otherwise. We celebrate as always by picking our favorites and then forcing them on unsuspecting colleagues. The Dusted Mid-Year Swap is almost entirely random, with assignments picked from a bowl and limited options for getting out of them. It’s also one of our most popular features, both internally and among our readers.

Although we don’t pursue consensus — and in fact, quite the opposite, we value the diversity of taste and opinion among our writers — some years we have a clear winner. Out of deference to our most dominant mid-year artist ever, we call them “this year’s Heron Oblivion.” In 2023, that’s especially appropriate since the artist that won the mid-year is also in Heron Oblivion. That’s Meg Baird, whose Furling captured the affection of a broad spectrum of writers. Yo La Tengo was the closest behind, with punkish The Drin and drone-experimental Natural Information Society also in the hunt.

But while we agree sometimes, at others we don’t, and you’ll notice that a good sprinkling of writers were not entirely on board with their assignments. That’s okay. It’s good for us to hear stuff we don’t like, too. It’s part of a balanced musical diet.

We begin with the first half of the alphabet with artists from Algiers to James Ilgenfritz represented. Check back tomorrow for the second half and the next day for our writers’ lists.

Algiers — Shook (Matador)

Shook by Algiers

Who nominated it? Andrew Forell

Did we review it? Yes, Andrew wrote, “Switching organically between punk, gospel, soul, hip hop, jazz and afro-futurism, Algiers speaks directly to a world under siege.”

Jennifer Kelly’s take:

On this tour de force, Algiers doesn’t so much blend African American musical styles as find the sinews and tendons and veins that connect them. “Everybody Shatter” alone morphs from minimalist techno beat to menacing rock to old-school hip hop shout-crossing call and response, and that’s just the opening salvo. The guests run the gamut from current hip hop phenom Billy Woods to DC punk mainstay Mark Cisneros to free-jazz sax experimenter Patrick Shiroishi, with a startlingly moving bit of poetry at the end from Glory Fires front man Lee Bains. “Comment #2” records an unnamed young woman wondering why the discourse about black America focuses so much on suffering, rather than the hope and joy and resilience that her community also manifests. Shook soaks up all elements of that multi-faceted experience, with fierce joy, unrelenting honesty and surges of pure musical exhilaration. Powerful stuff.

Arrowounds — In the Octopus Pond (Lost Tribe Sound)

In The Octopus Pond by ARROWOUNDS

Who nominated it? Tim Clarke

Did we review it? Yes, Tim wrote, “The sounds and how they’re treated go a long way towards mustering a unique, shadowy atmosphere, which is sustained throughout the album’s 45 minutes.”

Christian Carey’s take:

Ambient’s revival has lasted longer than its initial incarnations and cast a wider net as to the music it encompasses. Releases like In the Octopus Pond by Arrowounds (Ryan Chamberlain) demonstrate why this can be all to the good. An example is the use of a repeated post-rock riff, sustained synth lines, and samples of water in “Spectral Colours of Science,” a standout. In another melange,“Phosphene Silver Abyss” pits a loping bass riff against glissando-filled distorted electric guitar and subdued keyboards. An engaging listen throughout.

Meg Baird — Furling (Drag City)

Furling by Meg Baird

Who picked it? Jennifer Kelly

Did we review it? Yes, Tim Clarke wrote, “Welcome to one of the first great records of the young year.”

Jason Bivins’ take:

I’ve actually been living with and loving this record for many months now. Baird’s got an extraordinary voice and a real knack for both songwriting and arranging. There’s a compelling argument to be made that Furling is her strongest recording. From the outset, it’s clear that this is music that is intimate and reflective and admirably uncluttered. Chords or arpeggios shine through without excess, with gentle strumming and a light touch on the snare making a nice slide for Baird’s angelic voice to glide down. Often she layers her voice, harmonizing way up there over gentle guitar, but she also sinks right in between the chords here and there. Some tracks, like “Star Hill Song,” dial into conventional song-form more than others, but there’s always a gorgeous blend of the earthy and the ethereal. Star-skirling guitars glide atop a tasty pulse, or spare piano grounding textural clouds, always focused on Baird’s somewhat breathy voice and distinctive vibrato. In all my listening, I don’t even focus too much on the lyrics, which only float up for me on occasion. I just allow myself to be hypnotized by the unpretentious beauty of this music.

Big Blood — First Aid Kit (Ba Da Bing/Feeding Tube Records)

First Aid Kit by Big Blood

Who picked it? Bryon Hayes

Did we review it? Yes, Bill Meyer said, “Their production has a steam-pressed quality, as though the background instrumental sounds had all been ironed onto the tape. Voices and drums, however, jump out of the mix, which suits the songs’ sturdy hooks.”

Ray Garraty’s take:

The opening track “In My Head” might fool you that this is a modern take on rockabilly and 1990s indie pop, something that is not easy to stomach in large quantities. But things change drastically after that, with “Haunted”, possibly the best track on the whole CD. A bit of Sparks, a bit of Kate Bush, a bit of your favorite bedroom pop band, Big Blood is a mix of all that but with a twist. First Aid Kit sounds lo-fi enough not to be too grandiose and tiring and clean enough not to fall into the category of bedroom rumblings made for a few friends. The choruses are haunting you, indeed, and stick in mind for days. It closes with a track called “Weird Road Pt. 1,” and it is a weird road for sure. Weird and just great.

BIG|BRAVE — nature morte (Thrill Jockey)

nature morte by BIG|BRAVE

Who picked it? Jonathan Shaw

Did we review it? Yes, Jonathan said, “The title of nature morte might reference death, but this music is frightfully, joyfully and overwhelmingly alive.”

Bryon Hayes’ take:

There’s heavy music that attempts to pulverize your grey matter into oblivion, and then there’s nature morte. This is music that gets under your skin with its dual guitar wall of noise and its sludgy rhythms. What’s really arresting is the intensity of Robin Wattie’s vocals, and how she transitions from a measured attack into all-out screaming almost instantaneously. I don’t usually thirst for music on the heavier end of the spectrum, but I found myself strangely attracted to this record. Images of EMA covering Nirvana’s “Endless, Nameless” kept swirling through my head as I digested the record for the first time. The maelstrom conjured by the two guitars, the pounding of the drums, and Wattie’s almost pleading vocals coalesce into a near-crystalline molasses that somehow manages to flow with enough sweetness to appeal to all manner of listener. Even if you tend to enjoy softer sounds, you should give this album a spin.

Cellow — Ghetto Takeover (Jugg$treet)

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Who picked it? Ray Garraty

Did we review it? No

Jason Bivins’ take:

An EP should be concise, a marker of method and style on the journey to completing a larger project. Or, it should whet the appetite by introducing a new voice, the promise of distinction. Cellow’s six-song, eighteen-minute slice from earlier this year is, by contrast, somehow meandering. On the final track, he proposes: “Let’s do a tape in a fucking night.” Which, apparently, is actually how this project came together. And oof, does it sound it. The production is dated and drab, the beats pedestrian, and the rhymes predictably grandiose and misanthropic in equal measure. For example, he boasts, “that’s a 2012 Benz, not a spaceship” and “I just got $200 for an 8th of Splenda.” He fat-shames women, disses Obama and otherwise romps over his “clown-ass” competitors. If only he were actually compelling as a verbal stylist. But no: after yet another “Strange Fruit” sample on “Ain’t Come to Play,” he fumbles the attempted double-time spitting. It’s embarrassingly undercooked and awkward, especially the two tracks without Rio Da Yung OG.

Elkhorn — On the Whole Universe in All Directions (Centripetal Force)

On The Whole Universe In All Directions by Elkhorn

Who nominated it? Bill Meyer

Did we review it? No.

Christian Carey’s take:

For their latest recording, On the Whole Universe in All Directions, Elkhorn (acoustic 12-string guitarist Jesse Shephard and electric guitarist/percussionist Drew Gardner) explore each principal direction of the compass (North-South-East-West) on four tracks. The vibraphone is a new addition, and the textures created by vibes and 12-string in combination on “North” and “South” are mesmerizing. Splash cymbals and alternate scales provide a (perhaps inevitable) exoticism to “East.” Correspondingly, “West” shares minimal folk inflections and a winsome melody. Elkhorn has executed a successful transformation.

Robert Forster — The Candle and the Flame (Tapete)

The Candle And The Flame by Robert Forster

Who picked it? Jennifer Kelly

Did we review it? Yes. Andrew Forell wrote, “Forster’s observational directness and simple language are always in service to the deep feeling in his songs and few better imbue the quotidian joys of domestic life and the power of memory with such poetry.”

Patrick Masterson’s take:

Not being much of an ardent Go-Betweens fan, I went into The Candle and the Flame with little expectation beyond the notion that Forster would be chronicling the relationship with his wife, who was diagnosed with and got treated for ovarian cancer around the three years these songs were conceived. What I can’t help but admire is how he throws you akimbo right away with “She’s a Fighter,” which attacks the illness directly and immediately (with the help of the whole family, even!) in a rollicking folk-punk style. Duly done and dusted, Forster turns his attention to the deeper reserves of their personal history, reminiscing about meetings in Germany and walking to school in the ‘60s and the general weathering of life in a more relaxed, fittingly contemplative manner. You can tell without knowing anymore than I did that he’s been doing this long enough that songwriting comes naturally to him by now no matter the topic — an artist with an innate gift honed over decades that shines best at its most unvarnished.

Asher Gamedze — Turbulence and Pulse (International Anthem/Mushroom Hour Half Hour)

Turbulence and Pulse by Asher Gamedze

Who picked it? Andrew Forell

Did we review it? Nope

Ian Mathers’ take:

This is a very good record that I feel like I got a few mistaken impressions of! The blurb on the Bandcamp page talks a lot about percussion in a way that made me think this was going to be more beat-centric, and then the opening almost-title track “Turbulence’s Pulse” does go in that direction, combined with a speech about the intersection of rhythms, history and politics. It kind of rules, and then the record pivots on “Wynter Time” to what sounds to my (admittedly not-super-genre-savvy) ears like a pretty straightforward jazz track. Not that Gamedze’s drumming isn’t vital to those proceedings, and it continues to be impressive throughout, but we get a lot more of that latter mode over these 80 minutes (including 20 minutes of live versions of tracks from this album, which may be catnip to real heads but to relative novice me don’t stand out enough to want both). But neither “it’s a bit long for me” or “it’s not exactly what I expected” are big complaints, and they’re more than outweighed by the quality of Gamedze’s playing and the rest of the ensemble, especially Robin Fassie on trumpet and Buddy Wells on tenor saxophone, who wound up drawing a lot of my focus. When things get moving on “Locomotion” and “Out Stepped Zim” the results are great, even if I could also love a record more directly in line with “Turbulence’s Pulse.”

Jana Horn — The Window Is the Dream (No Quarter)

The Window Is The Dream by Jana Horn

Who recommended it? Tim Clarke

Did we review it? Yes; Tim wrote, “Horn weaves in an undeniable magic. Much like the soap bubble on the album’s cover, hold this music up to the light and it refracts a surprising array of beautiful colors.”

Jonathan Shaw’s take: The variety of wispy, delicate, singer-songwriter music that Jana Horn makes generally puts me to sleep—a fact for which I am grateful, since prolonged exposure to qualities like “wispy” and “delicate” isn’t a happy event for me. And to be sure, Horn’s mannered, near-expressionless alto—full of little gulps and breathy intonations that are simultaneously arch and bloodless—is mildly irritating. But setting those subjective responses aside, there are things to admire on The Window Is the Dream. Horn has a distinct compositional sensibility, which is affecting in direct proportion to its spareness. See the music of “Old Friend,” which skitters and halts, but maintains its sense of grace and composure. The arrangement builds some momentum, and when Horn cuts it all off, with peremptory force, it’s satisfying. Throughout the record, Horn demonstrates that musical sense for timing and mood; see especially the overlay of dissonances that emerges after the careful combinations and constructions of the opening three minutes of “In Between.” But for this listener, Horn’s singing cancels those urgencies and complexities. I get it: the contrast between her prettily blank vocals and the music’s by-turns dreamy and antsy textures will please some. But these precise, calculated gestures don’t make any magic for me.

James Ilgenfritz—#entrainments (Infrequent Seams)

#entrainments by James Ilgenfritz

Who nominated it? Christian Carey

Did we review it? No

Bill Meyer’s take:

Here’s a record that’s well within my wheelhouse, but which I had skipped over on account of there being a lot of music out there. It turns out that #entrainments deeply rewards investigation. It succeeds at being an engaging listen as well as formally creative. Bassist/composer James Ilgenfritz hasn’t just crafted some appealing melodies, he has made them part of a system of meta-responses that can be restructured on the fly. His combo, which includes drummer Gerry Hemingway, alto saxophonist Angelica Niescier and cellist Nathan Bontrager, is tuned into the multiple levels at which this music needs to work, and sounds equally persuasive realizing the cut-and-thrust of “#frontmatter,” which reminds me in a good way of old Henry Threadgill records, and the chamber combo with dissenting drums treatment of “#squarequotes.” A comprehensive review of this album would delve deep into its backstory of health travails and compositional strategizing, but since we’re keeping it brief, suffice to say that if you like your jazz sturdy, nuanced, and inclusive, #entrainments will deliver the goods, and follow them up with a bounty of bonuses.

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movies-to-add-to-your-tbw · 11 months

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Title: Whitney Houston: I Wanna Dance with Somebody

Rating: PG-13

Director: Kasi Lemmons

Cast: Naomi Ackie, Ashton Sanders, Stanley Tucci, Nafessa Williams, Lance A. Williams, Tamara Tunie, Clarke Peters, Daniel Washington, JaQuan Malik Jones, Kris Sidberry, Tanner Beard, Bailee Lopes, Jennifer Ellis, Bria Danielle Singleton, Adrian M. Mompoint, Coffey

Release year: 2022

Genres: history, music, drama

Blurb: Follow the joyous, emotional, heartbreaking celebration of the life and music of Whitney Houston, the greatest female R&B pop vocalist of all time, tracking her journey from obscurity to musical superstardom.

#whitney houston i wanna dance with somebody #pg13 #kasi lemmons #naomi ackie #ashton sanders #stanley tucci #nafessa williams #lance a williams #2022 #history #music #drama

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aiveecastillo · 11 months

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Miss Universe Winners (2010-2022)

2000: India; Lara Dutta

2001: Puerto Rico; Denise Quiñones

2002: Russia; Oxana Fedorova (DT)

------: Panama; Justine Pasek

2003: Dominican Republic; Amelia Vega

2004: Australia; Jennifer Hawkins

2005: Canada; Natalie Glebova

2006: Puerto Rico; Zuleyka Rivera

2007: Japan; Riyo Mori

2008: Venezuela; Dayana Mendoza

2009: Venezuela; Stefania Fernandez

2010: Mexico; Ximena Navarrete

2011: Angola; Leila Lopes

2012: USA; Olivia Culpo

2013: Venezuela; Gabriela Isler

2014: Colombia: Paulina Vega

2015: Colombia; Ariadna Gutierrez

2016: France; Iris Mittenaere

2017: South Africa; Demi-Leigh Nel-Peters

2018: Australia; Catriona Gray

2019: South Africa; Zozibini Tunzi

2020: Mexico; Andrea Meza

2021: India; Harnaaz Sandhu

2022: USA; R'Bonney Gabriel

#Miss Universe

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awardseason · 1 year

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21st Annual Visual Effects Society Awards — Film Winners

Outstanding Visual Effects in a Photoreal Feature Avatar: The Way of Water – Richard Baneham, Walter Garcia, Joe Letteri, Eric Saindon, JD Schwalm — WINNER Fantastic Beasts: The Secrets of Dumbledore – Christian Mänz, Olly Young, Benjamin Loch, Stephane Naze, Alistair Williams Jurassic World: Dominion – David Vickery, Ann Podlozny, Jance Rubinchik, Dan Snape, Paul Corbould The Batman – Dan Lemmon, Bryan Searing, Russell Earl, Anders Langlands, Dominic Tuohy Top Gun: Maverick – Ryan Tudhope, Paul Molles, Seth Hill, Bryan Litson, Scott Fisher

Outstanding Supporting Visual Effects in a Photoreal Feature Death on the Nile – George Murphy, Claudia Dehmel, Mathieu Raynault, Jonathan Bowen, David Watkins I Wanna Dance With Somebody – Paul Norris, Tim Field, Don Libby, Andrew Simmonds The Fabelmans – Pablo Helman, Jennifer Mizener, Cernogorods Aleksei, Jeff Kalmus, Mark Hawker The Gray Man – Swen Gilberg, Viet Luu, Bryan Grill, Cliff Welsh, Michael Meinardus The Pale Blue Eye – Jake Braver, Catherine Farrell, Tim Van Horn, Scott Pritchard, Jeremy Hays Thirteen Lives – Jason Billington, Thomas Horton, Denis Baudin, Michael Harrison, Brian Cox — WINNER

Outstanding Visual Effects in an Animated Feature Guillermo del Toro’s Pinocchio – Aaron Weintraub, Jeffrey Schaper, Cameron Carson, Emma Gorbey, Mad God, Chris Morley, Phil Tippett, Ken Rogerson, Tom Gibbons — WINNER Strange World – Steve Goldberg, Laurie Au, Mark Hammel, Mehrdad Isvandi The Bad Guys– Pierre Perifel, Damon Ross, Matt Baer, JP Sans The Sea Beast – Joshua Beveridge, Christian Hejnal, Stirling Duguid, Spencer Lueders Turning Red – Domee Shi, Lindsey Collins, Danielle Feinberg, Dave Hale

Outstanding Animated Character in a Photoreal Feature Avatar: The Way of Water: Kiri – Anneka Fris, Rebecca Louise Leybourne, Guillaume Francois, Jung-Rock Hwang — WINNER Beast: Lion – Alvise Avati, Bora Şahin, Chris McGaw, Krzysztof Boyoko Disney’s Pinocchio: Honest John – Christophe Paradis, Valentina Rosselli, Armita Khanlarpour, Kyoungmin Kim Slumberland: Pig – Fernando Lopes Herrera, Victor Dinis, Martine Chartrand, Lucie Martinetto

Outstanding Animated Character in an Animated Feature Guillermo del Toro’s Pinocchio: Geppetto – Charles Greenfield, Peter Saunders, Shami Lang-Rinderspacher, Noel Estevez-Baker Guillermo del Toro’s Pinocchio: Pinocchio – Oliver Beale, Richard Pickersgill, Brian Leif Hansen, Kim Slate — WINNER Strange World: Splat – Leticia Gillett, Cameron Black, Dan Lipson, Louis Jones Turning Red: Panda Mei – Christopher Bolwyn, Ethan Dean, Bill Sheffler, Kureha Yokoo

Outstanding Created Environment in a Photoreal Feature Avatar: The Way of Water: Metkayina Village – Ryan Arcus, Lisa Hardisty, Paul Harris TaeHyoung David Kim Avatar: The Way of Water: The Reef – Jessica Cowley, Joe W. Churchill, Justin Stockton, Alex Nowotny — WINNER Jurassic World Dominion: Biosyn Valley – Steve Ellis, Steve Hardy, Thomas Dohlen, John Seru Slumberland: The Wondrous Cuban Hotel Dream – Daniël Dimitri Veder, Marc Austin, Pavan Rajesh Uppu, Casey Gorton

Outstanding Created Environment in an Animated Feature Guillermo del Toro’s Pinocchio: In the Stomach of a Sea Monster – Warren Lawtey, Anjum Sakharkar, Javier Gonzalez Alonso, Quinn Carvalho — WINNER Lightyear: T’Kani Prime Forest – Lenora Acidera, Amy Allen, Alyssa Minko, Jose L. Ramos Serrano Strange World: The Windy Jungle – Ki Jong Hong, Ryan Smith, Jesse Erickson, Benjamin Fiske The Sea Beast: The Hunting Ship – Yohan Bang, Enoch Ihde, Denil George Chundangal, John Wallace Wendell & Wild: The Scream Fair – Tom Proost, Nicholas Blake, Colin Babcock, Matthew Paul Albertus Cross

Outstanding Virtual Cinematography in a CG Project ABBA: Voyage – Pär M. Ekberg, John Galloway, Paolo Acri, Jose Burgos Avatar: The Way of Water – Richard Baneham, Dan Cox, Eric Reynolds, A.J Briones — WINNER Prehistoric Planet – Daniel Fotheringham, Krzysztof Szczepanski, Wei-Chuan Hsu, Claire Hill The Batman: Rain Soaked Car Chase – Dennis Yoo, Michael J. Hall, Jason Desjarlais, Ben Bigiel

Outstanding Model in a Photoreal or Animated Project Avatar: The Way of Water: The Sea Dragon – Sam Sharplin, Stephan Skorepa, Ian Baker, Guillaume Francois — WINNER The Sea Beast – Maxx Okazaki, Susan Kornfeld, Edward Lee, Doug Smith Top Gun: Maverick: F-14 Tomcat – Christian Peck, Klaudio Ladavac, Aram Jung, Peter Dominik Wendell & Wild: Dream Faire – Peter Dahmen, Paul Harrod, Nicholas Blake

Outstanding Effects Simulation in a Photoreal Feature Avatar: The Way of Water: Fire and Destruction – Miguel Perez Senent, Xavier Martin Ramirez, David Kirchner, Ole Geir Eidsheim Avatar: The Way of Water: Water Simulations – Johnathan M. Nixon, David Moraton, Nicolas Illingworth, David Caeiro Cebrian — WINNER Black Panther: Wakanda Forever: City Street Flooding – Matthew Hanger, Alexis Hall, Hang Yang, Mikel Zuloaga Fantastic Beasts: The Secrets of Dumbledore – Jesse Parker Holmes, Grayden Solman, Toyokazu Hirai, Rob Richardson

Outstanding Effects Simulation in an Animated Feature Lightyear – Alexis Angelidis, Chris Chapman, Jung-Hyun Kim, Keith Klohn Puss in Boots: The Last Wish – Derek Cheung, Michael Losure, Kiem Ching Ong, Jinguang Huang — WINNER Strange World – Deborah Carlson, Scott Townsend, Stuart Griese, Yasser Hamed The Sea Beast – Spencer Lueders, Dmitriy Kolesnik, Brian D. Casper, Joe Eckroat

Outstanding Compositing & Lighting in Feature Avatar: The Way of Water: Landing Rockets Forest Destruction – Miguel Santana Da Silva, Hongfei Geng, Jonathan Moulin, Maria Corcho Avatar: The Way of Water: Water Integration – Sam Cole, Francois Sugny, Florian Schroeder, Jean Matthews — WINNER The Batman: Rainy Freeway Chase – Beck Veitch, Stephen Tong, Eva Snyder, Rachel E. Herbert Top Gun: Maverick – Saul Davide Galbiati, Jean-Frederic Veilleux, Felix B. Lafontaine, Cynthia Rodriguez del Castillo

Outstanding Special (Practical) Effects in a Photoreal Project Avatar: The Way of Water: Current Machine and Wave Pool – JD Schwalm, Richie Schwalm, Nick Rand, Robert Spurlock — WINNER Black Adam: Robotic Flight – JD Schwalm, Nick Rand, Andrew Hyde, Andy Robot, Mad God, Phil Tippett, Chris Morley, Webster Colcord, Johnny McLeod The Lord of the Rings: The Rings of Power “Adrift” Middle Earth Storm – Dean Clarke, Oliver Gee, Eliot Naimie, Mark Robson

Emerging Technology Award Avatar: The Way of Water: Depth Comp – Dejan Momcilovic, Tobias B. Schmidt, Benny Edlund, Joshua Hardgrave Avatar: The Way of Water: Facial System – Byungkuk Choi, Stephen Cullingford, Stuart Adcock, Marco Revelant Avatar: The Way of Water: Water Toolset – Alexey Dmitrievich Stomakhin, Steve Lesser, Sven Joel Wretborn, Douglas McHale — WINNER Guillermo del Toro’s Pinocchio: 3D Printed Metal Armature – Richard Pickersgill, Glen Southern, Peter Saunders, Brian Leif Hansen Turning Red: Profile Mover and CurveNets – Kurt Fleischer, Fernando de Goes, Bill Sheffler

#visual effects society #visual effects society awards #ves awards #ves awards 2023 #winners

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