#jazzschool
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https://twitter.com/DordogneJazzSch
#Dordogne#InternationalJazz#Jazz#SummerSchool#Château#Monteton#jazzmusic#jazzcamp#jazzpractice#beautifulfrance#saxophone#jazzpiano#jazzvocal#jazzsinger#musicschool#jazzschool#jazzsax#learnjazz#summerinfrance#jazzsummerschool
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Jazz
SOFASWING - Do, 25.01.2024, 19:30 Uhr
Veranstalter: ars musica e.V.
Location: Das Salettl im Wirtshaus Tannengarten
Adresse: Pfeuferstraße 32, 81373 München
Eintritt: € 15,- / erm. € 12,-
https://www.ticketino.com/de/Event/Sofa-Swing/186085
Beschreibung: Swing und Latin-Standards im neuen Gewand, zweistimmig neu arrangiert, zarte Balladen und kraftvolle Eigenkompositionen, teils mit Gitarre, teils A Cappella, Steptanz und Gesangs-Improvisation lassen jedes Stück „unwiederholbar“ werden.
Jana Dobrick, Musikpädagogin, lehrt Klavier, Alexandertechnik und Steptanz.Michael Eilert, Autodidakt, Absolvent der Jazzschool München, lehrt Gitarre und Gesang.
Admin: Frank McLynn
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Gesangsdozenten (w/m/d) für Pop/ Rock/Jazzschool (vergütet)
Music Academy Bonn sucht Sänger oder Sängerin (auch Musiker, Musikal. Leiter, Bassist, und andere) im Spielalter 19-59 Jahre für Pop/ Rock/Jazzschool in Bonn (Deutschland). http://dlvr.it/SXpDt0
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Check Out This Awesome Ear Training App! This is not a sponsored video. I just think it’s awesome.
#eartraining#musicians#jazz#chetbaker#musiceducation#intervals#intervalrecognition#perfectpitch#relativepitch#musicschool#jazzschool#berklee#newschool#julliard#bebop#practice#shed#jazzmusicians
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What even IS jazz? #jazz #folk #blues #whatisjazz #jazzschool #jazzlesson #jazztips https://www.instagram.com/p/B13cf6JJTAg/?igshid=woeju2mp5ihl
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Art Blakey and the Jazz Messengers: “Moanin’” Pianist Bobby Timmons’s soulful solo. #BAM #Jazz #Soul #ArtBlakey #BobbyTimmons #Repost @instajazzvids ・・・ Bobby Timmons taking a solo on his composition; Moanin’, with Art Blakey’s ‘Jazz Messengers’. . . . Benny Golson - Tenor Saxophone Lee Morgan - Trumpet Bobby Timmons - Piano / Composition Art Blakey - Drums Jymie Merritt - Bass 1959 What's your favourite Bobby Timmons composition? #jazz #jazzhistory #jazzmusic #musichistory #jazzconcert #artblakey #bobbytimmons #leemorgan #bennygolsen #jymiemerritt #jazzmessengers #thejazzmessengers #jazzschool #jazztraining
#jazz#jazzmusic#soul#leemorgan#jazztraining#artblakey#jazzschool#bobbytimmons#jazzconcert#jymiemerritt#thejazzmessengers#bennygolsen#bam#jazzhistory#jazzmessengers#repost#musichistory
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When your college bass professor walks in on the 8th hour of bass for that day and it's a bass solo on Superstition. #uncg #college #jazz #jazzschool #nashville #bass #basslove (at Nashville Crossroads)
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#Repost @instajazzvids with @repostapp ・・・ Benny Golson taking a solo on the Bobby Timmons tune; Moanin’, with Art Blakey’s ‘Jazz Messengers’. . Rumour has it that Golson heard Timmons practicing the main riff of the melody, and convinced him to write a bridge. This created one of the most recognizable tunes he would ever produce. . Benny Golson - Tenor Saxophone Lee Morgan - Trumpet Bobby Timmons - Piano / Composition Art Blakey - Drums Jymie Merritt - Bass . 1959. . What is your favourite Bobby Timmons tune?? #jazz #jazzhistory #jazzmusic #musichistory #jazzconcert #artblakey #bobbytimmons #leemorgan #bennygolsen #jymiemerritt #jazzmessengers #thejazzmessengers #jazzschool #jazztraining
#thejazzmessengers#jazzmessengers#bennygolsen#jazzmusic#repost#jazzschool#jymiemerritt#bobbytimmons#jazzconcert#musichistory#jazzhistory#jazztraining#jazz#artblakey#leemorgan
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Münchner Berufsfachschule für Rock, Pop und Jazz stellt sich vor
Münchner Berufsfachschule für Rock, Pop und Jazz stellt sich vor
Der Trägerverein Neue Jazzschool München setzt wieder verstärkt auf den analogen Austausch und holt den für Januar geplanten Tag der offenen Tür seiner staatlich anerkannten Berufsfachschule für Musik am 7. Mai 2022 von 11 bis 14 Uhr nach. Besucher haben die Chance, den Dozenten beim Unterrichten über die Schulter zu schauen und sich vor Ort Tipps für die Aufnahmeprüfung abzuholen. Potenzielle…
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Concert 31.10 https://www.ars-musica-muenchen.de Swing - Latin and Songs with a smile MICHAEL EILERT + JANA DOBRICK - GESPIELT, GESUNGEN UND GESTEPPT! Mitwirkende: Michael Eilert - Gesang und Gitarre Jana Dobrick - Gesang und Stepptanz Datum: Do, 31.10.2019, 20:00 Uhr Ende: 22:00 Uhr Veranstalter: ars musica e.V. Eintritt: VVK € 14,- / erm. € 11,- *** AK € 15,- / € 12,- Beschreibung: Was macht ein Mensch, der dem Swing- und Latin-Jazz, dem freien Improvisieren und Kommunizieren mit anderen Musikern verfallen ist, dem aber auch ständig komische, ironische, lyrische und satirische Texte in den Sinn kommen? Er kombiniert das Kabarettistische mit dem Jazzigen. Der Sänger und Gitarrist Michael Eilert, Absolvent der Jazzschool München, trifft auf die Stepptänzerin und Sängerin Jana Dobrick. Da wird dann gerne mal auf dem Weg zur S-Bahn ein Lied gesungen, weil es halt so schön klingt. ars musica im Stemmerhof https://www.ars-musica-muenchen.de Es gibt noch Karten, absolut hörenswert! Reservieren unter 089 666 98 5 97 (at ars musica e.V. - Musikbühne) https://www.instagram.com/p/B4SHC2aiesn/?igshid=1ab2xa49d185c
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Back Story
The San Diego Years
Warren Wiebe, Class of 1971
While attending Crawford High School in San Diego, Warren shows a great interest in performing music. His first experience performing occurs in 1972 with the band Mankind, in which Warren plays bass, guitar and sings.
Warren at Crawford High School, San Diego early 70's
Warren joins many local bands between the 1960's and the 1980's. Emergency Exit is one of them. Guitar player Ed Cook and Warren originally start the band in the mid 1960's with another lead singer by the name of Dave Ballanger, but it doesn't take long to understand that the stage truly belongs to Warren. The final line up is Warren on bass and lead vocals, Ed Cook on lead guitar, Bram Peterson on rhythm guitar, Mike Thompson on keyboards (currently the keyboardist for Don Henley) and Tom Hankla on drums. The music play list is incredibly diverse, with the band playing everything from hard rock to funk, soul or blues. "Exit", as the band is known, has a tremendous following at the Infinity Disco, a very popular hangout for San Diego locals.
"Jake", as he is called by the family, is also hired in 1979 by country artist Bobbie Gentry to perform as bass player and vocalist in some of her shows in Las Vegas.
Warren also joins a top 40 band called Circles with guitar player Hank Easton. He plays bass and sing backup vocals since the band already have a lead female singer. Their music is varied, but leans toward the pop style.
Warren is a skilled and proficient rock bass player and plays a lot of trio gigs from rock & roll to jazz with guitar player (and Warren's best friend) Brian Price. They work at the Turquoise Lounge in San Diego for years - a rock & roll bar which is an immensely popular hangout at the time. Their trio, first called Status, later chooses the monniker 3D. This is one of the last bands where Warren pulls double-duty as bass player as well as vocalist.
Warren also works with Most Valuable Players (MVP) and Flight Seven. These bands are part of the late 80's San Diego pop jazz movement. MVP is led by guitarist David Ochs. The basic line up is David Ochs on guitar, Charlie Chadwick on bass (now in Nashville), Roger Friend on drums (a man of part Swedish heritage, who tours with Abba in the 70's and early 80's), Bill Cantos, who "subs" a few times on keyboards, and Warren on vocals. The band often works at "Fat City" restaurant near downtown San Diego and the "Catamaran Hotel Pacific" in Pacific Beach.
Flight Seven (originally New Shooz) is a very good pop jazz group featuring Larry de la Cruz on alto sax and additional keyboards, Barry Aiken on keyboards, Don Schonenberger on drums, Don Anderson on bass, Gabe Terrado on guitar, and Warren on vocals. Brian Price "subs" a few times as does David Ochs (from MVP), Mark Shapiro, Dave Hatherill and Jeff Scheneider. Warren is in the band during the New Shooz period for about 4 months, but leaves with Jeff Scheneider to form his own band called Street Corner Symphony, which is short lived. Flight Seven release an album entitled "Sky High" in late 1988 of mostly instrumentals which feature Warren's vocals on two of tracks. Flight Seven original singer is Sue Ferris who's in the band when they begin to work on the CD. Then comes Warren, and finally a singer named Rose Riedel. Warren is originally on five vocal songs but when he leaves, Rose Riedel re-record three cuts leaving Warren on two songs.
Warren also sings with The Bill Shreeve Sextet, with vocalist Cecily Johnson sharing the spotlight. Bill Shreeve is a local band leader that does casuals in San Diego (weddings and corporate functions) and he hires Warren and Cecily Johnson as his vocalists. Cecily and Warren become good friends, not only by singing together but because on those casuals there are often one or two instrumental "dinner" sets, and the two of them often find themselves hanging out talking before coming on stage.
The Bill Shreeve Sextet, (now known as Airplay), features Bill Shreeve on saxes and flute, Vince Cooper on guitar, Jay Jorgensen on bass (sometimes Pat Fitzpatrick), John Opferkuch on keyboards, Dave Blackburn on drums, and Cecily Johnson and Warren on vocals. The music is varied, but leans toward the pop jazz style; Metheny-type stuff during the dinner set, then plenty of R&B tunes for dancing.
Larry de la Cruz, Brian Price, Bill Cantos, and Dave Blackburn meet each other through studying at Jazzschool (1985-86) with Hal Crook who eventually goes back to Boston and becomes head of the Composition department at Berklee College of music.
In 1987 Warren records the song "How Long?" for songwriter and drummer Dave Blackburn.
On Valentine's Day in 1987, Warren is heard by David Foster and Burt Bacharach at The Bonaventure Hotel in Los Angeles. In June of that same year, Warren and Bill Cantos play in a duo at Ned Shankman's wedding (David Foster's attorney at the time) in Malibu, Los Angeles. Jay Graydon also attends Shankman's wedding and is absolutely amazed at the performance. Warren starts working with David, and Bill starts co-writing with Jay after that.
Within a few months of the wedding of Foster's attorney Ned Shankman's, Warren is performing with an 80-piece orchestra as the lead vocalist in David Foster's band and is performing throughout Canada.
Before leaving San Diego, Warren also performs solo under his own name at Humphrey's on Shelter Island, a popular concert venue for touring acts (on the outdoor stage) with an indoor bar area where local bands work. They lean towards pop jazz, which San Diego is obsessed with during the late 80's, and which Warren of course could do with no problem.
Warren also joins Georgetown Express, another casual band featuring SD's best musicians: musicians: Rob Whitlock on keyboards, Duncan Moore on drums, Kevin Hennessy on bass, John Rekevics on saxes, and Brian Price on guitar, with Amber Whitlock and Warren on vocals. The band’s still going strong, and even had a gig with Warren scheduled for the week after his passing. Their music is similar to Bill Shreeve's band, but the covers are probably as good or better than the original artists.
Beginning in 1989 Warren is featured as the anthem singer for the Los Angeles Kings at the Great Western Forum. After hockey legend Wayne Gretzky signs with the Los Angeles Kings, Warren regularly sings the classic tune "America the Beautiful" before their home games. Gretzky is a friend of David Foster, who helps to arrange Warren's appearances. Warren's rousing renditions are well received, and prove somewhat of a good luck charm for the Kings during the Gretzky era.
In 1989 Warren records the song "We’re Together" for composer/drummer Dave Blackburn at Studio West in San Diego, which features Bill Cantos on MIDI grand piano, and a string arrangement by Lars Clutterham.
In 1989 Warren performs a duet with Celine Dion for the movie "Listen To Me" whose OST is composed by David Foster.
By the late 80s, Warren’s voice also can be heard on many television and radio jingles. San Diego songwriter Steven Vaus has also worked with him quite a bit during the 12 years prior doing a lot of radio and television spots. Warren can also be found during this period working for companies such as Fox Music Productions in San Diego and for Saatchi & Saatchi Pacific Advertising.
In 1989 Warren records the songs "Say It Isn’t So” at The Studio in San Diego for local saxophonist Mark Lessman. The song features music by Mark Lessman, and by Jeff Bristol. Rob Whitlock plays keyboards. The tune is released on Lessman’s album "More or Less”, engineered by Mike Harris and mastered by the famous Bernie Grundman.
In 1989 Warren finally relocates to the Los Angeles area (Glendale) and starts to work with David Foster on many studio albums and live performances. He leaves the San Diego club circuit behind, but often returns to his hometown for casuals and session work. Warren makes no distinction in his mind between singing with Celine Dion, recording for David Foster, and playing weddings in San Diego. Warren carries this honest and humble trait with him all his life. *Reposted article from the website Welcome to Warren Wiebe. **See also the following ePacer post titled “Class Notes” it’s an abstract from the San Diego Union-Tribune, Obituaries of October 29, 1998.
Randy Burnett ,Warren Wiebe, Nathan East and Don Smith
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#Dordogne#InternationalJazz#Jazz#SummerSchool#Château#Monteton#jazzmusic#jazzcamp#jazzpractice#beautifulfrance#saxophone#jazzpiano#jazzvocal#jazzsinger#musicschool#jazzschool#jazzsax#learnjazz#summerinfrance#jazzsummerschool
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Jazz
SOFASWING
Datum: Do, 18.05.2023, 19:00 Uhr
Ende: 21:00 Uhr
Veranstalter: ars musica e.V.
Location: Tannengarten, Biergarten, bei schlechtem Wetter im Salettl
Adresse: Pfeuferstraße 32, 81373 München
Eintritt: Eintritt frei - Spenden erwünscht
Beschreibung: Sie mischen Vertrautes mit absolutem Neuland und sehen, wie es sich anfühlt. Lasst Euch überraschen. Swing und Latin-Standards im neuen Gewand, zweistimmig neu arrangiert, zarte Balladen und kraftvolle Eigenkompositionen, teils mit Gitarre, teils A Cappella, Steptanz und Gesangs-Improvisation lassen jedes Stück „unwiederholbar“ werden.
Jana Dobrick, Musikpädagogin, lehrt Klavier, Alexandertechnik und Steptanz.Michael Eilert, Autodidakt, Absolvent der Jazzschool München, lehrt Gitarre und Gesang.
Admin: Frank McLynn
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Neue Jazzschool München öffnet Pforten für Besucher
Am 3. Februar 2018 stellt der Neue Jazzschool München e.V. von 11 bis 14 Uhr bei einem Tag der offenen Tür seine Berufsfachschule für Rock, Pop und Jazz und sein allgemeines Unterrichtsprogramm vor. Wer sich für die staatlich anerkannte Vollzeitausbildung des Vereins interessiert, kann sich bis 1. Februar 2018 für ein kurzes Probe-Vorspiel oder -Vorsingen bei Berufsfachschul-Lehrkräften anmelden.…
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USA: #brazil Keyboardist-Composer Marcos Silva's 1st Recording in 30 Years, "Brasil From Head to Toe," Due May 3
Keyboardist-Composer Marcos Silva
Unveils First Recording in 30 Years
On "Brasil From Head to Toe,"
Set for May 3 Release by
Goose Egg Productions
Silva's Long-Awaited Third Album Features a Quartet
With Saxophonist Gary Meek,
Bassist Scott Thompson, & Drummer Mauricio Zottarelli
Plus Special Guests
CD Release Show at
California Jazz Conservatory, Berkeley,
Saturday, April 6
April 4, 2019
Keyboardist and composer Marcos Silvareturns to the recording spotlight after 30 years with Brasil From Head to Toe, set for a May 3 release on his Goose Egg Productions imprint. The third album from the Brazilian-born, Bay Area-based musician and educator features an extensive cast of musicians, anchored by a core quartet with saxophonist Gary Meek, bassist Scott Thompson, and drummer Mauricio Zottarelli. It also includes 10 original compositions of invigorating Brazilian jazz fusion by the master himself.
Silva spent the three decades since recording his first two albums, 1987's Here We Go and 1989's White & Black, touring and recording with the likes of Flora Purim and Airto (for whom he also served a 24-year stint as music director), Paquito D'Rivera, and Jon Lucien, as well as keeping busy on the Bay Area's ascendant Brazilian jazz scene and teaching for more than two decades in the Brazilian Music department at Berkeley's California Jazz Conservatory (formerly The Jazzschool). With Brasil From Head to Toe, he summarizes everything he's done and learned in that long and accomplished career.
"It's a chance to learn where I'm coming from," Silva says. "This is who I am. All of my DNA is in there."
Not just Silva's DNA, but also his incomparable experiences as a musician living in Brazil and the United States and traveling the world. Tracks like "In 7 & 2," "Hathor," and "Dry Land" (among others) recall the electrified Brazilian fusion Silva played with Purim and Airto. "Dos Pés À Cabeça" gives traditional samba music a charge of slippery but bruising funk; "Escape" inclines toward progressive jazz (with the support of vibraphonist Dillon Vado); "Prediction" and "Spring" are slow samba-infused ballad offerings -- the last featuring a lush arrangement for 12-piece string ensemble.
"I don't think I wrote anything in here," Silva says of these pieces. "I'm the vehicle that translates the musical messages sent from above. I'm on the outside listening."
Silva's sumptuous but exacting compositions -- which have been recorded by such artists as Purim, Romero Lubambo, Bud Shank, and Herbie Mann -- call for interpretation by the highest caliber of musicians, and Silva's bandmates are more than up to the task. Zottarelli, a New York (by way of São Paulo)-based drummer and percussionist, is highly sought after in the jazz, Latin, and Brazilian music communities. Meek, who lives in Monterey, is a fellow longtime veteran of Flora Purim and Airto's working band (of whom Silva says, "after Michael Brecker, Gary is the saxophonist"). East Bay bassist Thompson is a protégé and colleague of Silva's at CJC's Brazilian Music department, and the son of woodwinds player Mary Fettig, with whom Silva worked on his first two albums.
Marcos Silva was born September 8, 1954 in Rio de Janeiro. He studied classical guitar, bass, and drums at the city's Museum of Image and Sound, becoming a mainstay on the music scene but ambitious to make his way into jazz. To that end, he arrived in New York City in March 1980, soon meeting famed vocalist Flora Purim and her percussionist husband Airto Moreira.
The connection redirected Silva's career, including his place of residence. He soon followed his new employers to their home base of Santa Barbara, California, relocating again three years later to the San Francisco Bay Area. He continued working with Purim and Airto, as well as joining guitarist Ricardo Peixoto's Voz do Samba and later collaborating with Claudio Amaral's Viva Brasil, and working with Brazil's elite composers such as guitarist Toninho Horta and Dori Caymmi. In 1987 he made his debut album, Here We Go, following it two years later with White & Black.
In the ensuing years, Silva became an active partner in the Bay Area jazz scene, helping to fuel a surge in its Brazilian jazz contingent and giving a boost to vocalists like Claudio Gomez, Claudia Villela, and Sandy Cressman. In the late 1990s he joined the faculty at The Jazzschool (now the California Jazz Conservatory) in Berkeley, helping to establish the new institution's Brazilian Music department. He has remained there ever since as department head while also continuing to compose and perform actively.
Marcos Silva will perform with his quartet at the California Jazz Conservatory, Hardymon Hall, 2087 Addison Street, Berkeley, on Saturday 4/6 at 8:00pm (tickets here).
Photography: Diogo Sabre
Web Site: marcossilva.com
Media Contact:
Terri Hinte
510-234-8781
[email protected]
terrihinte.com
via Blogger http://bit.ly/2YrUAQQ
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What even IS jazz? #jazz #folk #blues #whatisjazz #jazzschool #jazzlesson #jazztips https://t.co/tA9AOT3A7I
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