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newsiesgolgotha · 1 month

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The Passion of our Lord Jack Kelly

Gospel: Kelly 14:29-15:39

Racetrack said to him, “Even though all become scabs, I will not.” Jack said to him, “Truly I tell you, this day, this very night, before the bell rings twice, you will deny me three times.” But he said vehemently, “Even though I must die with you, I will not deny you.” And all of them said the same.

They went to a place called Central Park; and he said to his disciples, “Sit here while I pray.” He took with him Racetrack and Davey and Les, and began to be distressed and agitated. And he said to them, “I am deeply grieved, even to death; remain here, and keep awake.” And going a little farther, he threw himself on the ground and prayed that, if it were possible, the hour might pass from him. He came and found them sleeping; and he said to Racetrack, “Anthony, are you asleep? Could you not keep awake one hour? Keep awake and pray that you may not come into the time of trial; the spirit indeed is willing, but the flesh is weak.” And again he went away and prayed. And once more he came and found them sleeping, for their eyes were very heavy; and they did not know what to say to him. He came a third time and said to them, “Are you still sleeping and taking your rest? Enough! The hour has come; the Son of Manhattan is betrayed into the hands of sinners. Get up, let us be going. See, my betrayer is at hand.”

Immediately, while he was still speaking, Jesdus, one of the twelve, arrived; and with him there was a crowd with clubs, from the bulls and the scabs. Now the betrayer had given them a sign, saying, “The one I will kiss is the man; arrest him and lead him away under guard.” So when he came, he went up to him at once and said, “Jeck!” and kissed him. Then they laid hands on him and arrested him.

A certain young man was following him, wearing nothing but a newspaper. They caught hold of him, but he left the newspaper and ran off naked.

They took Jack to Snyder; and all the bulls and the scabs were assembled. Racetrack had followed him at a distance, right into the courtyard of the Spider; and he was sitting with the scabs, warming himself at the fire. Now the bulls were looking for testimony against Jack to put him to death; but they found none. For many gave false testimony against him, and their testimony did not agree. Then Snyder stood up before them and asked Jack, “Have you no answer? What is it that they testify against you?” But he was silent and did not answer. Again Snyder asked him, “Are you the Cowboy, the Son of Manhattan?” Jesdus said, “I am; and

‘you will see the Son of Manhattan seated at the right hand of The World,’ and ‘coming with the tumbleweeds of Santa Fe.’”

Then Snyder tore his clothes and said, “Why do we still need witnesses? You have heard his blasphemy! What is your decision?” All of them condemned him as deserving death. Some began to spit on him, to blindfold him, and to strike him, saying to him, “Prophesy!” The scabs also took him over and beat him.

While Racetrack was below in the courtyard, one of the employees of Snyder came by. When she saw Racetrack warming himself, she stared at him and said, “You also were with Jack, the man from Lower Manhattan.”But he denied it, saying, “I do not know or understand what you are talking about.” And he went out into the forecourt. Then the bell rang. And the employee on seeing him, began again to say to the bystanders, “This man is one of them.” But again he denied it. Then after a little while the bystanders again said to Racetrack, “Certainly you are one of them; for you are a Newsie.” But he began to curse, and he swore an oath, “I do not know this man you are talking about.” At that moment the bell rang for the second time. Then Racetrack remembered that Jack had said to him, “Before the bell rings twice, you will deny me three times.” And he broke down and wept.

As soon as it was morning, Snyder held a consultation with the bulls and the scabs. They bound Jack, led him away, and handed him over to Governor Roosevelt. Roosevelt asked him, “Are you the King of New York?” He answered him, “You say so.” Then Snyder accused him of many things. Roosevelt asked him again, “Have you no answer? See how many charges they bring against you.” But Jack made no further reply, so that Roosevelt was amazed.

Now at the rally he used to release a prisoner for them, anyone for whom they asked. Now a man called Weisel was in prison with the rest of the strike-breakers. So the crowd came and began to ask Roosevelt to do for them according to his custom. Then he answered them, “Do you want me to release for you the King of New York?” For he realized that it was out of jealousy that Snyder had handed him over. But Snyder stirred up the crowd to have him release Weisel for them instead. Roosevelt spoke to them again, “Then what do you wish me to do with the man you call the King of New York?” They shouted back, “Crucify him!” Roosevelt asked them, “Why, what evil has he done?” But they shouted all the more, “Crucify him!” So Roosevelt, wishing to satisfy the crowd, released Weisel for them; and after flogging Jack, he handed him over to be crucified.

Then the soldiers led him into the Newsie Square; and they called together the whole town. And they clothed him in a purple cap; and after twisting some papes into a crown, they put it on him. And they began saluting him, “Hail, King of New York!” They struck his head with a pape, spat upon him, and knelt down in homage to him. After mocking him, they stripped him of the purple cap and put his own cap on him. Then they led him out to crucify him.

They compelled a passer-by, who was coming in from Brooklyn, to carry his cross; it was Spot of Conlon, the leader of the Brooklyn Newsies. Then they brought Jack to the place called Golgotha (which means the place of a skull). And they offered him seltzer mixed with water; but he did not take it. And they crucified him, and divided his clothes among them, casting lots to decide what each should take.

It was nine o’clock in the morning when they crucified him. The inscription of the charge against him read, “The King of New York.” And with him they crucified two Delancey bruddas, one on his right and one on his left. Those who passed by derided him, shaking their heads and saying, “Aha! You who would strike against The World and form a union, save yourself, and come down from the cross!” In the same way Snyder, along with the scabs, were also mocking him among themselves and saying, “He saved others; he cannot save himself. Let the Cowboy, the King of New York, come down from the cross now, so that we may see and believe.” Those Delanceys who were crucified with him also taunted him.

When it was noon, darkness came over the whole land until three in the afternoon. At three o’clock Jack cried out with a loud voice, “*אין” which means, “I ain’t got nothin’ if I ain’t got Santa Fe!” When some of the bystanders heard it, they said, “Listen, he is calling for Crutchie.” And someone ran, filled a sponge with dirty seltzer water, put it on a stick, and gave it to him to drink, saying, “Wait, let us see whether Crutchie will come to take him down.” Then Jack gave a loud cry and breathed his last. And the freshly printed newspapers were torn in two, from top to bottom. Now when Pulitzer, who stood facing him, saw that in this way he breathed his last, he said, “Truly this man was Manhattan’s Son!”

*How to translate the following into Hebrew:

“I’m sorry sir, but that item seems to be out of stock right now. If you like I can place it on back order and notify you upon its arrival, or perhaps I could direct you to another establishment which may have it.”

In Hebrew all this translates simply: אין.

#newsies golgotha #newsies #jack kelly christ superstar #golgotha #jack kelly #good friday #the passion #the passion of our lord jack kelly #the passion according to mark #triduum

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sl-newsie · 3 months

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Ok hear me out:

Broadway musical trading cards. Different musical characters on each card with backstory and stats that fans can trade.

Broadway musical Monopoly game: each property is a different musical and ‘go to jail’ is for watching a slime tutorial.

Who’s with me? 🎭

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gothshirleytemple · 6 years

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y’all better not

#don’t #don’t u dare #sensitive jack kelly #sensitivejack #twitter #jesus christ superstar #jcs 2018 #jcs live #post it

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caranfindel · 5 years

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Recap/review 14.19: “Jack in the Box”

THEN: Eh, you know all this. Oh, wait, here's something interesting - a reminder that Naomi was overcome by the Empty slime. Which reminds me of my theory that Naomi and/or Duma might actually be the Empty Entity. Hmmm. Oh, and also, all the Jack stuff.

NOW: There's a bunch of hunters in the bunker, drining beer and looking at pictures of Mary and her stuff on the map table. Including the picture Sam burned. Well, I'm glad it wasn't the only copy. And whatever these rings and calipers are that are always on the map table, apparently they're permanent, because they weren't removed for this little memorial display. Also, John's journal is part of the display, and I know they gave it to Mary to read, but still, it's John's. This bothers me.

So, are these surviving AU hunters? If not, that means the Winchesters have opened the bunker up to every hunter they know (and revealed its location to everyone they know), which is... not what I would have done. TFW makes an entrance (why were they not in there with their guests) and Dean thanks them for coming and makes a little speech but I'm finding it real hard to concentrate on Dean right now because LOOK AT SAM'S SHIRT. LOOK AT IT. It's CLOSE-FITTING and it's NOT PLAID and whatever awful things this episode does (and my completely unspoiled prediction is that IT WILL DO AWFUL THINGS), we at least got this.

I strongly suspect this is actually Jared's shirt.

Dean informs the gathered that they missed the pyre, sorry. And he mentions that some of them fought Michael with her in the other world so they ARE AU hunters! Or at least some of them! Well, that's good to know. Sam doesn't have to feel personally responsible for killing everyone who came over, just a handful. Including the only one who had a name, and probably that guy who called him Chief (sob), but some of them remain. Anyway. Dean gives his eulogy (and Sam's not the only worth a second look in this scene, because Dean looks pretty amazing as well) and they drink beer and then an AXE FLIES IN OUT OF NOWHERE, SLOWLY AND AWKWARDLY SPIRALING INTO A HUNTER'S HEAD. People seem surprised, but it's the mild kind of surprise you'd get if he threw his beer at somebody, not if an axe suddenly appeared embedded in his head. The thrower of the axe walks in - it's New Bobby. WELL.

Title card! Bobby informs me that it was a hatchet, not an axe, and he wants it back. (Sidebar: It literally never occurred to me to think about the difference between a hatchet and an axe until earlier this week when I was listening to a murder podcast that specified someone was killed with one, not the other.) He also tell us that the "hunter" was actually a wraith "from a nest your mom and I busted up" and SEE, GUYS? This is why you don't invite people to the bunker. Now a bunch of wraiths probably know where it is. And we know the warding is a joke. Cas thinks Mary would have appreciated a monster at her memorial. I don't think Cas knows Mary very well but whatever.

Bobby asks Sam how he and "the other one" are doing, and we watch Dean pack up Mary's belongings (including John's journal? that's going away?) and Sam says he "seems to be doing okay" which is, of course, how they operate. No one asks how Bobby's doing, even though he had a relationship with Mary too (and over the course of her life probably spent as much time with her as Sam did, when you come right down to it), but Bobby says he's not into public displays of grief anyway, and Dean is probably the same (which is true, except for when it's very very not true).

Sam suggests they drink the scotch Ketch left (and I wonder if this means Ketch came for the memorial, and left some scotch, or if he's referring to a bottle from a previous season that somehow remained through all those events that really would have called for some serious scotch-drinking) and talk about Mom. Dean points out that they have been talking about Mom and stalks out and leaves Sam sad.

Sam and Bobby and Cas settle for beer instead, and Dean walks in just as Bobby asks "what exactly happened to her, cause I'm hearing, the kid." Oh, that's interesting that they wouldn't have given him the whole story. Or maybe it's not. Maybe it makes sense that they'd keep things vague, tell everyone she "died on a hunt." Dean needs a drink, but not in the bunker. Sam tells him they need to talk about Jack, and he says "we will" and quickly makes his escape. Bobby and Cas have this funny exchange.

I liked the kid. We fought together. But there's only way this ends.

Bobby's right. We have to find Jack and help him.

What?

Hee! Cas feels Jack might not realize what he did was wrong, and Bobby astutely points out that if he didn't realize it was wrong, that's kind of a big problem, because if Kelly's influence has been burned away, that means Lucifer is all that's left. Bobby means to hunt him down. "An unstoppable monster who don't know right from wrong gets put down." Um, Bobby, let's consider the unstoppable part of that declaration. (Also, should someone point out to Bobby that Jack accidentally killed someone even back when he did have a soul? Probably not.)

Cut to Jack, who is still? again? at an abandoned warehouse or factory or something. He's remembering what he did, and wishing his mother was there to tell him what to do. Oh, she's not here, but Hallucidad is. He tells Jack that the Winchesters don't care about him, he was just a pet and a weapon, and again, it hurts knowing that this is Jack's subconscious saying these things. Jack thinks he can explain and apologize, and if that's so, Jack, then why didn't you do that when they caught you raising Mary's not-corpse? No, says Hallucifer, they hate you.

Cut to Dean, sitting outside somewhere in the dark, crying.

This is not okay. I mean, it is, but it's not.

Heaven. (yawn.) Cas again tells Duma that he wants to see Naomi, and again she denies him. It turns out Naomi is in "a very small cell" because Heaven was invaded under her watch. I didn't think they had enough spare angels around to lock one up just because they don't think she's a good leader. She might be a great follower. (Yeah, probably not.) Cas tells her he needs help looking for Jack, who has burned through his soul and is no longer being protected by the Winchesters. Hmmm, she says, this is very useful information to have. Internally. Out loud, she tells Cas she'll see what she can do, which he of course takes as an offer to help. Oh, Cas.

Bunker. Sam's working at his computer when Dean comes back. Sam's wearing a different shirt. I don't know if that means it's the next day, or just that he changed out of his nice funeral shirt. He asks Dean how he's doing, but Dean ignores that and asks what Sam's doing.

Trying to find Jack. We've gotta find him before Bobby and his crew, because if they find him first -

He's gonna kill them all.

... I don't know.

Oh, Sam, you DO know. You are obviously concerned about Bobby et al killing Jack, not the other way around. And it breaks my heart. Sam also wants to talk about Mary and the fact that they don't have to rely on faith to know Mary's in Heaven, because they personally know Heaven and angels are real. Dicks, but real. He says Mary's in a great place, with John, because again we're forgetting or denying what we know about Heaven. Dean, the eternal ray of sunshine, points out that there wasn't enough of Mary left to bring back to life even if they wanted to.

Back to Jack, who has a surprise visitor. It's Duma! Oh, cool, she's helping Cas find him, just like she said she would! Ha ha ha nope. (Sidebar: How did Duma find him, and why doesn't Cas have the same ability? Discuss.) He remembers her from his trip to Heaven that one time he died. She tells him Mary's death wasn't his fault, and he deserves redemption after his mistake, because he has "a glorious destiny." She tells him Heaven has fallen apart since God left, and no one gives them the respect they deserve, but Jack, YOU can save Heaven and make the world better and wouldn't that make Sam and Dean happy? Their first stop on the Make The World Better Tour is to turn a famous God denier into a pillar of salt. Oh, irony. (Also, he's safe from ghosts now, so. Bonus?)

Bunker. Cas is telling the Winchesters that Heaven promised to "make every effort" to find Jack. Which 1) isn't exactly what we saw happening, unless you're naive enough to think "I'll see what I can do" means "I'll make every effort", and b) even if that is what Duma said, as Dean points out, "Oh, Heaven promised? Great, well we should take that to the bank." But Cas thinks Heaven has as much reason to want to find Jack as they do. Which is true. But doesn't mean they're going to turn him over to you, Cassie.

Coincidentally, Sam has just read about Professor Pillar of Salt. "Why does that sound familiar?" Dean asks. You know, I don't know the Bible very well. If a particular event didn't show up in "Jesus Christ Superstar" or "The Ten Commandments," I'm not likely to be familiar with it. And yet I know about Lot's wife turning into a pillar of salt. And I've never been to Heaven or met an angel. So.

Cas explains the story and says no ordinary angel could turn a human into salt. Sam reads another story about a dishonest televangelist (yeah, I know, that's redundant) who had a crevice open in the ground under her and swallow her up, and again Dean's not familiar with the story, but this time I'm not either. But Cas knows it's from the book of Numbers. Allegedly, only Jack or Chuck himself could perform these acts.

Heaven. Duma tells Jack he's doing excellent work, and he can help bring Heaven back to its previous glory.

Sam and Dean will like that?

Words can't begin to express how Sam and Dean will feel.

Hee!

So let's talk about what's going on here. I appreciate that they're framing this as Jack trying to get back into Sam and Dean's good graces. In fact, I'm a little hopeful at this point. If Jack-who-is-being-used-by-Heaven is the Big Bad, doesn't that mean stopping the Big Bad could just mean they rescue him from Duma's manipulation? Maybe? (Yeah, I know. But a girl can dream.)

Anyway. Duma's next task for Jack is to create more angels. She tells him he can't make them out of thin air, but if a human is "predisposed" to it, he might be able to forge them into an angel. Oooooh, this opens up some chilling possibilities about who could be turned into an angel. But it turns out he's not going after anybody named Winchester. He's just sitting on the throne "where your grandfather received prayers" (and where your father sat) and listening to prayers. (Sidebar: Why hasn't Sam tried to communicate with Jack by praying to him? Discuss.)

For whatever reason, he hones in on one particular group of worshippers who are about to discuss the book of Samuel (hee!) with Pastor Ames. Jack zaps into the room, asks if they meant it when they said they wanted to go to Heaven, and shows them his wings. Sold! Pastor Ames missing that demonstration, so when he comes in and calls Jack a liar, Jack hits him with another Biblical curse: "he was eaten by worms and breathed his last." Pastor Ames falls to the ground with worms popping out of him everywhere, and Jack and his future angels disappear.

Hospital. Guys, look at the suits! Have they ever worn such narrow pants? What is going on here? Someone new in the wardrobe department?

Mama like.

Agents Kilmister, Clark, and Taylor (hee) are visiting bandaged-up Pastor Ames, who identifies a photo of Jack. They leave, and Cas recites the relevant verse and Sam says, surprised, "so you think this is another Bible thing?" AS IF THAT WASN'T WHY THEY'RE HERE IN THE FIRST PLACE, and as they leave, we see that Pastor Ames is not over his worm infestation after all.

Back at the bunker, Dean tells Sam that he didn't want it to come to this, but they have no choice. Come to what? What's behind the door in room 5B? It's the thing we all knew was coming - the box! (And if you didn't see it coming, the title of this episode clearly gave it away, which is why I consider titles of unaired episodes to be spoilers.) Sam, who is clearly not behind this plan in any way shape or form, points out that they don't have the ability to force Jack into the box, and he won't go in there of his own free will.

But he might. He might if he only has to stay in there long enough for us to finish the spell to fix his soul.

Spell? What spell? There is no spell.

*We* know that.

Oh, no, this is not good, and Sam already hates it.

... So, you want to lie to him.

No, I mean, I *want* Zeppelin to get back together. But what I *need*, what *we* need, is to stop Jack. Big difference. But here's the deal; we both gotta sign off on it. This might be our only shot, and if he even catches a whiff that this is a scam, he's off into the wind.

Exactly. Now, how do you think he's not gonna know something's up?

Because you're gonna be so damn sincere -

Me? Why me?

Because you've always been in his corner. You're his go-to guy. Sam, if you reach out, he'll come. If I do it, after what happened to Mom, I could lose him. I *will* lose him.

Oh no, no, no, Sam is SO not on board with this plan. Because the worst thing that could happen is that it doesn't work, and the second worst thing is that it does work. Dean is so calmly insistent, and Sam is so unhappy, and his FACE when Dean tells him HE will be sincere is just killing me, and no matter what I think about this episode or or this entire story arc, I love what the guys are doing with this scene.

Maybe it's just me, but I'm finding a silver lining here.

Sam sits down at the library table and begins praying to Jack, which doesn't answer my question of why they haven't already tried communicating with him that way. In fact, it makes me ask it harder. He tells him that they're family, and bad things happen in families but they want to get through it, they want to be like they were before. Jack hears Sam's prayer as he assembles his future angels. Meanwhile, Cas has barged his way into Heaven to rescue Jack, having figured out that Heaven has no mercy and angels do bad things, and Cas? How is this POSSIBLY news to you? Duma threatens to end Mary and John's happy little afterlife together (Is this confirmation that they really are sharing a Heaven, even though his name isn't on the door? Maybe. Do I accept it? Not necessarily) so Cas stabs her. Well. We're down to, what, ten angels now? He calls for Jack, but Jack's already gone, having just appeared in the bunker.

Jack tells Sam and Dean he's been working with Heaven, and "if it helps, I regret it... the accident."

Again, the guys do a beautiful job with this scene. Even if it's an awful, awful scene, they're acting the hell out of it. Sam is as anxious as he was when he was trapped in a cell with Jack the day he was born, the way his hands twitch when he gets up from the table and circles behind Dean, and then carefully places himself between Dean and Jack, and how he physically reacts when Jack steps closer, and they're both keeping their distance and moving so carefully, and then there's the way Dean is practically unblinking and is very obviously working SO HARD not to spontaneously combust, staying practically motionless and keeping his voice even, although anyone could tell he's absolutely BOILING under the surface from the look on his face and his tone of voice every time he says the accident. All of this is amazing.

But yeah, it is also an awful scene. Because Jack isn't guilty or apologetic at all. He's actually kind of smug about working with Heaven and making angels, and very condescending about regretting "the accident," and I just don't think he would be there. I think he would tell them how sorry he was, and that he tried to fix it, and basically everything he said to Hallucifer. He wouldn't say "I knew you'd understand" when they tell him they forgive him. His blind self-assurance would make sense if it came at the end of a 2- or 3-episode arc, where Duma had spent more than a day telling him how awesome he was. So while I love Sam and Dean in this scene, love them to pieces, Jack is just... ugh. Beyond OOC. Moving on. Dean tells Jack they're working on a way to fix his soul, and they want to keep him safe (from having another ACCIDENT) in the meanwhile. Sam oh-so-tentatively puts a hand on Jack's shoulder and dear GOD he is so afraid and I LOVE IT.

Again, quite a silver lining to this dark little raincloud.

They take him to the room with the magic box, which Dean claims is "actually pretty comfortable." Dean stays still and Sam fidgets and Jack says "okay" and climbs into the box. "How long before I can come out?" he asks. Sam is more and more fidgety as he says "not too long," and Dean is like stretched rubber band about to snap as he holds himself back from slamming the lid down. "Jack, we got this," Sam lies. "Okay," Jack says again, and he lies down and they didn't even put a pillow in the damn box, why does he think this is okay, why does he think they're working in his best interest if they didn't even give him a damn pillow? Dean shuts the lid and rushes to close the locks and Sam hates this, hates it so much.

Shhh. Don't even listen. Just turn the sound down and enjoy the pretty, pretty angst.

Alone in the box, Jack calls to the Winchesters, but they're already shutting the door to room 5B. They move to the kitchen to finish off Ketch's scotch and talk about the future.

So what do we do now? Just go on, with Jack locked up in there forever?

We have to.

I don't know if I can do that.

Dean ignores Sam's shaky voice and decides to talk about the scotch and sure, we all recognize this is Dean's way of coping. Pretend it's not happening, pretend it doesn't bother him. Because I have to think that, no matter how much he wants revenge against Jack, he understands that being locked in that box forever is still a horrible fate. (A fate Dean was willing to accept, but still.) Sam, meanwhile, needs to talk, just like he needed to talk about Mary.

You know, I never thought it would end like this, with Jack.

Sammy, we knew from the beginning it was a long shot with him.

Yeah. Yeah. But, long shots are kind of our thing.

So let's talk about Sam's guilt. His beautiful, beautiful guilt. Not only over tricking someone he loves into being locked up in a box forever, but for bringing Jack into their lives in the first place. And yet. Jack has always been unstoppable, hasn't he? So if Sam hadn't opened his humongous heart and taken him in, he would have been out there alone. No one teaching him how to use and control his powers, no one keeping him away from Lucifer. He would have been an unstoppable enemy instead of an unpredictable ally. Sam did the right thing, even though it ended bad. Because it was always going to end bad.

Have I mentioned that I could watch an entire episode that was just Dean drinking?

Back in room 5B, Jack's starting to panic, and still calling for Sam and Dean. They don't show up, but Hallucifer does (oh god, I want to see Sam find out he basically locked Jack in that box with Lucifer) and informs Jack he's been played.

In the kitchen, Cas arrives with the news that Duma has been manipulating Jack, and they really need to find him. The guys are all, oh, whoops, forgot to call you, he's here, locked in the box.

Jack gets glowy eyes and tries to break out of the box, but nothing happens.

Cas is horrified that the guys still plan to keep Jack in the box, even knowing his latest acts were due to being manipulated. Sam says "That's the problem. If he's that easily manipulated, he's too dangerous to be out of the box." Oh, no he doesn't. Instead, Dean says "He agreed to it." Yes, in much the same way Sam agreed to be Gadreel's vessel. You keep telling yourself that, Dean. In fact, Dean is trying to claim that deep down, Jack knows it's best. Oh, no, no you don't. Cas points out that Dean manipulated Jack as much as Duma did.

(Sidebar: I'm convinced that Sam would be able to forgive Jack. Because of his endless capacity for forgiveness, and because he sees himself as being in Jack's shoes at a different point in his life. Dean, on the other hand, would not. Because Dean is a normal human being when it comes to forgiveness, and because Dean puts loyalty to family above everything else.)

Box. Jack tries harder. Lucifer laughs. The box glows.

Kitchen. The arguing is interrupted by an earth-shattering kaboom. Things fall off shelves. The red emergency lights and klaxon come on. TFW leaps up and runs to room 5B. The room is a smoke-filled wreck and a figure with glowing gold eyes is walking out of the red-tinged smoke. "Jack," Sam gasps.

Duh duh duuuuuhhhh! Next week, Cas makes Dean write I knew a nephilim was more powerful than its angel parent but I assumed the box would be stronger than Jack anyway 100 times on the blackboard.

Okay, the bad happened, as we all figured it would. But let's talk about the good. Jack's not locked in the box forever. That's a relief - it would have been a very unsatisfactory conclusion. And the guys looked extraordinary. And there was so much emotion, both the tightly-controlled type, and the worn-on-his-sleeve type, and I love them both. Honestly, considering what happened in this one, and who wrote it, it was a lot better than I expected. A lot better than it could have been. (Will I go read your reactions now and see that every single one of you disagrees with me? Quite possibly.)

Next week is the next-to-last "Carry On Wayward Son."

Please help me stay unspoiled, thanks!

#spn #tv recaps #recap #14.19 #spoilers

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its-going-great · 5 years

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Work Was Dead So Here is some Raw Data about the 2019 Jimmy Award Nominees

86 students are performing, representing 25 states.

California, unsurprisingly, has the most nominees (10)

Three sets of two nominees were in the exact same production (Freaky Friday, 42nd Street, and Throughly Modern Millie)

This year’s nominees represent 83 productions of 50 different musicals

31 Nominees are performing the same role of at least one other person

Les Mis was the most performed show out of the nominees, with 5 productions. Little Shop and Mary Poppins tie for second place with 4 each.

And then I went crazy, and counted the number of nominees per role.

It’s listed in order of show (god help me)..

9 TO 5

Judy Bernly - 1

THE 25th ANNUAL PUTNAM COUNTY SPELLING BEE

Olive - 1

42nd STREET

Peggy Sawyer - 1

Billy Lawlor - 1

THE ADDAMS FAMILY

Gomez Addams - 2

AIDA

Aida - 1

ANYTHING GOES

Lord Evelyn Oakleigh - 1

BEAUTY AND THE BEAST

Belle - 2

Beast - 1

BIG FISH

Will Bloom - 1

Edward Bloom - 1

BONNIE AND CLYDE

Clyde - 1

A BRONX TALE

Calogero - 1

CATCH ME IF YOU CAN

Carl Hanratty - 1

CINDERELLA

Ella - 1

CRAZY FOR YOU

Bobby Child - 2

CURTAINS

Lt. Frank Cioffi - 1

Georgia Hendricks - 1

THE DROWSY CHAPERONE

The Drowsy Chaperone- 2

THE FIDDLER ON THE ROOF

Tevye - 1

FOOTLOOSE

Ren McCormick - 1

FREAKY FRIDAY

Katherine - 1

Adam - 1

GUYS AND DOLLS

Sky Masterson - 1

HEATHERS: HIGH SCHOOL EDITION

Veronica Sawyer - 1

HELLO, DOLLY!

Horace Vandergelder - 1

Mrs. Irene Molloy - 2

THE HUNCHBACK OF NOTRE DAME

Quasimodo - 1

IN THE HEIGHTS

Usnavi - 2

Nina - 1

INTO THE WOODS

Baker’s Wife - 1

Cinderella - 1

Baker - 1

JESUS CHRIST SUPERSTAR

Jesus - 1

KISS ME KATE

Fred Graham/ Petruchio - 1

LEGALLY BLONDE

Elle Woods - 1

Paulette - 1

LES MISERABLES

Jean Valjean - 2

Eponine - 2

Marius - 1

THE LITTLE MERMAID

Ariel - 2

LITTLE SHOP OF HORRORS

Seymour - 3

Audrey - 1

LITTLE WOMEN

Jo March - 2

MAME

Mame Dennis - 1

MAMMA MIA!

Donna - 1

MARY POPPINS

Mary Poppins - 2

Bert - 2

MISS SAIGON

Chris - 1

MY FAIR LADY

Eliza Dootlittle - 1

NEWSIES

Jack Kelly - 1

Katherine Plumber- 1

OKLAHOMA!

Curly - 1

ROCK OF AGES

Drew - 1

SIDE SHOW

Terry Conor - 1

SISTER ACT

Deloris Van Cartier - 2

Eddie Souther - 1

THE SOUND OF MUSIC

Maria - 1

Captain Von Trapp - 1

SUESSICAL

Gertrude McFuzz - 2

THROUGHLY MODERN MILLIE

Millie Dillmount - 1

Trevor Graydon - 1

TITANIC

Alice Bean - 1

[TITLE OF SHOW]

Heidi - 1

TUCK EVERLASTING

Jesse Tuck - 1

The Man In the Yellow Suit - 1

URINETOWN

Hope Caldwell - 1

WEST SIDE STORY

Anita - 1

Tony - 1

WHITE CHRISTMAS

Betty Haynes - 1

#why did i do this #seriously #i could have done actual work instead #but now i'm just like what high school is doing MISS SAIGON?#whatever #i love it #drama club 4 EVA #high school theatre #jimmy awards #broadway #andrew barth feldman #i am actually going #so it's not a total waste of time #i'm studying #i can't i have rehearsal

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musicals256-blog · 6 years

Text

Musicals

Message me if you’d like any or have any of my wants. If you need, I can also help you find stuff, even if I don’t already have it. :)

VIDEO Aladddin- BWAY (BCEFA speech from AJ at end) Adam Jacobs, Courtney Reed, James Monroe Iglehart, Jonathan Freeman Amelie- 2017 OBC A Very Potter Musical A Very Potter Sequel A Very Potter Senior Year Bandstand- OC Be More Chill- Off-BWAY (2018) Roughly 1st 20 mins Will Roland, George Salazar, Gerard Canonico, Stephanie Hsu, Lauren Marcus, Katlyn Carlson, Jason Tam, Jason SweetTooth Williams, Tiffany Mann Bonnie and Clyde- BWAY Jeremy Jordan, Laura Osnes The Book of Mormon- Workshop (Sept 1, 2010) The Book of Mormon- OBC (March, 2011) The Book of Mormon- BWAY (2012/13) KJ Hippensteel, Jon Bass, Nikki M James, Rory O’Malley, Justin Bohon The Book of Mormon- Chicago (Dec 23, 2012) Nic Rouleau, Ben Platt, Syesha Mercado, Pierce Cassedy, James Vincent Meredith, Christopher Shyer, David Aron Damane The Book of Mormon- West End (May 29, 2013) Gavin Creel, Daniel Buckley, Alexia Khadime, Stephen Ashfield, Giles Terera, Tosh Wangho-Maud, Haydn Oakley, Tyrone Huntley, Ashley Day The Book of Mormon- Costa Mesa (Evening, May 17, 2014) David Larsen, Cody Jamison Strand, Tallia Brinson, Pierce Cassedy, Jeff Heimbrock, James Vincent Meredith, David Aron Damane, Christoper Shyer The Book of Mormon- Brazil (2015) The Book of Mormon- Cincinnati (Matinee, Sat April 2, 2016) ‘Orlando’ backdrop needed resetting. Ryan Bondy, Cody Jamisson Strand, Candace Quarrels, Daxton Bloomquist, Sterling Jarvis, David Aron Damane, Edward Watts, CJ Pawlikowski, Jacob Haren The Book of Mormon- West End (Matinee July 20, 2016) KJ Hippensteel, Brian Sears, Alexandra Ncube, Stephen Ashfield, Richard Lloyd King, Dean Maynard, Delroy Atkinson, Kelly Agbowu, Philip Catchpole, Christopher Copeland, Brendan Cull, Joseph Davenport, Jonathan Dudley, Harry Francis, LLydia Fraser, Tyrone Huntley, Reece Kerridge, Alex Lodge, Joshua Lovell, Nicholas Mclean, David McMullan, Tania Mathurin, Briana Ogunbawo, David O’Reilly, Oliver Ormson, Sean Parkins, Stephen Rolley, Jacade Simpson, Rhys Taylor, Kayi Ushe, Ellena Vincent, Rodney Vubya, T’Shan Williams The Book of Mormon- Orlando (Dec, 2017) ‘You and Me- But Mostly Me’, ‘Sal Tlay Ka Siti’, ‘I Believe’ Kevin Clay, Connor Pierson, Kayla Pecchioni, PJ Adzima The Book of Mormon- Melbourne (Dec, 2017) Ryan Bondy, Nyk Bielak, Zahra Newman, Bert La Bonte, Rowan Witt, Josh Mulheran, Daniel Assetta, Todd Jacobsson, Eddie Grey, Matt Holly, Mitchell Mahony, Morgan Palmer, Josh Russell, Andrew Broadbent, Augustin Aziz Tchantcho, Jayme-Lee Hanekom The Book of Mormon- West End (Jan, 2018) ‘I Believe’ lyrics change “FORMER president of the church” KJ Hippensteel, Cody Jamison Strand Charlie and the Chocolate Factory- BWAY (2017/18) Christian Borle, Kathy Fitzgerald, F. Michael Haynie, Ben Crawfordm, Emma Pfaeffle, Alan H. Green, Trista Dollison, Jackie Hoffman, Michael Wartella Dear Evan Hansen- OBC (2016) Falsettos- Revival OC (2016) Falsettos- Revival OC (2017) Proshot Frozen- Denver OC Hairspray Andrew Rannells Hamilton- OBC (Act 1) Hamilton- OBC In the Heights- OBC Mean Girls- OBC Newsies- Proshot (2017) Newsies- OBC Newsies- BWAY Corey Cott Spring Awakening- OBC Spring Awakening (Deaf West)- OBC Tuck Everlasting- OBC

AUDIO Be More Chill- Off-Broadway Revival (2018) The Book of Mormon- Chicago (July 19, 2013) Nic Rouleau, AJ Holmes, Syesha Mercado, Pierce Cassedy The Book of Mormon- West End (Matinee, Sat Jan 17, 2015) AD 2nd last show Ashley Day (u/s), David O’Reilly (s/b), Alexia Khadime, Mark Anderson (u/s) The Book of Mormon- West End (May 26, 2015) Ross Hunter, Brian Sears, Alexia Khadime, Stephen Ashfield, Richard Lloyd King, Chris Jarman, Hugo Harold-Harrison The Book of Mormon- West End (July 14, 2015) Nic Rouleau, Brian Sears, Dentee Benton, Stephen Ashfield, Richard Lloyd King, Chris Jarman, Hugo Harold-Harrison, Ross Hunter The Book of Mormon- (2013/14) Nic Rouleau, Cody Jamison Strand, Brian Sears The Book of Mormon- West End (July 19, 2016) KJ Hippensteel, Brian Sears, Alexandra Ncube, Stephen Ashfield, Richard Lloyd King, Delroy Atkinson, Dean Maynard, Brendan Cull, Joseph Davenport, Jonathan Dudley, Harry Francis, Joshua Lovell, Nicholas Mclean, Jacade Simpson The Book of Mormon- BWAY Nic Rouleau, Brian Sears, Nikki Renee Daniels, Stephen Ashfield The Book of Mormon- BWAY (Evening, June 24, 2017) Nic Rouleau, Brian Sears, Kim Exum, Stephen Ashfield, Billy Eugene Jones, Stephen Christopher Anthony, Lewis Cleale, Bud Weber, Marja Harmon, Delius Doherty, John Eric Parker, Derrick Williams, Tommar Wilson, J. Casey Barrett, Tallia Brinson, Christian Delcroix, Ben Estus, Oyoyo Joi, Carole Denise Jones, Ben Laxton, Darius Nichols, Hardy Weaver, Maia Nkenge Wilson Dear Evan Hansen- BWAY (2017) Colton Ryan, Olivia Puckett, Kristolyn Lloyd, Garrett Long, Mike Faist, Will Roland, Michael Park, Jennifer Laura Thompson Dear Evan Hansen- OBC (Evening, Nov 19, 2017) Ben Platt’s final show Dear Evan Hansen- BWAY (March 15, 2018) Alex Boniello’s first show as CM Alex Boniello, Rachel Bay Jones, Michael Park Newsies- OBC Mike Faist as Jack Kelly Mike Faist SCORE BOOKS PIANO VOCAL 13 A Very Potter Musical Be More Chill Dear Evan Hansen Found/Tonight Mamma Mia Mary Poppins Rocky Horror The Wizard of Oz West Side Story Wicked Xanadu Young Frankenstein

CONDUCTOR SCORE 42nd Street A Chorus Line American Idiot Annie Annie Get Your Gun Anything Goes Avenue Q Barnum Beautiful: The Carole King Musical Blood Brothers Bonnie and Clyde The Book of Mormon The Boy From Oz Bring it On Cabaret Carousel Carrie Cats Chess Chicago Dreamgirls Evita Hair Hairspray Hedwig Jersey Boys Jesus Christ Superstar The Last Five Years Les Mis Little Shop of Horrors Next to Normal Oliver Once on this Island Pippin Ragtime Rent The Secret Garden The Sound of Music Tarzan Titanic Wicked Wicked (2nd version) Willy Wonka

WANTS Aladdin- Any cast from Australia (V/A) Be More Chill- full 2018 revival cast (V) The Book of Mormon- any I don’t already have (V/A) Nic Rouleau/Stephen Ashfield (V) Melbourne/Sydney cast (V/A) Dear Evan Hansen- Any understudies, Noah Galvin (V/A) Mean Girls- P/V or conductor score Honestly, anything else you have, I’ll probably be cool with.

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darrencrissource · 6 years

Link

HR’s awards columnist Scott Feinberg offers his third assessment of the race, covering 18 categories.

The charts below reflect how THR's awards columnist Scott Feinberg believes the Emmy standings would look if voting for the 2018 race ended today. (Work released between June 1, 2017 and May 31, 2018 is eligible.) These projections are formulated using a combination of personal impressions (from sampling many programs), historical considerations (how shows with similar pedigrees have resonated), precursor awards (some groups have historically correlated with the TV Academy more than others) and consultations with industry insiders (including voters, content creators, awards strategists and fellow members of the press).

Best Actor in a Limited Series or a Television Movie

FRONTRUNNERS

Darren Criss (The Assassination of Gianni Versace: American Crime Story)

John Legend (Jesus Christ Superstar)

Jeff Daniels (The Looming Tower) — podcast

Al Pacino (Paterno)

Benedict Cumberbatch (Patrick Melrose) — podcast

Antonio Banderas (Genius: Picasso)

MAJOR THREATS

Jack O'Connell (Godless)

Kyle MacLachlan (Twin Peaks)

Michael B. Jordan (Fahrenheit 451) — podcast

Bill Pullman (The Sinner)

Jesse Plemons (Black Mirror: USS Callister) — podcast

Matthew Macfadyen (Howards End)

Evan Peters (American Horror Story: Cult)

POSSIBILITIES

Jimmy Tatro (American Vandal)

Taylor Kitsch (Waco)

Michael Kelly (The Long Road Home)

Jared Harris (The Terror)

Will Forte (A Futile and Stupid Gesture)

Michael Shannon (Waco) — podcast

Garrett Hedlund (Mosaic)

LONG SHOTS

Benedict Cumberbatch (The Child in Time) — podcast

Daniel Bruhl (The Alienist)

Kit Harington (Gunpowder)

Kevin Kline (Present Laughter)

Billy Crudup (Gypsy)

Bryan Cranston (Philip K. Dick’s Electric Dreams)

May 22, 2018

#darren criss #emmy 2018 #press #may 2018

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moosey87 · 6 years

Note

What are your: Top 5 musicals? Top 5 characters from musicals? Favourite song from a musical? Least favourite song on your playlist?

Top 5 musicals: (this was really hard to narrow down)1) Avenue Q2) La Cage Aux Folles3)Heathers4)Waitress5)RENT

Top 5 Characters:1) Albin/Zaza (La Cage)2) Jack Kelly (Newsies)3) Judas (Jesus Christ Superstar)4) Kate Monster (Avenue Q)5) Roger (Rent)

Favourite song from a musical. This was soooo hard but ultimately I went with There’s A Fine, Fine Line from Avenue QLeast favourite song on my playlist: I find myself skipping The march of the witch Hunters from Wicked at the moment.

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uneminuteparseconde · 6 years

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Des concerts à Paris et autour

Juillet 10. Warum Joe + Stratocastors + Pierre & Bastien + Cité lumière (fest. restons sérieux) – Supersonic (gratuit) 10>13. Besoin Dead : musique pour "Eléphants" de Ludovic Pouzerate – Maison des Métallos 11. Guili Guili Goulag + Guerre froide + Oktober Lieber + Keruda Panter (fest. restons sérieux) – Supersonic (gratuit) 11. Marf Loth aka Nathan Roche – Chair de poule (gratuit) 11. Jacques Grèle + Casio judiciaire + Cosmo Cornelius Vigilante – La Pointe Lafayette 11. SNTS + 16H07+ Nozen – Rex Club 12. Ricky Hollywood + Kumisolo + Soleil bleu + Palma Rosa + Option Géniale (fest. restons sérieux) – Supersonic (gratuit) 12. Algorave + Tapetronic + Guilhem All + Carbon Sink – La Station (gratuit) 12. Virage + Coke Asian + Final + Grave Kelly (Treiztival) – Treize 12. Chelsea Wolfe + Emma Ruth Rundle – Trabendo ||COMPLET|| 13. Bertrand Burgalat + Marietta + Pastel Coast + Daisy Mortem + Grotte + Biche (fest. restons sérieux) – Supersonic (gratuit) 13. Ministry + Grave Pleasures – Elysées Montmartre 13. City Dragon + RedRice + Hers + Ragazza XXI – La Pointe Lafayette 13. Pal + Blason + Zaraz Wam Zagram + L'homme à la peau de serpent (Treiztival) – Treize 13. Petra Flurr – Le Klub 13. Perc + Shlomo b2b Anetha + Ciel + Ohes – Concrete 14. Err rec (dj) + Butch McKoy + Amosphère + Drone à clochettes + Isabelle de Mullenheim + Sylvia Monnier + Minute de S + Crystal Sound Project + Music for Eggplant (Les Soniphères fest.) – La Base filante (gratuit) 14. Le Réveil des tropiques + Jean Jean + Cachette à branlette + Rape&Revenge + Spagguetta Orghasmmond + Posterboy Machine (fest. restons sérieux) – Supersonic (gratuit) 14. Amour & Meute + BadBad + GHK – Gare XP 14. Papier Tigre + Pyjamarama + Puissant Blaster – Espace B 14. Popof – Rex Club 15. Fauna y Flora + Elek Ember + Eddie 135 + Nicolas Losson & Martin Bakero + Öspiel + Isothesis + Hourvari + Uriel Barthélémi (Les Soniphères fest.) – La Base filante (gratuit) 18. Columna + Bleakness – La Pointe Lafayette 18. En attendant Ana + Dune Basement – Point FMR 19. Make-Overs + RVG + Häxxan (Garage MU fest.) – La Station 20. The KVB + Structure + Giant Swan + Operant + Homoagent + Iron Sight + Luna Violenta + Shacke (Garage MU fest.) – La Station 20. Kangding Ray + Stanislav Tolkachev + Electric Rescue – Rex Club 20. Bas Mooy + Chaton Cheper + Illnurse + Rendered + Sleeparchive + Tinfoil – tba 21. Femme + Minifer (L'été du canal) – croisière sur le canal de l'Ourcq 21. Chouk Bwa & The Angstromers (L'été du canal) – croisière sur le canal de l'Ourcq 21. MCiPi (Deeat Palace) – Bar à bulles|La Machine (gratuit) 21. Veil of Light – Supersonic (gratuit) 21. First Hate + Sneaks + Hand & Leg (Garage MU fest.) – La Station 21. Violent quand on aime + UVB 76 + Lostsoundbytes + Ian Tocor – La Machine 21. Peter Van Hoesen + Inigo Kennedy + Anthony Linell & Abdulla Rashim + Rrose + BLNDR – Les Docks de Paris (Aubervilliers) 22. IV Horsemen + Maenad Veyl + UVB 76 + Noyades + Dentelle + Tite + Vision douteuse (Garage MU fest.) – La Station 24. Dirty Fences + Hoorsees + La Chinoise – Supersonic (gratuit) 24. Negative Space + Pretty Hurts + Die Süsse Teufel – La Comedia 25. Airod + Benabou + Mind/Matter + Parfait – Concrete 27. Descente + Drvg Cvltvre + Nene H – La Station 28. Deuil1500 + Les Fils de Jacob + Judaah b2b Simo Cell b2b Low Jack + Gaet303 + Donarra + Helione + Hanah + Schemer + dj Normal 4 – La Station

Août 01. Pardans + The Acharis – Supersonic (gratuit) 03. Shlømo b2b AWB + Remco Beekwilder b2b Amotik + Théophiluss b2b Jarød + Tripeo b2b Hemka (Duo fest.) – la plage de Glazart 03. Mind/Matter + Ilivor + Léa Occhi + Rommek + Lacchesi + Noyade + Sentimental Rave + Raven – La Station 04. Magnetix + Digger & The Pussycats – Supersonic (gratuit) 04. Lewis Fautzi b2b UVB + Shekon b2b Scry + Keikari b2b Lebird + Mørbeck b2b Under Black Helmet (Duo fest.) – la plage de Glazart 05. Valentinø + Alys b2b n.i.>I.0 (Duo fest.) – la plage de Glazart 20. Front Line Assembly + Die Krupps – La Machine 24. Fatamorgana + Cyclikweetos – Le Klub 24. Die Antwood + Carpenter Brut + Dirty Projectors + Parcels... (fest. Rock-en-Seine) – Domaine de Saint-Cloud 26. Jessica 93 + Idles + The Black Angels + Bonobo + Justice... (fest. Rock-en-Seine) – Domaine de Saint-Cloud 28. A Place To Bury Strangers + Entracte Twist – Petit Bain 30. Francky Goes To Pointe-à-Pitre + Tonnerre – Supersonic (gratuit) 31. Boys Noize + Randomer + Kris Baha + Lokier – Docks Eiffel

Septembre 01. Lilthics – Espace B 01. Ariel Pink + Vox Low + Cut Worms + Volage + TH da Freak (Paris Inter. Fest. of Psychedelic Music) – La Machine 02/03. Molly Nilsson + Petit Fantôme + Dead Sea + Faux Real + Saint DX... (Paris Inter. Fest. of Psychedelic Music) – tba 04. Thee Oh Sees + Male Gaze + Prettiest Eyes (Paris Inter. Fest. of Psychedelic Music) – La Cigale 05. Feist – L'Olympia 06. Amelie Lens – Rex Club 07. Conflict + Humandogfood + Social Experiment – Le Gibus 08. Death Grips – Elysées Montmartre 12. Matt Elliott & Vacarme + Lucas Ravinale & Loup Uberto – Centre Barbara-FGO 13. The Oscillation + Lumerians – Petit Bain 14. Qual – Supersonic 14. Dylan Carlson – Instants chavirés (Montreuil) 15. Monolith + Hypnoskull + Empusae + Meta Meat + Diaphane – tba 15/16. Tarek Atoui + Davide Balula + Jean-Luc Guionnet + Stephan O'Malley + Seijiro Murayama + BrutPop... – Cnap (Pantin) (gratuit) 20. The Brian Jonestown Massacre – La Cigale 21. Crisis + Plomb – Petit Bain 22. The Wedding Present – Point FMR 22. Zëro, Virigine Despentes & Béatrice Dalle – Auditorium du théâtre (Chelles) 22. Paula Temple + LSD + Tommy FourSeven... (Dream Nation fest.) – Docks de Paris (Aubervilliers) 23. Spiritualized – Cabaret sauvage 24. Oneohtrix Point Never (Red Bull Music fest.) – Le 104 26. Sleaford Mods + Consumer Electronics – Le Trianon 26. Chassol + Thomas de Pourquery + Flavien Berger + Jacques + Ala.Ni + Quentin Rollet + Gaspar Claus + Jocelyn Mienniel + Low Jack + Lucie Antunes + Christine Ott + Serafina Steer + Ghedalia Tazartes + Mathieu Edward + Mélissa Laveaux (Red Bull Music fest.) – Cabaret sauvage 27. Part Chimp – Espace B 27. Yuzo Koshiro & Motohiro Kawashima + Kode9 & Koji Morimoto + Oklou & Krampf + Teki Latex & DITC + Konx-Om-Pax (Red Bull Music fest.) – Gaîté lyrique 28. Rebeka Warrior – La Station 29. Terry Riley & Gyan Riley – La Maroquinerie 29. Aurora Halal + Roberto Succo + Elena Colombi + Jasss + Nihiloxica + Front de cadeaux + Julianna + Oko dj + Miley Serious + Jita Sensation (Red Bull Music fest.) – La Station 30. Eryck Abecassis & Francisco Meirino (fest. Maad in 93) – Instants chavirés (Montreuil)

Octobre 02. The Melvins – L'Alhambra 04. Oiseaux-Tempête, Mondkopf & G. W. Sok + Princess Thailand – Centre Barbara-FGO 04. Ballaké Sissoko & Vincent Segal – La Seine musicale (Boulogne-Billancourt) 12. Les Négresses vertes – Cabaret sauvage 12. Thorofon + Control + Te/DIS – Les Voûtes 12. Les Ramoneurs de menhir vs SP32 – Gibus 12. Villejuif Undergournd + Le Réveil des tropiques + Casse Gueule – Théâtre d'Ivry 13. Françoiz Breut + David Fenech – Médiathèque musicale de Paris (gratuit) 13. Low – La Gaîté lyrique 13. Aquaserge + Mohamed Lamouri + P.r2b – Théâtre d'Ivry 15. The Necks – Instants chavirés (Montreuil) 20. Tallinn Chamber Orchestra : Fratres, Cantus in memoriam Benjamin Britten, Adam's Lament, Salve Regina et Te Deum d'Arvo Pärt – Salle Pierre-Boulez|Philharmonie 20. Les Tétines noires + Dear Deer – Petit Bain 22. Dead Meadow – Petit Bain 24. Motorama – Petit Bain 25. Marissa Nadler – Point FMR 25. Fews – Olympic café 26. Jon Hopkins – Trianon 27. Killing Joke – Cabaret sauvage 31. Acid Mothers Temple (Le Beau fest. off) – Glazart

Novembre 01>03. Bon Iver + Fever Ray + Mac DeMarco + Blood Orange... (Pitchfork Music fest.) – Grande Halle de La Villette 02. Emma Ruth Rundle – Petit Bain 04. Peaches Christ Superstar – Cité de la musique|Philharmonie 05. Colin Stetson – Café de la danse 05. Echo & The Bunnymen – Bataclan 08. Cold Cave – Petit Bain 13. Hot Snakes – Point FMR 16. Parquet Courts – Elysées Montmartre 18. Ensemble Links : « Drumming » de Steve Reich – Cité de la musique|Philharmonie 21. The Breeders – Le Trianon 22. Scout Niblett – Petit Bain 23. Michael Nyman : "War Work: 8 Songs with Film" – Salle Pleyel 23. Ennio Morricone – Bercy Arena 27. Mudhoney – Trabendo 28. Adult – Petit Bain 29. Interpol – Salle Pleyel

Décembre 01. Deux boules vanille (fest. Marathon!) – La Gaîté lyrique 02. Beak> – Café de la danse 06. The KVB + M!R!M – Badaboum 08. Père Ubu – Théâtre Berthelot (Montreuil) 09/10. Moriarty – Cité de la musique|Philharmonie 14. New Model Army – Trabendo 15. Gaspar Claus – Cité de la musique|Philharmonie 18. Drab Majesty – Point FMR

2019

Mars 20. Oomph! – La Machine 29. Perturbator – Le Trianon

Avril 14. Arnaud Rebotini joue la BO de "120 Battements par minute" – Cité de la musique|Philharmonie

Mai 17. Philip Glass : Études pour piano – Salle Pierre-Boulez|Philharmonie 18. Bruce Brubaker & Max Cooper : Glasstronica – Cité de la musique|Philharmonie

Juin 26. Magma – Salle Pierre-Boulez|Philharmonie

en gras : les derniers ajouts / in bold: the last news

#agenda concerts #concerts à Paris #gigs in paris #paris gigs

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newsiesgolgotha · 2 months

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Sunday of the Passion: Pape Sunday

The Liturgy of the Papes

Gospel: Kelly 21:1-11

When they had come near the lodging house and had reached Lower Manhattan, at the bridge of Brooklyn, Jack sent two disciples, saying to them, “Go into the borough ahead of you, and immediately you will find a horsey tied, and a smaller horsey with her; untie them and bring them to me. If anyone says anything to you, just say this, ‘The Lord Jack Kelly Christ Superstar needs them.’ And he will send them immediately.” This took place to fulfill what had been spoken through the prophet, saying, “Tell the daughter of the King of New York, Look, your king is coming to you, humble, and mounted on a horsey, and on a small horsey, the baby of a horsey.” The disciples went and did as Jack had directed them; they brought the horsey and the smaller horsey, and put their papes on them, and he sat on them. A very large crowd spread their papes on the road, and others cut branches from the trees and spread them on the road. The crowds that went ahead of him and that followed were shouting, “Hosanna to the Son of Jeck! Blessed is the one who comes in the name of the Lord! Hosanna in the highest heaven!” When he entered Manhattan, the whole city was in turmoil, asking, “Who is this?” The crowds were saying, “This is the prophet Jesdus of New York.”

#golgotha #newsies #newsies golgotha #jack kelly christ superstar #jack kelly #palm sunday

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sl-newsie · 1 year

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I really wish I could see Sweeney Todd! 🥧🔪🩸🖤

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my-anethings-blog · 5 years

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Lista de indicados Grammy 2019

Álbum do ano

“Invasion of Privacy,” Cardi B “By the Way, I Forgive You,” Brei Carlile “Scorpion,” Drake “H.E.R.,” H.E.R. “Beerbongs & Bentleys,” Post Malone “Dirty Computer,” Janelle Monae “Golden Hour,” Kacey Musgraves “Black Panther: The Album,” Kendrick Lamar

Gravação do ano

“I Like It,” Cardi B, Bad Bunny & J Balvin “The Joke,” Brei Carlile “This is America,” Childish Gambino “God’s Plan,” Drake “Shallow,” Lady Gaga e Bradley Cooper “All The Stars,” Kendrick Lamar e SZA “Rockstar,” Post Malone feat. 21 Savage “The Middle,” Zedd, Maren Morris e Grey

Música do ano

“All The Stars,” Kendrick Duckworth, Mark Spears, Al Shuckburgh, Anthony Tiffith e Solana Rowe “Boo’d Up,” Larrance Dopson, Joelle James, Ella Mai, e Dijon McFarlane “God’s Plan,” Aubrey Graham, Daveon Jackson, Brock Korsan, Ron Latour, Matthew Samuels e Noah Shebib. “In My Blood,” Teddy Geiger, Scott Harris, Shawn Mendes e Geoffrey Warburton “The Joke,” Brei Carlile, Dave Cobb, Phil Hanseroth e Tim Hanseroth “The Middle,” Sarah Aarons, Jordan K. Johnson, Stefan Johnson, Marcus Lomax, Kyle Trewartha, Michael Trewartha e Anton Zaslavski “Shallow,” Lady Gaga, Mark Ronson, Anthony Rossomeo e Erew Wyatt “This Is America,” Donald Glover e Ludwig Göransson

Melhor álbum de R&B

“Sex & Cigarettes,” Toni Braxton “Good Thing,” Leon Bridges “Honestly,” Lalah Hathaway “H.E.R.” H.E.R. “Gumbo Unplugged (Live),” PJ Morton

Melhor álbum de Country

“Unapologetically,” Kelsea Ballerini “Port Saint Joe,” Brothers Osborne “Girl Going Nowhere,” Ashley McBryde “Golden Hour,” Kacey Musgraves “Volume 2,” Chris Stapleton

Artista revelação

Chloe x Halle Luke Combs Greta Van Fleet H.E.R. Dua Lipa Margo Price Bebe Rexha Jorja Smith

Melhor performance pop solo

“Colors” — Beck “Havana (Live)” — Camila Cabello “God Is A Woman” — Ariana Grande “Joanne (Where Do You Think You’re Goin’?)” — Lady Gaga “Better Now” — Post Malone

Melhor álbum vocal de pop

Camila — Camila Cabello Meaning Of Life — Kelly Clarkson Sweetener — Ariana Grande Shawn Mendes — Shawn Mendes Beautiful Trauma — P!nk Reputation — Taylor Swift

Melhor gravação de dance

“Northern Soul” — Above & Beyond Featuring Richard Bedford “Ultimatum” — Disclosure (Featuring Fatoumata Diawara) “Losing It” — Fisher “Electricity” — Silk City & Dua Lipa Featuring Diplo & Mark Ronson “Ghost Voices” — Virtual Self

Melhor música de rock

“Black Smoke Rising” — Jacob Thomas Kiszka, Joshua Michael Kiszka, Samuel Francis Kiszka & Daniel, Robert Wagner, songwriters (Greta Van Fleet) “Jumpsuit” — Tyler Joseph, songwriter (Twenty One Pilots) “MANTRA” — Jordan Fish, Matthew Kean, Lee Malia, Matthew Nicholls & Oliver Sykes, songwriters (Bring Me The Horizon) “Masseduction” — Jack Antonoff & Annie Clark, songwriters (St. Vincent) “Rats” — Tom Dalgety & A Ghoul Writer, songwriters (Ghost)

Melhor álbum de música urbana contemporânea

Everything Is Love — The Carters The Kids Are Alright — Chloe x Halle Chris Dave E The Drumhedz — Chris Dave E The Drumhedz War & Leisure — Miguel Ventriloquism — Meshell Ndegeocello

Melhor álbum de rap

Invasion Of Privacy — Cardi B Swimming — Mac Miller Victory Lap — Nipsey Hussle Daytona — Pusha T Astroworld — Travis Scott

Melhor álbum de jazz vocal

My Mood Is You — Freddy Cole The Questions — Kurt Elling The Subject Tonight Is Love — Kate McGarry With Keith Ganz & Gary Versace If You Really Want — Raul Midón With The Metropole Orkest Conducted By Vince Mendoza The Window — Cécile McLorin Salvant

Melhor álbum gospel

One Nation Under God — Jekalyn Carr Hiding Place — Tori Kelly Make Room — Jonathan McReynolds The Other Side — The Walls Group A Great Work — Brian Courtney Wilson

Melhor álbum de pop latino

Prometo — Pablo Alboran Sincera — Claudia Brant Musas (Un Homenaje Al Folclore Latinoamericano En Manos De Los Macorinos), Vol. 2 — Natalia Lafourcade 2:00 AM — Raquel Sofía Vives — Carlos Vives

Melhor álbum de americana

By The Way, I Forgive You — Brei Carlile Things Have Changed — Bettye LaVette The Tree Of Forgiveness — John Prine The Lonely, The Lonesome & The Gone — Lee Ann Womack One Drop Of Truth — The Wood Brothers

Melhor álbum de comédia

Annihilation — Patton Oswalt Equanimity & The Bird Revelation — Dave Chappelle Noble Ape — Jim Gaffigan Steup For Drummers — Fred Armisen Tamborine — Chris Rock

Melhor música para mídia visual

“All The Stars” — Kendrick Duckworth, Solána Rowe, Alexeer William Shuckburgh, Mark Anthony Spears & Anthony Tiffith, songwriters (Kendrick Lamar & SZA), Faixa de: Pantera Negra “Mystery Of Love” — Sufjan Stevens, songwriter (Sufjan Stevens), Faixa de: Me Chame Pelo Seu Nome “Remember Me” — Kristen Eerson-Lopez & Robert Lopez, songwriters (Miguel Featuring Natalia Lafourcade), Faixa de: Viva – A Vida é uma Festa “Shallow” — Lady Gaga, Mark Ronson, Anthony Rossomeo & Erew Wyatt, songwriters (Lady Gaga & Bradley Cooper), Faixa de: Nasce uma Estrela “This Is Me” — Benj Pasek & Justin Paul, songwriters (Keala Settle & The Greatest Showman Ensemble), Faixa de: O Rei do Show

Produtor do ano, não-clássico

Boi-1da Larry Klein Linda Perry Kanye West Pharrell Williams

Melhor performance de pop em grupo ou duo

“Fall in Line” – Christina Aguilera (feat. Demi Lovato) “Don’t Go Breaking My Heart” – Backstreet Boys “’S Wonderful” – Tony Bennett & Diana Krall “Shallow” – Lady Gaga & Bradley Cooper “Girls Like You” – Maroon 5 feat. Cardi B “Say Something” – Justin Timberlake feat. Chris Stapleton “The Middle” �� Zedd, Maren Morris, Grey

Melhor álbum de pop tradicional

Love Is Here To Stay – Tony Bennett & Diana Krall My Way – Willie Nelson Nat “King” Cole & Me – Gregory Porter Steards (Deluxe) – Seal The Music…The Mem’ries…The Magic! – Barbra Streisand

Melhor álbum de dance/eletrônico

Singularity – Jon Hopkins Woman Worldwide – Justice Treehouse – Sofi Tukker Oil of Every Pearl’s Un-Insides –Sophie Lune Rouge – Tokimonsta

Melhor performance de rock

“Four Out of Five” – Arctic Monkeys “When Bad Does Good” – Chris Cornell “Made An America” – The Fever 333 “Highway Tune” – Greta Van Fleet “Uncomfortable” – Halestorm

Melhor performance metal

“Condemned to the Gallows” – Between the Buried e Me “Honeycomb” – Deafheaven “Electric Messiah” – High on Fire “Betrayer” – Trivium “On My Teeth” – Underoath

Melhor álbum de rock

Rainier Fog – Alice in Chains Mania – Fall Out Boy Prequelle – Ghost From the Fires – Greta Van Fleet Pacific Daydream – Weezer

Melhor álbum de música alternativa

Tranquility Base Hotel + Casino – Arctic Monkeys Colors – Beck Utopia – Björk American Utopia – David Byrne Masseduction – St. Vincent

Melhor performance R&B

“Long as I Live” – Toni Braxton “Summer” – The Carters “YOY” – Lalah Hathaway “Best Part” – H.E.R. feat. Daniel Caesar “First Began” – PJ Morton

Melhor performance de R&B tradicional

“Bet Ain’t Worth the He” – Leon Bridges “Don’t Fall Apart on Me Tonight” – Bettye LaVette “Honest” – Major. “How Deep is Your Love” – PJ Morton feat Yebba “Made for Love” – Charlie Wilson feat. Lalah Hathaway

Melhor música de R&B

“Boo’d Up” – Ella Mai “Come Through e Chill” – Migeul feat. J. Cole & Salaam Remi “Feels Like Summer” – Childish Gambino “Focus” – H.E.R. “Long as I Live” – Toni Braxton

Melhor álbum de música contemporânea urbana

Everything Is Love — The Carters The Kids Are Alright — Chloe x Halle Chris Dave E The Drumhedz — Chris Dave E The Drumhedz War & Leisure — Miguel Ventriloquism — Meshell Ndegeocello

Melhor performance de rap

“Be Careful” – Cardi B “Nice for What” – Drake “King’s Dead” – Kendrick Lamar, Jay Rock, Future, James Blake “Bubblin” – Eerson .Paak “Sicko Mode” – Travis Scott

Melhor álbum folk

Whistle Down the Wind – Joan Baez Black Cowboys – Don Flemons Rifles & Rosary Beads – Mary Gauthier Weed Garden – Iron & Wine All Ashore – Punch Brothers

Melhor álbum de reggae

As the World Turns – Black Uhuru Reggae Forever – Etana Rebellion Rises – Ziggy Marley A Matter of Time – Protoje 44/876 – Sting & Shaggy

Melhor álbum de teatro musical

The Band’s Visit Carousel Jesus Christ Superstar Live in Concert My Fair Lady Once on this Island

Melhor trilha sonora de filme

Me Chame Pelo Seu Nome Deadpool 2 O Rei do Show Lady Bird: É Hora de Voar Stranger Things

Melhor trilha sonora original

Pantera Negra – Ludwig Göransson Blade Runner 2049 – Benjamin Wallfisch & Hans Zimmer Viva – A Vida É Uma Festa – Michael Giacchino A Forma da Água – Alexandre Desplat Star Wars: Os Últimos Jedi – John Williams

Melhor clipe musical

“Apes—” – The Carters “This Is America” – Childish Gambino “I’m Not Racist” – Joyner Lucas “Pynk” – Janelle Monáe “Mumbo Jumbo” – Tierra Whack

Melhor filme de música

Life in 12 Bars Whitney Quincy Itzhak The King

https://www.papelpop.com/2018/12/lady-gaga-kendrick-lamar-e-mais-estao-entre-indicados-ao-grammy-2019-vem-ver-a-lista/

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londontheatre · 7 years

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Simon-Anthony Rhoden takes on the role of Lola and Emmerdale star Verity Rushworth joins the cast as Lauren in West End hit KINKY BOOTS, which extends until Saturday 24th March 2018

Kinky Boots, the winner of every major Best Musical award, is pleased to announce that Simon-Anthony Rhoden will take on the role of Lola and Verity Rushworth, popular with TV viewers for her role as Donna Windsor in ITV’s Emmerdale, will star as Lauren from Monday 10 July 2017. Kinky Boots, which recently played its 700th performance at London’s Adelphi Theatre, today also announces the opening of a new booking period until Saturday 24 March 2018, with tickets on sale from Friday 5 May 2017.

Also joining Kinky Boots from Monday 10 July 2017 will be Jed Berry, Momar Diagne, Lauren Drew, Dale Evans, Jordan Fox, Rosie Glossop, Keith Higham, Ben Jennings, Georgia Louise, Emma Odell, Antony Reed and Tom Scanlon.

Continuing with the show are current cast members David Hunter (Charlie Price), Alan Mehdizadeh (Don), Cordelia Farnworth (Nicola), Michael Hobbs (George), Suzie McAdam, Jemal Felix, George Grayson, Robert Grose, Melissa Jacques, Robert Jones, Jane Milligan, Robin Mills, Sean Needham, Jon Reynolds and Dominic Tribuzio.

Matt Henry (Lola) and Elena Skye (Lauren) will play their final performances on Saturday 8 July 2017. Kinky Boots at the Adelphi Theatre has become a favourite with UK theatregoers having won three Olivier Awards for Best New Musical, Best Costume Design and Best Actor in a Musical for Matt Henry who plays Lola. Kinky Boots also won the London Evening Standard BBC Radio 2 Audience Award for Best Musical as well as three WhatsOnStage Awards for Best New Musical, Best Actor in a Musical and Best Choreography.

With a book by Broadway legend and four-time Tony® Award-winner Harvey Fierstein (La Cage aux Folles), and songs by Grammy® and Tony® winning pop icon Cyndi Lauper, this joyous musical celebration is about the friendships we discover, and the belief that you can change the world when you change your mind.

Inspired by true events, Kinky Boots takes you from a gentlemen’s shoe factory in Northampton to the glamorous catwalks of Milan. Charlie Price is struggling to live up to his father’s expectations and continue the family business of Price & Son. With the factory’s future hanging in the balance, help arrives in the unlikely but spectacular form of Lola, a fabulous performer in need of some sturdy new stilettos.

Ensemble in Kinky Boots – credit Helen Maybanks

With direction and choreography by two-time Tony® Award-winner Jerry Mitchell (Legally Blonde, Hairspray), Kinky Boots is the winner of every major Best Musical award including three Olivier Awards, three WhatsOnStage Awards as well as six Broadway Tony® Awards.

Simon-Anthony Rhoden (Lola) is currently the understudy for Lola in Kinky Boots (Adelphi Theatre). His theatre credits include Ash in Marianne (New Wimbledon Theatre); Devon in Married to the Game (Theatre 503); Man in If I Should Stay (Soho); Lance in Beauty’s Legacy (The Keeper’s Daughter); Jim Conley in Parade (Edinburgh Fringe). Television credits include Let it Snow, and Simon-Anthony has also appeared on film in 2 Birds and a Wrench and Blue.

David Hunter (Charlie Price) has numerous theatre credits including Guy in Once (Phoenix Theatre); One Man, Two Guvnors (National Theatre, Adelphi and UK tour); Tommy (Prince Edward), Seussical (Arts); The Hired Man (Leicester Curve and Colchester Mercury); Pub (The Royal Exchange); Spinach (The Royal Exchange) and The Mayor of Zalamea (Liverpool Everyman). In 2012 David reached the semi-finals of ITV’s Superstar, competing to play the role of Jesus in Jesus Christ Superstar. As the front man of Pop/Rock band Reemer, he has earned huge support slots playing alongside The Feeling, Scouting for Girls and McFly on their UK arena tour.

Verity Rushworth (Lauren) has multiple theatre credits which include Vera Claythorne in And Then There Were None (UK tour); Velma Kelly in Chicago (Leicester Curve); Penny Lane in Carnaby Street the Musical (UK tour); Beth and Meg in Merrily We Roll Along (Theatr Clwyd); The Girl in The Seven Year Itch (Salisbury Playhouse); Grace Farrell in Annie (West Yorkshire Playhouse); Maria Rainer in The Sound of Music (UK tour); Sophie in Departure Lounge (Waterloo East); and her West End debut as Penny Pingleton in Hairspray (Shaftesbury). At the age of 12, Verity landed the role of Donna Windsor in Emmerdale (ITV), a role which she played for over 11 years. Verity recently returned to reprise her role as Donna for a dramatic and final award-winning five month stint.

Alan Mehdizadeh (Don) has appeared on stage in Billy Elliot the Musical (Victoria Palace, including the live cinema broadcast, DVD release, and 10th-anniversary gala performance); Swap! (UK tour); The Incredible Book Eating Boy (The MAC Belfast and Cahoots NI); Robin Hood (Marlowe Theatre, Canterbury); Jack and the Beanstalk (Theatre Royal, Bury St Edmunds); Watership Down (Regent’s Park Open Air Theatre); Much Ado About Nothing (UK tour) and Reg in Table Manners (What Was That Productions). Alan has also appeared on television in Grange Hill (BBC).

Cordelia Farnworth (Nicola) has extensive theatre credits including Sunset Boulevard (London Coliseum); Ultimate Broadway Shanghai (GWB Entertainment); Rock of Ages (UK tour, Shaftesbury Theatre and Garrick Theatre); Snow White and the Seven Dwarves (Cliffs Pavillion); The Wizard of Oz (Larnaka Patticion Ampitheatre) and Mamma Mia! (Prince of Wales and international tour). Credits whilst training: Copacabana and Hot Mikado. Her film credits include Beauty and the Beast (Mandeville Films).

Michael Hobbs (George) has appeared on stage in Darling of the Day (Union Theatre); Radio Times (Watermill Theatre); Aladdin (Salisbury Playhouse); Who Ate all the Pies (Ladida Productions) and Johnny Johnson (Lost Musicals). Michael has also appeared on screen in A Fairytale of London Town (Mutt & Jeff Pictures) and My Week With Marilyn (Trademark Films).

Kinky Boots is produced by Daryl Roth and Hal Luftig, James L. Nederlander, Terry Allen Kramer, Playful Productions, CJ E&M, Jayne Baron Sherman, Just for Laughs Theatricals/Judith Ann Abrams, Yasuhiro Kawana, Jane Bergère, Allan S. Gordon & Adam S. Gordon, Ken Davenport, Hunter Arnold, Lucy and Phil Suarez, Bryan Bantry, Ron Fierstein & Dorsey Regal, Independent Presenters Network, Jim Kierstead/Gregory Rae, BB Group/Christina Papagjika, Brian Smith/Tom & Connie Walsh, Warren Trepp, and Jujamcyn Theaters, in association with Cameron Mackintosh.

Book: Harvey Fierstein Composer & Lyricist: Cyndi Lauper Director & Choreographer: Jerry Mitchell Musical Supervision, Arranger & Orchestrator: Stephen Oremus Scenic Design: David Rockwell Costume Design: Gregg Barnes Lighting Design: Kenneth Posner Sound Design: John Shivers Hair Design: Josh Marquette Make-up Design: Randy Houston Mercer

BOOK TICKETS FROM £22.42

http://ift.tt/2q7hD6r LondonTheatre1.com

#IFTTT #LondonTheatre1.com

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