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ganondoodle · 22 days

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Since you said it's ok to send you random ask, i've always found your "monsters" design to be really really gorgeous, and I wanted to know : in any form of media you've interacted with, what's PEAK monster design for you ?

i have been thinking about this ask alot bc ... i dont ... know? theres a problem with what counts as a monster really too, most are either some sort of anthro/furry or the horror gore type of monster that instills you more with disgust than awe

i guess theres some i really like but idk if thats what id call 'peak' (though its rarely JUST the design but their vibe and stuff too);

(its a lot of zelda.. sorry)

Eldra, Farodra and Naydra (engl Dinraal, Farosh(?)) though Eldra is def my fav one of them, i like how they are a little more less typical dragon- with the fur around the neck the floppy ears and kinda goofy face yet manage to be the most ethereal, awe inspiring creature i have ever seen in a game with how they act and are presented as (in BOTW!!! do not mention anythign sonau/zonai with stupid magic pebbles to me about them i will manifest worms into your tea)

Leunen (Lynels) (botw) -i could not find a better picture wtf, fav are white and silver ones) FINE they had some pretty neat new horn designs in totk- idk i just like them alot, rather simple if you think about it, horse lion plus horns- but its so well put together it just kinda scratches my brain in a good way (also how intelligent they clearly are, like the way they fight and act and also even their death animation is so??? huh?? you are just gonna treat them like any other mindless monste- *remmbers they treat ganondorf even even worse all things considered* .. nevermind you're good)

'Beast' Ganondorf (twilight princess) its my favorite beast ganon design (even if it technically is just kinda a man boar .. again) though if ww gan had a non puppet beast form that one would most definitely be my fav lol (i will not get over the fact that some descriptions call this a hideous beast EXCUSE ME???? WHERE???) (honorable mention here, darkbest ganon from botw, pig on fire but it looks cool as fuck)

Nimbusgarde (ww) .. (engl .. darknuts?) do i need to say anything? (i could throw alot of ww design here) not sure if it counts as monster but they are not human so ????

the pathless bosses- (here in order, Cernos, the Godslayer, and Kumo) all of them are rad as hell (except for the final version of the godslayer ... liek im sorry but it looks to boring compared to any other one lol) again not just the design but man do i love them

since i dont know what would count as a monster or no i could just list my fav characters here bfmjbfmjsbmj like radahn (elden ring) is just kinda a zombie, aurelion sol (league of legends) is a space dragon, the forest god in princess mononoke, Narisha (skyward sword- sky whale)- i could go on but this post is long already (honorable mention to Omus in nausicäa, weird bugs but also something divine, though it is much more how they are treated and the vibe etc)

in all honesty though i cant think of one that i would describe as perfect, what i want of a monster design is to be ... cool but also a little weird, big hulking monsters that have something off about them and something that makes them 'other', but also not, as much as i like bloodborne, just bloody gory messes of rotting flesh, AND not just as a monster to kill, i just crave a game or otherwiese piece of media where the cool monsters arent just there for you to kill- the perfect one i guess would be something kinda big scary weird and off but while non verbal clearly not a mindless beast?

and here is the thing; my own characters do not furfill that, my designs are really rather conservative, much to my dismay, anthro of a mix of animals, maybe an extra arm thrown in- Eadrya, one of my favorites, is really just a blueish furry (yes they have fur) and their demon form is a mix of seals and catfish with some extra arms, too many teeth and a mouth that goas wayy to far (if they want) - Shargon is a feather dude with extra arms and his demon form is really just a chinese type dragon crossed with a bird, throw some darts at the color wheel, done

together with my problem of my monster characters losing their 'otherness' vibe within the story rather fast bc the majority of my characters are non human and speak and you see them in all sorts of emotions and parts of life- they lose that divine, unknown vibe and i HATE that that happens, i want them more akin to the forest god in mononoke but thats not possible unless i start from scratch

and i really dont mean to make myself look bad to sound self depre- ... however you spell that; i really am rather dissatisfied with my own designs but mostly just roll with what i got bc i never seem to be able to actually achieve what i want

even my redesigns often really make things LESS interesting (unless maybe the og was just ... human, but they are blue eyed with golden hair and white so that makes them divine you seE-), the skyward sword dragons as i redesigned them made them much more classical dragon, in part intentional bc i was drawing a connection of them becoming the botw dragons at some point, but by all means the canon design is much more weird and unusual than what i did with them, you could apply the same to even demise, his canon design might seem a little uninspired but really what did i do? inject him with some classic satan spice like that makes it in any way less stereotypical evil demon ??? lol

im sorry this post devolved into whatever this is but i really am trying to answer sincerely, i am confused about it myself, what counts as a monster, what doesnt, there must be more that i really loved but why cant i think of them, why do i design characters like this when i really want something much more different, i dont know, i feel like my brain is in a cage, why do i keep making things less interesting in an effort to make it interesting, am i falling into the corporate trap of cool sells who am i what am i doing

(theres a zelda artist with a style so strikingly genuis in shape, color and just .. DESIGN that i want to chew my nails off bc i cannot design like them, their designs and redesigns are so different yet sensical and so full of crisp shapes i have never seen before it drives me nuts and i would want to give them a shoutout but i think they dont like me so aaaaarhekjbfhgdknbgdfklbg)

#ganondoodles answers #hhhhhhhhhhhhhhhhhhhhhh #this ask was so innocent and nice #what did i do to it #me trying to think of my favorite monster design spiraling into me realizing i am making things often more boring than the og #and in general just dont achieve what i want to even with my own creations #i have infinite possiblities of creativity at my fingertips and yet what to i draw #blue furry :)#i feel like an ant that just experienced cosmic horrors of realization #(to be clear- having infinte possibilites and yet deciding to just draw furries is FINE AND VALID if thats what you want #(do -I- want that though??????????????????????

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theskyexists · 3 years

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Terminator

I watched the first terminator

It was an....EXPERIENCE

I now understand all the callbacks in dark fate. the skulls. the real janky looking skeletal terminators of john's future. hiding the gun in a jacket. scars. dani ironically not being able to drive. ending the story in a factory. the whole *gestures* grace/dani thing. the feminism

first things first - the soundmixing was SO BAD. the sound effects were shit anyway lol but I had to constantly turn the volume up and down respectively for conversation and gun sounds. also the epilepsy seizure white flashes were hell

i unironically AND ironically loved the pre-film credits with its Cool synth music

I loved the Cool synth keyboard sountrack it was INCREDIBLE hahahahaaha

i was not prepared for the enormous amount of manbod on display at the start of this film. like damn. DAMN. and it was pretty tasteful. and they definitely established Kyle as uhhhhh a very viable romantic interest - sprinting through that walmart shirtless, putting on cool product placement nikes, and somehow recovering his very cool coat in the police station while it was under fucking siege. was also not expecting to lay eye on an actual terminator dick in the shadows. but i think we should have more of that in films tbh

I just gotta say - I LOVED the style. I'm going to assume that is really what it was like. I love Sarah's little scooter especially, and her high waisted jeans and lil booties. her hair is of course....INCREDIBLE. the front so short that it poofs up lololol. She really does look in her twenties... I also loved all the little character details EVERYWHERE. the cops in the station??? I think my favourite character was definitely the police captain - idk, such rich characterisation for a side character - with such random comedic delivery.

I also liked how meta it got through the psychologist's interrogation of Kyle - the film really just said: let's forestall your complaints about how none of this makes sense and give you excuses through Kyle's super intense explanations (well-acted) lol

but all of the cops literally seeing all their buddies go down and then jumping out to get hella shot themselves with no sense of self-preservation was pretty hilariously stupid - some video game logic shit

I actually really loved the flashbacks to the future - that actually looked a lot more realistic than i thought. not the green screen stuff while they run through the wasteland but yknow - the humans living in underground tunnels. especially the concept of everybody living next to each other along the walls of a tunnel was really worked

Also - pugsley??? AMAZING. (every time it opened its mouth the bf would go ''aaaaa')

I WAS NOT PREPARED FOR THE EYE GORE. the wax (?) puppet was hilarious AND creative

The sexual politics (literally) were really interesting?? Matt and Ginger and Sarah being so comfortable with each other that Matt's weird sex call makes her laugh. Ginger just listening to a bop while having sex with Matt? lol. The......sex scene between Kyle and Sarah was.......uhhhh...........unique? blessedly short? nice handholding there. I'm not saying it was bad, and I approve of the politics of Sarah getting on top but like, the repeated almost-the-same shots made it look a bit weird.

I have to note though that their kissing was incredibly SHIT. in my opinion

The point beforehand when Sarah goes: what about the women in your time? what are they like?

and Kyle goes: good fighters

i was like - Cameron - you feminist sunovabitch!! which naturally i'd already had this reaction when I saw that Kyle was running around with a female soldier (who looked eerily like Grace??? actually) and also arrived at his comfy tunnel home with another female soldier in tow. 1984 people!!! and Rogue One couldn't be fuckin bothered.

and then Sarah is like: yknow what i mean - you got a girlfriend????

and we find out that Kyle has had Sarah's image as his singular haven of comfort and beauty his whole life (which means also that he’s a virgin)

and it's kinda romantic

but THEN

he regrets admitting it!!!! 'i shouldn't have said that'

AND THAT KICKS IT UP TO REAL ROMANCE. THE GOOD SHIT!!!! YES!!!!

(then the kissing starts which is bad)

but how the fuck can fans of this original movie complain about dark fate loL???? Sarah really IS like Dani, adored for both her legendary power and what she personally represents to her saviour: a haven from their terrible lives. girls thrown into life-threatening situations and learning to aid their protector step by step - until she's the last one standing - until she's picked up the skills and grit and trauma to drag Kyle/Grace around to save them and then go toe to toe with a fucking Terminator after losing them.

Sometimes I think it's cos dudes can't deal with a movie in which there's no one to latch onto that looks like them. Also it might just be the racism - cos youtube comments generally seem to approve of blonde-haired blue-eyed badass Grace

The pacing of this movie was actually really good even though there were TWO huge exposition dumps in quick succession in two random cars. They were fine. The car chase scene that came after was the only boring part in the movie.

My god the stop motion shots of the terminator though - OH MY GOD. that aged SO BADLY

I like how they gave the Terminator steel teeth bc otherwise it wouldn't have looked enough like a skull. I also liked how it literally had pizza feet hahahahaha

I was disappointed with John's words to Sarah though - it was both the delivery (worst line Kyle's actor did - like how fuckin dead was his voice there) and the words themselves. If i had a way to speak to my mother who saved me and raised me to win the war against the machines and i'd already lost her I would have been like: I LOVE YOU - I can't help you and I’m sorry because you saved me, thank you for everything.

Anyway - in the end i was surprised the terminator could be exploded with a single lil nitroglycerin bomb or whatever but the choice to have Kyle bite it for that heroic act was intense and sad

While Sarah and unlegged Terminator were crawling along I was like: how the fuck is this robot getting any traction on this metal surface with it's smooth little metal fingers??

Sarah's last soft 'kyle' as she watches him get zipped up into a body bag was the most touching line in the movie

The ending narration was pretty fuckin shit though.

So yeah. I enjoyed that

#terminator #vidi #my stuff #personal

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sole-cuore-amore-e-droga · 5 years

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Tel Aviv 2019: Straight outta Estonia to Eurovision with a lowkey tribute to Avicii soundwise I guess

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I’m not one of those people to go all their way out to overdefend Eesti Laul as “THE most diverse NF to ever exist songwise”, but even I was disappointed in this sudden rush of radiofriendly pop music that I would rather refuse to describe if I had to endure any of them ever again all at once this year. Remember - Netta won with being CRAZY! Why can’t Estonia be CRAZY even more! Was this secretly a bigger demand from the new producers or so that Estonia would need to out-radiofriendly the Latvians whose goal actually was to find a good radiofriendly song that’s enough for qualification????

Also, I kind of wanted to watch Eesti Laul, but I haven’t really settled with it, as I didn’t have enough patience to watch it one time it wasn’t on Saturday (!!). Even with Eesti Laul usually taking the live tweets from foreign fans into account and displaying some of them on the national Estonian television for good measure. And often showcasing their weirdness through crude animations every so often. But I already saw my Twitter timeline being full of that stuff, and for that I’m happy.

I did have some favourites despite being tired of all this pop stuff, and one of them was the ever-so-gender-ambiguous INGER (I say so cuz I thought it was a guy, turns out it’s a she, yeah), and I kind of wanted to see her win after the lowkey last minute interest towards her? But the televote didn’t seem to want any of it during the final public say, and didn’t even want Kerli (not the Spirit Animal Kerli) through despite of her being “hot” (are we now choosing ESC NF winners based on their looks??? tighten up ffs). Instead the final’s televote thought it’d be a good idea to fuck up the international jury’s expectations by putting through an act that got 2(!!!!!) finalised points from them jurors overall and making it win the superfinal. That televote 12 the act got beforehand was just enough for the guy to last-minute qualify over another act of 14 overall points, and who knows, maybe if it wasn’t for that 12, the winner would’ve been someone else. But it didn’t and we have a last minute qualifier victory because televote superfinal is a thing.

And in the literal sense of the way Estonian minds thought their victor that was unfairly treated by the juries was a Swedish singer Victor Crone and his song “Storm”, which was written by the one and only Stig Rastafarian~ err I mean Rästa. Stig is one mythical human creature that never rests a minute without really wanting to appear in the Estonian delegation somewhere every year - whether as all by himself, with someone else, as a songwriter for someone else, or even as part of a band (remember Traffic, anyone? Now that I think of it, the whole band looks like a puppet-act just for Stig to get to Eurovision and the other band members didn’t even want any of it in the first place). Just exactly what is Stig’s aim here? To "take it back to Tallinn”? To meet new people in Europe because he’s too lazy to travel otherwise? To boast about the many Estonian entries he contributed to? Beats me.

That and Victor Crone being Swedish, therefore a man more suited to Melodifestivalen (where he actually once participated in) and only on Eesti Laul because Stig really wanted to save his voice for this one and tag some randomer along with him just for the sake of yearly input to Eesti Laul. Well, at least Victor is historically joining Sahlene and Sandra Oxenryd as “a Swede represending Estonia for a year because what do we know for the Estonians that weren’t chosen instead”. Let’s check his song out.

First and foremost, as the title obviously states, the song reminds me of the late Avicii’s music style, especially around 2012-2013, when he was just starting to get bigger post-”Levels”-release. Just with a bit more singing surrounding the song because... well, maybe to fill up the song some more in order to not look awkward on stage during an instrumental part of the drop being as long as would be one you hear on the radio.

Then he has this easy-listening generic male radio voice that the audiences can not necessarily reasonate with, but it’s memorable, together with the chorus, whose purpose is to be memorable - you don’t need no message that’s special, you just need a melody to hum in your head for the next few weeks, and that’s basically what Stig was able to achieve with this little ditty. Then there’s the amazingly easy song structure: verse - chorus - verse - (extended) chorus - bridge - chorus (+ song ending). That’s a structure that works on basic songs to make them more user-consumption-friendly and not too overbearingly dragged out. And I enjoy it, just like I did “Light Me Up” last year, which was also sung by a mediocre-live-vocalist-Swede that could have easily ended up 6th in Melodifestivalen edition with such song, sadly. I do acknowledge that it’s basic, but I enjoy it.

The problem the Eurofandom finds with this song is that it’s too basic of a song from Eesti, Victor’s proven himself to be a dull live singer, and the chorus rhymes “like this” with “like this”, and all the self-rhymes are automatically shite. And it’s fine if a song I like has its flaws, but it automatically worries me that its live potential is automatically down the drain because of the singer’s lack of vocal compassion or strenght. That begs the question, why choosing THAT kind of song if it’s totally going to underperform live in Eurovision if the singer wasn’t sick in the NF at the time???

...oh I get it now, you Estonians must have thought Stig deserves another year in the Estonian greenroom. Or you found Victor hot. Or you find it great that a song about a storm actually was originally staged to look like Victor’s in a storm. At least for the televiewers’ eye. Because all that they see in the real arenas is the singers’ backs if they don’t turn around in time.

With visuals like these, why even need a music video! (except that there already is one, look at the beginning of the review)

All in all, all condiments are there: just the sugar, spice and everything nice there’s needed for a song like this to break a fandom like this. You can practically smell the Hesburger grease from this song. I don’t care if that’s a bad thing - if you like the song, that’s fine, just shut up and enjoy... but if you dislike it, welp, there’s no way I can change your mind then.

And a random backing singer. Not that she’s helpful as the one for Ott Lepland or anything, she just strikes like thunder and leaves no lasting impact whatsoever.

Greta Salóme’s imaginary cousin, is that you????

Now excuse me while I contradict and repeat myself some more in the next few paragraphs:

Approval factor: As you might have seen me shading Elina a lot last year, I can safely say that at last I’m spared from her vocal practice entrapped in a porcelain-and-silk dressing!!! I like “Storm” myself so I’ll sheepishly approve the hell out of it, lolol. :-)

Follow-up factor: I would be lying if I didn’t say that after a risky-ish way to get all out opera and then coming back to a safe song after doing well with that opera number weren’t a complete nosedive into an empty pool. Subjectively it flows way better for me, but objectively, and the same could be, once again, said for Eesti Lawl [sic] 2019, it is rather interesting of a letdown? But hey, maybe it was finally time for the Estonians to chillax a bit and cave in to send an Estonian-Swedish pop number after the opera stuff, after the 80s synthpop stuff, after the smooth and slightly orchestrated and a little bluesy number, and heart-grabbing ballads... just so they could keep up their ‘variety’ in case Hungary runs out of ideas and starts sending cop-outs of themselves. They already did it with rehashing one artist and one lyrical idea already this year (the catch is that the father’s alive!), honestly. And oddly enough, they have yet to send something a little more modern/electro-influenced that appeals to the common crowd... (”Running” may not count because not everyone can relate, whereas there are more cases of broken-off love (as if in the other half being a heartbreaker or the first half missing the other half so much that they feel “incomplete” than abusive fathers. Just what I think there is? If I’m wrong I obviously expect to be @’ed in the replies section lol) For this conclusion though I’ll say that my opinion says it’s a ‘’’decent’’’ follow up, but for Eurofans, it’s not very much so of such, idk.

Qualification factor: you may think it’s dead while going to perform in between the more badass entries AND mediocre live vocals, but it won’t at least be the worst Stig entry to ever place - around 14th in the semi at the very worst and maybe in the lower half of top 10 at very best imo. Nothing more, nothing less.

NATIONAL FINAL BONUS

I actually barely even bother with Eesti Laul since they don’t accept my Twitter comments live on their television anyways. Say, were there any Twitter comments live on their television this year? No one on Twitter boasted about it if they saw theirs from what I’ve seen, but what I’ve definitely found from the eager Eesti Laul watchers were some casual and usual Estonian oddities thrown on the broadcast, such as:

• The soft and warm but also random and deranged yearly transitional postcard animations (that were refered to as “crude” earlier in this review), which I commonly know now as “my last two braincells”. Even if the graphical theme itself of this year’s Ee-Lawl were oddly-shaped birds coming out in forms of letters, they didn’t really show up much in the broadcast I suppose, and the best fuckery with my mind this year definitely happened when I saw some of THOSE pop up on my Twitter timeline:

We now return to your regularly scheduled news programm~ wait why are you saying that the scheduled programme should be Eesti Laul

• Even if the most acts themselves weren’t that kooky musically, they were obviously interesting performance-wise. We were greeted with an impulsively quirky crazy cat lady Kaia Tamm who bemoaned the absence of the fluffy creatures in German somehow (you know Germany’s a terrible track-record keeper when the only song in German this year featured on Estonia and the only German in Eurovision this year was gonna be sung by an Ukrainian entrant if she was alowed to), as if a song in full Italian from last year wasn’t enough. Not only did she dress up as Alice in Wonderland with kitty ears, but her costumed dancers were entertaining, the violinist was FIRE and a cute large teddy bear looked cute on stage. Not to mention, someone have rightfully noticed that some costumed felines in the audience looked like as if they were to kill someone:

• Lumevärv too is an interesting thing. Never forgetting Lumevärv. This Inga woman, the fiery orangehead she was, used her 3 minutes on stage the best possible way with dancing with her back turned on at the audience and only looking at the camera, while millions of lights (which is sadly not what the songtitle "Milline päev" means) shone in the audience, creating an amazing mood.

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• Hey everyone, the 10 years challenge is back! This time it’s with the violin virtuousess(???) Sandra Nurmsalu, the lead of Urban Symphony, who deserved much more than a 3rd place. Unfortunately the Estonians did not bring her back to get her desired revenge, which meant that they thought that they woodn’t need no magic tale fairy that’d grant them tree wishes and let her magic wand our out the wondrous [sic] sawdust. I’m already seeing myself out for how terrible this sounded. And it’s a bit saddening about this not doing as well as some hoped, considering she would have brough out the new and the better Jacques Houdek teas:

• Other favourite act of mine from this year, besides the aforementioned “ever-so-gender-ambiguous-looking INGER” with her indie-folk jingle “Coming Home”, was the charming disco-haired Sissi Nylia Benita with a wholesomely radio bop “Strong”, and they both actually looked like they stood a chance in the superfinal vote-up now that the actual Eesti Laul fan favourites, pretty cute pop boys like piano-indie-pop-driven Stefan and electro-pop-and-Kirkorov-driven Uku Suviste, were not receiving enough support by the juries I guess??? I’ll show a video to INGER if anything and link you all to the rest so you could judge these young and beautiful souls to yourselves in a way!

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• Other note-worthy acts include another song about the notorious instrument horsefly in Ee-Lawl’s history that stood even less chance than “Parmupillihullus” but is still fun regardless, and the united forces of Tanja (EE 2014) and Birgit (EE 2013) trying to compose a bigband talk show anthem and dedicating the lyrics for them being ladies with their high heels out on. And honestly, that’s all I’m gonna talk of acts-wise because most other songs were THAT of a radiofriendly-radio-filler that they don’t warrant anything else exciting for me to say.

• No but for real, the voting to the superfinal was completely off-rails. Instead of Victor, juries were there to support that Kerli woman that wasn’t from 2017 (and her soft acoustic song too), as well as Sissi and INGER (but you already know that because I barely read my write-ups before I finish them, hence lots of redundancy). At least that’s all to my knowledge. But everything definitely changed when the televote attacked! And turned the top 3 all male, lol. This voting was rather random simply because the juries didn’t really love Victor, but it definitely took the televote to convince them that “lol Victor is definitely worth of Eurovision!!! screw that he’s non-Estonian!!!” (the difference is that Victor doesn’t have a big social media following unlike Bilal and didn’t win an obnoxiously people-powered talent show unlike USNK from A Dal 2018 - it’s just that he’s more backed by Stig Rästa, and Stig is love, Stig is life.) Honestly, I am all up for unpredictable voting, but if it looks unpleasant to me, then I feel like tuning out.

We’re over with this write-up, thank-fuck-fully, so that you won’t need to hear me lamenting how supposedly cheap “Storm” is ever again. But before that I will have to leave you with some Eurovision 2019 facts coming on: Estonian delegation can be lucky for once - instead of having had to panic for spending an egregious amount of money for a staging detail, this year they don’t have to worry, as the organizers were so shook by Victor’s stormy sky effect, they offered to pay for it themselves!!! Crazy, huh??? (reported for favouritism)

And now I’m done. And we’re moving on to another review and I end up wishing Victor Crone the every best of luck out there. Storm out with a good time well spent! (Whatever that might mean.)

#eurovision 2019 #tel aviv 2019 reviews #estonia 2019 #victor crone #storm #estonia

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