the thing is there's like, a point of oversaturation for everything, and it's why so many things get dropped after a few minutes. and we act like millennials or gen z kids "have short attention spans" but... that's not quite it. it's more like - we did like it. you just ruined it.

capitalism sees product A having moderate success, and then everything has to come out with their "own version" of product A (which is often exactly the same). and they dump extreme amounts of money and environmental waste into each horrible simulacrum they trot out each season.

now it's not just tiktokkers making videos; it's that instagram and even fucking tumblr both think you want live feeds and video-first programming. and it helps them, because videos are easier to sneak native ads into. the books coming out all have to have 78 buzzwords in them for SEO, or otherwise they don't get published. they are making a live-action remake of moana. i haven't googled it, but there's probably another marvel or starwars something coming out, no matter when you're reading this post.

and we are like "hi, this clone of project A completely misses the point of the original. it is soulless and colorless and miserable." and the company nods and says "yes totally. here is a different clone, but special." and we look at clone 2 and we say "nope, this one is still flat and bad, y'all" and they're like "no, totally, we hear you," and then they make another clone but this time it's, like, a joyless prequel. and by the time they've successfully rolled out "clone 89", the market is incredibly oversaturated, and the consumer is blamed because the company isn't turning a profit.

and like - take even something digital like the tumblr "live streaming" function i just mentioned. that has to take up server space and some amount of carbon footprint; just so this brokenass blue hellsite can roll out a feature that literally none of its userbase actually wants. the thing that's the kicker here: even something that doesn't have a physical production plant still impacts the environment.

and it all just feels like it's rolling out of control because like, you watch companies pour hundreds of thousands of dollars into a remake of a remake of something nobody wants anymore and you're like, not able to afford eggs anymore. and you tell the company that really what you want is a good story about survival and they say "okay so you mean a YA white protagonist has some kind of 'spicy' love triangle" and you're like - hey man i think you're misunderstanding the point of storytelling but they've already printed 76 versions of "city of blood and magic" and "queen of diamond rule" and spent literally millions of dollars on the movie "Candy Crush Killer: Coming to Eat You".

it's like being stuck in a room with a clown that keeps telling the same joke over and over but it's worse every time. and that would be fine but he keeps fucking charging you 6.99. and you keep being like "no, i know it made me laugh the first time, but that's because it was different and new" and the clown is just aggressively sitting there saying "well! plenty of people like my jokes! the reason you're bored of this is because maybe there's something wrong with you!"

I had a post a while ago about making sure your dnd character WANTS to be an adventurer a while ago, something else I’ve been thinking about is the importance of making a dnd character that WANTS to be in a group and have some sort of relationship with other PCs. the Group Nature of ttrpgs means lone wolves just aren’t feasible. if you really want to play a lone wolf or antisocial character at the beginning then I highly recommend telling your dm and the others players that you plan on forming bonds along the way and growing out of that mindset. otherwise why are you playing dnd, a group activity that involves cooperation and building relationships? Just Write A Book if you don’t wanna be in a group

doing this thing i call "reading every class high school lit book i missed out on" partially because as an english minor i feel like a lot of ppl in my english lectures have already read these books in higschool partially because high school english classes suck balls and i think the way they taught kids to read books was lame and dumb as hell and killed love for reading and i think some of these books they make kids read should never be experienced in a classroom setting

every day i wake up and thank mxtx for publishing novels with three of my favorite things: soft gay men, excessive violence, and gut churning psychological horror

I do feel like the way Kyoshi was written in the Avatar reboot was lowkey influenced by the fandom's perception of her. Cause like in the original show she's really just portrayed as a pragmatist who's willing to kill if necessary. Like Aang is conflicted about killing the Fire Lord and she's like "well if I were in your position I'd do it but that's just me. Good luck." And then people started making memes where she's like a murderous psychopath who thinks extreme violence is always the solution. And it was funny at first cause it was just exaggerating for comedy but now everyone thinks she was actually like that in the show when she really wasn't. And then in the remake her introductory scene is her angrily yelling at this 12 year old that he needs to stop being a little pussy and be a ruthless warrior or whatever and the only explanation I can think of is that someone in the writer's room maybe looked at a few too many of those memes.

Underrated character growth throughout the sellswords trilogy is Artemis becoming weirdly smug about his unrequested makeover as soon as he can use it to be condescending at people he doesn't like.

frequently what happens is I'll be drawing a comic and think, huh. I wonder what shoes a 14th/15th century cardinal would wear. I bet they had fancy rules about it, and the answer will be in a 500 page book about the early modern cardinal. I'll think, 'WELLLLLL since I'm already here, I'll check out this other chapter that sounds interesting,' and then I'll find out that the vatican is literally hazardous to your health, but from that point on I'll be locked in for the entire book. I'll start reading through all the citations while checking to see what else some of the contributors have written. the comic has been forgotten entirely because I need to know more about the hats.

i love my best friends yangchen, kavik, yangchen's evil foil, and kavik's evil foil <3

thinking about when a door-to-door missionary asked my dad if he had a personal relationship with jesus and he replied, deadpan, "I eat him."

In other news, this week a French publisher on his way to the London Book Fair was arrested by British counter-terrorist police to be questioned about his participation in protests in France.

A French publisher has been arrested on terror charges in London after being questioned by UK police about participating in anti-government protests in France.

Moret arrived at St Pancras [...] with his colleague Stella Magliani-Belkacem, the editorial director at the Paris-based publishing house, to be confronted by the two officers. [...] He was questioned for six hours and then arrested for alleged obstruction in refusing to disclose the passcodes to his phone and computer. [...] He was transferred to a police station in Islington, north London, where he remained in custody on Tuesday. He was later released on bail.

Éditions la Fabrique is known for publishing radical left authors. Moret also represents the French science fiction novelist Alain Damasio and had arranged more than 40 appointments at the London book fair. [...]

[Quoting publishing house’s press release] “The police officers claimed that Ernest had participated in demonstrations in France as a justification for this act – a quite remarkably inappropriate statement for a British police officer to make, and which seems to clearly indicate complicity between French and British authorities on this matter.” [...] “There’s been an increasingly repressive approach by the French government to the demonstrations, both in terms of police violence, but also in terms of a security clampdown.”

(Guardian link - BBC link) (article in French)

The publishing house (here’s their latest statement in French) and the publisher’s lawyer mention that the British police asked him “Do you support Emmanuel Macron? Did you attend protests against the pension reform?” and he was also asked to name the authors with anti-government views that his employer has published. They add, “Asking the representative of a publishing house, in the framework of counter-terrorism, about the opinions of his authors, is pushing even further the logic of political censorship and repression of dissenting thought. In a context of social protests and authoritarian escalation on the part of the French government, this aspect [of the questioning] is chilling.”

Being an accomplice to thoughtcrime by publishing dissident authors gets you treated like an international terrorist now... The publisher’s lawyer suggests that French authorities asked the UK to help them get their hands on the publisher’s contacts in the radical left sphere. But on the face of it, we’ve got: Exercise your right to protest your government in France -> get arrested by counter-terrorist UK police in London. That’s literally the reason he was given for being greeted by police at the train station...

honestly, kotlc lol

i. about 2 weeks ago, i was told there's a good chance that in 5 or so years, i'll need a wheelchair.

ii. okay. i loved harry potter as a kid. i have a hypothesis about this to be honest - why people still kind of like it. it's that she got very lucky. she managed to make a cross-generational hit. it was something shared for both parents and kids. it was right at the start of a huge cultural shift from pre to post-internet. i genuinely think many people were just seeking community; not her writing. it was a nice shorthand to create connection. which is a long way of saying - she didn't build this legacy, we built it for her. she got lucky, just once. that's all.

iii. to be real with you, i still struggle with identifying as someone with a disability, which is wild, especially given the ways my life has changed. i always come up against internalized ableism and shame - convinced even right now that i'm faking it for attention. i passed out in a grocery store recently. i hit my head on the shelves while i went down.

iv. he raises his eyebrows while he sends me a look. her most recent new book has POTS featured in it. okay, i say. i already don't like where this is going. we both take another bite of ramen. it is a trait of the villain, he says. we both roll our eyes about it.

v. so one of the things about being nonbinary but previously super into harry potter is that i super hate jk rowling. but it is also not good for my mental health to regret any form of joy i engaged with as a kid. i can't punish my young self for being so into the books - it was a passion, and it was how i made most of my friends. everyone knew about it. i felt like everyone had my same joy, my same fixation. as a "weird kid", this sense of belonging resonated with me so loudly that i would have done anything to protect it.

vi. as a present, my parents once took me out of school to go see the second movie. it is an incredibly precious memory: my mom straight-up lying about a dentist appointment. us snickering and sneaking into the weekday matinee. within seven years of this experience, the internet would be a necessity to get my homework finished. the world had permanently changed. harry potter was a relic, a way any of us could hold onto something of the analog.

vii. by sheer luck, the year that i started figuring out the whole gender fluid thing was also the first year people started to point out that she might have some internalized biases. i remember tumblr before that; how often her name was treated as godhood. how harry potter was kind of a word synonymous for "nerdy but cool." i would walk out of that year tasting he/him and they/them; she would walk out snarling and snapping about it.

viii. when i teach older kids creative writing, i usually tell them - so, she did change the face of young adult fiction, there's no denying that. she had a lot more opportunities than many of us will - there were more publishing houses, less push for "virally" popular content creators. but beyond reading another book, we need to write more books. we need to uplift the voices of those who remain unrepresented. we need to push for an exposure to the bigotry baked into the publishing system. and i promise you: you can write better than she ever did. nothing she did was what was magical - it was the way that the community responded to it.

ix. i get home from ramen. three other people have screenshotted the POTS thing and sent it to me. can you fucking believe we're still hearing this shit from her when it's almost twenty-fucking-twenty-three. the villain is notably also popular on tumblr. i just think that's funny. this woman is a billionaire and she's mad that she can't control the opinions of some people on a dying blue site that makes no money. lady, and i mean this - get a fucking life.

x. i am sorry to the kid i was. maybe the kid you were too. none of us deserved to see something like this ruined. that thing used to be precious to me. and now - all those good times; measured into dust.

/// 9.6.2022 // FUCKING AGAIN, JK? Are you fucking kidding me?

I love how everyone’s reaction to this guy is like “omg look it’s that mysterious drow ranger Drizzt Do’Urden….. he’s so cool……..” meanwhile he only has his hood down like that because he can’t see shit in the sunlight

I think my DNA was altered by this book. 11/10 would recommend.

hearts and their consumption 🤍✨🪐

day 5, fantasy | howl's moving castle paro

⬇️ extras + explanation below

i literally needed to explain my casting bc it seems so obvious for howlkechi but i chose akira as howl for personal reasons...(COUGHS sharesthesamepersonalitytypeasbothhowlandjoker COUGHS)

I'd probably have to read the printed version and web version back to back at some point to note all the differences but... ough