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lianors · 5 years

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FOURTH CHALLENGE — character personality tests for lianor montagu: (4/12)

wc: 1,592 / points earned (thus far): 20

tw: light mention of abusive parental relationship; sexuality discourse (with mentions of: religion, homophobia, internalized misogyny and traditional gender roles); a ridiculous shitload of word vomiting without proofread yike !

1 — creepiest thing about you

𝖗𝖊𝖘𝖚𝖑𝖙𝖘: you are a disturbing control freak — caring for people and things does not work the way you think it does. you are so invested in making sure that everything around you is perfect that instead of showing you care, you plan and control without asking for any input (which, of course, you justify by telling yourself that you aren’t burdening anyone else with extra work). you call this “dedication,” but it’s not - it’s needing personal control so badly that you’ve confused it for real connection — which is not really a great quality in a friend, but a very helpful quality in an aspiring serial killer.

𝖆𝖈𝖈𝖚𝖗𝖆𝖈𝖞: i remember when this challenge first came out -- lmao why am i such a sloth -- i wrote an intricate, awed response at this result, but my computer turned off on itself so i guess i gotta content with this whatever lmao.

anyhow, incrediblé. i believe i have touched on the controlling nature lianor has in her -- it is born from her own mother’s, how the woman had wanted her daughter to be a puppet from a tender age; not to displease beatriz, lia was to assure just that. she easily became a sort of dominating figure in the welsh nursery, gently advising and guiding the royal kids to do her way, which is the right way. unlike her mother, she knew honey would catch more flies than vinegar (a mantra she tries to live by whenever ugly, awfully humane sentiments rush through her) and, thus, lianor continues pulling strings quietly, with a caress there, a gentle word here.

she grows impatient and vexed as her powers begin to fade on people, and now that she’s older, she more actively struggles against being controlled by others, though she is wise enough to know that, as a woman, in many situations she just will not have control and she must bow her head and follow. still, she tries to manipulate the outcome to favor her in some way, even if it is a minuscule silver lining she clings to in order to maintain her sanity and her illusion of power.

2 — four temperaments

𝖗𝖊𝖘𝖚𝖑𝖙𝖘: your temperament is phlegmatic (15) — the phlegmatic temperament is fundamentally relaxed and quiet, ranging from warmly attentive to lazily sluggish. phlegmatics tend to be content with themselves and are kind. they are accepting and affectionate. they may be receptive and shy and often prefer stability to uncertainty and change. they are consistent, relaxed, calm, rational, curious, and observant, qualities that make them good administrators. they can also be passive-aggressive.

𝖆𝖈𝖈𝖚𝖗𝖆𝖈𝖞: let me just say, i took this test on my first week portraying lia and i got a tie between sanguine and melancholic -- who is lying then?? are you telling me i’ve grown her enough for that to change??? fight me!! but hey at least sanguine and melancholic tied again, only two points behind phlegmatic so!!!

dumbassery aside, i guess this makes sense. as i usually take most of these tests as i am building my muse, i base their behavior on these results as much as the muse that flows through me on the day i am writing, but i think it’s silly to deny this result just for the sake of being a hater -- especially when the phlegmatic result does fit her: lianor is not particularly lazy, as her anxiety and fear of becoming useless makes that an inability, but if she does allow herself a time off, there is little she would really want to do other than partaking in that noble girl lying on a ottoman couch fantasy!

more importantly, she is definitely on the quiet side, and kindness and warmth are traits she intends to display and, though i haven’t said it outright, i believe it can be assumed rightfully so that she is a good administrator, with a good head for finances and overall stability over risk.

3 — tea type

𝖗𝖊𝖘𝖚𝖑𝖙𝖘: chamomile tea — you are a warm blanket in the form of a human. you’re welcoming and comforting, and loved ones know they can turn to you when they need a hug or a soothing word. you appreciate the cozy things in life, like wrapping up in a blanket and listening to the rain. in a world full aggression, competition and noise, you believe there’s bravery in being soft.

𝖆𝖈𝖈𝖚𝖗𝖆𝖈𝖞: reading this blurb makes me feel so uwu, in a very romantic way i imagined when i first wrote lianor (if you ignore how big of an angst whore i am lmao), so sure, i will take it. lia intends to be this sort of safe, cozy harbor for her loved ones, where they all can forget of the harsh realities of ruling -- though she found herself quite able to do so before, she becomes more cynical, and fearful this ability will become an impossibility soon enough (which in return makes her despise those she judge that are to blame for this demystification of her idyllic world).

4 — sexuality

𝖗𝖊𝖘𝖚𝖑𝖙𝖘: for 40% you are heterossexual. this means that you are attracted only to the opposite sex. this is the most accepted and ‘normal’ sexuality, so don’t worry about fitting in with sexuality -- you will be fine.

you could also get this result:

for 30% you are bisexual. this means that you are attracted to both sexes. this sexuality is very broad -- you can love whomever you want. in reality, both boys and girls. it’s also fairly accepted, as you are both straight and gay.

𝖆𝖈𝖈𝖚𝖗𝖆𝖈𝖞: as someone with about 5 scorpios in my zodiac map, i have no qualms about discussing sex and sexuality in any way, so this is going to be an interesting ride. as always, i thought i should discuss character origins, as lianor really has bloomed ever since i began planning her, to as she was actually played. so, originally, she was as straight as a board -- as someone who has had primarily one romantic and sexual connection, she remains constant with her affections and desires, which are invested on a cismale, as it should be expected for a pious noblewoman as she is. thus, i insisted she was a hetero for quite a bit, only for her to come at me and make me proud with just a huge amount of gay -- god i love one (1) sapphic babe! because, well, i envisioned her relationship with the princess of england as one of sisterly love, but because there was a sapphic route me and the princess’ former player went by, i am interested in discussing that again with her player (who shall hopefully be here soon).

lia enjoys women -- she thinks they are gorgeous, strong beings, and she also envies them, well rooted in the environment she is at. the fateful night she did engage in intercourse with one, she powered through with mild distaste, making her purpose to appeal for the male gaze, to prove to her male partner she was not just another whore he would take to his bed and forget the next morning. she claims kissing women have become a boring affair, that she has tired of pretending and would rather go for the real thing -- a man, in which she would be expected to conceive with -- but everything she speaks must be taken with a grain of salt, since this is the 15th century and even if there is no penis, so there is no sodomy, a love for a woman that is something more than fraternal is wrong, for a woman is made for a man, and she believes she has already found her match.

this single sexual encounter and her insistence in telling herself she is disgusted by homosexuality rings to me not only of religious-infused prejudice, but also of a notion many claim secondary: the ace aspect. being a literal assexual definitely does not work for lianor, who has fire running in her veins and is not at all against asking for her earthly desires to be quenched by the right man -- but demisexuality’s definition interest me a lot; demisexuals require a good amount of bonding to be able to enjoy the sexual act -- they may do it anyways, as i know people in real life to have done and as lia does in her marital bed, but enjoying it is a whole other thing. thus, it makes sense she could not find sexual joy in a random encounter that was fashioned more to please her partner than herself. when she did think of a woman she had a deep connection with -- her dearest french penpal -- though there was an immense shame, lia found no difficulty in enjoying herself.

however, again, this should all remain entirely circumstantial due to the mentality of the century; she would rather not strain from what is normal, and resign herself to her feminine position, in which she should please her man and bear his children, regardless of her own pleasure in the matter. female friendships should remain just that, and otherwise she would seek to distance herself from the personification of sin for her own sake. to go through with modern, anachronistic notions would strip the verse of what it is and instead would make me speak of the bi icon lianor beauchamp that was born in the 1990s -- and that is a whole other talk.

#crhs.challenge #thinking of doing this for iv*n as well..fu..ck me :)

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