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#i believe in kenny ortega more than i believe in god
narcissusbrokenmirror · 7 months
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this is not my hottest take really. But sometimes im gald they never renewed jatp. Because the way Netflix is, they probably would've ruined the show, bc they don't know how to present teen shows without making them oversexualized and weird (as we can see w shows like Riverdale and The Chilling Adventures of Sabrina, all shows i enjoyed at first, but eventually dropped bc where tf is the plot.). I also dont wish that Disney would've taken over, i was in the The Owl House fandom y'all, Disney is not any better, they're racist homophobic bigots. And at last, but not least, the writers strike!!! All the main cast of jatp is supporting it, if we had the show going on for a secons or third season rn, we wouldn't get it anyway.
So, do i miss them? Hell yeah. Do i want more of the show? Yeah!! Do i think that the characters got what they wanted? No. Did they developed enough? No. Is the story close to and end? Fucking hell no.
But the show has done enough for a good first season, it established the characters' background, it brought them together, it opened doors for other future plots, it showed every character's potential for change and development.
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shititbe · 3 years
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Anyway, HSM2 is about internalized homophobia, and no one can tell me otherwise.
High School Musical is one of the most beloved franchises in the world. Teenagers all over the world grew up watching Troy and Gabriella harmonize together. Three movies, and nearly a decade later it’s still beloved by all. The first film easily forgotten in the ashes of the early 2000’s, the third film stuck in a purgatorial limbo of the rather unfortunate late 2000’s. The second film on the other hand sticks out between the ruckus. 
The second High School Musical film takes place at Sharpay and Ryan’s family country club, during the summer between junior and senior year. The Wildcats are working summer jobs on the country club, often forced to the beck and call of Ryan and Sharpay themselves. Sharpay uses all her prestige to help Troy with college instead of starting at the bottom ( or rather, in the kitchen washing dishes) with his friends. In the time she’s helping Troy, she is also pushing her brother away; replacing him with Troy in their musical number for the talent show, and refusing to hang out with him in preference for Troy. Ryan becomes vengeful to his twin and starts hanging around the Wildcats in the kitchen. At first, he was met with some distasteful looks and words (most of which from Chad). With the help of Kelsey, and her neutral party, Ryan fits in smoothly with the other teenagers, eventually giving the WildCats all dance lessons.
 Throughout the movie, the main conflict continues to be the internal conflict of Troy Bolton. He debates over and over again if he should go through with Sharpay’s shenanigans, or if he wants to “listen to my own heart.”  This of course involves Gabriella, as she is Troy’s love interest. She’s not in the second film except for the beginning, then, where she leaves in the middle of the film - in order to create angst for Troy - then when she shows up again in the finally to sing/rejoin Troy. 
The conflict in the second film  is the combining of Troy’s two worlds. His first - his main world in the first movie, that hence became his secondary world - which is represented by Chad. Then his secondary world - which becomes his main world in this movie - which is represented by Ryan. Chad represents Troy’s masculinity, or his more idealized version of himself. Ryan represents Troy’s femininity or his current version of reality. These two worlds collide in the iconic song “I don’t dance”.  
Since this movie - and hence this scene - came out in the early 2000’s, a lot of the innuendoes went over people's heads. Luckily, as the children who watched this movie grew older and more experienced, and the world became more accepting, we’re able to see this song for what it is. 
Before getting into the lore and symbolism of the iconic “I Don’t Dance” sequence, context is needed. For most of human history, homosexuality was seen as a sin in all places except ancient times (see: Greece and Japan). The modern age is the most accepting on all fronts, such as sexual orientation, race, and religion. In the early 2000’s, High School Musical director Kenny Ortega was not publicialy out yet. He wouldn’t be till 2014. 
Originally, while writing this, my first thought was  that Kenny - the director - would be using Troy as a y/n type character to project his insecurities and struggles with masculinity, and what that means in defining his orientation and societal views that would be placed upon him. Then, it came to me later that this is in fact not the case, Troy (and Gabriella - who is in fact a y/n character for the female audience) is more of a character for a man of his time, confused with his own ideals of masculinity and the views of society because, “oh god, I can’t like theater/drama because only queer people and girls like it!” The second point is pushed further with the Troy and Sharpay sub-plot. Sharpay tries to further Troy’s career as a basketball player, though that’s not what he wants anymore, and Troy is no longer sure if that is what he ever wanted to begin with (enter the song “Bet on it” and the hilarious meme “no dad, I’m giving up on your dream”). 
Keeping these things in mind - Kenney’s queerness, and Troy’s struggle to realize you can in fact sing and be a heterosexual, wow, revolutionary - it became clear to me that Kenney’s y/n characters were Ryan and Chad. 
For those who aren’t into the arts, or find them too difficult after a singular attempt thinking they could write a world class novel on the first go, let me be the first to tell you every author has a y/n character. First, for those who don’t know what y/n stands for, it’s a popular fanfiction trope where a writer will write a story about a character dating, being friends, and so on, with the reader. The y/n stands for “your name” so anyone can be the main character in this story at any time. For a writer of mainstream fictional work, such as High School Musical, Game Of Thrones, Lord Of The Rings, Pride and Prejudice, Harry Potter, Hunger Games, even most comics. Now, most writers or directors aren’t going to be as obvious as having a character not named (or named y/n) or even named Jane (looking at you Jane Austin), the y/n character of many mainstream authors/directors/comic artists and so on is usually the character they feel or have given the most attributes similar to themselves. 
It’s the same reason people have favourite characters. You see a fictional character and you either 1. Want to Bob the Builder them, 2. Some sort of weird sex thing, or 3. See more/the most of yourself in this character. Number three - thankfully - is usually the main reason. Some people just create their own favourite characters. An even easier way to think about this, is just projection baby, that’s psych 101.   
Before I went off on a small tangent of fictional works and how human emotion plays into creating them (except anything Disney has made in the past decade, and no you can’t change my mind on that) I mentioned that Chad and Ryan are Kenney’s y/n characters. As a queer person myself, it’s clear for me to see the different struggles each of these characters face and how these reflect the queer experience. 
So, let’s finally get into it. 
Ryan, without it being explicitly said is clearly a character of what people in the early 2000s think a gay man is. He is effeminate, wearing bright coloured outfits with lots of accessories - namely his signature hats - he is also in the theater department doing musicals, and passive/subservient to any of his twin sisters' wills. Yes, now we know gay men aren’t just feminized men, but in the early 2000’s a gay man who can do "masculine" things like change their car oil, like sports, and so on, break the "effeminate" stereotype thus confused many cishet people. Sharpay is painted as more confident - or, for sake of comparability - masculine to her twin in the first movie, and most of the second movie. Making Ryan a bit of her dog who would do anything to get by - painting Ryan as lesser than human, once more, playing into the homophobia of the early 2000's.     
Despite the clear stereotypes playing into his character, Ryan is consistently one of the most confident characters in the movie. The other, being his sister of course. This confidence in himself is what gravitates the other characters towards him, either by being intimidated (Troy, thinking Ryan and Gabriella were a thing), or admiration (Chad, by the end of “I don’t dance”). 
Chad, on the other hand, is a whole different ball game. While he is confident in the first movie, and the first portion of the second movie, he begins to break more and more when Ryan becomes a more integral part of the Wildcat group. To keep in mind, Chad is also the most vocal about his distaste for Troy’s artistic past-time. When the other Wildcats join Ryan and begin learning how to dance for the talent show at the end of the movie, Chad is also the most vocal about his distaste. The baseball game where “I don’t dance” takes place, is the climax of Chad’s arc and his turn towards acceptance to Ryan/Troy’s hobbies. 
Of course, there is more to the “I don’t dance” sequence than just Chad’s realization - the exact one Troy comes to terms with in the second movie as well - of “oh my god I don’t have to be gay to enjoy stereotypical ‘feminine’ things.” That is the main part of the song though, that and all the sexual tension. 
Going back to what I’ve stated previously, Chad and Ryan are Kenney’s projection or y/n characters. Let me do a small recap before we get into the nitty gritty of the famous “I don’t dance” video. 
Thinking back to the first few paragraphs, I stated that Kenney wasn’t publicly out till 2014, about 7 years after the second movie came out. This could be due to the fact that a) it’s the early 2000’s and everyones still very homophobic, or b) self-doubt that comes with the queer experience. The most likely reason is a mixture of both of these. Because of this, Ryan is the more self-assured version, or idealized version of Kenney that he wants to be. Ryan is confident, never being swayed about his lifestyle (could be read as: sexuality) even though Chad - and most of the wildcats in the first movie - put him through relentless “teasing” and humiliation. He’s confident, almost to a fault, he’s sure of himself, and yet still reaches out a hand to Chad and the other wildcats to show them that they’re just being, kinda dick-ish. 
Every queer person wants to be Ryan. Despite his heavily stereotyped characterization, I personally believe he is one of the stronger written characters in the movies, mainly due to Kenney putting the time in to really make Ryan feel like a real person, to give himself some sort of relief of his own anxieties, a chance to see the world through a person who truly has no fear. Unlike Kenney himself. 
This is where Chad comes in. 
Chad is seen as “confident” in the first movie, the second Troy “leaves” basketball though, all that confidence comes crashing down. His best friend has another hobby - one he thinks is “not right” (it’s okay, you can say gay), - they wont be spending all their time together (first, can you say dependent relationship much, yikes).Chad’s defining characteristic up until their fight that instigate act three of the second movie, is being Troy’s best friend. I’m going to take this as if this were truly the case, and not a decently written character arch. Some people base themselves around their friends and their whole identity on being a friend, that they lose sight of themselves, this mainly in high school of course, when your whole world is really nothing but school, and friends. Newly developed independence is there, but that’s scary, so instead of worrying about the future, cling to something that’s reliable. I’ve seen this happen, mainly at the end of high school, when the “real world” is coming a bit too close for comfort. This could generally be the case if a person is lonely, but for timeline sake I’m going to say Chad has got some anxiety about graduating (considering the second movie takes place the summer of junior year). 
His lashing out at Troy’s hobbies and at Troy’s neglectful friendship, make more sense with that background, and are seen more in the second movie where Troy begins spending all his spare time with Sharpay (trying to collect that BAG!). Chad - and others (read: father) - insists that music is not a feasible career option, and Troy should just stick with basketball (like...that is a feasible career option). The tension Chad creates in the studio only grows when the other wildcats decide to take up Ryan’s offer for dance lessons and move from the kitchen, to helping out with the talent show. (Next essay idea: how high school musical two was really about class all along, cause Jesus). 
 Chad is the less obvious option for a y/n character. Though again, the 2000’s were not as cool people like to pretend they are. Chad - for Kenney - represents what he actually feels, this fear of being rejected for how he is and how he chooses to live his life/lifestyle, so he sticks to something reliable. Ryan is new, and exciting, and confident in a way that Kenney/Chad wish they could be, but in order for that to happen they need to understand that maybe people are complex creatures, and can enjoy multiple hobbies (aka: the same lesson Troy is teaching the viewers, but far less boring). But, for Kenney/Chad facing that thought and that realization is scary, and thus, they lash out at anyone (read this paragraph as: Chad mad jealous of Ryan cause Ryan bomb as fuck). 
All this build up, finally comes ahead in the employee baseball match 
                                                       ******
The baseball game is probably the most memorable scene in the whole High School Musical franchise (minus Sharpay’s “Fabulous” solo, but that’s also from the same movie, and it’s kinda rude to give what’s already the best more points); the tension in the scene, and what it implies makes it the best written segment of all three movies, let alone the most entertaining. 
Some things to keep in mind from our background information: Chad is missing his bestie and struggling with what being “masculine” really means for him and others. Ryan of course makes this confusing, because the traditional method is being thrown out the window. In short, Chad has internalized homophobia, and Ryan being open - or as open as Disney would let him - is causing all sorts of problems. 
Despite the song, “I don’t dance” being logged into our collective skulls for all eternity (you’re probably humming it right now, sorry about that), the very brief interaction of Ryan and Chad before the game is lost on the public consciousness. The two are clearly comfortable with each other, though the distaste seems to be on Chad’s side more than Ryans. So, the two start playfully jabbing at each other before deciding to do a bat toss to see who will be in the outfield first. 
Before they begin the bat toss, Ryan says “You don’t think dancing takes some game?” Chad then very clearly checks him out, doing a simple but effective ‘drag-your-eyes-over-them-top-to-bottom-then-smile’ and says “you got game?” (Seen in gif below) 
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I don’t know how much you know about sex metaphors and how many of those baseball has in it (seriously though, it’s a lot), but with the bat toss, Ryan’s hand ended up on top, and Chad’s under Ryan’s. Let’s ignore this for now, it’ll be implied again later. Ryan’s team starts out in the outfield because he won the bat toss, and hence, the song officially starts. 
The first lyrics (ignoring the chores of “hey batter batter, hey batter batter, swing”) is 
I'll show you that it's one and the same
Baseball, dancing, same game
It's easy
Step up to the place, start swingin  
This part is sung by Ryan, who is taunting Chad out in the outfield. Before the game, as stated, Chad was taunting Ryan about his lack of “game” (both sexual and not sexual metaphor are implied), and now, Ryan has turned those tables around. Baseball - is seen as more masculine than dancing, not as masculine as football or basketball, but it’s up there. Chad is someone who cares about his masculinity, enough to the point that Ryan playing baseball makes him loose his mind. Makes him question his own personal definition of masculinity, if you will. 
Ryan says, “baseball, dancing, same game,” impyling that, to him, baseball and dancing are one and the same. That is baffling to Chad, cause well, how can something meant for girls even be close to something meant for boys. 
Chad comes back with: 
 I wanna play ball now, and that's all
This is what I do
It ain't no dance that you can show me, yeah
This only proves my previous point. 
I had a conversation with myself about this, and I’ve decided not to include it in this essay, but a second essay may or may not be possible. Basically the premise - the dancing/”musical” moments of High School Musical are conjured up images by those meant to see them (ie: like a visual hallucination, but, not really) but this scene kinda poo-poos that idea. 
Now, the thing I am talking about is Ryan and Chad’s  peacocking at each other during the time they sing these lyrics. The movements they’re making could be mistaken for dancing - as we automatically assume it is because of the title and themes of the movie - or it could be them just getting ready for the baseball game. Ryan swings his leg over the pitcher's mound, tossing the ball up and down into his glove, making wavy hand gestures, etc. Chad brushes off his gloves, swings his legs, hits the bat on each foot, and so on. 
For the peacocking, Chad makes a mock of the ballerina foot stance before strutting over to the home plate. Ryan laughs at this, which earns quite the smirk from Chad himself (see gif below). 
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This is when it becomes a conversation.   
You'll never know - R
Oh I know - Ch
If you never try - R
There's just one little thing - Ch
That stops me every time, yeah - Ch
Come on - Ch
When Chad says “Come on” it’s when Ryan throws the baseball at him, starting the game, and giving Chad’s team their first strike of the game (get it, it’s funny). Now, obviously we need to talk about the “there’s just one little thing that stops me every time.” As a queer person, I assure you, two of the things that kept me from living my Best Life were 1) my own ignorance of what asexuality was and 2) the fear that everyone I love would hate me for who I am, and what I have no control over. 
Sorry to get deep like that on main, but, can any other queer person say different? Obviously, your first point may differ, but my point still stands. In the video/scene there is a very short moment (to which I have condensed into a gif for you all, you’re welcome, and I’m sorry about the quality in advance), of the camera moving over to Chad’s team (or his friends in this case since it’s an employee baseball game) as he says this line (gif below). 
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I will not be explaining the use of subtly in this essay, but I’m sure you get the metaphor Kenney is trying to use. If not, let me spell it out for you in very simple words. This song has a lot of sexual innuendos (as mentioned pervious with the baseball bat scene and still, more to come), with that in mind, and clearly queer themes at play (as mentioned before, again), this scene only shows Chad isn’t as straight as he leads on. His fear/phobia of Ryan/the arts come from a much deeper place. 
In shorter, and much simpler terms: Chad queer. 
But, let’s get back to the boy's conversation. 
I don't dance - Ch
I know you can - R 
Not a chance, no - Ch 
If I could do this, well, you could do that - R 
Translation: “If I can do this weird, sweaty, dirty, Male thing without blowing a fuse, you can and should be able to dance just fine.” 
But I don't dance - Ch 
Hit it out of the park - Both 
I don't dance - Ch
I say you can - R
There's not a chance, oh - Ch
Slide home, you score, swingin on the dance floor - Both
I don't dance, no - Ch  (This is just the chores, you’ll see it multiple times throughout the essay, I just figured if the song is going to be in your head, go all the way right). 
Two-steppin, now you're up to bat - R
Bases loaded, do your dance - R 
Here we are with the baseball metaphors you’ve all been waiting for ladies and gentlemen. Girls, gays, and non-binary pals. For those who have somehow managed a sheltered existence with access to the internet, lemme help you. Ryan is talking about “loaded bases” both in the context of the game (where it shows each base has one person from Chad’s team on them) and in the term of sex. While you go out there dating - while it’s mostly douche bags and people using it ironically - your nosey friends may ask you how far you got. 
“First, second, or third base?” They may ask. Or something like, “oh wow, did you get to home plate/base?” These are simply the rankings of the stages of a sexual relationship. First - kissing, sometimes just handholding, Second - making out, some light groping, Third - full on groping, no clothes come off, but it gets close. While each person has different boundaries, these are the general accepted definitions for the bases. 
Home base is obviously full blown sexual intercourse. Since Chad has his “bases loaded” it means he’s done all these things before, just never gone completely to sexual intercourse with someone - in the terms of the song and the history we’ve already established, it’s most likely a male character. This is only proven by Chad’s uncomfortable nature towards Ryan (internalized Homophobia, thank you, returning theme) but his easy, and cocky personality towards everyone else. “bUt thAt DoEsnT pRovE” hush, that’s the final cherry on top. Remember this conversation. 
It's easy - R  
Again. Previous points have been made.  
Take your best shot, just hit it - Ch 
I've got what it takes, playin my game - Ch
So you better spin that pitch - Ch 
You're gonna throw me, yeah - Ch 
I'll show you how I swing - Ch
Ah, the famous “I’ll show you how i swing” a very strong baseball metaphor for everyone. Keeps queer people from defining themselves to dangerous (straight) people, and, well, that’s it actually. This term is mostly used by bi/pan people, though if you want to stay in the closet or are in a dangerous place, it is also used to subtly tell other queer people you are in fact, not straight. My favourite is when this term came into play when President Buchanan got elected in 1856 (for those that don’t know, he’s the first and only gay president). 
You'll never know - R
Oh I know - Ch
If you never try - R 
There's just one little thing - Ch
That stops me every time, yeah - Ch 
This is again, the same lyric as before it doesn’t pan, and the tone is much different. The camera stays on Chad as he says this line, meaning he’s reflecting, he is now his own problem, the person that is keeping him back. His friends are not on his mind anymore, which is good, Ryan’s Gay Propaganda has been working. 
Come on - Ch
I don't dance - Ch
I know you can - R
Not a chance, no, no - Ch
If I could do this, well, you could do that - R
But I don't dance - Ch
Hit it out of the park - R
I don't dance - Ch
I say you can - R
There's not a chance, oh no - Ch
Slide home, you score, swingin on the dance floor - Both 
I don't dance, no - Ch
Lean back, tuck it in, take a chance - R
Swing it out, spin around, do the dance - R
I wanna play ball, not dance hall - Ch
I'm makin a triple, not a curtain cal - Chl
I can prove it to you til you know it's true - R
'Cause I can swing it, I can bring it to the diamond too - R
You're talkin a lot, show me what you got - Ch
Again, like the beginning of this song, this is a heavy base for flirting and sexual tension, which this song is drowning in. 
Stop swinging - both
Hey - both
This is the part where they all start a flash mob in the middle of the baseball diamond. Again, alluding to the conversation I had to myself earlier, this only proves my own theory as no one takes notice of this. But, that’s not this essay, this is where I mention how close Chad and Ryan are at the end of the group dance.  
Come on, swing it like this - both
Oh, swing - both
Jitterbug, just like that - both
That's what I mean, that's how you swing - both
You make a good pitch but I don't believe - both 
Here is yet another (and the final) sexual innuendo. This is actually a rather quick one. Pitching in queer culture is considered the person who tops (because queer people even had to straight-ify their sex lives to “top” and “bottom”), this is the person who is giving, if you know what I’m saying. 
I say you can - R
I know I can't - Ch
I don't dance - Ch
You can do it - R
I don't dance, no - Ch 
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 Here is where that mosh pit ends, and how they get a little too close to comfort. 
Nothing to it, atta boy, atta boy, yeah - both
The rest of this song is simply a mash-up of the baseball game being finished, and this lovely gem. 
Now, clearly, Chad’s self conscious nature towards his sexuality is gone, he’s sitting close - if not squishing - Ryan, and talking to him like they’ve been friends forever. Take note of the change of close, most likely due to all the tension at the end of the song, and maybe a little of Chad’s own natural human curiosity built in. Now, I leave you with this note: 
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If there is anything that confirms all this more, its Chad’s girlfriend wearing the pride colours. 
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Also note: this could also be seen as a friend helping his bro discover his sexuality and fighting internalized homophobia, but, that’s ignoring the sexual tension, so go off I guess. 
Thank you for coming to my TED talk.  
Watch the full thing here
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issaxcharlie · 3 years
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You’ll always be the answer
Pairing: Charlie Gillespie x Fem Reader
Requested: YES💚
Summary: For the first time Charlie and Y/N have to do an interview together and things get pretty interesting and chaotic as always with the couple.
*In the wired autocomplete section the part of the question that was covered will be in bold*
Pretty much based in the we say we’re friends world, (yes, again😤 I love their dynamic I’m sorry) you only need to know that Y/N is a musician by profession, wrote the JATP soundtrack, a childhood friend of Charlie and now his current girlfriend.
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The couple is completely excited because today they have their first interviews after the confirmation of the second season of Julie and The Phantoms, and usually they are not on the same interview team so this is new. Charlie always does them with the band and the singer usually does them with director Kenny Ortega representing the people behind the scenes.
“Hello everyone, I’m Charlie Gillespie and I play Luke in Julie And The Phantoms.”
“And I’m Y/N Y/L and I play Daniela in Stardust.”
“Baby, you are here today as the songwriter of the album.”
“I know?” She thinks for a few seconds until she realizes what she said. “Oh. Well, this is embarrasing. Make my selfpromo accident worthwhile and watch Stardust after watching JATP!”
“Nice safe, beautiful. Pretty natural.” Her boyfriend teases as she smiles proudly.
“I like to believe I could be an actress.” Charlie begins to laugh at the seriousness with which she answered and looks at her, full of happiness. He loves that they can enjoy moments like this where their careers can go exactly on the same track.
They know that it will not always be this way so they should make the most of the experience.
“I’m excited to have you back, Y/N. And a pleasure to meet you Charlie. You both sure are full of amazing energy, I love it. Let’s start with the questions. Charlie, this is your first leading and in a fairly complete role, you acted, sang, danced and even wrote one of the songs, how was the experience?”
“Pure magic. They are all incredibly talented and so supportive of us, they worked so hard to unleash our full potential in an accelerated manner. They had a lot of patience with me in the dance part, they taught me to use my voice properly, they supported me in the change to electric guitar, it was simply a dream to work with every single person in the project.”
“Sounds amazing. Next question is for you, Y/N. Much has been said about the unreal chemistry between Julie and Luke. How was it for you as his girlfriend to have to witness it live? As I understand you were present throughout the recording."
"Oh man, it was awesome!" Charlie laughs at her pure response and the interviewer looks at her in disbelief.
"I'm Team Juke all the way. I know I may sound like a liar or something since I'm the girlfriend, but here's the thing.
I can't see my Char in Luke. Charlie is so good at bringing him to life that I can't believe that cool rockstar is my adorable goofball. It’s like Clark and Superman with the glasses thing. Beanie and electric guitar? Oh, hi Luke. You are so hot, wait... don’t tell Charlie I said that! Bandana and acoustic guitar? Hey baby, give me a kiss in the forehead and sing me to sleep.
What I was saying again? Oh, yeah. So... I see Juke and I’m soft, they are perfect for each other.”
“So you think Luke is hot, huh.” he pretends to be jealous and folds his arms.
“What can I say, I have a thing for rockstars, my legs melted during now or never."
He snorted a laugh. “Good to know.”
The interviewer cannot contain a laugh of her own.
"It's always a pleasure to have you here, Y/N. You are such a character and I always enjoy listening to you, and I love that even though the years go by and you are no longer so new in the industry you continue to have that fresh and iconic personality."
“Thank you so much Maria, If I can be myself here it is thanks to the beautiful atmosphere that your interviews always have.”
“My pleasure, ‘golden star’. Let’s continue. Y/N, We know you already knew Charlie, but who did you get along with better from the rest of the cast?”
“Oh my, definitely Owen. He was Charlie's roommate throughout the project so we hang out together a lot in our free time taking turns as third wheel. I'm pretty sure he's going to apply the same card to me this second season now that I'm gonna be the roommate.
But it’s okay, I totally deserve it. May the best third wheel win, Joyner!” Charlie grins and does a fistbump with his girlfriend who looks really hyped about going back to Canada with the band.
“I’m rooting for you, girl! Let’s go back to Charlie a little bit. The album that Y/N wrote is a resounding success and a very important piece for the series to be as brilliant as they are. I imagine that the four of you have a special affection for the album, but how do you feel that your girlfriend was the one who wrote a soundtrack of that level for such a special project in your career?”
Charlie looks so proud. He looks at her in a way that makes the young woman blush.
“I’m just so blessed that the things happened they way they did. She’s the love of my life, you know? I couldn't be more proud to sing her songs. She has always been insanely talented and nothing gives me more happiness that knowing she gets to do what she loves and is able to share it with the world.”
The singer's eyes water and she puts her head on the actor's shoulder, who kisses her hair sweetly.
“You two are so pure and so cute to watch, I have a new favorite celebrity couple.”
They continue the interview for a few more minutes and then they have to move on to the second section, in which they are handed some boards with the most searched questions on the internet regarding them.
“Okay guys, introduce yourselves again. I’m not going to be in the segment this time so you’ll have to help each other.”
Both agree without confessing that they have seen videos of this segment until 5 in the morning when they have nothing to do the next day and have sleepovers.
“Hi, we are Charlie Gillespie and Y/N Y/L and will be doing the wired-autocomplete interview today!”
“Okay handsome, let’s start with yours.” Charlie smiles and takes the sign in his hands, while his girlfriend removes the first tape and reveals the first question.
“Does Charlie Gillespie have a girlfriend?” Charlie smiles proudly and kisses his girls nose.
“I do, and she’s so adorable.” He touches gently her cheek and she closes her eyes at his touch.
He gives her a light kiss in the forehead and then uncovers the next question.
“What is Charlie Gillespie like in real life.”
“I’ll answer this one, Char’s a total goofball. He is cheerful, funny, always full of energy, talented, caring, and really, really hot. All done, next question!”
He laughs while blushing and reveals the next one. “Is Charlie Gillespie married?”
“Well I tried but someone ate the ring.”
“I would do it again, it was really good. Answering the question, he is not yet, but he is taking too long, maybe one of these days I will declare myself.”
He opens his eyes wide, he knows very well that his girlfriend is capable of doing it, and honestly he wants to be who does it, so he makes a mental note to prepare everything soon. Thank god he is working on the rings already.
“It’s Y/N still dating...”
“If the question says Ross Lynch I’m goin’ to lose it. No shade though, man.”
She laughs, after the James Larkin show, a lot of people showed anger as they felt that she was a much better match with the blonde, and Charlie couldn't help but feel a bit offended.
“...Charlie Gillespie! Yes, baby!” Both high five, Charlie looks almost relieved, is adorable.
“The answer is always yes folks, get use to it.”
“Who is Y/N’s best friend?”
“Well, this one is easy.” She turns to see Charlie and gives him a flirtatious little smile. He blushes and reaches out to kiss her, but she answers the question just before their lips touch.
“Ross Lynch.” She leans over and presses her lips against his for a few seconds as Charlie reacts to her response and then gapes in disbelief.
“You did nOT.” He laughs and and wrinkles his nose feigning annoyance.
“Yes I dID. But to be honest, has to be this man right here. Not a lot people know this but we’ve been best friends all our lives, so yeah. You baby, of course.” He blushes and kisses her hand, clearly happy with the answer.
“Is Y/N going to be in Julie And The Phantoms S2?”
“Will you?” He asks, genuinely curious. She never tells him what Kenny secretly confesses her about the project so as not to be unfair to the other members of the band.
“I will, but probably still back the scenes, guys. I'm really enjoying this part and learning from the best of the best so I am very happy not to be in front of the camera for now.”
“And you are doing an amazing work, love.” She grins and kisses his cheek.
“Thank you for watching us being ridiculously corny for 30 minutes, don't forget to watch Julie and the Phantoms Season 2 only on Netflix! I feel sorry for that poor people that will have to see how cheesy we are.”
“We were still recording Y/N, but never mind. The editing team has a lot of work ahead.”
“Well, damn. I’m sorry guys!” Charlie laughs for the thousandth time today. There is nothing better in life than sharing your days with your best friend. He can't wait to formalize that ‘forever’.
Thank you for reading✨
NEXT PART HERE
Taglist: @writerinlearning , @ghostofmgg, @strangerthanfanfiction713, @thebloodthirstyvampress, @kinda-really-lost, @kcd15, @magnet-girl, @aliandthephantoms, @stxrkspidey, @pinkrockstar19, @s0uz4s, @shycupcakealissa, @cookiebuba, @fangirlangioma, @sageellsworth05, @twist3dtinkerbell, @sunsetcurvenotsunsetswerve, @caitsymichelle13, @ifilwtmfc, @luckylouiebug, @bibliophilewednesday, @totomoshi, @siennanoelle01, @lunashadow6955, @bookfrog247, @morganayennefertyrell, @kiss-themoongoodbye, @rachelle3musicals, @imsydneywalker, @really-dont-forget-it
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spadesinglasses · 4 years
Text
Julie and the Phantoms (Series)
OMFG SPOILERS SPOILERS. If you’re mobile, scroll down quick or sth.
OKAY FIRST THING FIRST. A LIL DISCLOSURE. 
I started Julie and the Phantoms because of Alex and Willie.
Now onto the actual reaction
OMFG IT WAS SO FUCKING GREAT.
MY EXPECTATIONS WERE BELOW AVERAGE BUT HOLY SHIT.
KENNY ORTEGA DID IT AGAIN PEOPLE. HE DID IT AGAIN.
Let’s do this by sections.
Plot
Character
Relationships
Soundtrack
Bonus : Actors
What I Want for Season 2
-----------------------------------------------------------------------------------------------------------
THE PLOT
To those who are interested to know about the series before watching it here’s the plot.
The series started with 90′s boys in a band (Sunset Curve) who died after eating bad hotdog. Now they were brought back to earth to help young Julie and also rock the world with their music. Hence, Julie and the Phantoms.
Throughout the season, they all deal with high school woes, a discounted Sharpay Evans with Ryan Evans being her actual boyfriend this time, and their asshole father who is actually the only band member who survived in Sunset Curve.
On top of that Lifer mess (Lifer is a term that they used for people who are alive) they are also dealing with a bad ghost called Caleb, portrayed by the amazing Cheyenne Jackson. Think of it has a Hades 2.0 from Descendants but is actually irredeemably bad. 
Also there’s a plot about Julie’s mother. It’s been hinted, and expressed that Julie’s mother was Julie’s connection to Sunset Curve and why the three boys appeared to her when she played their CD. In the first episode, there’s a scene where Luke and Trevor and Reggie were flirting with a woman named Rosa. I believe she’s Julie’s mother.
Watching the series brought me so much joy. I may be old, and not the target audience for this show but damn did it bring me such happiness. 
There’s also subplots around. Like Luke’s family plot, and then Willie and Alex’s plot. Both are resolved by the end of the series.
Hmm what else. That is all!
General reaction to the plot is that it’s mostly generic. Young girl helped by a band of dudes and they sing to happiness. It’s very High school musical 1. With the shy girl and the guy who wants to push her to singing. But in this case, it actually makes sense lol.
As soon as I reached the last episode, I kept on wondering how on earth they’ll get a season 2 and what the plot would be. If the phantoms crossed over or got destroyed at the end there’ll be no season 2 anymore. Unless they sign servitude under Caleb and Julie has to do everything to free them again.
SURPRISINGLY or maybe not. It got all resolved in the end by a hug (very disney. Netflix i see you) 
Despite this ending, IT WAS ACTUALLY GREAT. AND KEPT ME WANTING MORE. The ending was lackluster but it was goddamn emotional. There was no big fight scene between ghosts or confrontation that happened. BUT DAMN WAS IT SATISFYING. AND THEN THEY SHOWED HOW SEASON 2 WILL BEGIN.
Not gonna lie that end scene both intrigued me and exhausted me. Poor Nick did nothing wrong but Caleb has to fuck it all up. Sad really, sad.
THE CHARACTERS
The characters consists of :
Julie - Our protagonist. She is a 16 year old girl in high school who lost her mom for some reason. Because of it, she stopped singing as it reminds her of her mom too much.
Luke - Our love interest. Luke is the vocalist and guitarist of Sunset Curve. He’s the running love interest of our protagonist and a complete softie. He’s cuteeee.
Alex - Alex is the drummer of Sunset Curve. This person is hilarious with his dry humor. The one that makes sense most of the time? xD
Reggie - REGGIE MY BOY. Reggie, full name Reginald, is the bassist of Sunset Curve. He’s a dumbo. Also I’m quite sure he loves daddies. He just doesn’t know yet lol. Either he probably likes Julie’s father, or sees the guy as his father figure.
Flynn - FLYYN MY GIRL! FLYNN IS LITERALLY THE ONLY ONE WHO SEES REASON AND LOGIC IN THE GROUP. Girlie is the most amazing friend one can hope so. She takes no bullshit and has no time to liars. SHE ALSO STRAIGHTENED UP JULIE AND SHE WAS BEING SELFISH. Literally, kudos to this girl or else i would’ve found that subplot VERY ANNOYING. Again, praise this girl and all her contributions. THE PERFECT WINGWOMAN.
Sub characters are :
Carrie Wilson - the discounted Sharpay Evans. Like I’m sorry to miss Sharpay she doesn’t deserve to be compared to Carrie but I’m quite sure Carrie’s idol is Sharpay lol.
Nick - Nick is the initial love interest of our protagonist. He’s bland. The 95% off Ryan Evans of the show.
Trevor Wilson - The asshole. He’s the second guitarist in Sunset Curve. He lived because he was trying to shoot his shot to Julie’s mother*
*See above the plot part, i wrote it there.
Caleb Covington - Our resident ghost baddie. As if having a antagonist who is alive is not enough, Caleb is the biggest baddie that basically hinders.
Willia or William - Willie is a sub character that befriended our dear drummer. He’s a sweet skater boy who just wanna be left alone by bad people. He’s portrayed by Boo Boo Stewart and wears low crop top. He’s hoooot.
THE RELATIONSHIPS
We have two main relationships in the show.
Julie and Luke
Alex and Willie
Let’s start with Julie and Luke.
Julie and Luke
Half of the season these two has no chemistry at all. Their scenes were cute but there was really nothing to go on other than that (I will talk about a probably why that they didn’t have much scenes in the bonus actor section later) 
But then the next half came and oooh. I see it. Julie was there during Luke’s loneliness for his parents. They also have this dancing thingy that was just cuteeee. 
Alex and Willie
THE GAY BOYS.
I love my gay boys so much ;A;
Alex and Willie met when they had this little meet-cute. Willie “pancaked” Alex xD it was so adorable. The two hit it quickly. Willie’s very “law-abiding” personality was such a turn on for Alex that homie just followed him around. 
Willie helped Alex embrace his ghostiness and actually taught him multiple tricks. He was there when Alex was overwhelmed by his emotions and band mates and reality. And Alex was there as Wille’s new friend. It was all adorable.
They had this mini rift going on because of Caleb but Willie pulled through and was just amazing.
The gays won this time. We got two boys who keep on hugging and smiling at one another. I wish there was a kiss tho. I was really expecting it.
Extra : Reggie and Ray Molina
This extra bit is for Reggie and Julie’s father, Ray Molina.
These two has such a one sided amazing relationship. I love it when Reggie is on the screen with Ray. They were adorable! Not much to say other than what I already said in their character parts xD.
THE SOUNDTRACK
The SOUNDTRACK IS BOMB. IMMA PLAY THIS FOR GOD KNOWS HOW LONG.
The anthem of the show is called “edge of great” it’s very great lol.
Let’s rank it up shall we?
Flying Solo
Wake Up
Stand Tall
Wow
This Band is Back
Unsaid Emily
All Eyes On Me
Perfect Harmony
Finally Free
I Got the Music
Edge of Great
The Other Side of Hollywood
Bright
Now or Never
You Got Nothing to Lose
Agree or Disagree. You do you boo.
Flying Solo has been my favorite because of how different it sounds compare to the other songs of the album. The emotional investment to it about appreciating a friend is just honestly amazing to me. I love the scene between Flynn and Julie and hope that we get more personal scenes with just them both.
The shots for Wake Up is just mesmerizing. The spotlight they used to shine through the garage and gave this golden silhouette was just great! The piano scene was also emotional and the boys just standing behind her. Suuuuch goooood shoooooot.
BONUS : ACTORS
I only have one thing to say for this.
And that is about Madison Reyes and Charlie Gillespie. 
From what I researched, Madison is just 16. While Charlie is already 22.
It’s probably the reason why there were no kiss scenes, or other more romantic scenes between the two. While watching the show, it actually did not bother me that much. I only researched their age during the dancing part scene of them. It was really a surprise seeing that Madison is just 16. She has pipesss.
WHAT I WANT FOR SEASON 2
I WANT ALEX AND WILLIE TO KISSS. GIVE US MORE ROMANTIC SCENES BETWEEN THE TWOO PLEASEEEEE.
and to those who will tell me to “just let two gays be friends without making anything romantic” That’s your opinion, you already expressed, so move on. Its been taken into account, and I personally trash it.
Not saying the sentiment is trash, but just please tell that to somebody else lol.
i WANT SCENES THAT SHOW AND DEAL WITH REGGIE AND ALEX’S PARENTS.
We already got a glimpse of Luke’s parents issues and the resolution. Reggie and Alex has their own demons and pasts to deal with. I really wish they would show us that. Reggie with his divorced parents, and Alex with his homophobic good for nothing, shitty as fuck, demon parents.
Honestly, i hope they don’t redeem those homophobes, because not all homophobes can be redeemed, or get their heads out of their asses. But knowing shows like this they’ll probably do it. Whatever.
I WANT CALEB TO DISAPPEAR
i don’t wanna see him anymore. Make him go away.
MAYBE REDEEM CARRIE QUESTION MARK?
This one I’m on the fence. Carrie’s circumstance is not similar to Sharpay. It will be difficult for me to care shit about this character. But her father is Trevor so we already got a glimpse of why she’s so entitled as fuck. The fruit doesn’t fall far from the tree.
If they are going to redeem her. They better make it great or else it’ll look so cheap.
FLYNNN
GIVE FLYNN A MUCH BIGGER ROLE TO THE PLOT. HAVE HER DO SOMETHING DRASTIC THAT CHANGES THE GAME. I DUNNO, I JUST LOVE HER SO MUCH. THEY BETTER NOT FUCK IT UP.
I don’t know anymore what to write. If I forget something else, you’ll probably find it in my personal julie and the phantoms tag lol.
THAT IS ALL.
THE SHOW IS GREAT. THE ALBUM IS GREAT. THE PLOT IS GREAT.
LURVE IT.
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