the thing is that like, mission impossible 3 was released almost exactly a year after tom cruise jumped on oprah's couch. so a part of me does think that jj abrams may not hold sole responsibility for the inanity of Domesticated Guy With A Wife Ethan Hunt, because i can ABSOLUTELY see tom's PR team being like "okay. what we need is a movie to make you look as Normal as humanly possible." (one of the last YWA episodes i actually listened to was the couch-jumping moment where the cohost pointed out that tom's roles get a lot dudelier after the incident, which... is hard to call a coincidence, although it's also possible of course that he just discovered his punishing his body on camera kink and decided to lean the fuck in.) like 100% i can see tom cruise, who acts as a producer on all of these movies, in 2005 as the movie was in development, being like, "i personally need this to kick off with some scenes that make me seem more Normal than i have ever been, which of course includes maximum settled down heterosexuality, because i am going to beat those allegations once and for all." but it's definitely jabrams's fault that ethan hunt's wife is like the most Sexy Lamp female character i have ever seen in a film. he tries to pretend she isn't by having her take out the bad guy at the end, but it's too little too late and also stupid as hell. up to that point she has no discernible characteristics beyond Skydiving, Nurse, and Loves Tom Cruise, and her job in the movie is to make tom cruise seem normal and then be kidnapped and freak out a lot. also to kick off the movie by being strapped to a chair and seemingly shot in the head because when jj was like "how can i introduce tension and excitement into an action movie about tom cruise doing cool shit" he immediately jumped to "hot lady screaming with a gun to her head." god he sucks so bad

Man just doesn't stop fucking MURDERING white men who've done very shitty things

Edit: Yes I'm aware that Hbomb wasn't really The Guy to take down Wakefield, and Wakefield was gotten by Deere, however it was for the meme

Edit two: When referring to Shapiro I was talking about the Aquaman clip

❤️‍🩹

"mithrun is the only real monsterfucker in dungeon meshi" is objectively the funniest bit you can get out of his everything, but in all seriousness i think his attraction to his love interest is deliberately overstated—and that makes sense, because romantic jealousy is a classic and digestible motive, which is explicitly what kabru was aiming for in condensing mithrun's backstory, and also because until chapter 94, mithrun wasn't willing to admit to the true nature of his desires.

but because romantic envy is both classic and digestible, it probably isn’t a unique enough or complicated enough desire to tempt a demon’s appetite. mithrun’s wish, as far as we can figure from kabru’s reduced retelling, was to have a life in which he had never become one of the canaries, and that carries like 3857 implications and desires within it. that’s delicious. his love interest acts as sort of a red herring to his motivation for making it, though. (side note: i'm saying "love interest" here because, keeping in mind that i barely speak japanese on a good day anymore, "想い人" is something i'd usually take as just kind of an old-fashioned and romantic way to refer to a lover, but in context i wonder if both the connotation of yearning and the vagueness are intentional, and i think this phrasing gets those aspects of it more effectively. anyway.)

mithrun considered his love interest to be untrustworthy. there was a minute where i thought that comment might be about a similar-looking elf (yugin, one of his squad members), but comparing the two…

the "sketchy" arrow is definitely referring to the elf we know as his love interest—the bangs go toward her right, she only has the one forehead ornament, and, most notably, her ears aren't notched.

every time she’s given a full-body depiction in his dungeon, she’s drawn as a chimera, with the body of a snake from the waist down. (side note: the “what if a dungeon has chimeras before reaching level 4?”/“then the dungeon lord is unstable” exchange just being mithrun grilling his past self alive is so funny. he’s so. but anyway) there are a couple things about this.

first, the snake part of the chimera appears to be modeled after some species of coral snake mimic

which, in the biology-for-fun manga, i… doubt is a coincidence, especially with the added context of the “untrustworthy” comment. the dungeon’s conjured illusion of mithrun’s love interest was a harmless copycat of a venomous original. for whatever reason, he felt this person was a threat and made up a "safe" version of her to be in a relationship with, and while it’s definitely possible to be attracted to or even love someone you find to be toxic and/or intimidating, when you take that into consideration alongside the configuration of her body, you get some interesting implications.

which brings us to our second point: if we assume that mithrun was not in fact fucking a snake, then sexual attraction, at least, was so far removed from his idea of a relationship with this person that he did not even bother to keep her dungeon copy human enough to maintain the illusion of the option of a sexual relationship. this is somewhat echoed in the depictions of their interactions, which also imply a frankly unexpected romantic distance. she kisses his cheek and he doesn't seem to react; she's at the edge of a narrow bed with only one set of pillows, on top of his blankets while he's underneath them.

the kiss is particularly interesting because it seems to contrast the text. kabru's narration tells us this was everything mithrun could have asked for, but mithrun is there looking unreadable to pensive, likely because this is right before the panel that makes it clear things in the dungeon are beginning to go wrong.

walking through this backwards for a minute, we have the physical barrier of his bedding and the spatial separation inherent in a bed made for one person, the emotional barrier of his mounting anxiety getting in the way of his ability to enjoy the affection he sought, and... the snake, which historically carries the connotation of temptation, yes, but also mistrust, barring physical intimacy. okay. ok. if a dungeon reflects the mentality of its lord, all of this might suggest that mithrun was not able to have any real desire for a relationship with this person. his unwillingness to be vulnerable or let another person in was insurmountable. but in that case, why was she such a focal point that she remained to the end, after his dungeon had stopped creating iterations of his friends to come and visit him? why would he get so upset over her meeting with his brother that he became lord of a dungeon about it?

well. mithrun's brother was also interested in her, probably genuinely. and mithrun had to win.

you have an older brother who your parents completely ignore, probably in part because he is chronically ill/disabled and almost definitely in part because he received a ton of recessive traits that resulted in rumors that he was an illegitimate child. you are aware, most likely because those same parents fucking told you, that you actually are an illegitimate child. but they keep you around because you had the good fortune of looking just like your mother. what can that possibly teach you but that you, like your brother, are disposable?

it's utterly unsurprising that mithrun, under these circumstances, developed a pathological need to be better than everyone around him. people don't keep you otherwise. i'd argue this is also why he says he looked down on everyone he knew while milsiril claims his dungeon reeked of feelings of inferiority—he sought out people's worst traits and prioritized them in his mind to protect his already extremely fragile sense of self-worth, and all the while he tried to be as likable and high-performing as he possibly could be. his parents disposed of him anyway, but even then he tried to keep up the performance. he was kind to everyone. he never once lost to a dungeon.

when he saw his "love interest" meeting up with his brother, what he saw was himself being replaced by a person his parents had always treated as worthless, and if that was what they thought of the child they'd kept, what value could anyone possibly see in the bastard they'd given away to die? mithrun and kabru tell the story like he wanted to win this unnamed elf's heart, but it was never about being with her. it was about cementing his worth, proving that he didn't deserve to be thrown away.

and so it's particularly cruel that his demon discarded him, too. but maybe it's also particularly gentle that, in the end, there was someone who refused to even consider giving up on him.

kui laid it out in three panels better than i could hope to.

yeah. it's love. you wanted to be loved, even when the only way you were able to understand it was through the desire to be wanted, and you wanted that so badly that the idea of being consumed felt like the promise of finally mattering to someone.

Collection of warmup doodles that I had way too much fun with (from these hc chatlog screenshots from the past few days! [x] [x] )

"Dude," Steve says, pressing on his eyes because he feels like he's about to cry. "What the fuck."

"What?" Dustin squeaks, alarmed. "What? Steve, you're freaking me out!"

"Good!" Because Steve just worked eighteen hours and it's past midnight and he got thrown up on twice and there was a bed pan incident and even though he showered at the hospital he probably smells awful and it rained and he lost his keys so he had to take the bus and he's sweaty and tired and wet and cold and Dustin's DnD friend is hot. "I can't believe you'd do this to me!" Okay, maybe Steve's feeling a little delirious.

"Do what??" Dustin is full on shrieking right now. His hot friend is standing in their apartment looking more and more worried and hot.

"You didn't tell me he was hot!"

The expressions that go across Dustin's face is impressive, before they stop and he settles on a flat glare. "Seriously??"

Hot guy is now blushing and Steve will collapse if he doesn't keep with the righteous fury.

"I've been TRYING to get you two to meet for months now!"

"You didn't tell me he was hot, though! Dustin!!"

"I don't know what guys are hot, Steve!" Dustin says indignantly. "I thought you didn't like nerds!"

"Dustin!"

"Um," says hot guy. He looks like he's panicking.

Dustin's face changes again. "Oh, no. Oh, no, you're right."

"All this time!" Steve says and he really is close to tears. "You've been nagging on me all this time to find my soulmate, and you had the perfect guy right here?? You had him in my home??? Dustin!"

"Whoa," whispers hot guy.

"I'm sorry," Dustin wails now, just as distraught. "You love nerds, all your favorite people are nerds, I don't know what I was thinking, oh my god!" He whirls on hot guy. "Eddie, give Steve your number right now!"

"Okay," says hot guy Eddie, immediately. His face is super red and his eyes are wide, and he looks scared out of his mind as he fumbles his pocket for his phone. "Yeah-Yep-Absolutely. This is a thing that's happening."

Steve, tears burning in his eyes, watches as Dustin punches his number into Eddie's phone. "Okay," he says a little nasally, wiping quickly at his face. "Okay, I'm going to shower and then sleep for two days, and then pretend like this never happened so I can look hot guy in the eye when he asks me on a date. Sound good?"

"Sounds great!" Dustin says, all cheery now. Behind him, still looking vaguely scared for his life, hot guy gives him a shaky thumbs up.

coming to a slow horrible realization

The real reason.

I’ve seen a lot of comments saying that canon future Donnie looks more like he’s wearing waders rather than overalls and if that’s the case then he’s smarter and more prepared than any of us are giving him credit for. King is keepin’ it clean.

Birds of a Feather previous / next

This is basically Michael in FNAF Sister location,,

Frodo: Sam hates Gollum, but that is what I shall become once I have lost myself to the ring... he’ll despise me... 

Sam if Frodo did turn into a Gollum: That’s a very nice fish you caught with your bare hands, Mr. Frodo, and its very smart of you to eat it raw, saves us the trouble of starting a fire. I knitted you a sweater in case you get cold running around in that loincloth of yours. Is the sun hurting your eyes? I’ll kill it if it’s bothering you. I’ll kill the sun

Quick doodles before I evaporate.

The dynamic I never knew I wanted but definitely needed

Hat is matte black Got the boots that's black to match

You know what I realize that people underestimate with Pride & Prejudice is the strategic importance of Jane.

Because like, I recently saw Charlotte and Elizabeth contrasted as the former being pragmatic and the latter holding out for a love match, because she's younger and prettier and thinks she can afford it, and that is very much not what's happening.

The Charlotte take is correct, but the Elizabeth is all wrong. Lizzie doesn't insist on a love match. That's serendipitous and rather unexpected. She wants, exactly as Mr. Bennet says, someone she can respect. Contempt won't do. Mr. Bennet puts it in weirdly sexist terms like he's trying to avoid acknowledging what he did to himself by marrying a self-absorbed idiot, but it's still true. That's what Elizabeth is shooting for: a marriage that won't make her unhappy.

She's grown up watching how miserable her parents make one another; she's not willing to sign up for a lifetime of being bitter and lonely in her own home.

I think she is very aware, in refusing Mr. Collins, that it's reasonably unlikely that anyone she actually respects is going to want her, with her few accomplishments and her lack of property. That she is turning down security and the chance keep the house she grew up in, and all she gets in return may be spinsterhood.

But, crucially, she has absolute faith in Jane.

The bit about teaching Jane's daughters to embroider badly? That's a joke, but it's also a serious potential life plan. Jane is the best creature in the world, and a beauty; there's no chance at all she won't get married to someone worthwhile.

(Bingley mucks this up by breaking Jane's heart, but her prospects remain reasonable if their mother would lay off!)

And if Elizabeth can't replicate that feat, then there's also no doubt in her mind that Jane will let her live in her house as a dependent as long as she likes, and never let it be made shameful or awful to be that impoverished spinster aunt. It will be okay never to be married at all, because she has her sister, whom she trusts absolutely to succeed and to protect her.

And if something eventually happens to Jane's family and they can't keep her anymore, she can throw herself upon the mercy of the Gardeners, who have money and like her very much, and are likewise good people. She has a support network--not a perfect or impregnable one, but it exists. It gives her realistic options.

Spinsterhood was a very dangerous choice; there are reasons you would go to considerable lengths not to risk it.

But Elizabeth has Jane, and her pride, and an understanding of what marrying someone who will make you miserable costs.

That's part of the thesis of the book, I would say! Recurring Austen thought. How important it is not to marry someone who will make you, specifically, unhappy.

She would rather be a dependent of people she likes and trusts than of someone she doesn't, even if the latter is formally considered more secure; she would rather live in a happy, reasonable household as an extra than be the mistress of her own home, but that home is full of Mr. Collins and her mother.

This is a calculation she's making consciously! She's not counting on a better marriage coming along. She just feels the most likely bad outcome from refusing Mr. Collins is still much better than the certain outcome of accepting him. Which is being stuck with Mr. Collins forever.

Elizabeth is also being pragmatic. Austen also endorses her choice, for the person she is and the concerns she has. She's just picking different trade-offs than Charlotte.

Elizabeth's flaw is not in her own priorities; she doesn't make a reckless choice and get lucky. But in being unable to accept that Charlotte's are different, and it doesn't mean there's anything wrong with Charlotte.

Because realistically, when your marriage is your whole family and career forever, and you only get to pick the ones that offer themselves to you, when you are legally bound to the status of dependent, you're always going to be making some trade-offs.

😂 Even the unrealistically ideal dream scenario of wealthy handsome clever ethical Mr. Darcy still asks you to undergo personal growth, accommodate someone else's communication style, and eat a little crow.