My poster for MegaCon London 2024! 👻👻👻

*archduke voice* “Excuse me. He asked for no pickles”

whatever it was. you hate how you came to love it. admirable lunatic

one thing i really appreciate about jinshi's character is how he has NEVER once actually had any intention of succeeding the throne. every time the idea is brought up he immediately detests it. so hes giving maomao as much as he possibly can, even though maomao has many qualms about it due to their difference in social status, but jinshi DOESNT CARE because hes NEVER cared about or wanted the status of crown prince! its been nothing but a burden to him! from his perspective the ONLY thing keeping the two of them apart are outside influences. he has no doubt within himself-- hes horribly down bad, in fact. but unfortunately his stupid JOB is getting in the way of him skipping off into the sunset with his favourite little cat

soukoku's brand of trust where it's so not obvious yet painfully clear to everyone at the same time.

like at first everyone in the cast might see them and actually buy how much they hate each other but one mission later they're convinced skk can read each other's minds and are so intuned with one another they can find each other deaf, dumb and blind.

chuuya will let himself be swept up in a flood and be played at the side of a madman, knowing dazai has a plan, that he'll make sure they both oull through. dazai will sit and keep an unwavering stare down the barrel of a gun and let his partner fire it into his skull, with all the confidence that chuuya will not let him die.

and everyone thinks there's no blind faith because there's only deeply familiar trust; they know every part of each other, they understand each other, they can pinpoint the ins and outs of their partner's thoughts and feelings, they know how to read each other, know what makes them tick. and so everyone else in their lives thinks their trust is the trust between two halves of a single soul that is familiar with the other enough to place their lives in a rival's hands.

what they don't see is what goes even further, where they wordlessly bare to each other the parts that aren't known. chuuya will surrender his soul to unleash a being of calamity with only the belief that dazai will bring him back, save his life, stop him from razing the world to the ground.

dazai will reach out his hand to a boy he barely knows with solid faith that they will beat this enemy together, he will openly laugh until he's teary-eyed, express his worries, and his blatant shock, share his musings out loud without a facade of an all-knowing genius who doesn't struggle to understand his foes.

i don't even know where i was going with this but they make me INSANE

I heard someone simping over Pedro pascal earlier and now I'm just imagining the gang kind of chilling at the Hotel(Dear (Y/N) is dead by this point), even Vox because Reader asked him to stay- when she eventually comes out in a sexy cowboy costume like:

“Hey Vox~ How would you like to ride home on a real cowpoke?"

"Huh- (Y/N)??!??!?!!!"

"I got a six pack of cold ones on ice, and my roomie's out all night. So you can scream my name as loud as you need to, sugar!”

Vox doesn't even move from his spot, he kinda just blue screens immediately and while Reader panics- Angel kinda doubles over wheezing because it was his idea to begin with just to test his hunch- he didn't expect the infamous media rival of the radio demon to actually fucking die because the woman he was fond of decided to be a little tease.

I'm so tempted to write it as another interlude because my god Alastor wouldn't ever let Vox live it down but also we troll the Tv head like c'moooon it's funny XD

slay the princess swap aus are precious things to me cuz it's where i get blessed to see how the long quiet will be able to hold his voices and say his thoughts on them with the same tenderness and care the shifting mound shows to her vessels in game

guys can we PLEASE stop shipping riz w people. honestly at this point i kind of don’t even care if you yourself are also acespec/arospec/aspec.

yes, aspec people can be in relationships, etc etc, but riz specifically has expressed over and over and over again that that is something he personally has absolutely zero interest in.

he’s not just canonically aroace, he also canonically does not want a relationship.

“aroace people can be happy in romantic/sexual/queerplatonic relationships” is a true statement. “people who do not want to be in any kind of monogamous committed relationship can be happy in a monogamous committed relationship” is quite a bit harder to argue.

i’m just so sick of it. i’m glad we all understand that there’s nuance to aspec identities, and everyone’s expressions of and experiences with their own aspec identities are going to be different and personal.

like, it’s not even just about the asexual/aromantic aspect anymore. it’s also just refusing to let him not want to be in a relationship. why are so many people so resistant to the idea that he does not want to be in a relationship. like genuinely, why can you not accept that there are people who just don’t want that. who would just be unhappy in a relationship. why can’t you wrap your head around the idea that wanting a relationship is not a thing that everyone secretly wants. like, No, he hasn’t just not “met the right person” yet. because there is no right person. because he’s simply not interested.

this post is kind of rambly and not as effectively phrased as it could be i think but idc.

TL;DR: riz being aroace is not the only reason to not ship him. he also, explicitly and repeatedly, has stated he does not want to be in a relationship. “aspec people can be in relationships” is completely irrelevant because regardless riz simply does not want a relationship. please just respect thag.

edit: plz don’t like this is u wont rb. i won’t guilt you into rbing, it’s ur blog i’m not ur dad do what u want etc etc. it’s just irritating for me personally to see ppl interacting w this but not willing to actually put it on their blogs.

geralt "i will NEVER deadname my best friend" of rivia

"he will ALWAYS be dandelion to ME"

He's here!!

It's Shiun's official off-model ref sheet! Bout time I made one, I've only had him for a year and a half.

MY BRAINS NOT WORKING AND THE CUTE BOY I WORK WITH KEEPS CORRECTING MY GRAMMAR THIS IS SO AHAIWIAKSDHDGRRRRHRNE

Once again- no brain only joey today

Me after A Certain Mister Sung’s Birthday arc:

there it is. my favorite series of panels in the entire manga

bonus:

ALIEN SCARAMOUCHE WITH OVIPOSITION MERA ARE YOU TRYING TO KILL ME 😭 I need more, what would he look like, what are his motivations... Omg... Maybe some kidnapping going on...some experiments on humans...him studying how humans reproduce and if his race can use them... Aaaa my mind is going crazy with ideas, please do share yours too! <3

What if he doesn’t have a form of his own (something that sort of ties into canon Scaramouche’s obsession with wanting a heart and a purpose)? And maybe he’s more like a shadowy mass that can take the form of anything so long as he’s encountered said thing (i.e. made contact with it? Or maybe he has to kill the original in order to take its form? Or it’s something like a reflection where if you happen to look at him long enough he’ll have a good enough idea of how to replicate your form from staring and analyzing it.) and since he’s so dedicated to having a form that really fits, that truly feels like him, he’s continued to adapt and evolve as the years pass throughout every planet in the solar system.

Perhaps he does have a few features of his own, but maybe they’re sort of scattered?? Or they aren’t really features his species is known to have? He’s like a mixture of various things he’s observed over the time he’s spent on your planet in an effort to shape himself into something beyond the formless shadow he’s lived as for so long. Like a patchwork copycat composed of so many different parts because he’s desperately trying to understand all of these things. It’s like his version of trying on clothes and new fashion styles. So maybe he has horns or maybe cat ears because he’s seen so many stray cats and they’ve always fascinated him for some unexplainable reason (maybe in order to have these features he’s had to ingest part of the living thing he wants to replicate??? Just something a little extra horrifying for our beloved alien mouchey. <3) And maybe the only thing he has from the one who created him (Ei) is the same piercing stare in a pair of brilliantly colored eyes she graciously bestowed upon him.

Maybe Scaramouche can’t understand human emotion in the usual sense that other humans might, so he assigns flavors to these unusual feelings. When he hurts the things he likes or is interested in (cats, the human he stole his current appearance from (i.e. Kabukimono; let’s pretend they’re two separate individuals hehe), and even other gentle things or creatures who are completely innocent), the taste in his mouth is sour or bitter or so very intolerable. I think over time he hardens himself and learns to live with the foul flavors he often encounters when he attempts to blend in with humans and utterly fails because he can never replicate their emotions as well as he can copy behaviors or appearances. He starts his journey so curious and sweetly innocent, albeit murderous and eerie, and he tries so hard to learn and be good and explore the world with the eyes his mother gifted him and yet he always finds himself hurting. He hates it. It tastes terrible. It feels terrible, and he has never truly felt before. This is new.

When Scaramouche is captured by Dottore, a human scientist who is a little too dedicated to the pursuit of forbidden knowledge, he finally tastes the cruelty of humankind—learns of the lengths they’ll go to in the name of scientific breakthroughs. The researchers run dozens of tests on him. He can’t feel external or internal pain from wounds or injuries; he’s sturdy, birthed from a substance foreign to humans, intended to survive the harshest conditions. But Scaramouche feels pain—the emotional kind. He’s never felt fear; he’s what humans would call an apex predator. He’s strong. He’s never needed to feel fear, and so he doesn’t fear the unknown. He isn’t scared of the sharp tools, of the peculiar creatures he’s shown in hopes that he might replicate them and their features, nor does he fear the trajectory of this new life. The concept of ethical practices means nothing to him even though he’s aware he’s a lab rat, a grotesque curiosity that doctors poke and prod at. He reacts to everything in unique, defensive ways. He impaled a doctor through the throat with a strange shadowy spike. It moved as though it were liquid, yet it struck very solidly, sharply, deadly efficient. Dottore likens its movements and behaviors to that of an octopus’s tentacle; Scaramouche is unsure of this comparison. This is merely a shadow of something he has observed—a reflection. A cheap copy. He has never been original.

You’re the first human he meets who isn’t adorned in sterile white. No lab coat, no gloves, no goggles, no protective gear. Just clothes. Normal clothes. The both of you are separated by indestructible glass, placed in two very white rooms, and you can see one another so clearly. Scaramouche hates the purity of white because he knows that when he’s forced into a white backdrop he’s meant to stain it red. And lately he doesn’t want to break things that are undeserving of it. Perhaps he’s feeling too much. Perhaps he ought to tear these human feelings out and go back to the blank, shadowy slate he once was. How he intends to accomplish that, he has no idea.

He’s uninterested in you at first. You’re a human. He’s seen humans. He interacts with them daily. He’s killed plenty. But you spend nights in that white room and he watches you sleep. He tries to sleep in the same way you do; he has no need for sleep. He regulates his energy differently. He tries to breathe like you. He blinks at the same times you blink—or he comes awfully close. He tries to copy your movements and mannerisms. One night he presses himself to the glass and takes your form and watches you, counting every rise and fall of your chest as you lie so comfortably on the very uncomfortable cot. With hands that mirror yours, he pokes at these human features. He fits one hand in the other and pretends he’s holding your actual hand. There is no warmth, though. Humans are warm; Scaramouche is not. He’s frigid. His home planet is gloomy and cold and desolate. He thinks humans are lucky for cyclical days—for being in close proximity to the sun. There is no sunshine where he hails from. He likes the way the sun feels on him. It used to burn terribly when he first arrived on this planet. Now it’s like a hug—a hug that still singes, but a hug nonetheless. He’s never known what a hug is, but he thinks this is what it must feel like—like the burning warmth of a sun.

Scaramouche feels true, raw, animalistic, paralyzing fear when you’re taken out of the room after two weeks and replaced with a new human. You’re gone. Replaced. Are you dead? Did he kill you? Did he stare too long? He’s distraught, overcome with a horrifying emotion that has him curled and trembling in the corner of his white room (a cage if he’s ever known one). Why aren’t you here? And why is he so…restless? He can’t call it fear because he doesn’t know that word. But oh he’s scared. He’s so scared. You were the first human to smile at him, to put your hand on the glass where his rested, to sit close to the glass and eat meals alongside him. You were like the stray cats he’s interacted with: kind, soft, gentle, sweet. He’s so scared he loses the ability to remain in his human skin, and he practically melts into a shadow, clinging to the corner like glue or slime. He’s empty and alone. It tastes terrible. It feels terrible.

The humans that follow are terrified of him. Either that or they’re disgusted, baffled, cautious. He hates every one of them, so much so that he’s tried to break through the glass numerous times to dispose of them. Weeks pass; he’s forgetting your features. There are no mirrors here, so he must rely on the reflections shown in the glass. Some days he thinks he looks just like you; other days he’s certain he’s a monstrosity—a sloppily stitched version of you. The you he saw did not have pointed fangs or curling horns. He hates his reflection because it isn’t you. Most importantly, he hates that the humans he’s forced to look at are protected by this thick layer of glass. If it wasn’t so indestructible, he’d tear through every human nuisance until he reaches you.

Scaramouche is not sure how many months pass, but you return. And when you do the fear ebbs away. He feels…happy? Is that the right term? He’s pleased to see you, and for the first time in a while he returns to his human appearance—to the one he took from a young man many centuries ago. You’re back. You’re here. He’s so happy. He detaches himself from his corner and he tries to smile in the way you do. And, though it’s awkward and strange and sharp-toothed, you smile right back.

Dottore decides then that you are to be the next subject in this experiment. He’s observed Scaramouche’s reactions to you and compared them to reactions to the other humans and found that you are the best suited to this role. If anything, the alien couldn’t have picked a better specimen to adore. You’re helpless and so naïve. You need the money; it’s why you allowed yourself to live in that room for a few weeks. You were paid handsomely for it. He’ll pay you beyond handsomely if you agree to what’s next. And, really, when you’re in between a predator’s jaws do you really have much of a choice?

Scaramouche needs a human match, and the scientists need to study more than just the social biology of an alien. They promise you he won’t hurt you, and if he does it’s all right. They’re kind enough to respect the wishes of the dead. You must let Dottore know if you’d prefer a burial or a cremation. There’s nothing special in this distinction; it’s just a precautionary measure. You’ll agree to participate in this experiment whether or not you want to.

Your new home is the white room that faces Scaramouche, and after some more time and observations to ensure you won’t be killed the moment you step foot in his space the glass barrier will be lifted. Dottore wonders how Scaramouche’s kind mates and reproduces.

There’s only one way to find out.

Jure girlies (gn) unite!

(I need more mutuals to gush over this man pls)