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365days365movies · 3 years

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March 7, 2021: Onward (2020) (Part One)

Finding Nemo.

That’s my favorite Pixar film. Real talk, no arguments, and today’s movie? NOT dethroning it. This movie is so hard-wired into my brain, that the second I typed the words of the title, the theme song ran through my head, where it lives rent-free. It will be a cold day when I don’t find an excuse to shout “NEMOOOO!!!! I HAVE TO FIND MY SON!!” at any opportune moment. I will never stop swimming. Whenever I catch a Chinchou or Lanturn in a Pokémon game, I name it “Goodfeeling’sgone”.

SHARK BAIT OOH HA HA

YOU DO NOT UNDERSTAND THE DEPTHS OF MY LOVE FOR THIS MOVIE.

...Ahem. So, yeah, I love FInding Nemo. For the record, the sequel ain’t bad. And also for the record, there’s only one Pixar movie that I consider to be bad, and it’s the one you’d think. You know, the one about ageism. The one where somebody dies by torture? The bad spy movie?

...the second one about cars?

Which means, YES. I DON’T THINK The Good Dinosaur IS THAT BAD! Not exactly good, but its gorgeous, and just kinda boring, not outright terrible. That Styracosaurus, though...that dude is great.

Anyway, off of Pixar for a sec, huh? What about fantasy? I’m a big tabletop RPG nerd, and I’m currently the GM for a Pathfinder campaign, a Pokémon RPG, and a Mutants and Masterminds game, while also playing in a Pathfinder game as well. Yeah, I’m a busy dewd. But what I’m saying is, this movie should be preaching to the choir for me. I’m a Pixar lover who plays RPGs. I’m ready for this. I’m ready for CGI Bright. Which is another way of saying, I’m ready for a version of Bright that doesn’t suck.

So, why haven’t I seen it until now? I mean...COVID-19. This film got FUCKED. But, no matter! It’s on Disney Plus, I’ve got Disney Plus, so let’s get this baby STARTED! Let’s get updated on some Pixar! SPOILERS AHEAD!!!

Recap (1/2)

OK, immediately digging the soundtrack over the Disney logo as we jump in here! Very ethereal, very fantasy, very LotR, I LIKE it, I LIKE it! And then...long ago, the world was full of wonder!

We get a view of the world of olde, with magic and many mystical, mythical creatures living together and adventuring. However, as magic wasn’t the easiest thing in the world to use, it eventually gave way to technology, fading away in a world now very similar to ours.

Basically, it’s about the same as our world, except for a few different races, and the fact that dragons are basically dogs, and unicorns are basically raccoons, which is fuckin’ fantastic.

We enter the home of teenage elf Ian Lightfoot (Tom Holland) and introverted now-16-year-old who lives with his mother, Laurel (Julia Louis-Dreyfus) and his older brother Barley (Chris Pratt). Barley’s a tabletop RPG nerd who’s also a fan of the magical past. Said obsessions cause a strain on his relationship with Ian, and with that of his mother’s boyfriend, centaur policeman Colt Bronco (Mel Rodriguez).

After a discussion about Barley’s recent attempt to protect an old magical monument from destruction, he accidentally damages the sweatshirt that Ian is wearing, which was owned by their late father, Wilder. Ian rushes out, flustered, despite Barley’s attempts to bond with him. Well, looks like we have a sense of the plot for this one.

On his way to school, Barley stops to get some food when he meets Gaxton (Wilmer Valderrama), an old college friend of his father’s. From Gaxton, he learns things about his father that he never knew, like that he was bold and standout. From there, Barely pledges to try and be more self-confident, like his father.

Whiiiiiiich, doesn’t exactly work once he gets to school. He fails to stand-up to a jerky guy at school, he fails in his driving class, and he fails to ask other high school kids to his birthday party. But to be fair, Barley helps a bit with that last one when he shows up with Guinevere, his busted-ass van with a unicorn painted on the side. Which is supposed to be uncool...but I kinda dig it, not gonna lie.

After that, Ian completely flubs the invitation bit, confusing the people he was talking to, and disappointing himself in the process. He gets a ride home with Barley, and goes home to talk to a tape recording of his dad. Which is...beautifully sad, and somehow very easy to identify with. So, yeah, it’s gonna be that kind of Pixar movie.

Ian talks to his mom about his father at his age, asking if he was ever unsure. She says yes, but couples this with a surprise: a gift from his late father, who died of a terminal illness shortly after Ian’s birth. The gift is for both Ian and Barley, and was meant to be opened when they were both over 16.

She gets it from the attic, and they unwrap it, where it’s revealed to be a wizard’s staff. Which is weird, because Wilder was an accountant. In a pocket of the wrapping cloth, there’s a letter written by Wilder with the narration from the beginning of the film (that “Long ago” bit).

Also included is a spell, written by Wilder so that he could see who his sons grew up to be. This “Visitation Spell” would appear to be a way to bring Wilder back for 24 hours. Barley, being the magic-lover that he is, tries multiple times to cast the spell with the staff, but fails to do so, much to his and Ian’s great disappointment.

However, when Ian tries to read the spell out of curiosity later, the staff begins to react, and the spell begins to work. Barley comes in as this is happening, and the spell works...halfway. It starts to fail, and Barley offers to help, but Ian pulls the staff away, and the spell stops as the Phoenix crystal inside it shatters.

Looks like another bust, but it’s not a complete failure. And if you’ve seen literally any trailer for this movie, you know what happens.

Although it’s just his legs and feet, it’s still Wilden Lightfoot (Kyle Bornheimer...technically). The boys decide to try and complete the spell, but need another Phoenix Gem to do so. According to Barley’s “historically accurate” TTRPG, Quests of Lore, they will be able to find one by accepting a quest from the place where all quests start: the Manticore’s Tavern. And so, the quest begins!

The brothers and their half-dad board Guinevere and drive to the Manticore’s Tavern. On the way, Barley convinces Ian to practice some spells from the games rulebook, but they don’t work because Ian’s not invoking his passion (or his “heart’s fire”, as Barley calls it). Meanwhile, Laurel figures out where they’re headed, but doesn’t know exactly why...yet.

After the journey, they make it to the Manticore’s Tavern, which is now essentially a themed Chuck E. Cheese’s restaurant, owned and managed by Corey (Octavia Spencer), a very overworked manticore. Which is pretty great, not gonna lie.

They try to get the actual map to the Phoenix’s Gem from her in order to conjure their Dad, but she no longer sends adventurers on dangerous quests, mostly because she doesn’t want to get sued by any injured adventurers. When Ian argues with her about this, she IMMEDIATELY DIVES INTO AN EXISTENTIAL CRISIS/MID LIFE CRISIS!

It’s, uh...it’s kind of amazing. Having completely lost it at this point, she basically tears down the entire building with her bare hands and fire-breath. Unfortunately, the map to the Phoenix Gem is burnt in the process of Corey’s literal meltdown. However, as Wilden’s about to be crushed by a couple of falling beams, Ian taps into his heart’s fire.

Nice. They get out of there, and head out for the Gem, using a child’s placemat replica of the real map to make their way to a place called Raven’s Point. However, rather than just follow the goddamn map, Barley decides to go on much more dangerous road known as the “Path of Peril”, once again following the “call of adventure” and his gut.

Which...yeah, Barley’s not really considering the reality of this whole situation, which fits his personality. He’s a dreamer, despite the rational and reasonable solution in front of him. And, in case you weren’t sure, I’m pretty sure that isn’t a good thing.

Ian points out the correct point that what actually matters is that they send enough time with their father, and they do indeed take the straightforward path. Good! Barley listened to Ian’s suggestion after all. However, they hit another snag when the car breaks down, completely out of gas. Problem.

Meanwhile, Laurel makes her way to the Manticore’s place, only to find it on fire! She meets Corey, who tells her that she’s met her boys, and told them about everything...except the curse. Also, there’s a curse. Laurel, who is the best movie Mom ever, tricks a policeman interviewing Corey to diverting his attention away from her, and smuggles her into her car to help find (and maybe rescue) her sons.

Stuck off the freeway without gas, a desperate Ian asks Barley if there are any spells that can get them more gas. They concoct a plan involving a shrinking and growing spell, but that immediately goes wrong as Barley tries to instruct Ian, only frustrating him further, and causing him to fumble the spell and hit Barley with it, making him tiny.

They decide to head to a gas station, where a group of pixie bikers has just arrived. This backfires when Barley, lacking basically any common sense, ends up insulting the biker leader, Dewdrop (Grey Griffin) and her ancestors. Nice one, Barley. As they escape from the pissed off pixies, the tiny Barley is unable to drive, forcing the driver’s anxiety-riddled Ian to drive, overcoming his fears from earlier by force, being chased by the pixies all the way. It’s a pretty good sequence, to be honest.

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Well, they escape the Pixies...but not the cops. And I think that’ll be a good place to pick up in the next part! See you there!

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