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whenwordsmakesense · 3 years

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Another first sentence + 5 sentence fic, "I hate it when you're being a martyr!!?"

Lol, next time just send me a sentence. I don't think I'll ever be doing "only" +5 sentences xD

Okay, okay, so this isn't from my *THE* time-travel fic, but the thing is... I just love the idea of a bamf!sterek that go back in time and don't tell anyone about the truth and then comes this CONFRONTATION and everyone else is confused/in awe.

Quick rundown of dynamics, just because: Alpha Talia Hale. Human/Alpha Mate Nathaniel Hale. Betas Peter Hale, Laura Hale, Cora Hale, Claudia Stilinski. Human Noah John Stilinski. Alpha Derek Hale (but he presents as a beta to everyone except Stiles). Human Stiles Stilinski (but he is actually a spark, the strongest there is).

Idk their ages, but you can imagine Stiles as a 15/16 year old teen (he's mentally older, of course, think like... hmm... let's say he came back in time at age 21. So he should be 30, mentally). That makes Derek 21/22 (mentally 36).

Okay, enough rambling, now let's get down to the fic!! I'll be writing this from Laura's POV. Also, tell me if I should post this one on AO3? Now it's on AO3!

The Moon's Come Out

"I hate it when you're being a martyr."

Stiles' voice is a soft whisper underneath the chaos of blood and death, but it's not quite enough to drown under. It's a resigned exhale of breath, a truth so absolute that it's no longer just a truth. It's a fact.

Laura Hale wonders when her baby brother aligned himself to such a fact. She wonders lots of things about her baby brother.

She remembers the day when it all changed. When Derek changed. It was subtle, but it was prominent.

She remembers when she'd helped Derek with his flirting skills. Paige, she remembers; the same Paige who had once held Derek's eyes had been rendered into nothing that day. No, not nothing—something else. Something deeper. Something like grief.

But why would Derek grieve someone living? It's a mystery, but more than that it's an act shared between Derek and Stiles—like they're barely tethered to the world, and every moment with anyone but each other is like a gift and a curse, all in one.

But this isn't the time to think about it, how it feels like she's lost Derek once.

It's time to save him.

"Mom," her voice is a barely there sound, but her mom, her Alpha, she's here.

And she's silently crying.

"Mom, we need to- need to help him,"

Her mom is nodding her head, and they're moving between the bloody bodies—hunters, who'd come to kill them, only to die by Stiles'... everything.

Laura feels she can save him.

"Stop." Stiles' voice is still a whisper, but it's an order. A command.

Her mom—Alpha Talia Hale—stops in her tracks, and Laura, with her injured leg has to stop with her.

Dad is shouting at Cora to stay back, and John is trying to free Claudia and Peter from their confines, and Laura can hear all that. But right now, her world boils to where Derek is. On the ground, only a few feet away but so, so far away, spitting blood out of his mouth as his healing tries to kick in where the bullets are lodged on his body.

Bullets. Because Derek had jumped in front of the hunters when they started shooting at Peter and Claudia. And they're all wolfsbane laced.

Laura opens her mouth to protest, to shout, but Stiles doesn't let her.

He's always stopped her from talking.

She hates Stiles.

He's taken Derek away from her. From the pack.

"I can deal with this, you don't have to worry,"

"You can't order me around." Laura's eyes flash at her Alpha's tone, and she bares her neck.

Stiles' jaw sets with a determined look. "Oh, yeah? You really think so, Talia?" Laura watches him as he speaks, words fast paced and laced with worry and fear and anger. It's an ensemble of emotions, but even Laura has to admit that there's always been something special about this kid. His hands work as he talks.

"I mean, maybe you do. You Hales always think you know the best, don't you? It's like you think nobody else has any brains but you. Well, except Peter. That fucker is just too clever for his own good and he knows it. But he at least knows not to underestimate others. That's more than I can say for you, Talia. Or Laura. You two are so similar, you know?"

Laura does. She does know. And she is proud of that fact. But Stiles says it like a curse, like being so similar to her own mother—her Alpha—is nothing short of the worst thing.

Laura wonders why. She wonders a lot when it comes to Stiles.

"Stiles," everyone stops at that voice, as if freezing in place would freeze time itself.

Laura has been tortured, she's seen more blood than she needs to today, and she'd cried herself hoarse when they'd started to torture her previously unconscious mom. And then she'd wanted to die when the hunters turned their guns toward Cora, Claudia and Peter. So much so that she'd barely noticed Derek somehow escaping from his own personal confinement, the shackles he was in, all of it covered in wolfsbane. Neither had she witnessed Stiles breaking the literal cage the humans of their pack had been put in. But the thing that truly, truly scares her isn't any of those things. No.

It's losing Derek. Her baby brother (he used to hate it when she called him that, but when he changed, that hate turned into a grieving sort of fondness, like this was something he'd missed), who feels more like an adult than she is, her Derek. She can't lose him. She just can't.

It would break her. It would break the pack. Derek has always been the heart of it, the sweet little kid who is adored by his sisters and trusted by his parents; the man who even Peter respects, and Claudia cherishes like her own son, and John who calls him a good man.

It's no surprise they all just stop when Derek speaks for the first time since he was shot. And oh, was it only minutes ago? It feels like hours.

"Finally coherent, huh?" Stiles asks Derek, like Derek speaking right now is no big deal. Like it's that easy to try and repel the poison of wolfsbane.

"Shut up," Derek coughs out, voice throaty and weak.

"Derek," someone calls out. It's choked with tears, and it's a female, and it's her voice. "Derek! Please don't die,"

Derek tries to move his head, but falls back on the ground with a thump. Stiles swats at him, and Laura only now notices that Stiles' hands are covered in blood, one anchored on Derek's chest while the other digs around one of the holes. There's a host of bullets lying on the other side; Stiles throws another bullet there.

Perhaps everyone notices the same thing just then, because everyone makes a noise, a wail of pain and disgust and fear, all of it mixed in one sound.

Her mom has lost all her fight in herself, and Laura deflates, too. Stiles seems to know what he's doing.

And he doesn't seem to care what he sounds like.

"No, shut up? Me? Shut up? I swear to the fucking moon, you asshole, if you die on me I'll follow you. I'll fucking follow you there, because nothing is left for me here, okay, and I know you know that. You know this. How could you even do this to me? I told you to wait for my signal! I never would have let them get hurt, Derek! No, no, shut up! You keep your words to yourself and you listen, you goddamn martyr, you listen.

You made me a promise. When we came back, you promised me we'd be together. Always. We'll fix things, then we'll live, and then we'll die. Together. But you-you broke that promise, Der. You did tha-that,"

Laura is missing something. They all are.

Stiles' voice is a steady stream, a flow broken only by the cracks in his voice and the anger in it. And then it's a whisper, the height of his voice toppled down by his sorrow.

Derek smiles softly, as if Stiles worrying himself to death about him is not a new thing. Like Derek almost dies on a constant basis, and this is a routine they have—Stiles worries, Stiles shouts, and then Derek smiles because he's still here. He isn't gone yet.

Laura watches as Derek puts his weight on his elbows, brings his face close to Stiles'. Nobody interrupts them, still frozen in time, still processing what they just went through. Stiles shuts his eyes.

"I am here. I am here, Stiles," Derek tells Stiles, and Stiles takes a shaky breath, and it hangs there, that breath—the worry, the anger, the pain, everything—between them, before Derek lunges forward and presses his lips against Stiles'.

There are a few sharp breaths, and a hysterical giggle from Claudia. "I told you," she says, and Laura thinks she's saying it to John.

Laura isn't exactly surprised. She's caught them kissing multiple times, and she's always wanted to tattle on them. And she would have, because this is wrong—Stiles is a teenager and Derek is an adult—but Stiles is clever and somehow always a few steps ahead of her. He knows all of her secrets, and she'd rather he didn't but that's not the life she has. No, the life she has is—

—clearer in hindsight. She thinks back on those kisses, shared in the early mornings or late nights, between whispered words that Laura couldn't make out and with a desperation that went beyond the desperation of wanting a good time.

And she looks now, looks at the way Stiles' breaths are shaky and labored, but his hands are steady, even as he brings flames appear out of nowhere and presses it against Derek's bullet wounds. She looks at the way Derek has his forehead pressed against Stiles', and how he moves his head to Stiles' neck at the precise moments that the fire touches his skin. Like he's done this before, knows how to keep his pain between him and Stiles. She looks at the way Stiles' other hand, still bloody, tangles in Derek's hair, comforts him, like he's the only comfort Derek needs in this world.

She looks at the way Derek's body heals, like even his body is used to being hurt like this.

"It all makes sense," Peter's voice brings her out of her thoughts, and she turns to look at him. He's vibrating with excitement. "The way they talk—the way they behave—it all makes sense!"

Laura doesn't want to know. She doesn't want to know how this much blood and death and crying and confusion could ever make sense.

But if knowing is the answer to ease the burden on Stiles' and Derek's shoulders, she'll take it. She will know.

#derek hale #stiles stilinski #laura hale #the hale pack #teen wolf #my fic #thanks for the prompt!

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shimmershae · 3 years

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My thoughts on Episode 6--On the Inside

Very appropriate title by the way. Works in a multitude of ways.

As always, my randomness is going beneath a cut again to spare the eyeballs of those of you that don’t want to see it at all and also? Help those of you that have somehow stayed spoiler-free in this brand-new age of early release episodes. It is still so wild to me that I’m a full episode ahead of half the fandom. I don’t know what I’m going to do when we get to the final episode and they decide to make us all suffer together--because somehow I do feel they will do exactly that after spoiling us for the first 23 episodes. It is going to be agonizing.

Anyway. Without further ado, Shae’s stream of consciousness review (of sorts).

Not fair, Angela. Opening the episode with that shot of that big ass spider. I hate those suckers. So naturally, they’re an easy sell for setting the horror scene to me, lol.

Okay. Who the hell’s chasing Virgil and Connie? Walker No-See-Ums?

Barely a minute in and the atmosphere for this episode is moody AF.

What is this? Tara Jr. The Walking Dead? LOL. Where’s the Scarlett for this mini plantation house? Anyway. First three minutes of this episode? Just as attention grabbing as the first five episode openings this season. I don’t think people out there are giving our writers enough love for that. Every episode so far has opened like a mini movie.

With the way the Walking Dead logo keeps crumbling away with each successive episode, somehow it wouldn’t surprise me at all if the Carol and Daryl spinoff was eventually titled The Living and had flowers growing out of each letter, lol. I mean, there would be a certain sort of life-affirming symmetry in a show that’s been promised to be much lighter in tone doing just that.

More Carol and Aaron? Yes, please. I don’t necessarily like Carol staying at home and sitting the sidelines like a figurative happy little homemaker in the B story while the rest of the mains are trying like hell to sell the A story, but if she’s going to be totally prohibited from the main storyline until it’s time to blow shit up? I’m going to continue enjoy getting to see her do what she should have been doing for seasons--interacting with others in the community, especially Aaron and the ladies.

Truly. I really am loving my girl getting some quality Aaron and Rosita time. It’s so long overdue.

Bless sweet Kelly. Riding off to her sister’s rescue.

Why isn’t Lydia shown as part of these plans? For someone that could barely read last season, I doubt that big ass map was a piece of cake for her and it’s all just guesswork anyway without her guidance. I mean, why does it feel like they are cutting some of this stuff that might not seem like much plot-wise but would go a long way toward establishing different character beats? Personally, I would have loved to see her involved in the search and sharing scenes again with Carol and bonding with Kelly.

Virgil be having that “I always feel like somebody’s watching me” feeling. Don’t you hate that, lol?

“You haven’t slept in days.” But how many days, Virgil? I’m going to need a number because I’m confused AF about this timeline at this point. What we’re seeing and what different pieces of dialogue is telling us is not exactly lining up. I’m going to find it awful hilarious if it hasn’t even been two weeks since the cave in. For reasons.

Connie’s spidey senses are clearly tingling.

Alrighty, then. She’s clearly got PTSD. Understandable. They’ve all had it. Some have been treated more sympathetically than others, though.

I mean, it never seems to cross anybody’s mind how Carol probably sees Henry’s head on that pike, Mika’s pale and bloody body, Lizzie crumpled face down in a bed of yellow flowers, Sophia with a smoking bullet hole through her undead head whenever she closes her eyes but whatever.

Okay though. But what if Connie had really shitty, impossible to read handwriting? AKA doctor’s handwriting. What then?

Leah’s face honestly twists my insides whenever I see it, lol. It’s quiet a visceral thing. No, that does not make me a horrible person. Not everybody wants or has to drink the awesome, great, redeemable villainess Kool-Aid. IMHO, she’s got a face meant for a Walker. Perfect makeover idea. Eh. Mostly it’s her expression and the deadness of her eyes.

Anyway. Why is it always the fingers? Eff that.

Listen. If ya’ll can’t tell Daryl’s conflicted AF with the situation he’s landed in, you don’t know how to read NR’s face and eyes. He’s not a masterclass like MMB but he’s pretty darn good when he wants to be.

I honestly feel sorry for Redshirt Frost.

“You do what you gotta do.” Frost knows what’s what and he’s willing to walk the walk for Maggie. Impressive loyalty. I’m left wondering how the current, colder incarnation of Maggie inspired it because I’m still struggling to see it. Anywho. My point is the dude knows the score and just gave Daryl the okay.

Daryl taking off his angel vest before stepping into the role of torturer/interrogator=him shedding the persona/the man Judith and RJ and Lydia and Carol know him to be. Pushing away his man of honor status so he can just survive somehow.

Pope never quits chewing whatever the hell he’s got in his mouth. It’s kind of distracting.

Ohhh. We’re back to the Haunted Mansion. I mean house. Where are the Hitchhiking Ghosts?

All the eyes scratched out of those creepy pictures=spooky.

The good old fogged up bathroom mirror shot. Somebody’s been watching and studying their horror movies, lol. Not gonna lie though. I’m legit bracing myself for the jump scares I know have to be coming.

I’m loving the music/score in these scenes.

Truthfully, I could care less about these Reapers. But they are hella attractive, lol. Listen. Angela knows what she’s doing.

Kelly’s horse is so pretty. Prayer chain for that baby.

More dead horses? Why?

Connie’s slingshot? Sorry. I maintain, no matter how much I like these two, that they have the lamest weapons ever. Endless supply of Virginia rocks or not.

So. Did Virgil and Connie enjoy a little equine for dinner? Did they kill it before the Walkers fed? What monsters! Yeah, no. Not if they were starving even if I personally could not have. The more probable story is they fled the camp in a panic and left the horse behind and then it went down. Sorry. I didn’t exactly study the wounds on the poor animal because it is so traumatizing to me to continue to see them meet such dastardly ends on this show. I don’t know who the hell has such a score to settle with horses but stop it.

Days. It’s only been days. Not weeks. So many times with all that Daryl and Company have had to contend with since the cave in? Those do not exist, lol. They’re just a convenient, appeasing piece of dialogue thrown at a fanbase primed and ready to read everything into not much of anything. There’s just not been enough time for it to happen unless Daryl has literally been up 24/7 for all of them. You know, strategizing how to attack the remainders of Alpha’s horde, figuring out how to defend Hilltop before it fell, healing from the wound he sustained at Alpha’s hand, sitting on that log all damn night with Negan waiting on Carol to come home, having a lover’s quarrel with his best damn everything, taking care of the Grimes babies and Lydia, being the reluctant leader. Kang, why you playing them like that? Daryl’s a super guy but he’s not a superhuman with clones. So many times my ass.

Seriously. Who been watching Connie and Virgil? The MIA Oceansiders? Beta’s Fee Fi Fo Fum Ghost?

Nice. A Michonne mention. Maybe the truth will start to trickle out.

LMAO at Connie’s “I’m not staying here.” Me neither, girl. I would be outta that house so fast.

They really “Quiet Placing” this episode. Honestly? I’m kinda loving it.

WTF was that? I know she can’t hear but you telling me all the little hairs on her arms, legs, and neck didn’t stand the fuck up and say fuck this shit, I’m gone? Pardon my language, lovelies, but that moment had my heart kicking up several beats.

Okay, okay. To be fair to Connie, every hair on her body been doing that since the front door closed. Maybe they’re desensitized.

Gollum’s chasing Connie!!! He/She wants their Precious!!!

The knee jerk reactions about this episode sight unseen are OTT, honestly. And I mean no disrespect by saying that. I can understand completely where they’re coming from because we’ve been burned so long in this fandom. But it’s obvious the spoiler source has their particular biases and reads into things in such a way that don’t line up with what’s actually being shown onscreen. Daryl’s loyalty in this episode and all along quite clearly lies with his family and his community. He’s been playing Leah since the start and is truly just trying to survive somehow.

Awful thought. The Reaper that’s so suspish of Daryl--haven’t quite caught his name or really cared to. I feel like he might try to get to Daryl somehow. When he realizes that Daryl cares no more for Leah than any human would care for somebody (they thought) they used to know? He’s going after Dog. Or Carol should she finally join this story.

I refuse to believe Carol isn’t going to be a part of this story. Because they messing with her mans, lol.

“You’re ever with us or you’re not.” Now where have I heard those words before? I wish I could find that Daryl gif because that had to be one of the funniest things ever, lol.

Unrealistic suggestion to Daryl, Leah? Breathing oxygen seems to piss off Carver. Oh look. He finally has a name for me, lol.

I love how all three of the ladies--Carol, Magna, and Rosita--look at Kelly with such indulgent, adoring “little sis, you alright?” eyes.

They are seriously the most beautiful quartet of characters. I mean all of them are lovely but Carol and Rosita this season? Ugh. The unfairness of the pretty.

Human bones. Terminus callback, lovelies. How it all would have eventually gone down if Gareth and Co. hadn’t met the business end of Rick’s red machete.

So many horror movie homages in this one.

Virgil’s like “let’s leave this Texas Chainsaw Massacre behind.”

Connie and Virgil have obviously bonded, ya’ll. I’m surprised by how much I’m enjoying their scenes together when the character mostly got on my nerves with Michonne. He’s a good actor and the core of his character is sympathetic, but I’m not going to lie. I wasn’t super enthused when he was the one that rescued Connie because I didn’t know how their scenes would play out. But there’s a nice synergy there.

Okay. Does Carver want Leah for himself? Because I’m sure Daryl at this point would love to scream “take her, I know where I fucking belong!”

Daryl’s digging in deep because Carver has shown him Leah’s potential weak spot. Nuance is truly lost on some people, LMAO. He cares about Leah as a human being probably. He’s Daryl, after all. The sweet one. But he sees her as his way outta this and he’s going to exploit it.

It’s nice to have a silent Negan for once, lol. I can pretend he didn’t take my baby Glenn away from me and enjoy JDM’s pretty.

So. These cannibal people were the watchers? Hmm.

I’m really digging Virgil 2.0. Yeah. Nobody’s surprised more than me.

Sweet, sweet scene between Virgil and Connie. His determination to reunite her with her family brings back the sympathy I felt for him when he told Michonne “I promised her flowers. Every day.”

Damn. How many of those creepy crawly cannibals are there?

How brave of Connie to confront her fears to save someone she’s obviously grown to care about.

The Kelly/Connie reunion gave me chills and made me cry. Thank fuck Angela didn’t cheapen that moment by having it focus on literally anybody else. Kelly is the most important person in the whole world to Connie and vice versa. Just like Carol is the most important person in the whole world to Daryl and vice versa. Angela fucking knows. Everybody does. Except the people busy building castles out of sand while the waves of Carol’s and Daryl’s converging stories keep crashing closer and closer to shore.

Such a beautiful moment given to us by Angel Theory and Lauren Ridloff. So authentic and sweet. Kelly and Connie are home to each other.

Poor Frost. That’s all I gotta say about that.

WTF, though. Was Mel just not available or what? I want to see more of the ASZ characters that I care about, not the Reapers. Like I’d be fine with the story if all the characters not named Maggie, Negan, or Daryl weren’t surviving on crumbs during it. Especially the 2nd billed actress on the entire show. Angela. Please. Fix this.

One last WTF. Seriously. WTF has Maggie done to inspire Pope’s obsession? It better be juicy after all this shit.

Overall impression of the episode--

One of my favorites of the season so far. The horror aspects were fantastic, IMHO. I truly didn’t expect to like Connie and Virgil’s scenes as much together so that was a nice surprise. She got the reunion that felt most true and earned for the character and her story and I thank Angela from the bottom of my heart for that.

I would have loved more Carol but I always want more Carol. I’m okay with her taking a backseat because ultimately? This was Kelly’s moment with her sister. Carol and Connie will eventually have their time to sit down and talk. And pick back up their blossoming friendship because I truly do not feel Connie blames Carol at all.

I do wish Lydia had been included with the girl group. Last episode felt like it was leading up to that.

The Reaper storyline continues to be the weakest link because every time we see them the dialogue and interactions feel totally recycled from the time previous. I feel like it would have totally been helped by a tighter focus and less stretching out because 8 episodes of this is really diluting what I feel like Angela and Co. are going for. I’m not here for Leah being redeemed or being a bigger focus in any of the episodes because she does nothing of interest for me. I’m just peeking in on that story for the Daryl of it all.

Speaking of the Daryl? You lovelies out there gotta stop taking that spoiler source’s recaps at face value because it’s obvious to me at least that there’ some bias at work. Every action and word coming from Daryl is coming from a place of loyalty to his family and wanting to protect them, no matter how he has to dirty his hands. Leah is just a means to his ultimate end. She’s not his future. She never was. His future’s already spoken for and 2023 can’t get here soon enough. But like Daryl, we have to just survive somehow.

Oh goodie. More Maggie and Negan next episode and looks like no real follow up on Connie and the ASZ reunions. Hopefully, this is yet another instance of the previews being deceiving but I’m not holding my breath.

Until later, lovelies.

Hope my word vomit didn’t bore you too much.

#The Walking Dead #Season 11 #TWD spoilers #things that make me smile and cry #for reasons #ignore all the typos #with something this longwinded?#LOL #there's bound to be plenty

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that-banana-headed-bovine · 4 years

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Knight Rider 2000

WARNING

This post contains spoilers for Knight Rider 2000, the 1991 film which attempts to expand on the canonical universe of Knight Rider (1982-1986). Key word, attempts. I know that this film came out almost 30 years ago at this point, but I also know that this fandom grows a little bit every day, and there will ALWAYS be people who haven’t seen every episode (myself included), let alone every movie! I happened to catch it on Charge! for Hoff's birthday (yes I'm hella late posting this LOL) with my good friend @trust-doesnt-oxidize, and boy let me tell you, it was… Something.

From here on out, I’m not holding back from sharing my impression of the film based on specific details from it, so if you want a spoiler-free viewing, go watch it and come back!! Or… don’t, it’s kind of awful. I can only think of one thing in canon that it may spoil, and even that appears in early Season 2 and is fairly minor, so if you are curious about it, I HIGHLY recommend watching it BEFORE reading this. The scenes with the most impact are touching because they come as a surprise, so even if you know the general plot of the film, I would recommend watching it first.

Also this is really rambley because I have a lot of emotions about this series and, by extension, this movie. I really don’t blame you if you click away here, but if you DO read it all the way through, I would love to hear anything you would like to add, agree or disagree!

OKAY! Knight Rider 2000 is a movie that exists! And I hate it!

The film sets up an interesting argument between two groups of people whose names I don’t remember because they were boring (except for Devon, I know his name at this point). In this interpretation of the “future,” gun control has been implemented to,,, some extent, I can’t entirely tell if there have been some policies implemented across the country or if it is all localized in this one city that even the Wikipedia page for this movie doesn’t bother to mention. And no, this city is NOT in California for once! Usually I would be happy to see a change of setting, but considering that everything in this film felt so foreign to the Knight Rider that we know, it would have been nice to at least have a familiar setting. Anyway, gun control stuff. The debate between whether these gun control policies are ethical or not is very interesting. Innocent people are dying because the wrong people have guns and the police are rendered useless when they themselves don’t have access to weapons. This argument happens to support my perspective on the issue, so I appreciated how it took a look at that side WITHOUT it sounding like we are crazy murderer people, but I digress. It makes sense that the ban happened in the first place, because much like how the main conflict in Pixar’s latest film Incredibles 2 revolves around society’s over-reliance on superheroes, I could see Knight Rider’s society becoming dependent on technology to save them. It can be easy to seem like the most advanced tech in that society is present only in KITT and KIFT, and to SOME extent that is true. However, Shawn does say that it is relatively common in this society for people to have memory chips in their brain. That counts for something. And the police DO have a defense mechanism according to the Wikipedia page for this movie, it’s just nonlethal.

So as you can see, I am very interested in the conflict this world sets up. I sure hope they expand on these conflicting ideologies throughout the film, giving us a clearer idea of why the bans were set in place AND giving us insight into what exactly has caused some revolt against it. That subject is seemingly timeless, and with how decently the introduction tackled it, I have some confidence that this film could pull it off in a tasteful way. Wouldn’t that be amazing? It’s some of the most serious subject matter Knight Rider has ever tackled. It’s so interesting!

Yeah they pretty much abandon that plot in place of a very, very bad copy of the original show’s “Hearts of Stone” (season 1, episode 14). Illegal guns exist and are bad, but we don’t really know why. I may know a little better if I had been listening closer, but I was trying to not get so bored that I missed Kitt’s parts!

At some point during this sequence, we are introduced to Shawn, a happy police officer who is happy to have a family on a happy birthday. And then she gets shot! Due to head force trauma rendering her unconscious, she’s sent to the hospital. She goes in for a risky operation that miraculously saves her life against all odds.

Then, Michael wakes up with Garthe Knight’s face and hears a great story about how one man CAN make a difference!… I mean what?

Jokes aside, it’s kind of amazing how much this very Michael-esque sequence comes across very differently. It’s almost the perfect example of why I don’t like this movie. The surgery is weirdly realistic for a Knight Rider entity. There’s blood and screens and surgeons and a sterile white room for operations. Michael woke up in a Medieval castle with one doctor and two random people he’d never met at his side. Shawn’s situation clearly makes more sense, but is it half as fun and whimsical? No, no it’s not. This whole film comes across as depressing to me, and it’s only worsened by what’s to come. Apparently, she had KITT’s CPU/Microprocessor/something sciencey implanted into her brain. That’s especially strange since all that I saw was a yellow liquid being injected directly into her skull! That’s a lovely image, and definitely gave me the idea that there was a full computer chip going in there??? (It may have actually been explained more clearly, and I just looked away because eek weirdly bloody operation scene) This caused her personality to do a full 180. So, Shawn is going to be fun, snarky, and full of personality like KITT is because they share memories now! Right? Right???

I think they tried to do that, but it came across flat. So flat. She speaks in a purposefully monotone, robotic voice and delivers downright mean comments that leave Michael and KITT scratching their heads. She seems to lack basic empathy until her own memories start flooding back, and at that point, the emotions she show seem so foreign to the character we see that it’s not remotely believable. You want me to believe that this robotic woman with -10 personality points started nearly crying after one string of memories, albeit a very traumatic one, entered her mind? This would have been believable if she was entirely changed afterwards, coming across as far more human, but that was only the case sometimes. It also would have been believable if the film had the same energy that the original Knight Rider show does, where suspending one’s disbelief is necessary to make it past the opening credits. However, this movie tries to be so grounded that the kind of dramatic beats that would work in the original seem forced here.

Shawn is not the only character who I take issue with, though. Let’s start with the most potentially problematic change from the usual canon in the entire film: KITT’s personality. I have very mixed feelings on how he is portrayed. If you’ve seen as much as a spattering of quotes from this movie, you probably could sense that KITT was… off. When KITT first comes on screen, he slams Michael with a wave of insults, and none of them come off as their normal joking around. However, I don’t necessarily have a problem with that because he has the proper motivation to be very, very upset. He is sitting on a desk as a heap of loosely connected parts that have just enough power to make the signature red scanner whir and make an oddly terrifying red light eyeball thing (Hal???) move. The first thing he hears is Devon nonchalantly saying something along the lines of, “I’m afraid he was recycled” to explain why KITT has been deactivated for OVER A DECADE and is not currently in anything that moves (my Charge! stream thing lagged at this point but @trust-doesnt-oxidize has since told me that Devon DID appear upset about KITT's being sold, but KITT likely wouldn't have heard that and what Devon said seemed to be moreso directed at HOW the chip was sold and not the fact that it was sold in the first place). KITT is justifiably mad, and if they had kept KITT’s actions in character while his emotions said otherwise, I would have no problem with it at all.

However, once KITT’s CPU is somehow implanted into Michael’s Chevrolet, KITT does not act in character. Shawn drives, not Michael, so it stands to reason that he would not necessarily listen to her. She stole his CPU, his life for over a decade. KITT does tend to listen to human companions, regardless of whether he is programmed to or not, but I can see where this would be an exception. However, Michael soon intercedes and essentially tells him to cut it out. Based on everything that the original Knight Rider told us, KITT no longer has a choice of whether to listen or not. Michael is ultimately the one who calls the shots because of KITT’s very programming. And yet, in this scene, KITT doesn’t listen to Michael and apparently gets so angry that he downright stops functioning. Because that happens all the time in the original series!

And if you’re wondering where I got the conclusion that KITT frustrated his circuits to the point where they could no longer work, he said that. KITT. Admitted to having feelings. In fact, he did not just admit to being angry in the moment. He told Michael that, while it may seem like he is an emotionless robot, he does have a “feelings chip.” A FEELINGS CHIP-

I am for recognizing KITT’s obvious emotions as much as the next guy. I think they are often overlooked when discussing his character. While I don’t think that real artificial intelligence will ever reach the level of human consciousness, the entire energy of Knight Rider comes from playing with this concept by portraying an AI character who clearly emotes interacting with a human who doesn’t seem to know that. But the thing that makes this show feel so sincere is that neither character plays too heavily into that trope. While not always knowing how much KITT feels and by extension hurting those feelings alarmingly often, Michael recognizes it enough to work in concert with KITT, apologize for his more major flubs, and consider KITT a friend. And KITT subverts the trope by never recognizing that he has feelings to begin with. He will say that he cannot feel sadness but, in the next breath, say that something upset him. He will say he cannot hold a grudge only to immediately rattle off a string of insults directed at the person he clearly has a grudge on. The show is magic in how these two characters display a subtle chemistry that always has room to grow because both characters are slowly coming to see each other for who they truly are and supporting one another along the way. From what I can tell, the original show never fully concludes that arc, and it may even start regressing after Season 1. However, we can feasibly see how Michael could slowly come to understand that KITT really does feel things just as much as he does. And we can imagine the relief KITT would feel knowing that Michael was never bothered by that possibility.

So, you can see where I have a big problem with KITT spelling it out so plainly. The audience gets full confirmation about what has been displayed to us through nuanced hints throughout the series, which sounds a lot more satisfying than it really ends up being in this film. But worse than an underwhelming conclusion to a thrilling story, Michael knows it plain as day. There is very little buildup to KITT admitting this. He barely even sounds moved. Instead, in this movie, the “feelings chip” is a fact of life that does not need to be covered up in the slightest. Michael himself doesn’t really… react. He just kind of nods along, as if he’s saying, “Huh, makes sense, alright.” After everything these two have been through, if there really was such a simple explanation for why KITT is the way he is… why arguments went south, why the mere mention of a Chevrolet was enough to get a seemingly jealous response, why inconsequential things like music taste and gambling were subjects of debate, why KITT had always acted so exaggeratedly dismissive when topics of emotional significance struck a chord, why every little sarcastic banter had a hint of happiness until it didn’t… don’t you think Michael would do something? Whether that something would be a gentle, “I always knew that, pal”; a shocked, “Why didn’tchya tell me sooner?!”; or even a sarcastic, disbelieving, “Yeah, right” is up to interpretation. But there would be something.

And yet, even that concept is flawed. We learn a lot from KARR’s inclusion in the original series, and what I take away from it boils down to a simple sentiment. FLAG never meant for their AIs to be human. I do realize that directly contradicts what Devon says within this film, but I see that as another way for the film to steer the plot in this direction, not as a tie in to the original. When Wilton says that one man CAN make a difference, he means that. He isn’t considering that KITT is just as much a person as Michael. He’s not seeing that, at the end of the day, teamwork is what makes the show work, even if Michael is the glue that holds it together. So, I think that to say that there is a “feelings chip” is to disregard the entire point of the original, that in this world life finds a way of inserting itself and that KITT’s (and KARR’s for that matter) humanity is an anomaly, not the rule. At the end of the day, KITT’s humanity can’t be explained away with science. And really, I don’t think it should be explained away at all. The show has had an amazing trend of showing us how KITT feels, in all its unorthodox glory, alongside private moments that had me sobbing like a baby. The movie should just be like a longer, more complex episode of Knight Rider… Although I cannot pinpoint exactly how it should be done in the context of this film, I know there are ways that Michael could have been shown that KITT feels rather than being told.

One last complaint, albeit a more minor one, is the idea that he has to listen to what Shawn says over Michael's authority. I have spent a decent amount of time thinking about this one point, which has caused a lot of the delay in posting this. There's multiple reasons why this flies right in the face of what is canon in the original series. Perhaps the most obvious of these problems is the fact that, in the original pilot episode, it's made very clear that KITT can't assume control of the Knight 2000 without Michael's express permission unless Michael is unconcious. Devon makes it quite clear in this episode that KITT is programmed specifically to listen to Michael, not just anyone who happens to be piloting the vehicle at the time. In case there was any doubt about this, KITT ejects two people who are attempting to steal him later in the episode (well, ok, later in the two-parter, I don't know if it was the same episode or not). The show isn't SUPER strict about this in future episodes, but it does at least acknowledge Michael's authority in a few pivotal moments throughout Season 1 (I can't comment on episodes that I haven't seen yet, but I suspect that this pattern continues). Of all the rules set up throughout the series, it actually seems to be the most loyal to this one. One moment that stands out to me is in Trust Doesn't Rust when KITT attempts to stop Michael from causing a head-on collision with KARR, but Michael then overrides him and the climax unfolds. If one of the most iconic moments in the series is caused by this one bit of programming, to throw it out in the film is to disrespect the basis of the original series.

Speaking of KARR, he provides yet another reason niglecting this detail is such a big problem. From what we can tell, KARR isn't programmed to one specific driver (at least, not anymore[?]), and so he can override anyone in the pilot's seat. This is something they seem to highlight in TDR as well, although not so plainly as the previous point. KARR ends up ditching Tony to gain speed and get an upper hand in the chase with Michael and KITT (although a scene they deleted would have made this a mUCH MORE SENSIBLE ACTION THAT R E A L L Y ISN'T A BETRAYAL but y'know what this post isn't about that) whereas KITT has to listen to Michael even to his own detriment. If this one feature is indeed one of the major things that separates KITT from KARR, the idea that Shawn can override all of that cheapens the original conflict between KITT and KARR.

...Well okay, let's be real, KARR was never that compelling as an antagonist to begin with because he's a LOYAL SWEETIEPIE-- I'll stop.

And finally, we have the biggest, most bizarre reason that this is a problem:

If Shawn can override Michael's authority, that means KITT can override Michael's authority.

Why? This would be the first time (outside of episodes where some sort of reprogramming or mind control was involved) in the series that KITT had not only listened to another human instead of Michael, but also listened to that person OVER Michael. The only difference I can see between Shawn and quite literally anyone else in the show's history is that Shawn has KITT's chip implant thing. If that's the reason her opinion has more credence than Michael's, then wouldn't that mean KITT's own opinion has that authority? If that is the case, literally every example I've gone through in the last couple of paragraphs is not just challenged but rather negated entirely.

The most frustrating thing about this scene is that it simply didn't have to happen. Michael could have gone along with KITT's plan, showing him (and us) that he does trust his former partner even after all these years. Shawn could have convinced Michael to go along with it using her... feelings chip. Blegh. Or we could have had a stubborn Michael force this scene to be delayed, likely improving the pacing overall. Maybe we could have even seen a frustrated and emotionally exhausted Shawn wait until Michael is not in the car and then plead KITT to give her the truth, no matter what Michael says. We have seen KITT control his actions without Michael's input plenty of times, and we could have seen some more of his humanity show through if he could relate to Shawn's struggles... after all, he too has missing memories because she has his chip. They're both going through a bit of an identity crisis. I'm sure that he could find some workaround in his programming to help her if Michael wasn't there insisting that he does not take this course of action.

But even after all of that fussing over what has been done wrong with KITT, I can’t deny that he is the heart and soul of this film. There was only one scene in this film that brought me near tears. I got more of an emotional impact from this one clip than I have from a lot of movies that are undeniably much better. Michael’s old-fashioned Chevrolet does not hold up in the year 2000, and it is clear that the usual car chase sequence won’t work as police vehicles quickly creep up on them. I was personally very curious what they would do here. I figured that KITT would find some way to outsmart the drivers of the police cars, maybe by ending up on an elevated mountain road that trips up the other drivers and causes them to waste time turning around and hopping on that same path. Or, maybe, KITT would access a road that’s too narrow for the relatively bulky police cars. However, it quickly becomes clear that this city is made up of wide roads on the ground. As KITT veers off the road and tells Michael to trust him, the I found myself having to trust him. This isn’t the way Knight Rider chases usually go, and with all these odds stacked against him, the only thing we can do is hold our breath. The way this scene is staged to send us into this just as blind as Michael is, frankly, genius. Water slowly creeps into the frame as a feeling of dread builds at the thought of what KITT might do.

Surely, we are led to think, he will knock into some boxes and turn right back around. Right? We’re reminded of the fact that this is not the Knight 2000, that there is no chance of this car floating. That if KITT does what he really seems to be doing, there’s no chance… but he wouldn’t, would he? This is the only action sequence in the film that had me at the edge of my seat, staring wide eyed at the screen. And then, the turn that you want so badly to come doesn’t, and you have to wonder what’s about to happen. What was KITT thinking? Won’t Michael and Shawn drown? And, most prominently in my mind, won’t KITT drown?

For a moment, this scene plays us into believing that, because magic FLAG science that is pretty par for the course, everything is fine. KITT explains that they have an airtight cab and over 20 minutes of oxygen. Everyone lets out a collective breath of relief. We see it in Michael and Shawn, and I know I felt myself relax.

And then there’s a flicker in the screen, and that pit in the bottom of my stomach came right back. Michael is confused, and KITT explains what we should have realized was inevitable. This is KITT sacrificing himself. He even goes as far as to let Shawn know that she can use any of his computer chips that she may need. This comes off as strange at first, but it goes to show that KITT is, at his core, the same kind soul we always knew. He acts angry because he feels betrayed, but given the choice, he will chose another person’s life over his own, always. Even the microprocessor that he is most frustrated over, the thing that seems to drive a wedge between him and Shawn, is just how he is expressing his hurt. Now, thinking it is the end, he offers it up freely, and Shawn doesn’t seem to know how to respond. KITT is calm as he says his final goodbyes. And this is the first place in the film that we get to hear the amazingly nuanced voice acting that William Daniels is so great at. KITT sounds collected and at peace with what is to come, but there are also subtle hints that he is at least a bit nervous, a bit sad. “I know. I guess this is goodbye.” He doesn’t want to leave his friends, but he knows that he has to for them to be safe. Even if the pacing of the film seems to actively try to undermine this moment, it stands out to me as an amazing scene, even if the reaction from Michael is underwhelming at best and the reaction from Shawn is… as much as can be expected from Shawn, but that’s not saying much. As far as KITT knows in that moment, these are his last words: “Michael, take care of yourself.” Down to the last moment, Michael is everything to him.

IjustwannamakeitclearquicklythatIthinktheirrelationshipisentirelyplatonicokthankyou

And I felt sad, big time sad. The movie up until that point was unbelievably boring to me, and this wasn’t a turning point where the movie suddenly became great. It was a moment so darn good that I almost don’t think the movie deserved for it to have as big of an impact as it did. But that shows just how powerful this universe is, how wonderfully honest these characters are. Even after being butchered practically beyond recognition, one scene in-character can still bring you to tears because you have connected with them so deeply throughout the TV series.

AND THEN DEVON DIED IMMEDIATELY AFTERWARDS :D

I don’t like Devon.

Devon was actually more tolerable in this movie than normal, and I can see where people who don’t hate him could be sad that he died I just,,, he has hurt or talked down to KITT and KARR so many times that I actually could not sympathize. What’s even more frustrating about that is that Devon’s death is the one that Michael got all sad over when KITT sacrificed his life for him and Devon got kidnapped randomly but okay go off movie you can’t ruin that scene for me. I knew going in that Devon died, but I was expecting them to spend a lot more time setting it up and making it as dramatic as possible. Nope, he just got a shot to the old air tanks I guess? My view of it is nothing more than that it’s a thing that happened.

OH AND DEVON DID PULL ONE HEINOUS ACT. He said that KIFT was better than KITT in every way other than that KITT has humanity. SINCE WHEN HAS DEVON GIVEN ONE SINGULAR HOOT ABOUT THE AI’S BEING ALIVE??? TELL KARR THAT??? HECK, TELL DEACTIVATED KITT THAT YOU WERE JUST FINE SELLING OFF AT AUCTION THAT?!?! Also also, KIFT DOES NOT C O M P A R E TO KITT. We are coming back to KIFT in a moment, don’t you worry. For now, I just. Low blow, Devon, low blow.

Michael was fine too, he played a weirdly small part and that felt off but everything he said seemed pretty in character. The most out of character parts were when he said nothing at all. OH AND WHERE HE WAS REPLACING BONNIE but that’s besides the point, no Bonnie OR April… no Bonnie OR April… I’m fine…

…

It feels like this movie wants you to forget that Michael exists because Shawn is here she’s more interesting, right? Right???

She’s really not.

So back to KIFT. My favorite part of KIFT is that pronouncing KIFT in your head sounds funny. It’s like “gift” but if the gift were actually an underwhelming villain of sorts that is overtaken in a garage, parked, by Michael either removing his microprocessor entirely or moving it to a Chevrolet.

I was surprised how not bad KIFT looked. I had seen stills from the movie that looked really uninteresting compared to the regular designs, and while I still agree to some extent, it was a lot more epic than I would have thought. Something about how the paint shines on it is captivating. I was genuinely happy when KITT was moved to the snazzy red vehicle, although a big part of that could have been how disgusting mint green looks with red. Seriously, including the red scanner on that bizarre seafoamy-bluey car (and yes, I do think it is a very pretty car by itself) was like when people say movies were “inspired” but in the opposite direction. And the scanner looked weirdly small? Was it just me?

Am I the only one who feels w e i r d just looking at this??

I think this is the most normal thing to be categorized as being in uncanny valley but there we go, I did it. It’s not right.

Anyway, as neat as KIFT looks, it is no comparison to the classic Knight 2000 or even Season 3 KARR. Red can be striking, but not when the classic scanner is also red. No contrast!

KIFT is absurdly easy to forget, and I don’t think that the car’s design has anything to do with it. KITT spends most of the movie piloting that car, and while it is not what we are used to, it doesn’t come across as super lame to me, either…or at least, not because of the design. The biggest problem with KIFT is, I think, simply his voice. His voice feels so out of place in the movie, and it’s so strange to me considering that Daniels’ voice is integrated just fine. The recording sounds too crisp, too clean. KITT’s voice always has a great deal of character, a very Earthy-sounding voice for an AI character. I actually think that this incongruity is purposeful, and it’s a very clever concept. We are supposed to recognize that KIFT isn’t human like KITT is. KIFT sounds out of place in the real world among real people; he’s too neat around the edges. It’s especially obvious when KITT and KIFT talk to each other. This is also mirrored by how KITT occupies a well-loved Chevrolet that has little imperfections that make it feel real whereas KIFT is in this red… whatever it is that feels like it comes out of a sci-fi film. This effect would have really worked if we had enough time with KIFT to understand his personality–or, more aptly, his lack of personality. What makes this not work is the fact that we spend practically no time with KIFT. We don’t get to hear what he feels he is programmed to do, we don’t get to hear him deliver the sort of lifeless lines that Shawn did that made her so unlikable, and we don’t even get to hear his voice more than 4-5 times. Every time comes as a shock, taking us out of the moment of the film. We could have gotten used to his crisp sound if he had spoken more, and we may have seen the actual plot significance of it. Instead, it pulls you right out of the movie.

Oh yeah, and the only line(s?) that KIFT delivers to KITT are full-on taunting… that’s not very lifeless of you KIFT.

Alright, just one last thing to really hammer home a point from earlier and conclude this whole thing. You know what I was saying about this movie lacking the whimsical nature of the TV show? Well, the final chase puts the icing on this oddly sullen crab cake.

Yes, crab cake.

Because the pinchy crab that is Shawn makes it quite painful to get this particular cake and icing doesn’t even belong on it anyway.

KITT is racing down the street in this bright red car that I just explained is thematically wrong for him to be driving tbh but whatever, he’s racing in it and comes up to a barricade of randomly stacked up cars.

Oh Yeah, we all know what is coming.

The music swells. Michael looks at the upcoming barricade with furrowed eyebrows and quietly asks KITT what the heck they’re going to do now.

OH YEAH, we definitely know what is coming.

And at last, for the first time in the film…

KITT veers off to the right and they drive on water. “It’s really sink or swim with you, isn’t it?” Michael asks, pretending that’s funny as if I am not still emotionally raw from that scene that happened an hour ago.

Apparently, KIFT had that one obscure feature from “Return to Cadiz,” the Season 2 episode where April forces KITT to follow KARR into the ocean on the hopes that waterproof wheels might work maybe, directly ignoring his many attempts to get out of it. Yay. I love references to That Episode. That Episode which baited me with an opening that looked like KARR could have been discovered underwater only to show me that not only was there no KARR, but KITT was going to be bullied into repeating what his brother did when he died. Wholesome. Lovely. Fantastic. And how did KITT know for sure that would work? KITT clearly still has some technical hiccups in his own CPU from Michael tampering with it, that was an awful lot of confidence to place in a maybe.

AND MORE IMPORTANTLY…

THIS MOVIE DID NOT HAVE A TURBO BOOST

A TURBO BOOST

I cannot believe that a movie based around Knight Rider did not have a turbo boost (or for that matter, the THEMESONG???). Like I am honestly still surprised by it. Almost every episode of the original show had at least one turbo boost, and there is a reason. The idea of a talking car jumping in midair, sometimes with Michael “WOO!”-ing like a girl, is so fantastically fun that nobody even tries to question how impossible it is. I think we all know how impossible it is, and that doesn’t matter, it is yet another thing that embodies the heart of this show.

And… not even one.

…

So yeah, that just happened. I think this is technically a small novel. Wow.

I know that I'm still missing a lot... I have a lot of thoughts about this movie, and if you for some reason want more please ask! I would also love to hear your thoughts on this! Do you agree with my analysis? Do you disagree entirely? Did you notice something that I failed to mention entirely? Pleasepleaseplease send ideas, I would love to hear them! Also know that, no matter how much I was disappointed by the movie itself, I am fully open to hearing your ideas about how to improve or expand upon it. I truly believe that this film introduced some great concepts, and I would absolutely adore seeing them reworked in a way that's more true to the original. Thank you for reading! :D

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letterstothemidnightsociety · 4 years

Text

It’s 2020 and my anxiety level is so high, I grind my teeth while I’m asleep and awake! But let’s ignore all that and instead focus on critically analyzing America’s premiere soap opera for monster hunting! It’s Supernatural!

As you may have already guessed, I watch a lot of TV. And in the Year of Our Troubles, 2020, when I’m encouraged to stay home and indulge in my favorite pastime for the health of the nation, I watch a hell of a lot of TV. When you watch that much TV, you start to notice the rhythm and the flow of how seasons of television progress. You probably notice it too, even if you don’t think about it as much as I do.

Like, you know that episode that happens right near the end of the season where all the characters are happy? They’ve overcome a whole bunch of obstacles and they’re finally winning and they can see that light at the end of the long tunnel? You know the one I’m talking about. That’s the moment that you, as an audience member, know things are about to go downhill very quickly

Like when Poldark smiles over something and you’re just like, ah yes, I’ll prepare for the funeral.

Season 1 of Supernatural is like a case study of the rhythm that makes a network show work. There’s this wave effect throughout the season, building the tension up for a few episodes and then sliding through the next handful. Look at the first five episodes: they’re all about holding our breath, we’re gasping at every new turn - death and ghosts and monsters and Family Drama and Bloody Mary and PREMONITIONS AND THEN we let it out over the next three.

Aaaaaaand exhale!

This first season especially, but I’d argue the first three definitely, you can see this pattern repeated over and over again - building the tension, ramping the horror, bringing it to a major Mythos or Series Arc Moment and then releasing all that tension with a cool-down filler/self-contained episode.

And that’s where I am in the show now. We just had a major series arc episode with “Shadow” - John finally reunites with his sons, the villain is revealed (Meg and also the demon that killed their mom), and the endgame (for this season at least) is in sight. BUT! We’re a network show with 22 episodes to fill, and we can’t just head straight into the Finale Fight now, we’re only on episode 17! I mentioned in my last post that getting the team together again for all of 6 minutes and 44 seconds (yes, I did go back and count) felt like a slap in the face. I assumed it would have something to do with Jeffrey Dean Morgan’s shooting schedule, but looking at it again, it probably had more to do with the fact that it was too soon to bring John Winchester back as a major player.

So our next episode, our breather episode after all this High Drama, should feel a little disappointing to anyone caught up in the arc of the season. But. BUT. But. The next episode is “Hell House."

Yes, this is a filler, but this is filler done RIGHT. I mean maybe it’s just cuz it’s 2020 and I’m very tired and sad and scared all the time, but I was SO HAPPY to see Ed and Harry again, guys you don’t even know. Guys, the GHOSTFACERS ARE HERE!

And man, I am SO glad that this is a recurring side team that shows up throughout the series. Pease no one tell me that they die in a later season, I’ll find out eventually, I just can’t handle it now.

They are the anti-Sam and Dean. They have no idea what they’re getting into, they have no idea how to hunt anything, but they’re here to get famous and that’s just...it’s beautiful guys. Just beautiful.

Plus, you have this soft b-story line where Sam and Dean get to be Real Brothers for a hot second and prank the shit out of each other the whole episode. It’s like even Sam and Dean are saying, yeah, we need a break from all the feelings, let’s put itching powder in each other’s boxer briefs. I want to say that I was really annoyed the first time I watched this and did not care for these shenanigans, but this time around, it was a REAL JOY.

I’m also not mad about this.

And this breather feeling sort of carries over into the next few episodes. Sort of.

“Something Wicked” is another feelings-heavy episode. Backstory! Child-eating Monster! Tiny!Dean! I think Dean maybe cries again? Or just does that thing where he stares into the middle distance, all pain and torment and chiseled jaw line and I’m doing it again, I’msorrynotsorry.

You know. THIS face.

All of these things lead to an episode that has a lot of character development and strengthens the bond between Sam and Dean. Sam literally validates Dean’s whole existence by apologizing for fighting him on this job and then saying “I know I’ve given you a lotta crap for following Dad’s orders, but I know why you do it.” It’s a lot. It’s a big moment from Sam, who hasn’t really reconciled with John yet and who’s still hoping for a future that isn’t all about killing every evil sonuvabitch they can find. It’s a big moment for Dean, too, since his main motivation is protecting his family and (from his limited point of view) that family keeps trying to leave him. And while we do get some insight into the f-ed up childhood that was forced upon our eponymous heroes, there’s nothing really driving the season’s plot forward in this episode.

Same goes for “Provenance”. This episode is another good horror episode. I mean, even if that painting wasn’t possessed by a murder orphan, it is deeply haunted and I hope props burned it when the production wrapped. And what is it about ghost children particularly that’s upsetting? Is it the size? Is it the fact that their eyes are too big for their heads at that age? I mean, it probably has something to do with perverted innocence and goodness blah blah blah, but also their hands are tiny and so all the knives look bigger.

Same, Sam.

Aside from that, Sam gets another nice growth moment where he gets to imagine a world after Jessica. He’s been so fixated on finding Jessica’s killer - I’d argue more so than his mother’s killer albeit they are the same entity. That’s not a judgement against him, mind. He knew and loved Jessica, he did not know his mother, so I’m not mad about that character decision. But the show is really wrapping up the Jessica plot line because that won’t have legs in a season 2. And that’s harsh, so I’ll temper it with the fact that Sam, as a human being, is getting to the final stages of processing his grief and starting to move on with his life. Plus, I think that Dean wingmanning his brother is adorable and I love it. Good Brothering, Show!

But nothing in this episode has anything to do with the killer Sam’s been fixating on, so there’s no progression for the season’s main arc.

Last but certainly not least on this disc of my season 1 box set is “Dead Man’s Blood.” My notes on this episode include the key phrases “I’m pretty sure this episode is...dumb?”, “ I...do not care for vampires,” and then like, two lines later, “Nope. Still don’t care for these vampires.” They’re just making up some random-ass lore and their fashion sense is SO 2006 and I just...I just hate them.

I hate them SO MUCH.

BUT! That’s not the point of this episode. The point of this episode is to point us towards the season finale. FIRST, we start to see a little bit more of the world that the Winchesters inhabit. We actually meet another hunter, Daniel Elkins. He dies immediately, but that’s a cold open for ya. And when Sam and Dean go to investigate Elkin’s death, John comes back, this time for good (haha, lol). We get a real taste of the family dynamics in this episode - John and Sam fight and come together and fight and come together and Dean’s standing there kinda like, SPONGEBOB!

You know, Plankton! Krabs! Dean Winchester! Right? Anybody?

All sides have good arguments, and I appreciate that none of the conflict between the the three of them feels forced, or at least, it doesn’t feel forced this watch. The fights all come from deep character places that have been established through the whole season. They’re natural progressions of what we’ve come to expect of these characters.

And finally, most importantly, John knows how to defeat the demon that killed their mother. Enter Deus Ex Colt Revolver.

Colt Revolver Ex Machina?

CAN I just take a break for a second to say that BOTH Elkin AND John were ready to WASTE PRECIOUS COLT BULLETS on VAMPIRES, who can be killed IN OTHER WAYS?? Listen, you make a magic gun that only works with these like, 5 BULLETS, and then you just THROW AWAY A BUNCH OF SHOTS, GUYS??? ALSO, what the HELL does Haley’s Comet and The Alamo have to do with this STUPID GUN??? I JUST- you know what, we don’t have time for all that.

Attaining the Colt is the brick they drop on the gas pedal to drive us into the season finale of season 1.

Wasting a some PRECIOUS F*CKIN’ BULLETS, GUYS.

When you look at the season’s pacing at the outset, it seems like it shouldn’t work. I was that person who felt disappointed in each episode where it became clear we were definitely on a side quest, not the main quest. Watching it now, though, I think that pacing is important. Yeah, the Monster-of-the-Week episodes are a little hit and miss, but sometimes you have to think of a TV season like a marathon and not a sprint. There will be times when you pick up the pace, yes, but it’s a long race and you’re gonna need some periods of recovery if you’re gonna make it to the finish line. And frankly, a lot of those side quest episodes ended up being my favorite episodes of the entire series.

NOW. I doubt you would see this sort of structuring in a show today, specifically in shows that don’t get a 22 - 24 episode order. You MAY get, MAY, a Ghostfacers-type episode thrown in after a major emotional climax for that breather effect. MAY. But if Supernatural was made today - probably for an online streaming site, probably with only 10 - 13 season order - I don’t think you’d see episodes like “Something Wicked” or “Provenance” or “Faith”. The nice thing about short seasons is that you can keep the storytelling focused and tight, but I also think that can be a weakness as much as it is a strength. What do those three episodes all have in common? They’re strong on character and relationship development. We, the audience, get a deeper understanding and appreciation of the Winchesters and how they work and grow as a unit in these episodes. So if we’ve watched this far, through bugs and ghost trucks, through all their little victories and major setbacks, we’re well and truly invested in how the season is going to end.

I’m not saying you can’t have big character moments in a shorter season. And I’m not saying that a show more focused on plot, on the What Happens rather than the Who It Happens To, is a bad thing. But watching this season over again in comparison to present day television seasons, it’s highlighted what Supernatural did right. On this side of the series, it’s easy to see why the show went on for another 14 years.

#Supernatural #Supernatural Season 1 #Sam Winchester #Dean Winchester #John Winchester #Hell House #Something Wicked #Provenance #Dead Man's Blood #cw #WB #Televsion #Television History #15 SEASONS #And this is where it all started

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uclaradio · 6 years

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Interview with City Girl

Interviewed by Jennifer Liaw

album art for Time Falls Like Moonlight, by vickisigh

City Girl is a rising LA-based lo-fi/chillhop producer that incorporates a lot of soft piano and guitar intertwined with electronic beats and vocals. Starting out on Bandcamp and Soundcloud only 10 months ago, they now have three albums out on Spotify, the latest being Time Falls Like Moonlight, released in April.

Tell us a bit about yourself. Where did you grow up? What was growing up in that city like?

I grew up in California close to LA. To be honest once I found music I never really went outside. Before that I was just playing video games and watching cartoons. I guess the internet was more of where I grew up, as opposed to any geographical place.

What music did you listen to a lot growing up? What were your favorite artists back in like middle school, for example?

In middle school it was John Frusciante, all day everyday. Something about his guitar playing really inspired me. It was soulful and beautiful and just felt perfect, like every note was exactly where it should be. In high school my music taste exploded, but John Frusciante was the majority of the first music I learned and played.

Tell us a little about how City Girl first got started.

I uploaded on the train somewhere between my apartment and you 10 months ago on Soundcloud and just emailed a bunch of Youtube channels that were taking submissions. Aurarian music accepted that first release and put it out on Youtube and got the ball rolling so City Girl could get some attention back when it was only 10-20 followers.

How did you come up with the name City Girl?

To be honest, its in honor of “City Girl” by Kevin Shields from the Lost In Translation soundtrack. I’m a huge My Bloody Valentine fan and that song of his is just so amazing.

When did you first start making music? How did you get into it, and how did you first learn how to produce a beat?

I got into guitar playing when I was 12 or so. I just played because my older brother had a guitar. I took it and just Googled how to play guitar and taught myself songs and chords. It was the most fun I’d ever had. It felt so special. I didn’t start producing for like another seven years though. I would just record onto a Tascam tape recorder and jam with friends in garages. I had friends who made lofi beats waay back when it was like CULP and Simo and Onra and john wayne and stuff, but I never got into it, I was more focused on improvising and expanding my musical repertoire in a more performance-focused way.

Are there any instruments that you would like to try out incorporating into your music that you haven't tried yet?

I want live drums but I live in an apartment. If I could record drums that would be so cool, since I play drums too and I miss it badly.

Where do you usually record your music? Describe your studio space to us.

It’s about five feet no joke from my bed haha. It’s a desk and a midi keyboard and some guitars and other little instruments like the melodica. I have speakers and an old mic. It’s super cozy, my bedroom at my apartment is just covered with vickisigh’s art, like everywhere you look it’s just cute sexy ladies in pastel colors, I love it.

vickisigh’s (Vicki Tsai) artwork, from her instagram

How would you describe the lo-fi/chillhop genre and subculture to someone who’s never been exposed to it?

It’s just a bunch of people who love making music on their computers, and to be honest only one percent is unique and actually worth your time, but the same goes for all genres, 99 percent of it is just not that good. I would be more specific but at this point lofi stands for so so much that you can’t really go much further than that.

What do you think of the lo-fi hip hop/chillhop genre in general? It's really popular right now what with the YouTube 24hr lo-fi hip hop studying beats stream and the Spotify lo-fi hip hop studying beats playlists as well... There's literally probably thousands of really similar chillhop producers on SoundCloud... does that ever make you feel swallowed up, in a sense? Or does it feel more like a really large community? How do you try to stand out as an artist among all these other producers?

It’s a tough question to answer, because you can go from quickly, quickly to in love with a ghost and still call it lofi if you want to. These artists share playlists together and Youtube mixes. Who’s to say quickly, quickly isn’t just jazz? Who’s to say in love with a ghost isn’t just electronic music? It’s not so much a genre as it is a movement of instrumental music becoming the focus itself rather than the singer/rapper. Staying unique seems simple to me as I grew up playing and learning music by ear, so I just follow my interests/inspiration and play whatever seems cool.

Which artists would you say are your biggest inspirations or that you're just blown away by and really admire within your genre? How about outside of your genre?

Well in love with a ghost stands out, like most peeps I found them on Youtube. All the tracks from Let’s Go and Healing by them are amazing. Just super cool textures and melodies, really lovely and creative music. Kupla is amazing too, he’s an amazing piano player, all of his music is great. Outside of my genre I’d say Sheena Ringo, especially her album Kalk Samen Kuri no Hana - it’s pretty much game over, this album does everything better in every regard imaginable than any other music I’ve heard. Don’t know if you can get access to it in US tho, the copyright lawyers are hard at work on this one.

What artist outside of the lo-fi hip hop genre would you really really love to collaborate with? Can you describe the kind of track you'd want to make with them?

With anyone, well shit Beyoncé right? I mean she’s the best vocalist alive next to Frank Ocean. I would just want to make something really beautiful, some In Rainbows type stuff.

Being an artist based out of Bandcamp/Soundcloud in this day means a lot of your career is kind of born out of the internet. What are your favorite and least favorite parts about the internet and spending so much time on the internet/interacting with people on the internet/sharing yourself through the internet?

I love the internet because I can share whatever I want when I want. I don’t feel a lot of pressure because I don’t have any personal accounts on social media and never have, I always just read a lot of books and listened to records and stuff. I’m sure some people think it’s mysterious or whatever that I never cared for social media, instead opting to just read Sartre or watch old movies, but nowadays all I do is make music and play Skyrim so it’s all good. The internet gives me access to all that goodness so I can find it offline.

What are your top five favorite artists right now?

Tom Misch, Swell, quickly quickly, in love with a ghost, and Sam Gellaitry

What are your top five favorite female artists?

Sheena Ringo, Beyoncé, Aivi Tran, MISO (from club eskimo - a collective including Crush, Dean, offonoff, 2xxx!, millic, and more), and tiffi.

Do you have a favorite spot in LA that you wouldn't want to share with anyone else?

Wherever YAYAYI and JALENTUNA happen to be any given saturday night in k-town is a pretty special vibe that honestly can’t be shared even if I wanted it to be. God there was this $5 flat pho place on Western Ave. that was run by this old couple but it closed like 5 years ago, that was the best place ever and it straight up was ALWAYS empty, no one ate there. I think it was like Pho 36 haha one of those LA pho places that has a random number after it.

What are some things that you really enjoy doing for yourself? When you need to take a day for yourself, what are things that you'll usually do?

Skyrim is a go-to. It’s usually video games but a lot of times it’s just making music. You gotta understand music is like an addiction to me. I never stop thinking about sounds and I feel uneasy not making music.

So we know you like video games… what are some of your favorite video games of all time? Do you have any funny anecdotes from playing games online with strangers?

Favorite of all time is Psychonauts. Such a creative game and Scott Campbell’s art is the absolute bee’s knees. Right now my favorite is Skyrim as mentioned. I love RPG and adventure games, the immersion gets me good. I loved games growing up, played anything. I have a lot of anecdotes about gaming but I honestly can’t think of just one. Haha well when Xbox Live came out online gaming was brand new and I remember my dad getting on the headset asking people not to cuss (since I was just a kid) and THEY STOPPED. They were like “Oh sorry dude we didn’t know there were kids playing we will keep the cursing to a minimum.” Can you imagine that nowadays? It would never happen. That shit still blows my mind.

Do you play Fortnite? If so, what are your thoughts on it?

I played Fortnite with Chance, thrash, and Maru the other night and I hate it so much lol. The vibe is so terrible, the aesthetic makes me want to barf it’s so ugly. That was the only time I’ve really played it and it hasn’t been on my mind, the itch isn’t there so I guess no hype for me.

What are your favorite K-Pop bands or members?

SNSD was the OG. That old video of Sooyoung going “OP-EHHHH! OP-EH EH EH EH EH” lol that shit is so funny. I don’t follow it much anymore but MISO is the queen right now, she’s the best. I watched all of Jessica and Krystal when it came out too, that’s good stuff.

Ok I also saw on Twitter that you have a cat... tell us about your cat!

Ah yes, Seymour, the Russian Blue. He is a very handsome and beautiful man. He is a shadow in the night. Every part of him is gray except his lil tongue which is pink and his eyes which are green. He lives at my parents house so I don’t see him except at holidays, but he is my good soft boy. I think of him very often.

art from Snow Rose, by vickisigh

What would you say is your favorite track that you've produced?

“Anything Like Her” with tiffi is prob my fav. Tiffi is so cool and that song is really different sounding from other City Girl songs so I think it’s cool.

What is your favorite track off of Time Falls Like Moonlight?

“Sunset Lullaby” is probably my favorite. The second half with the acoustic and electric guitar just feels really special.

What was your inspiration for Time Falls Like Moonlight?

I make so much music, the inspiration doesn’t really ever make sense, I am inspired by everything in each moment, I am inspired by my own passion to make music. Not understanding what is going on is really important to how I work, it makes things exciting. I just want the music to make people feel loved and understood for who they are, that there is a purpose for them, a life they can live and be loved in.

When you make songs, are they ever about specific things, people, or events in your life?

Not really, it’s just all my emotions sort of bleeding into the computer. I don’t know if I could write about any particular thing, but I do enjoy imagining lots of people and situations to my music after I made it. Like oh this sounds like Moonlight Hill (from Kingdom Hearts) or this sounds like a tender look from someone or this sounds like a lonely plaza in the middle of some city. It’s all free and open to interpretation.

“Winter Fields” is one of my favorite tracks of yours... mostly because of the lovely violin part by mklachu. It's so dreamy and kind of reminds me of some of my favorite Ryuichi Sakamoto pieces, too. Can you tell us a little about this track?

It’s random but the track started as a like, flex? I was watching Joji’s Youtube aliases and god they are just awful I mean like him fucking with people and being super lewd and nasty I hate it but I was watching it anyway to like fry my brain and I thought it would be fun to make a nasty trap beat that would fit with his videos and I made “Winter Fields” (I know it doesn’t make sense at all). The song slowly got more romantic as I added piano layers the next day and then mklachu tweeted at me out of nowhere and I asked her to play over it and yeah it’s just what happens when you work on music all the time, everything going on makes it into the song.

Another one of my favorites is “Chateau Fountain.” I love the slow buildup, and then the talking portion that kind of just emerges and goes into like an acoustic drop... ahhhh.. I was wondering where that talking portion is from actually. The guy is like, "Take the flowers," and the girl is like "I’m all right!" and it sounds like an uncomfortable struggle...a common pattern in society where... men force women to do things regardless of their autonomy or feelings (ha ha). Does it have any significance to the meaning behind the track? What were your reasons for choosing to put that particular snippet in this track? It's interesting because for me, I think I'm more sensitive than the average person to these kind of power dynamics or like...oppression against women in all aspects of daily interactions or media that I consume, so when I listen to this track it's like a soft buildup to this point of conflict that is kind of grating, but then evolves back into a calming acoustic melody. That's personal, of course, but it's interesting.

DUDE YOU HAVEN’T SEEN ATONEMENT? Omg that movie is so incredible. It’s James McAvoy talking to Kiera Knightley and they have all this tension because they love each other but they can’t be together and ooooooooooooooooooh it’s so good. Their love is so beautiful and honest but it’s injected with all this tension and conflict from society and politics. I felt that snippet fit so perfectly into the emotions of the song, it’s one of the few few times I’ve used movie snippets because I felt it actually added to the track in a creative way.

How do you think you've evolved from the first songs you put out on Bandcamp/Soundcloud, and your first album Loveless Shadows, to now?

I know a lot more about mixing, especially with bass and drums. I try to make more upbeat stuff now, but honestly I still end up making a lot of downtempo stuff. I know a lot more jazz piano than I did before so that’s nice too.

What are some artists that you think are really underrated that you'd like to give a shoutout to and encourage people to check out?

frenesi is criminally underrated.

What are your goals for City Girl for the next few years?

Just put out an incredible amount of music and keep building the world of City Girl. I want people to feel relaxed and loved and understood when they listen to City Girl. Honestly I just want to expand the harmonic and melodic depth of City Girl, I want people to head bump and cry in the same track, I want to find that fusion of beautiful and funky that all great music has for me.

I know you just released an album, but besides that, do you have any upcoming events or projects your fans should be looking forward to?

I have another album finished already, but with the way vickisigh (I won’t put out something without her art on it) works it won’t be out until probably another two-three months. So by the time that comes out I’ll have another album done and so on the process repeats. So just look forward to a new album every two-three months for as long as I’m rockin in the free world.

art from Loveless Shadows, by vickisigh

Check out City Girl’s latest album, Time Falls Like Moonlight, out on Spotify, Soundcloud, and Bandcamp! They also have two other albums, Snow Rose from December, and Loveless Shadows from August that are equally as beautiful. Follow them on Soundcloud for all their music updates and on Twitter for all their promo updates!

#vickisigh #city girl #time falls like moonlight #city girl interview #loveless shadows #snow rose #ucla radio #uclaradio.com #ucla #college radio #ArtistInterview

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theday · 7 years

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minpuppy day

its 8pm here, and his birthday is almost over. im listening to day6′s stream rn and im ready to type out my essay 4 lmh

this got so long and its a mess without proper sources whoops!!!!

SO FIRST OF ALL... lee minhyuk!!!!! the kindest boy on earth and also the most extra lmao

tbh i only became a mbb in late august so i was only present for the last 2 ep of mxray but with everything else, i had 2 catch up rip.. i watched the first episode of season 2 first bc im a dumbebe and it was the cafe/nail salon episode ?? yeah. at that point i didnt know any of them and i couldnt recognise anyone except for jooheon bc i started liking jh first i was just super confused with everyone else, minhyuk included. nobody really stood out when i watched it but i still found it extremely funny (mx are so funny every show theyve been on i always laugh its great i love it) was the next episode the party one ?? (nope) i dont remember but i dont think i focused on anyone at that time either but i noticed how minhyuk was so fucking extra with how he would give kh + hw false clues and i was like .. ‘this guy is seriously..’ and when changkyun plotted with them to abandon mh i was cheering for him tbh LOL and i got so scared for ck when minhyuk found out sbwjaiks idk ive never talked about first impression for mxray so im gonna side track a bit (a lot) and?? the way he played everyone and eventually himself (and changkyun) was so funny wtfeksmk we love an idiot?? in the animal episode, i didnt take notice of mh (again) bc he was with jh and i was 2 focused on him poor mh and mary LMAO i think throughout my first watch of mxray i didnt have that much of an impression of minhyuk other than that he is super extra?? watching their older shows like ‘right now’ and the des??koptac??? fk if i know im a fakebebe i think he grew on me more??

but the time where he really impacted me and made me fall for him was when i watched no.mercy?? the way he gave the flower to the judge (i lov EHR SO MUCH) (the male judges can ***** x) it really gave me the impression of how sweet minhyuk is?? and i remember when he got second last and he cried i felt so fucking bad? he loves his parents so damn much???? minhyuk is really out here being the best son/friend/group mate?? AND despite that he worked together with the other guy (im so sorry) and they did a wonderful stage?? the way minhyuk lightened the mood after the performance showki gave? that made me really think because people gave minhyuk the title of mood maker you know? and just based on that i could truly see why and after that im so happy minhyuk is with monsta x (ill talk abt this later) and im pretty sure he was the one who lost since it was like a battle (work together with your partner but youre also fighting against them) and i know how they like messed the thing up didnt they? and they told him he won but they announced the wrong name minhyuk didnt even let that get to him? he had the biggest smile on his face even though he lost? i love lee minhyuk so much?? he was happy because he and his team mate managed to show such a good performance and that makes me so proud???

it was probably at that point where i really started to see minhyuk as who he is??? he has a lot of sides to him honestly and i dont know all of them but from what i can see minhyuk’s just great?? i was also starting to fall deeper for monsta x as a whole and that meant finding out about past incidents and watching old vlives,, i saw ppl mentioned about how minhyuk would be there for wonho throughout his harder times?? and i watched the video where wonho actually thanks minhyuk (and other members) about that and you can just see how supportive minhyuk is of wonho? hes always there for him and not just wonho, minhyuk’s always with everyone although it is different every era?? he shows so much love to all of his members and its ?? amazing??? minhyuk’s like everybody’s support system and im jsut so!!!!! minhyuk ur doing amazing sweetie :-(

right now back to the thing i said i said id talk abt later which is now so. i was watching the last ep of no.mercy (where they select who gets 2 debut) and i knew who were gonna debut obviously but it was still so fucking nerve wrecking???? honestly? you could see the shock on minhyuk’s face when he gets chosen as the last member. idk what he was thinking but it really hurts to think that minhyuk probably thought he wouldnt be able to get in? (i also have no idea how no.mercy works and im still a bit skeptical about it, was it all planned? etc.) and just the surprise and disbelief really??? goD ??? mh probably felt really bad about being chosen despite have 2 other suitable ppl next to him i kind of think minhyuk sometimes doubts his abilities??? back on weekly idol too where they asked him how he managed to get in and they (hyungwon?) answered with passion like?? i dont know :-// this whole para is a joke tbh bc of how much i dont trust no.mercy lol so disregard it?????

what i wanted 2 say though was how without minhyuk, i dont think monsta x would be able to be how they are today. as much as i hate to say this, performance & song wise, there wouldnt be much of a difference because of how little lines minhyuk gets (which is understandable, still makes me a tad bit mmMPH) however, the presence on shows would change so much??? minhyuk helps bring out everyones sides on shows? and maybe he doesnt and im just being bloody delusional but i believe that minhyuk plays a super important role whenever mx are on any kind of show because he’s able to ?? i dont know??? he can see whenever one of the members are feeling uncomfortable/not talking enough and he goes to them/asks them stuff im pulling this out of my ass actually ah . i dont fucking know i dont have any sources nd this is all from my shit ass memory so if u do read this and realize how inaccurate it is im sorry but thanks 4 reading lmao

basically . minhyuk plays an important role in monsta x as more than a vocal but as a person who’s always there for his members

ANOTHER THING. we all know of when minhyuk speaks english?? like he doesnt have to because theres changkyun but he does it anyway?? again, idk if he does it bc he wants 2 lessen the burden on changkyun (who cant speak english that well - same) or because he wants to connect with more intl fans but its sweet either way?? and its really funny the way he translates stuff too lmao

i already saw someone else talk about this but its something i noticed too though it didnt really click unitl i saw their post about it,, back on like the radio vlive he would do with kihyun he was always setting goals for the vlive and everything but in the recent vlive with kihyun (again) he assured mbbs that they didnt need to press hearts and that they should focus on the vlive (was this mentioned or assumed???) idk but we can think he probably means that even if it was unspoken.. it really shows how much minhyuk’s grown??? he went from asking for hearts to making sure that mbbs could properly watch the vlive instead?? minhyuk really looks out for others ? when he picked out the stuff kihyun didnt like too??? he didnt even to think twice about doing it he just did it immediately?? minhyuk is so fucking sweet and he just??? thinks about the others ??? always being there for them and everything????

minhyuk is also so sososososo nice to fans? i watched that one video where he gave fans his like towel because they didnt have umbrellas and it was raining/?? yeah sure maybe thats like. basic fan idol stuff but it really says a lot about minhyuk??? he didnt have an umbrella either but he still wanted to make sure they wouldnt get sick????

in these past 2 months, ive learnt that minhyuk is more than extra, hes someone who cares for just about everybody??? he was the last member selected for monsta x but he’s constantly improved himself since then and im so proud of lee minhyuk?? so shoutout to the boy who loves his members and monbebes like theyre his family and shoutout to the boy who loves his family so much. happy birthday lee minhyuk and thank you for being born :-D

also its 9pm now lmao and day6 are doing their last song im happy this has been fun so bye now

#moon texts #love essays #was gonna do jinwoo first but priorities

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imagine-boku-no-hero · 7 years

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A Dragon’s blood

(lol, I even named it) And here it is! I hope you like this piece, that is practically me indulding myself af about dragon au’s and that I just wanted to write Bakushima.

Bakugou hears the steps before the person even gets close to where he settled down. His eye twitches and his face morphs into an angry, dark scowl, revealing sharp teeth and he straightens, his claws lightly clicking against the stone wall. Whoever came here, probably to seek glory or whatever other bullshit, was very welcome to meet a messy, bloody and certain death.

Silently moving around his hideout, Bakugou slips along the wall and up a ledge, clawed hands poised to strike. The guy, who heaves himself up over the ledge of the cliff where Bakugou will stay until he finds out where other dragons are that he can fight, isn’t older than Bakugou himself. His red hair is up in spikes and he wears comfortable, slightly scuffed, long sleeved clothes. He has no backpack with him, no sword, no potions, nothing.

The redhead looks around and the lack of weapons makes Bakugou pause. No one comes to him unarmed. Unless…

“Erm, hello?” The guy calls out. “Is anyone here?”

“Fucking heck yes, I am you fucking shithead!” Bakugou growls out. The guy’s head snaps around and he looks up to where Bakugou crouches, clawed hands visible. Instead of blanching and stumbling back, or staring at the scales that travel up his bare arms and at the sight of his red eyes, the stranger breaks out into a grin.

“You’re the dragon right?” He asks, though he’s thankfully not dumb enough to approach. Bakugou is still more than half ready to just go for his throat and be done with it. “The shape shifting one?”

“Fucking don’t ask the damn obvious questions.” Bakugou grouches, waving his clawed hands, his face growing angrier. “Piss the fuck off. What do you want anyway?”

The guy scratches his neck and Bakugou catches a whiff of his scent. Ah, he knew it. No wonder the dumb shit went up here visibly unarmed.

“Haven’t seen a witch in a while.” He growls down at the stranger, his face twisting into a rage filled smile. “What are you here for, my scales? My blood? The bones maybe?”

The guy looks taken aback. “No, no, I just…I wanted to see a dragon.”

Bakugou barks out a laugh. “You did, you suicidal shit. Fucking get lost.”

He opens his mouth a little to let smoke trail up against the edge of the cave, showing that even in his human form, he is very much able to breathe fire. “Or I can burn you alive.”

The guy scrunches up his face. “No thanks. So, yeah, uh…”

Before he can say anything else, Bakugou growls, low and deep and it echoes around the cave, sounding like a dark, huge beast. His eyes narrow and his claws flex against the stone, leaving scratches.

The guy leaves again, clearly not wishing to mess with an enraged dragon. Bakugou settles back and listens to the fading footsteps before he shakes his head. Everyone is just getting more and more fucking stupid these days. Damn shitheads.

~*~

Despite thinking he took care of the problem, the guy shows up the next day, introducing himself as Kirishima. Bakugou snarls at him that he doesn’t give a fuck and Kirishima just grins and they exchange a few words, that can barely be called a conversation, before he leaves again.

The third day, Kirishima shows up again, and the fourth, the fifth and the sixth as well. Every day without fail, until Bakugou realizes he keeps an ear out so he can hear when the witcher shows up. It makes him angry and prissy, though he realizes that the hot flow of fire, he can usually feel in his veins when he’s angry, remains calm. Fuck, he actually starts to like having this weird idiot around.

When Kirishima comes to visit him again, Bakugou’s ears easily make out the sound of his boots against the rocks.

“The fuck do you do here every day.” Bakugou says, this time sitting by the entrance of the cave and glaring at the witcher. “Don’t you have a life? A village? Magic mumbo-jumbo lessons to attend?”

Kirishima ducks his head a little and shrugs. “I have some free time.”

Bakugou stares at him. “And you spend it fucking climbing up a frigging mountain to bug me. What the fuck for?”

Kirishima settles down to sit by the edge of the cave, not too close but also not too far away. They can converse comfortably like this, Bakugou realizes and he doesn’t feel like the witcher wants to get into his temporary home.

“I’m just interested in you.” Kirishima says with a crooked grin.

Bakugou raises an eyebrow. “Because I’m a motherfucking dragon.”

“Well, at first.” Kirishima says with a shrug and an easy smile. “But I kind of like talking to you.”

The dragon doesn’t know what to say to that and just crosses his arms, before he can answer though, his nose catches a scent he has noticed around Kirishima before. Though until now, it has been faint and he thought it must have been because of a spell. Now though, it smells strong.

“The fuck.” He says and doesn’t hide the way he scents the air like a bloodhound. “You smell fucking weird.”

Kirishima fumbles for a moment and then shrugs again, though this time he’s looking away. “Just…I tried a few spells out this morning. It didn’t work though.”

Bakugou eyes him and lets the subject drop. To his own surprise they begin to talk, and soon enough, Bakugou finds himself barking out a rough laugh, head thrown back and his posture relaxed. Kirishima grins, wide and happy and shows him what he can do with his magic, his spells strong and steady and Bakugou finds himself loving the way Kirishima’s eyes light up whenever he uses his gift.

The week they spend together, soon enough morphs into two and by the third week, Bakugou starts to venture down the mountain, intercepting Kirishima before he has to climb up. They roam through the forest, shove each other into icy cold streams and Kirishima shows him around the small city he lives in.

Bakugou starts to look forward to it. He begins to smile more and while he has to fend off the one or another annoying knight who wants to take his head, he still stays.

Way too late, he realizes that he’s beginning to grin whenever Kirishima smiles or laughs and that his inner fire feels at ease and languid, how he’s walking closer to Kirishima and they keep bumping elbows and Bakugou starts to notice things like that the other guy eats too little and sometimes there is a strained look on Kirishima’s face.

It makes Bakugou’s hackles rise, to see the redhead unhappy and once the realization sets in, that his inner dragon chose to see Kirishima as a friend, a companion, he himself doesn’t want to leave anymore either.

The odd smells of magic cling to Kirishima on more and more days, sometimes bitter and rough like potions and herbs and Bakugou complains every time, though he can’t help but wonder what is going on. Kirishima starts to lose sleep too, though as soon as he sees Bakugou waiting for him, down at the mountain trail, his face lights up.

“What the shit is going on with you?” Bakugou asks one day, when Kirishima looks pale and pasty and his smiles don’t stretch wide enough that he can see those ridiculously sharp teeth.

Kirishima freezes and for a long, odd moment is face is strangely blank. Bakugou feels worry sneaking up his spine, anger setting in that something is going wrong in Kirishima’s life. Then the other‘s shoulders slump and Bakugou has to force down a growl, to push Kirishima back to look bright and straight and strong.

“I…haven’t been quite honest with you.” Kirishima admits quietly and silent defeat speaks of his body language and the way he averts his eyes. “Back when I first looked for you. Yes, I wanted to see a dragon and…”

With a deep breath, Kirishima rolls back his sleeves and Bakugou realizes he never saw the other without long clothes, even if they got wet or ran into pouring rain, Kirishima’s magic always dried him back up.

Now he stares at the dark lines he can see running along Kirishima’s skin and the way it looks like it’s about to harden into something unmoving. He stares for a long moment, silence hanging heavily between them.

“You’re cursed.” Bakugou finally says and his voice feels a bit muffled as his heart begins to race in his chest. His teeth almost bite into his lip and his clawed fingertips prick his palms. “You’re dying.”

“Slowly turning to stone. I can still move without trouble though, for now.” Kirishima says with a humorless, sad smile. Bakugou instantly hates that smile. Hates it with a burning fierceness that makes a rumble crawl along his ribs and his face twists into a dark scowl.

“I heard dragons know things about magic that most humans don’t.” Kirishima says and rolls the sleeves down again. He looks apologetic. “I wanted to ask if you knew a way to reverse this.”

“I know shit fuck all about magic.” Bakugou says, still standing rooted to the spot and suddenly it feels like it’s harder to breathe. “Never found that shit interesting.”

Kirishima gives him a smile, warm and fond and Bakugou wants to keep it. He wants to keep that fucking smile and see it every day. He wants Kirishima’s goofy grins and his hoots when Bakugou shows him something cool that he can do. He wants to hear Kirishima’s laugh and to keep waking up and realizing he looks forward to seeing him.

Most of all, he wants Kirishima to stay fucking alive.

“How long do you have?” He asks, still staring at Kirishima’s arms. He faintly wonders how far the curse already stretches. Where does it even begin?

Then another thought enters his mind and the snarling growl that vibrates in his throat makes Kirishima’s head snap up in startled surprise.

“Who?” Bakugou growls low and dangerous, eyes blazing, and his spine straightens like he’s ready to prowl and hunt. “Who did that?”

Kirishima rubs his shoulder and Bakugou can guess now, where the curse started. “Some guy I once fought. I don’t remember much, to be honest. The curse knocked me flat on my ass and jumbled up my memory.” He huffs a small, humorless laugh and Bakugou loathes it, this defeated, wrong sound. “I don’t know his name or where he is and I have looked for him, fruitlessly.”

His voice grows quiet. “There is nothing I can do. No spells work, no one can reverse it. I’ve tried everything I can think of.”

Bakugou feels like his breaths burn in his lungs and then a thought burns bright in his mind and he snaps forward, grabbing Kirishima by the shoulders.

“Not fucking everything.” He says, a wild grin stretching across his face. “You never tried dragon blood did you? Or scales? I don’t know fucking anything about magic, but I know that my blood can get some freaky shit done.”

Kirishima’s eye widen. “You would…let me have your blood?”

Bakugou makes a frustrated sound and lightly slaps him on the back of his head, knocking their foreheads together.

“Fucking yes, you damn dumbass. I won’t let you fucking die, got that? Don't look so shitty surprised, I want to have your ass around.”

Kirishima begins to grin and Bakugou grins in return, satisfied when he hears the other laugh and if Kirishima grabs his hands and starts to cry somewhere between laughing and Bakugou cursing that they’re getting this fucking solved, they both don’t comment on it, relief a fresh taste on their tongues and their foreheads still pressed together.

#bakushima #kind of #just me writing bullshit #and indulding my favorite au's #i hope you like it #even if it's weird or boring #don't mind me rambling i got a cold this week

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