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#harpist!ireland
stairnaheireann · 2 months
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#OTD in 1738 – Irish harpist and composer, Turlough O’Carolan, died at Alderford House, the home of his patron Máire MacDermott Roe, in Ballyfarnan, Co Roscommon.
Death of Irish harpist and composer Turlough O’Carolan. His wake lasted four days! At age 18, he was blinded by smallpox and took to playing the harp. O’Carolan travelled Ireland most of his life as a wandering minstrel and composer achieving a level of fame that was unusual for the time. At age fifty he married and fathered seven children. O’Carolan’s most famous work is his Concerto. Featured…
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kate-m-art · 2 months
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This is silly but finally found one of my dream dolls, Aine from Barbie's 2008 Legends of Ireland collectors line and like I love her so much and wanted to show her off 😅💕
But then like lowkey just really love the little collection I have, still growing slowly but don't get to show people v much so like akdkf other dolls under the cut cause I just think they're pretty TvT
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Harpist Angel (1997) and Fairy of the Garden (2001) still looking for Fairy of the Forest
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Then Legends of Ireland Aine (2008) and Princess of Ireland (2001)
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Princes and the Pauper's Anneliese and Erika (2004) and Sugarplum Princess Clara from Barbie's Nutcracker (2001)
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Liana and Alexa from Barbie & the Diamond Castle (2008)
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Margot Robbie in the Return to Barbieland outfit from Barbie (2023.) (Preordered "I am Kenough" Ken too because he made me laugh so much, he'll get here sometime this year lol)
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Mostly collect Barbie and a few Disney dolls but these two girlies are my exceptions. On the left is ICY Fortune Days Virgo doll from their twelve constellations line (want to get the Cancer doll too eventually) and on the right is Rainbow High's Victoria Whitman (2023.) I love her freckles so freaking much
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Maggie beloved is my ooak doll, I think I've shared her with you guys before
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Rosella from Barbie as the Island Princess (2007.) She was my favorite doll to play with growing up and couldn't believe I found another in box.
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Then Rapunzel is from the 2001 movie and Elina is from Mermaidia (2006.) You can see Serafina peeking out there too, forgot to move her next to Anneliese.
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Snowflake Ballerina (2000) and the Swan Queen from Swan Lake (1998)
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The first version of Peter Rabbit Barbie (1997). I'm still looking for the second one in the blue dress.
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Austrian Barbie (1999) and Prominade in the Park Barbie (1997)
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Then the 2000 Celebration Holiday doll and a Flynn and Rapunzel wedding set from the Disney store that I bought a long time ago, but looks like they're selling this set again so akdkf nice! (Plus a 17" Rapunzel I want to repaint someday and a little Miraculous movie Marinette from last year.)
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And then the 2022 Holiday Barbie with red hair (she was a Walmart exclusive and hard to find because very unique face, I lucked out and found one at a TJ Maxx for cheap 😅) and 2013 Holiday Barbie (she, 2000 holiday doll and one other i have in a drawer somewhere were my first display and not play dolls actually)
Think that's about it, I've been rambling for a while now but if you made it this far thanks for letting me show and tell ♡
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victusinveritas · 1 year
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Colorized photo of Patrick Byrne (1794-1863), often considered to be one of the last great harpists of Ireland, 1845.
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joemuggs · 4 months
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Albums of 2023 part 2
And so, on from part 1, we continue. This is more dreamy synth-dub that sits perfectly next to the Harrow album: Richard Norris is another artist with an extraordinarily long and illustrious career but who also has never lost the exploratory urge and total delight in sonic finesse.
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Honestly Uruguayan-in-Ireland Lila Tirando a Violeta is right up there with the very best of the "deconstructed club" generation - dark, gothic, complex, VERY WEIRD - and this collab with Berliner Sin Maldita is up there with her best. It's really, REALLY intense!
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Just impossibly beautiful elegies from ambient harpist Mary Lattimore which builds towards the final track collaboration with Slowdive's Rachel Goswell that is so lovely it will single handedly bring back swooning as a popular pastime.
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Officially an EP but there's enough here to cement Nia Archives's place as a heavyweight - add "Off Wiv Ya Headz" and that Jorja Smith remix, and she's had a humdinger of a 2023....
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Saw some discourse suggesting that Burna Boy is resting on his laurels here, but I don't hear it. Maybe it's the fact that the cover looks dashed-off? But musically, this bangs: it expertly joins so many dots but keeps his voice and personality right at the heart of it.
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I mean come on there was no way a collab between Earl Sweatshirt and The Alchemist was going to be anything but good, right? Just purest essence of deep and dreamy stoner hip hop. Yet another small (27min) but beautifully formed album - definitely a trend there.
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Feels kind of (literally) sacrilegious to say I prefer Cleo Sol's more personal, less scriptural records (e.g. Rose in the Dark) - and this is, top to bottom, a gospel album - but the conviction to her performance and the whole realisation of it here is still really magical.
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From Coventry via Skopje, man like NOT_MDK's first album in 23 years, and he's zooming into the deep flows that join grime and dubstep into the longer, deeper electronic funk continuum... These tracks are so crisp and crunchy!
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She's from Turkey but Ahu's been plugged into the London Plastic People / NTS / etc scene for years - file this with Yazmin Lacey and similar LDN soul-jazz, also it's very Boho and vibesy and incensey, definitely one to light your best candles for.
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Can't remember who put me on to this, possibly Radio 3? Anyway if cold wet misty Scottish hillsides are your jam Claire M Singer has you covered - these slower-than-slowly unfolding organ-led pieces practically smell of wet moss, and are extremely beautiful.
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He's lent vocals to a who's who of electronic music, but it turns out Paul St Hilaire's own studio craft is the equal of just about any of them - this is just a stunning, ocean-deep album of dub abstraction and subtly potent lyricism.
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Icelander Eva Jóhannsdóttir aka EVA808 has already made a name in the dubstep/grime world but this is her really spreading her creative wings. Mad psychedelia, elemental abstraction, movie-theme composition - there's not much she can't do. Big things beckon!
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There's still SO much to say about amapiano, and so much incredible UK, SA and wider world stuff last year (this isn't even the only great DJ Maphorisa album - he had THREE out in 2023, including a mini album with Shino Kikai and a 25-track one with fellow originator Kabza De Small!!). Suffice to say this has gorgeous songs, primal grooves, endlessly sophisticated mixdowns and bass that'll take your breath away.
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Just gonna link to my review for this one (it's got the music embedded) - but TL;DR Darren J Cunningham aka Actress is the holy prophet of the era of enshittification, yet for all that his music is constantly "off" and made for a world that is "off", he alchemises it into real gold.
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Yeah I'm going to be THAT space-jazz hipster and say this is the record I wish Andre3000 (who is on it, and Carlos Niño co-produced his album) had made. It's just a more lavish, free, FUN way to cavort with the five-dimensional fractal machine elves.
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Zoning in on the platonic breakbeat mathematics that underly Jersey / B'more club Chicago hip house, UK rave, trip hop etc, Bored Lord could seem arch or retro if her beats weren't so gloriously functional and bumping.
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Fed up of generic records? You will never EVER find another one that sounds like IFS MA. Polish abstract slightly Autechre-y footwork / drum'n'bass with Japanese rapper MA sounding like a cyborg beat poet Taliban Trim and I.... 🤯
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Every man jack and their dog are doing high bpm retro rave lately but you can trust Meemo Comma to put a fresh and uneasy twist on it. These tracks will get you proper buzzing up loud! I got to DJ for her live performance of this at Spiritland earlier in the year, hearing them on that system was a real treat.
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You get a twofer with this one. Phil Kieran's ode to Belfast is gorgeous in studio form here, but he also recorded and released a version with the Ulster Orchestra that single handedly revivifies the idea of electronic music done classical style!
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Two true underground troupers teaming up here - Jordan GCZ from Juju & Jordash and David "Move D" Moufang with some otherworldly good-dream ambient, deep house and space-soul jams heavy on the Fender Rhodes, fuzzy reverberation and sensually sweeping portamento.
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My musical safe place for so much of this year. Brooklyn "electronic jam band" Purelink somehow burrowed into electronic music history and found the softest, happiest, warmest fur lined chamber and then invited us in. I cannot emphasise enough how LOVELY this record is.
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More modular synth grooves from E Ruscha aka Secret Circuits, but no over-indulgence here and the grooves REALLY DO GROOVE. Trippy as a weasel circus and twice as funky.
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Talking of trippy, here's Optimo Music's second acid-drenched entry, from the man formerly known as TB Arthur and the mighty Magda trading as Blotter Trax, it's a kind of parallel universe early 80s alt disco where everything gurgles and melts.
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More from South Africa - King Mzaiza Sound via the reliably tough Parisian PSSNGR label - not 100% sure what you'd call this though it definitely has some gqom sonics, some trap drums, and some strident rap vocals... It's HARD AS NAILS is what it is.
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EVEN HARDER - Nyege Nyege brought us a sampler of this (and I don't use mental health language lightly) FUCKING MENTAL shrieking, raging, solvent-huffing sound from São Paulo stewarded by the young DJ K, and it's extremely funky and scarily thrilling.
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OK there we go, part three is here.....
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thewheelhouse99 · 1 month
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Here are some full character profiles for Maddie and Jack Fenton, and Susan Long, or more accurately, Maddeline Jaquine Cindy Newell, Jack Magnus Newell and Susan Yu because they've basically had this treatment given we haven't properly watched their shows:
Anyway first off,
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Maddie
Like her sister Maggie, she grew up in Galway, Ireland and was the one trusted to work the tills at their family corner shop. Upon reaching adulthood, she helped her sibling assigned male at birth, Maggie, by paying for her top surgery. Upon doing this, their parents found out and Craig O’Reilley kicked them out of the house for good, but this didn’t stop Maddie from robbing some money from their bank account for herself and Maggie. While the latter went to a college in America, she went to study at Cambridge University where she made friends with Vlad and Jack, Anglo-Latino and American men respectively who both are currently married to her in their own seaside home on Danville’s coast.
Once completing her studies, she moved to America to live with Jack and Vlad, stopping midway to join The Dandelions on their European tour. It was on the stretch through Spain where the three got married. Shortly afterwards the Newells left the party to spend a honeymoon in Oregon where they decided to take up permanent residence in America.
Maddie’s first job here was working for Starco, a photo developer which was established secretly to invade people’s privacy, something that Dexter inadvertently had a part in shutting down, when he fought the aunt he didn’t know worked for them at the time. He didn’t even recognise her. She then moved on to being a violinist for the Danville Symphony Orchestra with Jack who was a harpist and guitarist. After that she lost the massive ton of weight she gained the previous five years and the two became lifeguards.
Maddie also sometimes spends time with Jack, Maggie and Bob Parr watching some of the superhero shows she didn’t get the chance to watch as children due to her parents encouraging her to intensely study.
Jack
As for Jack, he was always a Danville man at heart. His early life was spent training for the Navy with his cousin Colonel Curtis Contraction, who he was very close with. He enjoyed fresh water swimming with Maddie and Vlad during their honeymoon. This lead to months worth of lifeguard training.
Susan
Susan is the worrier of the cast. Being scared of almost anything there is to be scared and being the first one to be concerned for her friends when they do something potentially dangerous. This concern has also helped when her friends didn’t know they needed it, for example back when Maggie and Debbie still had their children at home, Susan was the first one to bring up the possibility of the children getting themselves into trouble when they were out of their parents’ sight frequently. She is the first person to give good advice when someone is questioning their moral compass and is the most passionate about her interest in anime which she has ample time to share with fellow otakus Maggie and Debbie, which they’ve been doing for 20 years and counting.
This doesn’t mean that she hasn’t also been the first one to receive the short straw at pretty much most things in life. Seemingly for no reason she gets involved in more overworked days, trips over curbs, dilemmas looking after children and random accidents than she knows what to do with. Her close friends however are always there to look after her and help her mentally through it all, especially her closest friend (and possibly more) Debbie Brammeier.
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Harp 101
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It's a cliché at this point, but strings (especially the violins) are typically described as the main meal of the orchestra while everybody else is "seasoning" the further back you go on the stage. To be fair, it's not an inaccurate way to describe what each section usually contributes to the orchestra.
But whereas some sections (i.e. trumpets / trombones / tubas) have fewer classical pieces to work with because their instruments were developed last, the harp is an ancient instrument. So why hasn't it been incorporated into a ton of western classical music?
For one, the harp is pretty easy to drown out within an orchestra. This is especially true of pieces composed from the 1900s onwards, as those often put the loudest instruments at the forefront. (You could also say this is why the recorder hasn't found a place in the modern orchestra and why it's now been relegated to a childhood novelty and a laughing stock, despite being so prominent in the medieval period... Is it obvious how bitter I am about the recorder's status these days? LOL)
For another, the concert harp as it looks now is cumbersome and inconvenient. It weighs from 70 to 90 pounds, needs to be pushed around on a trolley, and takes up so much space. And the mere anxiety of lugging it around, knowing how some are made with 23-karat gold and cost upwards of 50,000 USD... That alone makes potential students (or, more accurately, their parents) want to avoid the instrument.
Long story short: The harp is one of the least popular instruments in the orchestra. But it's not hated. Certainly, I think most people can agree that it sounds beautiful (the typical go-to adjective is "heavenly"; in fact, I googled out of curiosity and realized there are 11.2 million results for "heavenly harp").
But its rarity means that available compositions are pretty limited. Some composers were capable of writing very well for the harp (like those two frenemies Debussy and Ravel), but there weren't a ton of them. As a result, harpists tend to play transcriptions (covers, basically) of pieces made for other instruments.
On the other hand, the harp has a rich repertoire within the realm of folk music! But before we look into that, let me just describe the most common harp types real quick.
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LAP HARP (a.k.a. HARPSICLE)
Some of the smallest and cheapest harps you can find, and usually what parents first buy their kids (though some teachers don't recommend them). A lap harp is around 5lbs and has 26 strings with a 3.5-octave range. They're very convenient but do require some skill in transcription because of their limited range.
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LEVER HARP (a.k.a. CELTIC HARP)
With around 36 strings and a span of nearly five octaves, the lever harp is what teachers would typically recommend as a foundation for students. They can be played sitting down or standing up, and their design hearkens back to harps used in the ancient Celtic nations (present-day Ireland, Scotland, and Wales). Above the strings are levers, which raise the pitch of each string by a semitone. They enable the harpist to play sharps and flats. Despite being the preferred "starting point" for budding harpists, lever harps aren't a mere training tool. They are the most widely used harp type among folk musicians.
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PEDAL HARP (a.k.a. CONCERT HARP)
The largest of the family, weighing around 70-90lbs with 47 strings and a range of 6.5 octaves. These are the harps used in classical music. In place of levers, which you have to adjust for every string, this harp has seven pedals (one for each pitch class: C, D, E, F, G, A, B) across all the octaves. This requires a somewhat different type of training, as the feet are now incorporated into the way the instrument is played.
Not all harpists own each harp. Especially not the pedal harp, which is sometimes worth more than the apartments where pro harpists actually live. But if you can play one, you can play all of them (with some degree of awkwardness at the start, of course).
Earlier, I mentioned the usage of harp in folk music. So, before we wrap this up, let me talk a bit about the mariachi harp.
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You can see that it looks very similar to a lever harp. They have roughly the same number of strings, can be played in the same positions, and use levers. But one of the most striking differences is how the strings on the mariachi harp are much closer together. This design accommodates the mariachi style of playing, which traditionally uses the fingernails rather than the fingertips and is often lightning-fast.
This harp plays a prominent role in Mexican folk music, especially among bands from Veracruz. Here is the ensemble Tlen Huicani in concert:
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So, you know, even if it's considered "seasoning" in a classical orchestra, it can be the main course elsewhere!
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abhishekbajaj01-blog · 8 months
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1 Best Music International Colleges in Ireland
Trinity University College of Music in Dublin, Ireland’s premier venue for studying and performing music, enjoys an outstanding national and international reputation that attracts students of exceptional calibre from across the globe. Some renowned Irish musicians reside here such as Derek Bell (harpist with Chieftains), Niall Doyle (Music Director at TU Dublin Conservatoire) and Donnacha Dennehy…
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qudachuk · 10 months
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Siobhan Brady from Ireland hiked more than 19,000ft to perform a selection of songs at the summit of Mount Kilimanjaro.
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celtic-cd-releases · 1 year
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https://www.siledenvir.com/
https://www.facebook.com/siledenvirmusic
https://siledenvir.bandcamp.com/
https://open.spotify.com/album/39Bq9HWV1DtmWB6X7XqGnp
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shylightqueen · 1 year
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THE STORY OF THE IRISH HARP! To tell the history of the Irish harp is to tell the history of the Irish people themselves. In the 16th-century, highly trained professionals performed for the nobility and enjoyed political power, so much so that Queen Elizabeth I issued a proclamation to hang Irish harpists and destroy their instruments to prevent insurrection. This ancient instrument is still played in Ireland today and the harpers, who once were hanged for their art, now flourish throughout the world.
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stairnaheireann · 1 year
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#OTD in 1738 – Irish harpist and composer, Turlough O’Carolan, died at Alderford House, the home of his patron Máire MacDermott Roe, in Ballyfarnan, Co Roscommon.
Death of Irish harpist and composer Turlough O’Carolan. His wake lasted four days! At age 18, he was blinded by smallpox and took to playing the harp. O’Carolan travelled Ireland most of his life as a wandering minstrel and composer achieving a level of fame that was unusual for the time. At age fifty he married and fathered seven children. O’Carolan’s most famous work is his Concerto. Featured…
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ecoledeschartes · 2 years
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Des archives de la musique à Dublin : découvrir le compositeur à travers ses partitions
Gwendoline Lemaitre effectue son stage de 4e année à l’Irish Traditional Music Archive.
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Derek Bell / The Chieftains
Au cours de mon stage à l’ITMA (Irish Traditional Music Archive), j’ai eu pour mission principale de classer et inventorier les partitions manuscrites d’un musicien de génie, Derek Bell.
Mais d’abord, laissez-moi vous présenter ce que sont ces Archives de la musique traditionnelle irlandaise. Tout commence à Dublin, en 1987, lorsque le Arts Council of Ireland décide de financer un service regroupant dans un même endroit ce qui a trait à la musique traditionnelle. Cette décision était notamment motivée par la pression de plusieurs musiciens, qui, depuis les années 1960, souhaitaient indexer la musique traditionnelle, afin de pouvoir s’y retrouver (dans un monde où un morceau de musique peut avoir 5 noms différents, on comprend pourquoi). C’est ainsi que l’ITMA naquit. Les archives furent tout d’abord confiées à des musiciens. Il s’agissait donc d’archives… sans archivistes au début ! Aujourd’hui, l’ITMA est située au 73, Merrion square, à Dublin, soit à deux pas de l’ambassade de France, dans un magnifique bâtiment de style géorgien. Comme nous ne sommes que huit ou neuf à travailler sur place en même temps, cette maison de trois étages suffit à abriter également la bibliothèque et les archives papier conservées ici. La plupart des archives audios sont conservées ailleurs pour des raisons de régulation du climat. Cela n’empêche pas le 73 Merrion square d’abriter un magnifique studio son au sous-sol !
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La porte d'entrée de l'ITMA
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Le studio son
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La bibliothèque (et mon bureau)
Maintenant laissez-moi vous parler de ma mission principale : classer les manuscrits de Derek Bell. Derek Bell jouait de nombreux instruments (piano, hautbois, tiompán, clavecin, harpe…), et était aussi musicologue, compositeur, arrangeur et chef d'orchestre. Il était surtout connu comme le harpiste de longue date du groupe The Chieftains, de 1974 à sa mort en 2002. Les Chieftains ne vous disent probablement rien, mais sachez qu’en Irlande ils étaient et sont encore (le groupe s’est arrêté définitivement de jouer à la mort de son leader, Paddy Moloney, en 2021) considérés comme les Rolling stones de la musique traditionnelle, d’où l’immense popularité de chacun des membres du groupe, y compris Derek Bell. Il a par ailleurs contribué à trente-cinq albums. Malgré son succès dans la musique traditionnelle, il avait reçu une formation classique, et a également composé de nombreux morceaux classiques.
Au cours de ma première semaine à l'ITMA, j'ai appris à connaître cet homme un peu spécial, ce génie excentrique, à la fois drôle, exaspérant et attachant en découvrant les archives déjà traitées sur son sujet et en cataloguant et en scannant les photographies de sa propre collection, afin de les rendre plus accessibles au public. Et, bien sûr, en écoutant quelques interviews et de la musique, écrite ou jouée, ou les deux, par ce cher Derek Bell !
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Quelques images numérisées de la collection Derek Bell
Ensuite, j'ai pu passer au classement des manuscrits proprement dits. Ce travail prend en fait la suite de ce qui a été fait par une étudiante de l'université de Maynooth, Orla Dillon. Elle s'est occupée principalement des compositions classiques de Derek Bell. De mon côté, je travaille sur la partie « musique traditionnelle » de sa carrière. La première chose à faire était de séparer ce qui relevait de la carrière solo de Derek Bell et ce qui relevait de sa carrière avec les Chieftains. Parfois, la frontière n'était pas claire, puisqu’un morceau pouvait à la fois avoir été joué par lui seul et par le groupe, mais nous sommes tombées d’accord avec Maeve Gebruers, archiviste en chef à l'ITMA et ma responsable, que cela semblait être la meilleure façon d'organiser les choses. Cela s'est traduit par l'invasion de deux tables avec des piles de partitions de toutes sortes, et l'impossibilité de pouvoir voir ma collègue de bureau, Róisín Conlon, bibliothécaire à l'ITMA.
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Les manuscrits de musique traditionnelle de la collection Derek Bell
Après cette première étape, j'ai commencé à décrire et à classer ce qui relevait des Chieftains. Le plus stimulant dans tout ça, c'est que je ne savais jamais dans quoi je m'embarquais chaque jour. Parfois, c'était une musique de film, parfois un brouillon illisible sur lequel il était impossible de reconnaître un quelconque titre (à moins d’aller poser la question directement à Seán Potts, responsable de la comptabilité de l’ITMA, au troisième étage, pour qu'il joue l'air avec son whistle et que, étant le fils d’un des Chieftains, se souvienne de ce que c'est - oui, c'est la première fois que je vois que le whistle peut être considéré comme un équipement de bureau essentiel, et c’est génial !). Avec Derek Bell, chaque jour apporte son lot de surprises : un jour vous tombez sur une partition appelée « Dance of the little stout hippopotamus (in pink pyjama) », le lendemain c'est « The pig’s journey into a potato », ou des autocollants, ou des dessins d'animaux...
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Détails de manuscrits
En outre, je ne m'occupe pas uniquement de Derek Bell tous les jours. Je travaille également avec Adam Girard, archiviste en charge des archives numériques, sur la collection audio de Larry Redican. Larry Redican était un violoniste de Dublin (né en 1908 et mort en 1975). Il a émigré aux États-Unis en 1928. De lui, l'ITMA détient 12 cassettes, 2 vinyles et 34 bobines. Tout a été numérisé, mais avant cela, nous avions 35 bobines. L'une d'entre elles était vierge, Adam a donc décidé de la retirer de la collection et m'a demandé de renuméroter les bobines, afin qu'il n'y ait pas d'écart entre les numéros, tant dans le monde numérique que dans le monde physique. Je me suis également chargée de renommer certains fichiers, photoshopper certaines photos, créer de nouveaux fichiers dans un format spécifique afin qu'il soit possible de les conserver à long terme. Finalement, il était temps de reconditionner les bandes magnétiques de la collection.
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La collection audio Larry Redican, avant/après
Et c’est ainsi que le mois de septembre est passé à la vitesse de la lumière !
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justcm · 2 years
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Samplism celtic harp
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#Samplism celtic harp for mac
#Samplism celtic harp free
It appears on Irish and British coins, the coat of arms of the Republic of Ireland, Montserrat, the United Kingdom and Canada as well as. In Ireland and Scotland, it was a wire-strung instrument requiring great skill and long practice to play, and was associated with the Gaelic ruling class. It is known as clirseach in Irish, clrsach in Scottish Gaelic, telenn in Breton and telyn in Welsh. "RHODES" is a registered trademark of Joseph A Brandstetter. 22 Strings Harp Irish Celtic Highland Solid Rosewood Natural Finishing Lever Tuning Key Extra Set included 33' inches tall Roseback 3. The Celtic harp is a triangular frame harp traditional to the Celtic nations of northwest Europe. Loopmasters or its Suppliers do not accept any liability in relation to the content of the sample or the accuracy of the description. Any goodwill attached to those brands rest with the brand owner. Loopmasters do not have (nor do they claim) any association with or endorsement by these brands. What's New in Samplism 1.7 Customizing Tag Shortcuts Filtering Tags in the Tag List view Writing a memo for multiple samplesand More.Samplism is a revolu. More levers lets you play in a wider range of keys without re-tuning strings. Zilveren Harp, Edison Award en Dutch MOBO Award. Most of our Celtic lever harps have sharpening levers on each string certain models only have levers on C's and F's. 29-04-2000 Organisatie Samplism opgepakt na organiseren illegale Koninginnedagparty, Shoarma gallery Eindhoven. For example references to instrument brands are provided to describe the sound of the instrument and/or the instrument used in the sample. Clare Celtic Harpists - Hire one of our fantastic Scottish harpists, or clarsach players for your wedding or event. Also called folk harps or troubadour harps, lever harps are distinguished by the 'lever' mechanism that lets you change the pitch of each string.
#Samplism celtic harp free
These Royalty Free recordings of the Celtic Harp are optimised with the closest attention to detail and have been recorded using tube Pre-Amps and Mics on 96kHz.Īny references to any brands on this site/page, including reference to brands and instruments, are provided for description purposes only. Without any digital inputs, the Celtic Harp Bundle is a boutique collection of acoustic samples performed by master harper Tomer Bahar. Today, most harpers prefer nylon strings instead of wire. not sure what they mean.No levers or pedals.Strings will need to be changed a. Woodsong musical instruments.also has a couple names inside : Susie Gilhol 113-82F and :Dick and Sally Anderson. Traditionally a popular instrument with medieval bards and troubadours, classical music composers through the ages have been inspired to create music that does true justice to the harp's spectacular range of sound and tones.Įnchanting and magical, this beautiful multi-stringed instrument can sound sweet or powerful depending on the strings used. This 27 string Celtic Harp is constructed from beautiful cherrywood and is in very good condition. While the Celtic Harp brings to mind the Celtic green isles that has influenced Celtic culture and music through the centuries, the harp developed in many variations in Africa, Europe, North and South America and Asia. 28th July 2017Image-Line Sakura 59.00 at Black Octopus Sound (99 MSRP) until July.
#Samplism celtic harp for mac
The Celtic Harp - also known as folk harp - is an ancient instrument that dates back over 4000 years. 29th July 2017Audio Helper Project updates Samplism for Mac to v1.0.6.
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hairtusk · 3 years
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Mary O'Hara, Irish soprano and harpist
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rustedshutter · 4 years
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“Irish singer and harpist, Mary O’Hara, pictured at Clontarf, Dublin.” | 1954
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euralmanac-blog · 4 years
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Harpist Aisling Ennis at Powerscourt Waterfall in Co Wicklow. Ennis has been entertaining hundreds of people over a series of online concerts during the pandemic Photograph: Niall Carson/PA Wire
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