#hanna abadeer
Text
Hunson discoveres Hanna.
[Hanna art]
#adventure time#adventure time simon#fionna and cake#simon petrikov#my art#adventure time fanart#hunson abadeer#fionna and cake fanart#my posts#hanna abadeer#hunsimon#adventure time hunson abadeer
156 notes
·
View notes
Note
also one vague notion I've had for Fionna and Cake's world is that from an in universe POV, the magic went away and the world became mundane BECAUSE of Hana Abadeer; she made that happen, for whatever reason, and drew upon that world's ancient laws and economic systems to functionally set her up as a tyrant ruling the city and playacting at being in charge. Specifically their city is protected by a swirling vortex of antimagic; stay inside the city, she says, and I'll make everything OKAY. "Just don't think about the outside. Don't ever LEAVE." So in a sense she's a way to explore the idea of Hunson staying with Marceline, but that being arguably WORSE than if he had never come back; she's a monster more concerned with playing at leadership and lacking Hunson's grief or feelings of missed opportunities to casually toss aside her family as tools or playthings, so even if she's apparently human she's as much a demon as ever.
But anyway, one plot element I'd like to use at some point is that the vortex breaks down, and the magic comes back; not that characters immediately shift back to their Aaa incarnations, but aspects start flooding in, making things more unpredictable and Fionna and friends have to come to terms with what they have, what they used to be, and what they think they want and how its all an uncomfortable complicated mess, and take control of their world for the first time in their lives rather than live according to Hana's illusion. (Also, Ice Queen being played as Simon if he had never followed his passions but wound up bitter and constantly wondering if he had tried more, and she winds up more friendly with Fionna and her mindset exploring how much of it is personally genuine, and how much is Simon's experiences with Fionna influencing this other version of him.)
Hanna seems to be more Evil and power-thirsty than Hunson and honestly her last appearance in Fionna and Cake was kinda eerie. It would be very interesting to see her turn into the villain of Season 2 like you suggest, revealing she's been aware of the true nature of Fionna's world and making it her play-world where she's basically ruling queen.
Scarab did mention that Fionna's world "would be doomed" now that it's canon. We've discussed how Cake and the talking flying squirrel could become gates through which magic could make its way (back) into Fionna's world. Season 2 could use some of that and show us how it shapes the characters lives and expectations. and yeah!! more Ice Queen is always welomed!! I really want to see her fleshed out in the next season
4 notes
·
View notes
Text
event starters!!!!
doubling as a final starter call and just the main tracker for the event stuff bcs my event page is just a mess
there’s no longer a cap as i’ve gotten most of my owed starters finished
reply here who you want a starter for and from! and you can reference here for their ball outfits and moods
( 4 / ?? ) audrey rose | descendants | 22 | not aware
chad charming ( @devilsmenu ; owed to me)
evie grimhilde ( @ofxbloomed ; owed to them)
uma ( @youllalwaysbemyporcelain ; owed to them)
mal faery ( @drvcxrys owed to them)
( 4 / ?? ) dani powell | prodigal son | 32 | aware
malcolm bright ( @mccnlighht ; owed to them)
jennifer walters ( @treasurerfm ; owed to me)
elizabeth swann ( @irongcld ; owed to me)
kyoshi ( @irresistiibles ; owed to me)
( 5 / ?? ) tara carpenter | scream | 19 | not aware
lexi howard ( @ofxbloomed ; owed to me)
randy meeks ( @recklcssabandon ; owed to them)
elijah mikaelson ( @hxartbreaker ; owed to me)
amber freeman ( @softsliders19 ; owed to me)
billy loomis ( @mischiefmuses ; owed to me)
( 4 / ?? ) bucky barnes | marvel | 32 | not aware
hayley marshall ( @ofxbloomed ; owed to me)
piper halliwell ( @stcrlvght ; owed to me)
peter parker ( @recklcssabandon ; owed to them)
gamora zen whoberi ben titan ( @drvcxrys ; owed to them)
jessica hamby ( @hxartbreaker ; owed to them)
( 5 / ?? ) arya stark | game of thrones | 19 | not aware
charlie dalton ( @nightwhispcrs ; owed to me)
emmett cullen ( @stcrlvght ; owed to me)
catra ( @dcpravities ; owed to me)
ygritte ( @mischiefmuses ; owed to me)
myrcella baratheon ( @drvcxrys ; owed to them)
( 6 / ?? ) missandei | game of thrones | 33 | aware
blathers ( @mvsicinthedvrk ; owed to me)
helga hufflepuff ( @stcrlvght ; owed to me)
drogon ( @youllalwaysbemyporcelain ; owed to them)
jorah mormont ( @mischiefmuses ; owed to them)
sansa stark ( @mgrhee ; owed to them)
kenna de poitiers ( @hxartbreaker ; owed to them)
( 4 / ?? ) reva sevander | star wars | 28 | aware
jane margolis ( @mccnlighht ; owed to them)
anakin skywalker ( @recklcssabandon ; owed to me)
satine kryze ( @mischiefmuses ; owed to them)
sella palpatine ( @mcrcki ; owed to them)
( 4 / ?? ) jules vaughn | euphoria | 20 | not aware
craig manning ( @nightwhispcrs ; owed to me)
felicia hardy ( @devilsmenu ; owed to me)
lydia martin ( @treasurerfm ; owed to me)
tifa lockhart ( @mccnlighht ; owed to me)
( 3 / ?? ) bail organa | star wars | 30 | aware
leia organa ( @mcrcki ; owed to them)
padme amidala ( @stcrlvght ; owed to me)
anakin skywalker ( @recklcssabandon ; owed to them)
( 4 / ?? ) kc cooper | disney | 21 | aware
katie gardner ( @stcrlvght ; owed to me)
diana holland ( @youllalwaysbemyporcelain ; owed to me)
allison argent ( @hxartbreaker ; owed to me)
marceline abadeer ( @softsliders19 ; owed to me)
( 4 / ?? ) margaery tyrell | game of thrones | 24 | not aware
katniss everdeen ( @nightwhispcrs ; owed to me)
helaena targaryen ( @ofxbloomed ; owed to them)
sha hualing ( @mvsicinthedvrk ; owed to them)
sansa stark ( @mgrhee ; owed to me)
( 2 / ?? ) emily fields | pretty little liars | 25 | aware
hanna marin ( @mccnlighht ; owed to them)
ainsley whitly ( @hxartbreaker ; owed to them)
( 4 / ?? ) ekko | arcane | 20 | aware
jinx ( @mccnlighht ; owed to them)
caitlyn kiramman ( @masqce ; owed to me)
yuri plisetsky ( @mvsicinthedvrk ; owed to them)
kirby reed ( @mischiefmuses ; owed to them)
( 4 / ?? ) laenor velaryon | house of the dragon | 24 | not aware
angelina johnson ( @likecometsx ; owed to me)
ian gallagher ( @treasurerfm ; owed to me)
steve harrington ( @softsliders19 ; owed to me)
rhaenyra targaryen ( @mgrhee ; owed to me)
( 7 / ?? ) kiara carrera | outerbanks | 22 | not aware
xie lian ( @mvsicinthedvrk ; owed to them)
john b routledge ( @treasurerfm ; owed to them)
mariana adams foster ( @nightwhispcrs ; owed to me)
esther mckinnon ( @irresistiibles ; owed to them)
jj maybank ( @irongcld ; owed to me)
lizzie saltzman ( @ofxbloomed ; owed to me)
asami sato ( @irresistiibles ; owed to me)
( 4 / ?? ) jacen solo | star wars | 27 | not aware
tenel ka djo ( @mischiefmuses ; owed to me)
elara palpatine ( @dcpravities ; owed to me)
liu qingge ( @mvsicinthedvrk ; owed to me)
leia organa ( @mcrcki ; owed to them)
( 4 / ?? ) nezuko kamado | demon slayer | 26 | aware
will byers ( @dcpravities ; owed to me)
lee jordan ( @nightwhispcrs ; owed to them)
chihiro ogino ( @irresistiibles ; owed to them)
nami ( @mccnlighht ; owed to me)
( 4 / ?? ) rue | the hunger games | 20 | not aware
coraline jones ( @irresistiibles ; owed to them)
luke patterson ( @irongcld ; owed to me)
azari t’challa ( @devilsmenu ; owed to me)
blue sargent ( @irresistiibles ; owed to me)
8 notes
·
View notes
Text
People of the Book oleh Geraldine Brooks: Ulasan Buku
2017
People of the Book karya Geraldine Brooks dalam dua kata: Haggadah Sarajevo. CMIIW, "Haggadah" ini semacam buku doa di agama Yahudi kuno, ditulis dalam bahasa Ibrani, dan dilengkapi ilustrasi. Beres baca novel ini, gue rasanya ingin mengetahui sejarah bangsa Yahudi labih jauh lagi.
Yang bikin seru adalah... ternyata "Haggadah" itu dibuat di Spanyol abad 15, ketika segala bentuk seni (termasuk gambar, di naskah agama pula) dilarang keras oleh institusi agama (baik Yahudi, Kristen, bahkan Islam).
Protagonis kita, Hanna Heath, pakar buku langka, jadi penasaran. Setelah melalui berbagai pertimbangan, akhirnya dia menganalisis dan mengkonservasi manuskrip "Haggadah" yang misterius itu. Kok bisa ya agak kontradiktif? Di masa itu kan nggak boleh ada seni, tapi "Haggadah" ini bergambar?
Awalnya, Hanna tertarik untuk menyelidiki misteri "Haggadah" langka ini karena buku doa tersebut pernah nyaris dihancurkan oleh Nazi. Namun, hal itu gagal karena diselamatkan oleh seorang Muslim. Gue pun ikut penasaran. Kok bisa orang Islam menyelamatkan pusaka agama lain?
Kemudian, setelah menelusuri halaman demi halaman buku ini, gue terpana. Novel ini menggunakan format cerita berbingkai. Cerita di dalam cerita. Sekilas kayak kumpulan novela. Ditulis dengan gaya bercerita yang mengalir dan timeline yang runut meski pakai alur flashback.
Saat Hannah memeriksa "Haggadah" tersebut, dia menemukan beberapa artefak kecil menempel di perkamennya. Ada sayap serangga, penjilid bentuk bulu burung dan mawar, noda anggur, air laut Mediterania, sampai bulu putih hewan misterius.
Semua artefak itu mengantarkan kita sebagai pembaca ke masa lampau. Masa-masa ketika "Haggadah" itu bertahan dari berbagai usaha penghancuran. Serta, pada masa tiga agama samawi pernah hidup berdampingan dan damai, sekaligus juga saling bertikai. "Haggadah" itu menjadi saksi bisu.
"Haggadah" itu melewati berbagai tempat dan waktu. Berawal dari tahun 1480 di Sevila, lalu 1492 di Tarragona, kemudian Venesia 1609, lantas ke Wina 1894, dan berakhir di Sarajevo 1940. Bagian favorit gue pas di Sevila, karena di sanalah akhirnya terkuak siapa pembuat "Haggdah" (ASLI, nggak nyangka banget!)
Bagian paling sedih di Sarajevo dan Terragona. Di Sarajevo, dengan latar perang, kakak-beradik terpaksa harus bunuh diri untuk menghindari kejaran musuh. Sedangkan di Terragona, ada kakak-beradik juga yang harus ketemuan sembunyi-sembunyi karena si kakak sudah pindah agama, dan oleh keluarganya nggak diaku anak lagi.
0 notes
Photo
🦅Quetta & Ziarat Valley Special 3 Days Tours🦅 Tour Dates: 🗓️ Every Friday night 12:00 AM to Sunday. Quetta & Ziarat Road Trip Attractions 🏞️ Beautiful Quetta City 🏞️ Ziarat Valley & Oldest Juniper Trees 🏞️ Sandeman Tangi (Waterfall in Ziarat) 🏞️ Quaid-e-Azam Residency 🏞️ Prospect View Point Ziarat 🏞️ Hanna Lake in Urak Valley 🏞️ Quetta Bazaar (You can also contact us for a customized college/university/corporate trip - Call for details) Package Price Per Person 🔖 PKRS 12,500 / Head from Karachi and Haydarbad. (stay in 3-4 sharing rooms) 🔖 PKRS 14,000 / Head (stay in twin sharing rooms) 🔖 PKRS 18,500 / Head from Lahore with train return tickets economy Lahore 🔄 Karachi. 🔖 PKRS 19,000 / Head from Islamabad with train returns tickets (Economy) Islamabad 🔄 Karachi Children Policy Up to 3 years stay free (no seat). 50% package price for 3-10 years with child/folding seats in transport. Booking Procedure 🔖 50% of total amount will be required at the time of booking confirmation and the remaining amount will have to pay at time of departure for tour. For booking or details please contact us: 📲 03482387680 📲 03152775155 📧 [email protected] Office: Main National Highway near Murghikhana bus stop Quaid Abad Karachi. https://www.instagram.com/p/CV5j0v7MRP-/?utm_medium=tumblr
0 notes
Text
Noticias de series de la semana: Adiós a OUAT
Noticias cortas
CBS ha encargado un episodio más de Hawaii Five-0, haciendo una octava temporada de veinticinco episodios.
La tercera temporada de Stranger Things tendrá ocho episodios.
Bryan Fuller (American Gods, Hannibal) abandona Amazing Stories por diferencias creativas con Apple.
Renovaciones de series
BBC Three ha renovado The Young Offenders por una segunda temporada
Cancelaciones de series
ABC ha cancelado Once Upon a Time tras su séptima temporada
Freeform ha cancelado Young & Hungry tras su quinta temporada
Incorporaciones y fichajes de series
Úrsula Corberó (La casa de papel, Física o química) será recurrente en la segunda temporada de Snatch como Inés, asesina a sueldo con grandes habilidades al volante.
Michael Emerson (Lost, Person of Interest) será el abad del monasterio en The Name of the Rose.
Felicity Huffman (Desperate Housewives, American Crime) se une como recurrente a la segunda temporada de Get Shorty. Será Clara Dillard, agente especial del FBI.
Mamie Gummer (The Good Wife, Manhattan) será Lucy Purcell, una madre envuelta en un crimen, en la tercera temporada de True Detective.
Scott Speedman (Felicity, Animal Kingdom) participará, de momento, en un episodio de la decimocuarta temporada de Grey's Anatomy. Se desconocen detalles.
Jason Alexander (Seinfeld) será el profesor de teatro de Sheldon en un episodio de Young Sheldon.
Esme Creed-Miles (Dark River, Mister Lonely), Mireille Enos (The Killing, The Catch) y Joel Kinnaman (The Killing, Altered Carbon) protagonizarán Hanna. Serán Hanna, Marissa y Erik.
Eric Johnson (The Knick, Orphan Black) se une a la sexta temporada de Vikings como regular. Será Erik, guerrero y fugitivo.
Virginia Kull (Big Little Lies, Sneaky Pete) se une como recurrente a la segunda temporada de Mr. Mercedes. Será Sadie McDonald, enfermera en neurología.
Cody Fern (American Crime Story: The Assassination of Gianni Versace) se une como regular a la sexta y última temporada de House of Cards. Según fuentes, tras la marcha de Kevin Spacey, interpretará un papel distinto al pensado inicialmente.
Mark Gatiss (Game of Thrones, Sherlock), Steve Pemberton (Inside No. 9, Happy Valley) y Niamh Walsh (Jamestown, Holby City) se unen a Good Omens. Serán Harmony, Glozier y Rose.
Kade Wise y Chet Hanks (Shameless, Maron) serán recurrentes en Empire como dos raperos llamados Preacher Azal y Blake.
Hart Bochner (Die Hard, Rules Don't Apply) será recurrente en Too Old to Die Young como Lieutenant, un hombre espiritual que cree en el misticismo de la vida.
Jaz Sinclair (The Vampire Diaries) será Rosalind Walker, mejor amiga de Sabrina (Kiernan Shipka), en el spin-off de Riverdale.
Tracee Chimo (Difficult People, Orange Is the New Black) y Sofia Doniants serán recurrentes en Genius: Picasso como Gertrude Stein, coleccionista de arte americana; y Olga, la primera esposa de Picasso (Antonio Banderas).
Melissa O'Neil (Dark Matter), Afton Williamson (The Night Of, Banshee) y Eric Winter (Witches of East End, Rosewood) protagonizarán The Rookie junto a Nathan Fillion.
Tim Matheson (Hart of Dixie, The West Wing) será recurrente en la segunda temporada de The Good Fight como un camarero que se hace amigo de Diane (Christine Baranski).
Kyra Zagorsky (Helix, Continuum) será Athena, miembro de la liga de asesinos, en la sexta temporada de Arrow.
Megan Follows (Reign, Anne of Green Gables) será recurrente en la tercera temporada de Wynonna Earp como la madre de Wynonna.
Allison Dunbar (The Sopranos, Crazy Ex-Girlfriend) se une como recurrente a la tercera temporada de StartUp. Será Kelly, amiga y abogada de Wes (Ron Perlman).
Philip Winchester (Peter Stone) se convierte en regular a partir de ahora en Law & Order: SVU.
Pósters de series
Nuevas series
HBO ha encargado ocho episodios de Camping, remake de la británica emitida en Sky Atlantic en 2016, sobre un viaje familiar de fin de semana. Esta versión estará protagonizada por Jennifer Garner (Alias, Juno) y producida por Lena Dunham (Girls).
Netflix ha encargado dos temporadas de The Politician, comedia musical de Ryan Murphy, Ian Brennan y Brad Falchuk sobre las aspiraciones políticas de un adinerado joven de Santa Barbara (Ben Platt; Dear Evan Hansen, Pitch Perfect). Barbra Streisand y Gwyneth Paltrow están en conversaciones para protagonizar y producir la serie. Streisand dirigiría varios episodios.
Luz verde directa en Facebook a diez episodios de una dramedia sobre una viuda que reconecta con amigos del pasado. Protagonizada y producida por Elizabeth Olsen (Avengers), creada por Kit Steinkellner (Z: The Beginning of Everything), escrita por Lizzy Weiss (Switched at Birth) y dirigida por James Ponsoldt (Master of None), estuvo en desarrollo en Showtime bajo el título Widow.
Apple desarrolla Little America, antología escrita por Lee Eisenberg (Hello Ladies, The Office) y Emily V. Gordon y Kumail Nanjiani (The Big Sick) que adaptará las historias reales de inmigrantes de Estados Unidos contadas en Epic Magazine.
Amazon desarrolla la adaptación de las novelas de Robert E. Howard Conan the Barbarian. Trabajan en ella Miguel Sapochnik (Game of Thrones), Warren Littlefield (The Handmaid's Tale, Fargo) y Ryan Condal (Colony).
Amazon prepara el western Outrider, event series protagonizada y producida por Arnold Schwarzenegger sobre un marshal y un comisario que deben arrestar a un forajido por orden de un juez a finales del siglo XIX en territorio indio en Oklahoma. Escrita por Trey Callaway (APB, The Messengers) y Mark Montgomery.
Fechas de series
La segunda temporada de Damned se estrena en Channel 4 el 14 de febrero
Troy: Fall of a City llega a BBC One el 17 de febrero
Hold the Sunset llega a BBC One el 18 de febrero
La segunda temporada de Marcella llega a ITV el 19 de febrero
Save Me se estrena en Sky Atlantic el 28 de febrero
La segunda temporada de Legion se estrena en FX el 3 de abril
La segunda temporada de Imposters llega a Bravo el 5 de abril
La segunda temporada de Westworld llega a HBO el 22 de abril
Tráilers de series
Crossover How to Get Away with Murder y Scandal
youtube
Crossover Scandal y How to Get Away with Murder
youtube
Crossover Grey's Anatomy y Station 19
youtube
For The People
youtube
Westworld - Temporada 2
youtube
The Good Fight - Temporada 2
youtube
Vida
youtube
Collateral
youtube
Jessica Jones - Temporada 2
youtube
Everything Sucks!
youtube
The Royals - Temporada 4
youtube
2 notes
·
View notes
Text
Miliarder Eugene Kaspersky: Dunia Belum Siap untuk Bitcoin
Miliarder Eugene Kaspersky mengatakan bitcoin adalah inovasi yang brilian, tetapi dunia belum siap untuk cryptocurrency dulu. Namun, CEO perusahaan cybersecurity Rusia Kaspersky Lab yakin itu akan berubah - dalam 100 tahun.
Kaspersky membuat pernyataan dalam sebuah wawancara dengan Arabian Business , di mana ia membantah laporan bahwa perusahaan cybersecurity Moskow-nya mengembangkan teknologi mata-mata untuk intelijen Rusia.
ADOPSI BITCOIN MEMBUTUHKAN TATA DUNIA BARU
Kaspersky mengatakan dia percaya bahwa mata uang digital pada akhirnya akan menyusul uang kertas di masa depan. Namun, ia berpikir itu akan membutuhkan tatanan dunia baru, di mana ada satu pemerintahan, bukan banyak negara-bangsa yang berbeda yang kita miliki saat ini.
“Cryptocurrency adalah ide bagus, tetapi dunia belum siap untuk mereka. Dunia harus bersatu jika kita ingin memiliki mata uang terenkripsi. Saat ini, pemerintah akan ingin mengendalikan mereka. "
CRYPTO TIDAK DAPAT MENGGANTI SISTEM KEUANGAN SAAT INI
Kaspersky mengatakan dia percaya bahwa teknologi cryptocurrency pada akhirnya akan menyalip uang kertas di masa depan, meskipun bitcoin mungkin tidak akan menggantikan sistem keuangan. | Sumber: REUTERS / Paul Hanna
Selain itu, Kaspersky percaya perlu waktu satu abad lagi untuk adopsi crypto massal. Dan bahkan kemudian, ahli matematika Rusia tidak percaya bahwa bitcoin akan menggantikan sistem keuangan warisan yang sudah ada yang berlaku saat ini.
“Di masa depan - mungkin dalam waktu 100 tahun - semua pemerintah dunia akan menjadi satu pemerintah. Negara akan bersatu di bawah (Pemerintah Bumi). Dan hanya dengan begitu kita akan memiliki satu mata uang. Beberapa mata uang lain mungkin tersedia, tetapi dalam skala global, mata uang tersebut akan disatukan. "
“Di masa depan, mata uang akan digital daripada kertas. Mata uang digital saat ini, seperti bitcoin, tidak dapat menggantikan sistem keuangan saat ini. "
"Tetapi beberapa ide dan teknik yang menjadi dasar mata uang ini dapat digunakan dalam mata uang masa depan dengan sedikit modifikasi, meningkatkan teknologi blockchain."
CRYPTO ADALAH ANCAMAN EKSISTENSIAL BAGI BANK SENTRAL
Dengan komentar terakhir ini, Eugene Kaspersky menggandakan komentar serupa yang dibuatnya pada tahun 2015 . Pada saat itu, Kaspersky memuji cryptocurrency sebagai inovasi yang luar biasa.
Namun, ia memperingatkan bahwa pemerintah akan mencoba untuk melarang crypto jika terlalu populer karena mata uang virtual adalah ancaman eksistensial bagi pemerintah dan bank sentral.
“Saya yakin negara-negara yang berbeda akan mencoba melarang penggunaan cryptocurrency, karena mereka berada di luar kendali mereka. Pihak berwenang tidak akan memperhatikan, selama tidak menimbulkan ancaman. Ketika mereka mulai mengganti mata uang nasional, mereka akan segera dilarang. ”
JACK DORSEY: CRYPTO AKAN MENYATUKAN DUNIA
Jadwal pesimistis dan prospek Kaspersky untuk masa depan bitcoin sangat kontras dengan jutawan Jack Dorsey.
Dorsey adalah banteng bitcoin yang adalah CEO jejaring sosial media Twitter dan perusahaan pembayaran mobile Square.
Dalam podcast minggu ini , Dorsey menegaskan kembali optimismenya bahwa dunia pada akhirnya akan memiliki satu mata uang tunggal, dan kemungkinan besar akan menjadi bitcoin. Dorsey mengatakan bahwa itu adalah arah yang "menggairahkan" di masa depan.
CCN.com@CCNMarkets
Jack Dorsey: ‘Beautiful’ Whitepaper Hooked Me on Bitcoin https://www.ccn.com/jack-dorsey-beautiful-whitepaper-hooked-me-on-bitcoin …
519
4:58 AM - Mar 5, 2019
Twitter Ads info and privacy
Jack Dorsey: ‘Beautiful’ Whitepaper Hooked Me on Bitcoin
Billionaire Jack Dorsey, the CEO of Twitter, says he became fascinated with bitcoin after reading its hauntingly "beautiful" whitepaper. Dorsey also reaffirmed his belief that bitcoin and blockchain...
ccn.com
165 people are talking about this
DORSEY: SAYA INGIN MENGANTARKAN REVOLUSI BITCOIN
Tidak seperti Eugene Kaspersky, Jack Dorsey tidak percaya bahwa adopsi bitcoin massal membutuhkan penghapusan negara-bangsa.
Jika ada, Dorsey mengatakan crypto akan menyatukan semua negara yang berbeda di dunia karena akan digunakan sebagai mata uang tunggal. Dorsey sebelumnya mengatakan bahwa ia percaya dunia akan memiliki satu mata uang global dalam dekade mendatang.
“ akan ingin memiliki mata uang asli, atau mata uang yang efektif global dan ada di wilayahnya sendiri alih-alih melalui wilayah berbagai negara-bangsa yang kita miliki saat ini. Saya tidak bisa memikirkan hal yang lebih menarik dari itu. ”
“Saya ingin membantu mewujudkannya. Itu sebabnya mendapatkan lebih banyak ke dalam bitcoin dan cryptocurrency sangat menarik bagi kami. ”
Read the full article
0 notes
Text
Episodes Review: ‘Elements’ (S09E2–09)
Airdate: April 24–27, 2017
Story by: Ashly Burch, Adam Muto, Kent Osborne, Jack Pendarvis
Storyboarded by: Sam Alden, Polly Guo, Seo Kim, Somvilay Xayaphone, Laura Knetzger, Steve Wolfhard, Graham Falk, Kent Osborne, Hanna K. Nyström, Aleks Sennwald
Directed by: Elizabeth Ito, Cole Sanchez (supervising), Sandra Lee (art)
As with Islands, instead of doing a recap of the entire miniseries, I’m going to jump right into what I have to say about the 8 episodes that aired this week.
Whereas Islands went for a more serious and philosophical stance, Elements went the opposite route, emphasizing humor throughout. There are a lot of great character moments, funny bits of dialogue, and goofy fare that you’d only find in an Adventure Time episode. The miniseries’ second episode, “Bespoken For” is perhaps the best example of this fun blend, allowing the Ice King to tell his side of a pretty wacky story. In fact, the Ice King is on grand display in this miniseries, and the show really lets his amiable goofball side shine.
Another strong part about Elements is the sheer number of characters that we revisit. Marceline. Lemongrab. Fern. Flame Princess. Cinnamon Bun. Elder Plops. Party Pat. They’re all in this miniseries, as are many more. And what is more, they all have decently sized parts. In the commentary for “It Came from the Nightosphere”, Adam Muto noted that the episode included many characters who had appeared throughout season one to really emphasize the scope of Hunson Abadeer’s doings. At the same time, that episode also made the audience see how truly huge Ooo actually is. Due to the sheer amount of characters in this miniseries, Elements does something similar, allowing us to tour the sprawling lands that a boy and his dog (and by extension, ourselves) have roamed through for almost eight seasons now.
On the production side of things, everything is pretty grand. The background artists conjured up some truly beautiful element-infested set pieces, and the character designers went all out, ensuring that those who befell the slime elemental are noticeably goopy, and those who were tainted by candy are sacchrine to the point of horrifying. In fact, the candyfized denizens of Ooo are some of my favorite designs that the show has ever produced. In regards to the storyboarders, everyone turns in consistently solid work. There are no duds, but at the same time there are no real standouts, with the exception of Graham Falk and Kent Osbornes work on “Cloudy” (discussed later). I’d argue this is a good thing, since a miniseries should be a consistent whole. In fact, Islands struggled a bit because it was sprinkled with some really, really good episodes, which were surrounded by episodes that either were not quite there, or detoured from the main plot.
So, as you can see, there was a lot to love about this miniseries. At the same time, there were a few elements of the miniseries that felt kind of deus ex machina-y. Finn magically have the Farmworld Enchiridion came out of nowhere, and while this plot development is not something that makes or breaks the reality of the series, it would have at least been nice for the show to have established that Finn snatched the book after the climax of “Crossover”. In a similar way, having LSP be the ‘anti-elemental’ was not unreasonable, but it was set up in the quickest, most out-of-left-field way. The show should’ve made why LSP was unaffected a central mystery to be solved.
The miniseries also struggled at times with how it characterized the main players, with perhaps the worst offender being Betty. The episodes featuring her that led up to this have suggested that she’s a bit off her rocker, but near the end of Elements, she was downright mean to Finn and outright hateful to Ice King. Her behavior left a rather sour taste in my mouth, and so when she was zapped to Mars, presumably to pay for her magical meddling, I really wasn’t that saddened. After all, she very nearly did destroy Ooo due to some selfish desire. I only wish that the show would have placed her in a more empathetic positions—after all, losing a loved one is really hard, but it doesn’t justify treating others like total jerks.
Patience St. Pim also suffered in terms of characterization. In season 7′s “Elemental”, she was defeated and understandably angry. Then, earlier this season, she seemed to be setting up some diabolical master plan. Both episodes suggest she is crazy-powerful and about to unleash something really bad upon Ooo. In Elements, however, we learn that her plan was simply to super-charge the other elemental gals with magic, but that this ultimately backfired. Wah wah. Patience makes an appearance in “Winter Light”, largely to mope about how her plan backfired, and then she pretty much disappears from the miniseries’ plot. Frankly, this is disappointing. To put it more bluntly, she’s a wasted villain, emasculated for seemingly no good reason. Why did not the show use her as the main problem to be overcome?
But ultimately, my biggest complaint, if you can really call it that, is that the Elements miniseries was not much different from Adventure Time’s usual fare. In fact, this miniseries was almost like they took a normal, 11-minute episode and stretched it until it was 8 times its original size. Stakes used that extra time to delve into Marceline’s backstory and explore the psyches of her adversaries, and Islands made us of this extra time to explore Finn’s backstory in detail. Elements, on the other hand, drags out a “collect the gems” plot for the last half of its run. This means that the excitement promised by the first few episodes is largely evaporated when Finn et al. set out to find yet another gem. In other words, I’m not quite sure why the crew felt it necessary to tell this story in a miniseries format.
What all of this means is that Elements isn’t bad—honestly, far from it—but that it rather isn’t that amazing, either. I’d consider it, in terms of tone and plot, to sit among other ‘standard’ Adventure Time episodes that succeed at telling a fun story, but are nonetheless not on the same level as “Simon & Marcy”, “Min & Marty”, or “Evergreen”.
But let’s talk about “Cloudy”.
I know that my above rantings might sound like I hated this miniseries, and I didn’t. In fact, I absolutely adored the fourth episode, “Cloudy”. Based on a scrapped first season plot, this episode places Finn and Jake on a cloud for 11 minutes and just lets them be. They give each other imaginary haircuts, talk about their feelings, and try to hold their bladder. It’s cute and relaxing, and it really affirms why I love these two characters. Ultimately, the episode doesn’t have much to do with the Elements miniseries, although it does serve as a sort of interlude, allowing the episodes to shift from the creepy-drama of the preceding three episodes, into the more find-the-jewels mode of the final three. It’s a respite and a pivot, and in that regard it works wonders.
It’s also a delightful episode on its own, even viewed outside of the miniseries. Were I to have never seen Elements, I’m pretty sure I could’ve still enjoyed “Cloudy”.
Mushroom War Evidence: Nothing.
Final Grade:
Elements was Adventure Time’s final foray into the art of the miniseries, and I think it was a decent note to end on. It could’ve been better (as my review makes clear), but it was ultimately a fun trip. In terms of how I’d rank this among the other miniseries, it goes:
Stakes > Islands > Elements
Ultimately, I liked all of the miniseries in their own ways, but I only felt that Stakes really knocked it out of the park consistently. But then again, I love Marceline more than most of the other characters, so what do I know?
80 notes
·
View notes
Text
😈HANNA ABADEER 😈
In all her demonic glory.
#adventure time#fionna and cake#my posts#my art#fionna and cake fanart#adventure time fanart#hunson abadeer#hanna abadeer
82 notes
·
View notes
Text
Palm Springs Film Festival: Steven Spielberg's 'The Post' to Screen on Opening Night
New Post has been published on https://takenews.net/palm-springs-film-festival-steven-spielbergs-the-post-to-screen-on-opening-night/
Palm Springs Film Festival: Steven Spielberg's 'The Post' to Screen on Opening Night
Steven Spielberg’s The Publish, starring Meryl Streep and Tom Hanks, will display screen Jan. four because the opening-night movie on the 29th Palm Springs Worldwide Movie Competition. Adam Rifkin’s The Final Film Star, starring Burt Reynolds because the growing old title star of the pic, will function the closing-night movie on Jan. 14.
The pageant, which is ready to run Jan. 2-15, will display screen 180 movies from 77 international locations. The occasion will embody all of the movies which can be on the present shortlist for the most effective foreign-language movie Oscar, a particular program of films from Argentina and particular shows of Paul Thomas Anderson’s Phantom Thread, Fatih Akin’s Within the Fade, Mark Pellington’s Nostalgia and Maya Forbes’ The Polka King.
The whole lineup of movies follows.
PREMIERES
World premieres:
Past the Reverse Intercourse (U.S.)
Administrators: Emily Abt, Bruce Hensel
Cowl Variations (U.S.)
Director: Todd Berger, with Katie Cassidy, Drake Bell, Austin Swift, Jerry Trainor and Debby Ryan
Nostalgia (U.S.)
Director: Mark Pellington, with John Hamm, Catherine Keener, Ellen Burstyn, Bruce Dern, Amber Tamblyn, Nick Offerman and Patton Oswalt
On Borrowed Time (United Arab Emirates)
Director: Yasir Al Yasiri
North American premieres:
Past the Clouds (India)
Director: Majid Majidi
Discovering Your Ft (U.Okay.)
Director: Richard Loncraine
The Gold Seekers (Paraguay)
Administrators: Juan Carlos Maneglia, Tana Schembori
Blissful Birthday (Greece/France/Cyprus/Germany)
Director: Christos Georgiou
Holy Camp (Spain)
Director: Javier Ambrossi, Javier Calvo
A Letter to the President (Afghanistan)
Director: Roya Sadat
Love and Shukla (India)
Director: Siddartha Jatla
Maze (Eire/U.Okay./Sweden/Germany)
Director: Stephen Burke
Rey’s Training (Argentina/Spain)
Director: Santiago Esteves
Silk Highway (Netherlands)
Director: Mark de Cloe
Stealing Rodin (Chile/France)
Director: Cristóbal Valenzuela Berríos
The Practice of Salt and Sugar (Mozambique/Brazil/Portugal)
Director: Licínio Azevedo
U.S. premieres:
Attract (Canada)
Administrators: Carlos Sanchez, Jason Sanchez, with Evan Rachel Wooden and Denis O’Hare
Angels Put on White (China/France)
Director: Vivian Qu
Barefoot (Czech Republic/Slovak Republic/Denmark)
Director: Jan Sverak
Instructions (Bulgaria/Germany/Macedonia)
Director: Stephan Komandarev
Eye on Juliet (Canada/France/Morocco)
Director: Kim Nguyen
The Future Forward (Argentina)
Director: Constanza Novick
The Gospel In line with Andre (U.S.)
Director: Kate Novack
Responsible Males (Colombia)
Director: Ivan D. Gaona
The Home by the Sea (France)
Director: Robert Guediguian
The Journey (Iraq/U.Okay./France/Qatar/Netherlands)
Director: Mohamed Al-Daradji
Jupiter’s Moon (Hungary/Germany)
Director: Kornel Mundruczo
Longing (Israel)
Director: Savi Gabizon
Makala (France)
Director: Emmanuel Gras
The Motive (Spain/Mexico)
Director: Manuel Martin Cuenca
My Days of Mercy (U.S./U.Okay.)
Director: Tali Shalom-Ezer
The Prime Minister (Belgium)
Director: Erik Van Looy
The Royal Hibiscus Lodge (Nigeria)
Director: Ishaya Bako
So Assist Me God (Belgium/France)
Administrators: Jean Libon, Yves Hinant
The House Between (Australia/Italy)
Director: Ruth Borgobello
Suleiman Mountain (Kyrgyzstan/Russia)
Director: Elizaveta Stishova
The Summit (Argentina/Spain/France)
Director Santiago Mitre
The Third Homicide (Japan)
Director: Hirokazu Kore-eda
Three Peaks (Germany/Italy)
Director: Jan Zabeil
TALKING PICTURES
The Speaking Photos program consists of in-depth discussions with administrators and writers. The movies chosen for this yr’s program with company attending are:
BPM (Beats Per Minute) with director Robin Campillo
Darkest Hour with actor Gary Oldman
An Inconvenient Sequel: Fact to Energy with topic Al Gore and administrators Bonnie Cohen and John Shenk
The Sq. with director Ruben Ostlund
Stronger with actress Tatiana Maslany
Thelma with director Joachim Trier
Three Billboards Outdoors Ebbing, Missouri with actor Sam Rockwell
BOOKS TO SCREEN
Talks discussing the actual challenges of reworking the written phrase to the silver display screen embody:
Name Me by Your Identify, Company TBD
The Catastrophe Artist with screenwriters Michael H. Weber and Scott Neustadter and creator Greg Sestero
Final Flag Flying with creator Darryl Ponicsan
The Misplaced Metropolis of Z with director/author James Grey
SPECIAL PRESENTATIONS
Within the Fade with director Fatih Akin and actress Diane Kruger
Nostalgia with director Mark Pellington and actor Jon Hamm
Phantom Thread with director Paul Thomas Anderson
The Polka King with director/co-writer Maya Forbes and actors Jack Black, Jenny Slate and Jacki Weaver
AWARDS BUZZ
The Awards Buzz part will display screen 45 of the 92 official submissions in the most effective foreign-language movie Oscar class.
A Letter to the President (Afghanistan)
Director: Roya Sadat
Zama (Argentina)
Director: Lucrecia Martel
Yeva (Armenia)
Director: Anahid Abad
The House Between (Australia)
Director: Ruth Borgobello
Blissful Finish (Austria)
Director: Michael Haneke
Racer and the Jailbird (Belgium)
Director: Michaël R. Roskam
Males Don’t Cry (Bosnia)
Director: Alen Drljevic
First They Killed My Father (Cambodia)
Director: Angelina Jolie
Hochelaga, Land of Souls (Canada)
Director: François Girard
A Incredible Lady (Chile)
Director: Sebastián Lelio
Responsible Males (Colombia)
Director: Ivan D. Gaona
Ice Mom (Czech Republic)
Director: Bohdan Slama
You Disappear (Denmark)
Director: Peter Schonau Fog
Woodpeckers (Dominican Republic)
Director: Jose Maria Cabral
Tom of Finland (Finland)
Director: Dome Karukoski
BPM (Beats Per Minute) (France)
Director: Robin Campillo
Within the Fade (Germany)
Director: Fatih Akin
Amerika Sq. (Greece)
Director: Yannis Sakaridis
On Physique and Soul (Hungary)
Director: Ildikó Enyedi
Below the Tree (Iceland)
Director: Hafsteinn Gunnar Sigurosson
Newton (India)
Director: Amit V. Masurkar
Foxtrot (Israel)
Director: Samuel Maoz
A Ciambra (Italy)
Director: Jonas Carpignano
Her Love Boils Bathwater (Japan)
Director: Ryota Nakano
The Insult (Lebanon)
Director: Ziad Doueiri
Barrage (Luxembourg)
Director: Laura Schroeder
Tempestad (Mexico)
Director: Tatiana Huezo
The Practice of Salt and Sugar (Mozambique)
Director: Licínio Azevedo
One Thousand Ropes (New Zealand)
Director: Tusi Tamasese
Thelma (Norway)
Director: Joachim Trier
Wajib (Palestine)
Director: Annemarie Jacir
The Gold Seekers (Paraguay)
Administrators: Juan Carlos Maneglia, Tana Schémbori
Birdshot (Philippines)
Director: Mikhail Pink
Spoor (Poland)
Director: Agnieszka Holland
Loveless (Russia)
Director: Andrey Zvyagintsev
Felicite (Senegal)
Director: Alain Gomis
Pop Aye (Singapore)
Director: Kirsten Tan
The Line (Slovak Republic)
Director: Peter Bebjak
The Miner (Slovenia)
Director: Hanna Slak
The Wound (South Africa)
Director: John Trengove
A Taxi Driver (South Korea)
Director: Jang Hoon
Summer season 1993 (Spain)
Director: Carla Simón
The Sq. (Sweden)
Director: Ruben Ostlund
The Divine Order (Switzerland)
Director: Petra Volpe
Ayla – The Daughter of Warfare (Turkey)
Director: Can Ulkay
CINE LATINO
The pageant will showcase a few of this yr’s greatest Ibero-American movies eligible for the Cine Latino Award. The pageant’s nation focus this yr is on Argentina.
April’s Daughter (Mexico)
Director: Michel Franco
Establishing Albert (Spain/Estonia)
Administrators: Laura Collado, Jim Loomis (additionally in competitors for the Schlesinger Award)
The Desert Bride (Argentina/Chile)
Administrators: Cecilia Atan, Valeria Pivato
A Incredible Lady (Chile, Germany, Spain, U.S.)
Director: Sebastian Lelio
The Future Forward (Argentina)
Director: Constanza Novick
The Gold Seekers (Paraguay)
Administrators: Juan Carlos Maneglia, Tana Schembori
Good Manners (Brazil/France)
Administrators: Juliana Rojas, Marco Dutra
Responsible Males (Columbia)
Director: Ivan D. Gaona
Holy Camp (Spain)
Administrators: Javier Ambrossi, Javier Calvo
Looking Season (Argentina/U.S./Germany/France/Qatar)
Director: Natalia Garagiola
Killing Jesus (Colombia/Argentina)
Director: Laura Mora
Numerous Children, a Monkey and a Fort (Spain)
Director: Gustavo Salmeron
The Motive (Spain/Mexico)
Director: Manuel Martin Cuenca
Rey’s Training (Argentina/Spain)
Director: Santiago Esteves
A Form of Household (Argentina/Brazil/France/Poland)
Director: Diego Lerman
Stealing Rodin (Chile/France)
Director: Cristobal Valenzuela Berrios
Summer season 1993 (Spain)
Director: Carla Simon
The Summit (Argentina/Spain/France)
Director: Santiago Mitre
Tempestad (Mexico)
Director: Tatiana Huezo
Two Irenes (Brazil)
Director: Fabio Meira
Vazante (Brazil/Portugal)
Director: Daniela Thomas
Veronica (Spain)
Director: Paco Plaza
Woodpeckers (Dominican Republic)
Director: Jose María Cabral
Zama (Argentina/Spain/France)
Director: Lucrecia Martel
MODERN MASTERS
The Fashionable Masters part options seven movies from worldwide administrators who set the requirements for modern cinema.
The Brawler (India)
Director: Anurag Kashyap
Blissful Finish (Austria/France/Germany)
Director: Michael Haneke
Let the Sunshine In (France)
Director: Claire Denis
Spoor (Poland/Germany/Czech Republic/Sweden/Slovak Republic)
Director: Agnieszka Holland
The Third Homicide (Japan)
Director: Hirokazu Kore-eda
The Workshop (France)
Director: Laurent Cantet
Youth (China)
Director: Feng Xiaogang
NEW VOICES NEW VISIONS
The New Voices New Visions competitors showcases 10 movies from rising worldwide administrators bringing their first or second narrative options to the pageant.
Angels Put on White (China/France)
Director: Vivian Qu
Ava (France)
Director: Lea Mysius
The Charmer (Denmark)
Director: Milad Alami
The Gold Seekers (Paraguay)
Administrators: Juan Carlos Maneglia, Tana Schembori
Killing Jesus (Colombia/Argentina)
Director: Laura Mora
Cell Houses (Canada/France)
Director: Vladimir de Fontenay
No Date, No Signature (Iran)
Director: Vahid Jalilvand
On Borrowed Time (United Arab Emirates)
Director: Yasir Al Yasiri
One Thousand Ropes (New Zealand)
Director: Tusi Tamasese
Suleiman Mountain (Kyrgyzstan/Russia)
Director: Elizaveta Stishova
Thoroughbreds (U.S.)
Director: Cory Finley
Three Peaks (Germany/Italy)
Director: Jan Zabeil
TRUE STORIES
True Tales options documentaries on a broad vary of subjects together with music, sports activities, style and Hollywood.
Past the Reverse Intercourse (U.S.)
Administrators: Emily Abt, Bruce Hensel
Brimstone & Glory (U.S./Mexico)
Director: Viktor Jakovleski (additionally in competitors for the Schlesinger Award)
The Cage Fighter (U.S.)
Director: Jeff Unay (additionally in competitors for the Schlesinger Award)
The China Hustle (U.S.)
Director: Jed Rothstein
Itzhak (U.S./Israel)
Director: Alison Chernick
Jane (U.S.)
Director: Brett Morgen
Liyana (Swaziland/U.S./Qatar)
Administrators: Aaron Kopp, Amanda Kopp (additionally in competitors for the Schlesinger Award)
Numerous Children, a Monkey and a Fort (Spain)
Director: Gustavo Salmeron (additionally in competitors for the Schlesinger Award)
Love, Cecil (U.S.)
Administrators: Lisa Immordino Vreeland (additionally in competitors for the Schlesinger Award)
Love Means Zero (U.S.)
Director: Jason Kohn (additionally in competitors for the Schlesinger Award)
Makala (France)
Director: Emmanuel Gras
Mankiller (U.S.)
Director: Valerie Pink-Horse Mohl (additionally in competitors for the Schlesinger Award)
Mr. Fish: Cartooning From the Deep Finish (U.S.)
Director: Pablo Bryant
Rumble: The Indians Who Rocked the World (Canada)
Administrators: Catherine Bainbridge, Alfonso Maiorana
Sammy Davis, Jr.: I’ve Gotta Be Me (U.S.)
Director: Sam Pollard
Skid Row Marathon (U.S.)
Director: Mark Hayes
So Assist Me God (Belgium/France)
Administrators: Jean Libon, Yves Hinant (additionally in competitors for the Schlesinger Award)
Stealing Rodin (Chile/France)
Director: Cristóbal Valenzuela Berríos
Stumped (U.S.)
Director Robin Berghaus
This Is Congo (Democratic Republic of Congo/US/Canada/Qatar)
Director Daniel McCabe
The Employees Cup (U.Okay.)
Director: Adam Sobel (additionally in competitors for the Schlesinger Award)
Further programming
The pageant will display screen three of the movies chosen as a part of Selection’s 10 Administrators to Watch, which embody:
Bodied (U.S.)
Director: Joseph Kahn
Custody (France)
Director: Xavier Legrand
Foxtrot (Israel/Germany/France/Switzerland)
Director: Samuel Maoz
The pageant’s first Homosexual!La His screening would be the U.S. premiere of:
The Gospel In line with Andre (U.S.)
Director: Kate Novack
That includes Andre Leon Talley
Scotty and The Secret Historical past of Hollywood (U.S.)
Director: Matt Trynauer
The Homosexual!La Hers screening would be the U.S. premiere of:
My Days of Mercy (U.S./U.Okay.)
Director: Tali Shalom-Ezer
Starring Ellen Web page and Kate Mara
The world premiere of Cowl Variations can be a part of the Native Highlight program highlighting movies from the Coachella Valley.
The Dinner & A Film part features a dinner adopted by the movie’s screening. The 2 movies in this system are:
Establishing Albert (Spain/Estonia)
Administrators: Laura Collado and Jim Loomis
The Cakemaker (Israel/Germany)
Director: Ofir Raul Grazier.
The World Cinema Now part consists of titles akin to:
Borg vs. McEnroe (Sweden/Denmark/Finland)
Director: Janus Metz
Starring Shia LaBeouf and Stellan Skarsgard
Discovering Your Ft (U.Okay.)
Director: Richard Loncraine
Starring Imelda Staunton, Timothy Spall and David Hayman
I Am Not a Witch (U.Okay./France)
Director: Rungano Nyoni
Starring Juliette Grandmont and Emily Morgan
I, Tonya (U.S.)
Director: Craig Gillespie
Starring Margot Robbie, Sebastian Stan and Allison Janney
Lean on Pete (U.S./U.Okay.)
Director: Andrew Haigh
Starring Charlie Plummer, Steve Buscemi, Chloe Sevigny and Travis Fimmel
Candy Nation (Australia)
Director: Warwick Thornton
Starring Greer Simpkin and David Jowsey
The Leisure Seeker (Italy/France)
Director: Paolo Virzì
Starring Helen Mirren and Donald Sutherland.
0 notes
Text
Oscars: 92 Films Submitted in Foreign-Language Category
http://styleveryday.com/2017/10/06/oscars-92-films-submitted-in-foreign-language-category/
Oscars: 92 Films Submitted in Foreign-Language Category
Nominations will be announced Jan. 23.
A record 92 countries have submitted films for consideration in the foreign-language film category for the 90th Academy Awards.
Haiti, Honduras, Lao People’s Democratic Republic, Mozambique, Senegal and Syria have all submitted films for the first time.
The 2017 submissions are:
Afghanistan, A Letter to the President, Roya Sadat, director;
Albania, Daybreak, Gentian Koçi, director;
Algeria, Road to Istanbul, Rachid Bouchareb, director;
Argentina, Zama, Lucrecia Martel, director;
Armenia, Yeva, Anahit Abad, director;
Australia, The Space Between, Ruth Borgobello, director;
Austria, Happy End, Michael Haneke, director;
Azerbaijan, Pomegranate Orchard, Ilgar Najaf, director;
Bangladesh, The Cage, Akram Khan, director;
Belgium, Racer and the Jailbird, Michaël R. Roskam, director;
Bolivia, Dark Skull, Kiro Russo, director;
Bosnia and Herzegovina, Men Don’t Cry, Alen Drljević, director;
Brazil, Bingo – The King of the Mornings, Daniel Rezende, director;
Bulgaria, Glory, Petar Valchanov, Kristina Grozeva, directors;
Cambodia, First They Killed My Father, Angelina Jolie, director;
Canada, Hochelaga, Land of Souls, François Girard, director;
Chile, A Fantastic Woman, Sebastián Lelio, director;
China, Wolf Warrior 2, Wu Jing, director;
Colombia, Guilty Men, Iván D. Gaona, director;
Costa Rica, The Sound of Things, Ariel Escalante, director;
Croatia, Quit Staring at My Plate, Hana Jušić, director;
Czech Republic, Ice Mother, Bohdan Sláma, director;
Denmark, You Disappear, Peter Schønau Fog, director;
Dominican Republic, Woodpeckers, Jose Maria Cabral, director;
Ecuador, Alba, Ana Cristina Barragán, director;
Egypt, Sheikh Jackson, Amr Salama, director;
Estonia, November, Rainer Sarnet, director;
Finland, Tom of Finland, Dome Karukoski, director;
France, BPM (Beats Per Minute), Robin Campillo, director;
Georgia, Scary Mother, Ana Urushadze, director;
Germany, In the Fade, Fatih Akin, director;
Greece, Amerika Square, Yannis Sakaridis, director;
Haiti, Ayiti Mon Amour, Guetty Felin, director;
Honduras, Morazán, Hispano Durón, director;
Hong Kong, Mad World, Wong Chun, director;
Hungary, On Body and Soul, Ildikó Enyedi, director;
Iceland, Under the Tree, Hafsteinn Gunnar Sigurðsson, director;
India, Newton, Amit V Masurkar, director;
Indonesia, Turah, Wicaksono Wisnu Legowo, director;
Iran, Breath, Narges Abyar, director;
Iraq, Reseba – The Dark Wind, Hussein Hassan, director;
Ireland, Song of Granite, Pat Collins, director;
Israel, Foxtrot, Samuel Maoz, director;
Italy, A Ciambra, Jonas Carpignano, director;
Japan, Her Love Boils Bathwater, Ryota Nakano, director;
Kazakhstan, The Road to Mother, Akhan Satayev, director;
Kenya, Kati Kati, Mbithi Masya, director;
Kosovo, Unwanted, Edon Rizvanolli, director;
Kyrgyzstan, Centaur, Aktan Arym Kubat, director;
Lao People’s Democratic Republic, Dearest Sister, Mattie Do, director;
Latvia, The Chronicles of Melanie, Viestur Kairish, director;
Lebanon, The Insult, Ziad Doueiri, director;
Lithuania, Frost, Sharunas Bartas, director;
Luxembourg, Barrage, Laura Schroeder, director;
Mexico, Tempestad, Tatiana Huezo, director;
Mongolia, The Children of Genghis, Zolbayar Dorj, director;
Morocco, Razzia, Nabil Ayouch, director;
Mozambique, The Train of Salt and Sugar, Licinio Azevedo, director;
Nepal, White Sun, Deepak Rauniyar, director;
Netherlands, Layla M., Mijke de Jong, director;
New Zealand, One Thousand Ropes, Tusi Tamasese, director;
Norway, Thelma, Joachim Trier, director;
Pakistan, Saawan, Farhan Alam, director;
Palestine, Wajib, Annemarie Jacir, director;
Panama, Beyond Brotherhood, Arianne Benedetti, director;
Paraguay, Los Buscadores, Juan Carlos Maneglia, Tana Schembori, directors;
Peru, Rosa Chumbe, Jonatan Relayze, director;
Philippines, Birdshot, Mikhail Red, director;
Poland, Spoor, Agnieszka Holland, Kasia Adamik, directors;
Portugal, Saint George, Marco Martins, director;
Romania, Fixeur, Adrian Sitaru, director;
Russia, Loveless, Andrey Zvyagintsev, director;
Senegal, Félicité, Alain Gomis, director;
Serbia, Requiem for Mrs. J., Bojan Vuletic, director;
Singapore, Pop Aye, Kirsten Tan, director;
Slovakia, The Line, Peter Bebjak, director;
Slovenia, The Miner, Hanna A. W. Slak, director;
South Africa, The Wound, John Trengove, director;
South Korea, A Taxi Driver, Jang Hoon, director;
Spain, Summer 1993, Carla Simón, director;
Sweden, The Square, Ruben Östlund, director;
Switzerland, The Divine Order, Petra Volpe, director;
Syria, Little Gandhi, Sam Kadi, director;
Taiwan, Small Talk, Hui-Chen Huang, director;
Thailand, By the Time It Gets Dark, Anocha Suwichakornpong, director;
Tunisia, The Last of Us, Ala Eddine Slim, director;
Turkey, Ayla: The Daughter of War, Can Ulkay, director;
Ukraine, Black Level, Valentyn Vasyanovych, director;
United Kingdom, My Pure Land, Sarmad Masud, director;
Uruguay, Another Story of the World, Guillermo Casanova, director;
Venezuela, El Inca, Ignacio Castillo Cottin, director;
Vietnam, Father and Son, Luong Dinh Dung, director.
Nominations for the 90th Academy Awards will be announced on Tuesday, Jan. 23.
The 90th Oscars will be held on Sunday, March 4, at the Dolby Theatre at Hollywood & Highland Center in Hollywood, and will be televised live on ABC.
#92 #Category #Films #ForeignLanguage #Oscars #Submitted
0 notes
Photo
Tertarik dengan kisah romantis nan menyentuh hati? Atau kisah persahabatan yang mengharukan? Serta kisah fabel atau kisah-kisah unik lainnya? Semuanya tersimpan dalam sebuah buku kumpulan karya sastra yang epik. Ternyata, terdapat sejarah mendalam mengenai kumpulan sastra epik ini.
1001 Malam (One Thousand and One Night) atau The Arabian Night. Siapa yang tak kenal dengan hikayat ini. Kumpulan kisah-kisah dengan tokoh yang berbeda dan alur cerita yang menarik. Di dalamnya terdapat bermacam-macam genre, mulai dari legenda, fabel, roman, sampai dongeng. Latar cerita yang diambil pun berbeda-beda pula, seperti Baghdad, Basrah, Kairo, Damaskus, Cina, Yunani, India, Afrika Utara, serta Turki. Kumpulan cerita ini mengisahkan seorang ratu Sassanid, Scheherazade yang menceritakan kisah-kisah yang menarik kepada suaminya, Raja Syahrar. Tujuannya adalah untuk menunda eksekusi Scheherazade oleh Raja Syahrar. Kisah-kisah ini diceritakan setiap malam, sampai ke malam 1001.
Sejarah ini dimulai dari abad ke-8, zaman pemerintahan kekhalifahan Harun Ar-Rasyid, Baghdad. Pada masa inilah cerita-cerita tradisional dari berbagai bangsa, kemudian dikumpulkan jadi satu dan dinamakan Hafzar Afsanah. Pada abad ke-9, seorang pendongeng asal Arab, Abu abd-Allah Muhammed el-Gahshigar, menerjemahkan kisah ini ke dalam bahasa Arab. Kerangka cerita mengenai Scheherazade dan Raja Syahrar baru ditambahkan pada abad ke-14. Bentuk modern dari kisah 1001 Malam ini diterbitkan di Kairo, 1835.
NJ Dawood dan William Harvey dalam bukunya The Tales From The Thousand and One Nights mengatakan, “Masterpieces seni cerita bertutur itu berasal dari Persia yang hilang berjudul Hazar Afsanah (Seribu Legenda).” Hazar Afsanah berisi tentang cerita rakyat India dan Persia. ”Para pendongeng Muslim yang profesional membumbui dan mengadopsi cerita itu dengan warna lokal Arab.” Versi lainnya menyebutkan, Hikayat 1001 Malam sebagai kumpulan cerita rakyat Arab. Abu Abdullah bin Abdus Al-Jasyayari seorang pengarang Muslim terkemuka yang merangkai dan menulis kisah yang legendaris itu. Kitab Alf layla wa-layla yang ditulis Al-Jasyayari ide ceritanya berasal dari Hazar Afsanah yang diterjemahkannya ke dalam bahasa Arab.
Pendapat lainnya mengatakan bahwa dongeng 1001 Malam yang dikenal dalam bahasa Persia berjudul Hezar-o yek sab itu merupakan sebuah kumpulan cerita yang disusun selama berabad-abad oleh begitu banyak pengarang, penerjemah, dan sarjana. Cerita rakyat yang dimulai antara abad ke-8 M hingga 9 M itu berawal dan berakar dari cerita rakyat Arab dan Yaman Kuno, India Kuno, Asia Kecil Kuno, Persia Kuno, Mesir Kuno, Suriah Kuno, dan era kekhalifahan Islam. Cerita rakyat India mewarnai dongeng 1001 Malam melalui fabel Sanskerta kuno. Sedangkan, cerita rakyat Baghdad hadir dalam hikayat yang populer itu melalui kekhalifahan Abbasiyah.
Khalifah Harun Ar-Rasyid dan penyair terkemuka, Abu Nawas, muncul dalam Hikayat 1001 Malam tersebut. Seperti yang dikatakan tadi, kisah 1001 Malam ini diceritakan oleh Scheherazade kepada suaminya, Raja Syahrar dalam rangka untuk menunda eksekusi akan dirinya. Scheherezade mengakhiri kisahnya dengan akhir yang menegangkan dan menggantung. Sehingga, sang raja dibuat tertarik dan penasaran untuk mendengar kelanjutan kisah dari sang ratu. Setiap kisah yang diceritakan ratu mampu membetot perhatian raja. Sang raja pun selalu menangguhkan perintah hukuman mati bagi Scheherazade.
Sejumlah kisah yang termuat dalam 1001 Malam juga melukiskan tentang jin, tukang sihir, tempat-tempat legendaris yang sering kali menampilkan tempat dan orang-orang yang sesungguhnya. Khalifah Harun Ar-Rasyid, Abu Nuwas dan Wazir Ja`far Al-Barmaki juga menjadi tokoh cerita. Popularitas Hikayat 1001 Malam semakin ketara, terutama setelah munculnya kisah Aladdin dan Lampu Wasiat, Ali Baba, Sinbad si Pelaut, serta 40 Pencuri.
Kisah-kisah yang menarik itu justru baru muncul dalam The Arabian Nights yang diterjemahkan seorang sarjana Prancis bernama Jean Antonie Galland. Galland mengaku menulis kisah- kisah yang banyak diangkat ke dalam film di berbagai negara itu setelah mendengarnya dari seorang penutur cerita asal Aleppo, Suriah bernama Hanna Diab. Hikayat 1001 Malam yang merupakan hasil karya dari peradaban Islam, kini telah menjadi cerita rakyat seluruh dunia. Sastra epik Arab di zaman kekhalifahan itu telah memberi pengaruh yang besar dalam peradaban manusia terutama dalam bidang kebudayaan. Dengan sederet kisah yang memikat, Hikayat 1001 Malam telah memberi warna dalam bidang sastra, film, musik dan permainan di berbagai belahan dunia.
0 notes
Text
Sad Hunson WIP
1 note
·
View note
Photo
🦅Quetta & Ziarat Valley Special 3 Days Tours🦅 Tour Dates: 🗓️ Every Friday night 12:00 AM to Sunday. Quetta & Ziarat Road Trip Attractions 🏞️ Beautiful Quetta City 🏞️ Ziarat Valley & Oldest Juniper Trees 🏞️ Sandeman Tangi (Waterfall in Ziarat) 🏞️ Quaid-e-Azam Residency 🏞️ Prospect View Point Ziarat 🏞️ Hanna Lake in Urak Valley 🏞️ Quetta Bazaar (You can also contact us for a customized college/university/corporate trip - Call for details) SOPs for Safe Tourism in Pakistan: Keep Mask and Hand Sanitizer with you all the time during travel. Maintain social distancing when exploring crowded locations. Package Price Per Person 🔖 Rs. 11,500 per person from Karachi and Haydarbad. (stay in 3-4 sharing rooms) 🔖 Rs. 13,500 per person (stay in twin sharing rooms) 🔖 Rs. 17,000 per person from Lahore and Islamabad with train returns tickets (Economy) Children Policy Up to 3 years stay free (no seat). 50% package price for 3-10 years with child/folding seats in transport. Booking Procedure 🔖 50% of total amount will be required at the time of booking confirmation and the remaining amount will have to pay at time of departure for tour. For booking or details please contact us: 📲 03482387680 📲 03152775155 📧 [email protected] Office: Main National Highway near Murghikhana bus stop Quaid Abad Karachi. https://www.instagram.com/p/CPifNQ5JEQd/?utm_medium=tumblr
0 notes
Last Seen Blogs
redatora
Ana Flávia Castro.
antfurny-blog
DUBA DUBA
padaheck
bitch/jerk
wiistfvl
I Dont Want Anything To Do With Time
bunbunbitxh
bun