#hana-bi is also a cop/gangster-*type* movie which uses genre motifs to look at grief and subverts
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Movies/books which seared me:
hana-bi
melancholia
the aunt (patrick white)
never let me go (ishiguro)
#they all have a thing about boredom as an existential state even more than grief#dkw to call it but something about mundanity being profound and the profound being mundane#and in a way they are all horror stories too but it's the horror of individual existence within a context#and strange beauty#five minute question-answer these were the ones that floated up first so im gonna assume they're the right answers#i think for me there's a point where media has to become separate from its sense of its own cleverness#PB is interesting because there's a huge layer of revelling in its cleverness but then there's a huge layer of stuff they must have#-realised almost *no one* would parse; they never ever talk about it in interviews either#hana-bi is also a cop/gangster-*type* movie which uses genre motifs to look at grief and subverts#the grief is unbelievable and understated despite very contrived devices it doesn't *feel* like it's rolling in its own cleverness
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