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#grand guignol
lurkingshan · 4 months
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Random BL Superlatives: 2023 Edition
It's the end of the year and I'm feeling the need to give out some awards! We talk a lot about best show, best actors, best writing, best directing, blah blah but I gotta be honest, these are the categories that really spoke to me this year. In no particular order:
Best supporting garment: Porsche’s sweater, A Boss and A Babe
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Did I create this entire list just to have an excuse to post about this sweater one more time? Maybe so.
Best performance despite a terrible wig: Daou, Love in Translation
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This man managed to perform one of the hottest scenes of the year with that bowl cut monstrosity on his head. Respect must be paid.
Best new terminology: BGP, Bump Up Business
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BUB gave us so many gifts, but I will always be most thankful for the business gay performance concept (BGP), a term that is highly relevant in discussions of the bl industry.
Best advice: "Unfuck it," Tien in La Pluie
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It's not only the succinct phrasing, but also the delivery method.
Best ex who deserved better: Alan, Moonlight Chicken
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Yes, I will be staying on the Alan apologist beat in 2024, thank you for asking.
Best unexpected needle drop: Wetter, The Eighth Sense
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The moment this show captured my full attention.
Best WTF ending: The End of the World With You
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You can probably still hear my scream of "WHAT" echoing in the hills. (Actual ending not pictured in case y'all decide to watch).
Best gut punch line: "Have you been well? Without me?", Our Dating Sim
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Sure Shin Gi Tae, Lee Wan deserved it, but did I??
Best adorable child: Tane, Our Dining Table
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Need I say more??
Best weapon: sparkle murder dust, Khun Chai
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Truly the MVP of this show. I can't find an actual gif of the dust in action (too violent to be depicted) so enjoy these pretty men instead.
Best great character trapped in a bad show: Boston, Only Friends
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My beloved, I will seek vengeance in your name.
Best use of music to fuck me up: Plumeria, I Feel You Linger in the Air
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Cocktail and Tee Bundit, you know what you did!
Best meal: Chicken curry and cheese naan, What Did You Eat Yesterday?
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Yes, this category is kind of a cheat so I can mention WDYEY on this list. And what about it!
Best unhinged energy: Nawin, Laws of Attraction
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He may not have succeeded at stealing back his man but he certainly stole the show.
Best bl horror: Grand Guignol
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I just need to make sure all you jbl fans know that this movie exists and that Issei fucked Mr Unlucky!!! IYKYK.
Best character comeback: Phupha, Our Skyy 2
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From boring stoic love interest to actually compelling and kinda funny leading man! See what a little flirting with Pat Jindapat can do for you?!
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jdragsky · 7 months
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possum creek is releasing some new books by @wildwoodsgames and they're cool as hell and i'm so excited for them
GRAND GUIGNOL is a victorian romance/horror game where you take on the queer themes of classic Victorian gothic stories like Dorian Gray, Dr. Jeckyll & Mr. Hyde, and Carmilla, playing with both violence and desire
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HARVEST is a folk horror RPG about a bucolic pastoral village on a small island in the british isles with a grim and monstrous secret — every year someone must die in order to keep the island perfect. inspired by The Wicker Man and Midsommar.
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i'm SO excited for them, luke is a phenomenal designer and the project is launching as a double-feature on halloween in just 3 weeks!! you can sign up for updates here
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eyeodyssey · 1 year
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Photos from the elusive early-80s Tokyo Grand Guignol play Mercury, also known as Mercuro and Merbro. While the Tokyo Grand Guignol are more well known for their subsequent work in the original 1985 version of Lychee Light Club, Mercury was an ambitious debut effort that was as much Tetsuo: The Iron Man and Alien as it was Ranpo. In the two-act narrative, an unstable school teacher runs a health program where students volunteer to have their blood replaced with the outdated medicinal substance Merbromin. The Merbromin substance turns the students into sentient machines, with their organs being made “valuable” in how the doses of mercury turns their innards metallic. In the midst of all this, a mysterious transfer student infiltrates the school grounds to uncover the whereabouts of his missing sister. Plots ultimately intertwine, resulting in a nightmarish Oedipal bloodbath in a macabre science lab that’s riddled with many taboo secrets. The play contains several infamous special effects standouts. One of the centerpieces was an extended sequence at the beginning of the second act where the schoolmaster (performed by the now mainstream actor Kyusaku Shimada, originally working under the pseudonym Lovecraft Shimada) carries out a live vivisection on a student to surgically extract his pubescent urges, which had manifested as a chestburster. The screenplay is decorated with intricate surrealist details with characters speaking direct quotations from dadaist poets of the early Showa period, resulting in an experience that is as much nocturnal poetry as it is taboo horror. The play only had one run in 1984, with a heavily truncated TV performance being done a year later on the “Youth Performance Special” morning Nippon TV program where the set pieces from the openings of the first act and second act are strung side-by-side. While a full video recording is known to exist of the play on both DVD and VHS, the recording has never surfaced. It’s a damn shame.
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The only available bits of media in relation to the play to this day are the screenplay, a handful of grayscale photos and some parts of the soundtrack. The known songs that were featured in Mercury include: 1. Four Enclosed Walls - Public Image LTD 2. Sons Of Pioneers - Japan 3. The title theme of the 1956 film “Des gens sans importance” 4. Brilliant Trees - David Sylvian Bits of media relating to Mercury’s short 1984 run are steadily being resurfaced every day. Two of the images in this post were digitized by yours truly. The source was the 28th volume of Yaso magazine, a volume that concerned underground theater which included and interview with Norimizu Ameya, the lead director of the Tokyo Grand Guignol.
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lascitasdelashoras · 2 months
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Théâtre du Grand GUIGNOL, Paris
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weirdlookindog · 1 year
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Harold Présente: Le Coupeur de Tetes
Grand Guignol-esque shock show from 1920s.
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kiwioshi · 8 months
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GRAND GUIGNOL (2022)
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victusinveritas · 3 months
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Ravenous (1999)
If you want to see one movie about a possible cannibal (maybe even a wendigo) at an outpost deep in the wilderness...this is the movie for you. Guy Pearce is a gem as always and Robert Carlyle...soars to Christopher Lee levels of dramatic villainy.
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angelantern-u · 2 months
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FUCK I GOT THE LYRICS WRONG UHM. PRETEND LIKE THEYRE CORRECT PLS
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blmpff · 6 months
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Sota Ryosuke in:
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Mr. Unlucky Has No Choice But To Kiss (2022)
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Grand Guinol (2022)
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801number · 1 year
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save-the-data · 1 year
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Grand Guignol (2022)| Kiss Scenes
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mysterygrl20 · 6 months
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gagaoola is getting a spooky gay horror movie from Japan for Halloween weekend
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twig-tea · 6 months
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Grand Guignol
Wanted to write down my thoughts on this movie because it was AWESOME and I don't want to forget lol. Non-spoilery thoughts above the cut and spoilers below it.
First of all, the colouring of this film is gorgeous. Everything is in dull greys and navy blues and cream, except for the red, and the red is throughout. There's red roses, red lighting, red ties, red viscera, and so, so, so much blood. It makes for a really stunning watch, to see this heightened red spurt and colour the white clothing of the protagonists, and on their faces.
The cinematography is also a lot of fun. So many dirty shots, where the creepy decorations of this school sit in the foreground and the characters having a conversation are left blurred in the background. Quick, hard cuts, so it's not clear whether something was real or not.
And I love the tension being around what is real vs what is fake rather than jump scares. The way cinema and pranks and voyeurism is woven into this plot to make everything more confusing is so well done; it puts us in the same situation as the characters stuck in this school with no clear sense of what's happening or why.
Most of all this was just fun. It was a wild ride where gross, gory, discomforting, messy, and generally weird shit happened constantly lol and I really, really enjoyed the experience.
Cutting here because I couldn't help but spoil from here on out.
I also really love the subtext of the show re: queer as monstrous. There is a suggestion that at least two of these characters were sent to this school abandoned by their families in order to be sacrificed because they are gay, or queer in some sense. The other characters have stories about doing physical harm to those around them, but at the least for Kenta, it's implied that whatever is going on with him and dressing femme--i won't assume--is what got him sent here (this is early in the film so I'm not counting it as a spoiler).
I had to laugh at the excessive lube; Japan's lube game is always incredible. We never get a normal amount of lube in a Japanese BL, and I live for it.
Also really enjoyed the cannibalism subtext! Cannibalism is always such an interesting theme in horror because it's such a taboo. This felt very Rocky Horror-like with the constant viscera shots and the open questions on characters' faces about where it came from.
The message in this film was so fascinating. Normally we get the trope of 'you have to defeat yourself ' as a hero's journey to get past self-doubt in order to win. In this case, Itsuki tells us he was forced to participate in...it's not entirely clear, bullying and mutilation at the least. He seems traumatized by the experience, and it's not clear how much damage he did on his own. But by the end of the film, after the teacher gave him the gun and told him to defeat himself, he manages to move through whatever was holding him back, and he fully embraces doing violence to others. He kisses Teshio, when he was surprised by/recoils from the kiss from Kenta. He laughs, glories in, is freed by the way he mutilated Teshio's corpse, and flashes back to his memory of when he was "forced" to hurt his classmate in his old school, but this time he's similarly elated. He had some initial reaction to seeing Kenta in a dress and wig--Shinji wondered if he wanted to wear it himself--and after the cult dresses him in heels, a dress, and wig, he does not remove them even after he's free and limping in the heels to drag along that sledgehammer. In this case, the hero's journey is one to freedom from moral constraints, allowing in the monstrous--both murderous and queer--parts of Itsuki to overcome any fear or self-hate or physical limitations, and to be victorious. And then we get the final scene, with the uncertainty as to whether the entire film has been a play, whether the play is in Itsuki's mind, or whether it's a metaphor for the audience to represent what happens. I think the uncertainty is the point. The entire film has been messing with our ability to tell what's real and what's fake, and maybe in the end it doesn't matter. Itsuki is dead; whether metaphorically because he's mentally snapped, or literally because he's killed himself, or because the whole thing was a metaphor and he's embraced his weirdness and joined this weird club and found acceptance in this group that puts on horror plays...the Itsuki who was traumatized and terrified of himself is gone by the end of the film, he's defeated the enemy within. I loved that.
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And there's something in this film about how it gets us to be interested in this weird friend group before it starts killing them off for the sake of... entertainment, a ritual, to free their parents of the embarrassment, it's not entirely clear which. But there's something implicit in the morality here that these characters are humanized before they're demonized, and that we are set up to see the ritual as cruel and the level of violence as undeserved. This part reminded me of Gang of Cherry; these kids are fucked up, and cruel, and weird, but don't deserve the even more fucked up and cruel situation they're in, which in turn makes them even more fucked up and cruel, until it's a twisted version of enlightenment, when all you are is cruel and fucked up, and delighting in the purity of the emotion.
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Anyway that's way too much navel-gazing for what is essentially 1.5 hours of intentionally bad blood-spraying camp and actors who didn't kiss in their BLs kissing in this. Big fan.
If you want realism, sexiness (there is a sex scene but it is not what I would call sexy; it's intentionally discomforting/edged with tension), romance, or a happy ending in the traditional sense this is not for you. If you like campy horror, strategic cinematography, gratuitous gore, gratuitous tongues, being discomforted, psychological horror, and metaphors on metaphors, I think you'll enjoy.
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weirdlookindog · 1 year
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Les Yeux Sans Visage (1962) - Poster for the final show of the Grand-Guignol.
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candaru · 8 days
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Pizza Game Grand Guignol AMV! wow! so much plasterbrain all in one video!
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rastronomicals · 1 month
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9:10 PM EDT March 21, 2024:
Naked City - "Piledriver" From the album Grand Guignol (February 1992)
Last song scrobbled from iTunes at Last.fm
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