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kuciradio · 5 years

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As 2018 is coming to an end it’s time to reflect on this amazing year for new music and artistry. KUCI is a diverse group of DJs and we are proud to represent all genres of music. I have finally put together our Top 10 albums of 2018 along with some honorable mentions towards the end accompanied by some lovely words written by our fellow DJs. We can’t wait for what 2019 brings for us and continue tuning in on kuci.org or 88.9 FM if you’re in the Orange County area. Have a safe and happy new year!

1. Mitski - Be The Cowboy

“Mitski Miyawaki’s powerhouse voice resonates with a haunting clarity on her stunning masterpiece Be the Cowboy. She creates entire worlds and characters out of pieces of herself, from paranoid, awkward women who yearn for traditionalism and some idealist version of what life or love should be (hello “Lonesome Love”), to cowgirls who can do it all on their own. From sorrowful to triumphant, Mitski colors the spaces in between from soul-bearing ballad “Geyser” to unforgettable dancing-alone-in-your-bedroom anthem “Nobody.” (Sophie Prettyman-Beauchamp)

“This album was so personal and raw and I also liked how the songs flowed well on this album.” (Heidi Barragan)

2. The Internet - Hive Mind

“I can't talk about this album without mentioning how mad I am at myself for missing the tour. Syd, Pat, Steve, Matt, and Chris, The Internet, are prominent figures of musical evolution; this speaks volumes and not just because they got their start with Odd Future, a hub of avid freeform artists. If you’re inclined to believe what I believe, Ego Death is a heartbreak album and Hive Mind is loaded with recovery anthems and passionate songs to share with your new partner who is not a rebound. Across the timeline, the sounds change from R&B and Hip-Hop to Funk and Soul; but what captures my attention the most, from Ego Death to Hive Mind, is the way a facade is casted aside. Hive Mind is just so sincere and therefore, perfectly fitting for being a part of my top three.” (Thorson Munoz)

“[This album] is a very funky album with heavy tones of R&B. The Internet does not disappoint with their funky sounds, which can be heard on “La Di Da”. Overall the album has powerful baselines, thanks to the amazing Steve Lacy, and groovy beats backed by Syd’s smooth vocals. It is hard to listen to this album and not dance along to it.” (Melissa Palma)

3. Kali Uchis - Isolation

“Colombian singer Kali Uchis’ long-awaited debut album is a high-production value journey into her uniquely sultry, dreamy world of R&B. The songstress’s silky voice pushes boundaries of various genres, from bossa-inspired intro “Body Language” to the Amy Winehouse-esque “Killer,” each track better and more of a banger than the last. Isolation features artists like The Internet guitarist Steve Lacy, British soul success Jorja Smith, and reggaeton icon Reykon. Uchis also recruited her friends Tyler, the Creator and legendary bassist Bootsy Collins for the hit single “After the Storm,” a follow-up to her and Tyler’s song “See You Again” from his 2017 album Flower Boy (supported by a stunningly whimsical music video by director Nadia Lee Cohen). The producer credits are just as stacked, including the likes of Thundercat, BROCKHAMPTON’s Romil Hemnani, Tame Impala’s Kevin Parker, and Gorillaz frontman Damon Albarn. Uchis proves herself as the new sound of pop, never veering from her originality that made her a Soundcloud sweetheart.” (Sophie Prettyman-Beauchamp)

4. Janelle Monae - Dirty Computer

“She’s such an intelligent creative weirdo and I LOVE HER. Not to mention her oozing femme POWER.” (Naseem Eskandari)

“About the moxie I mentioned earlier, this emotional rollercoaster has an abudnace of it and I cannot get enough! Cover to cover this album packs a punch, and as the visual companion--which brought me to tears--would suggest, this entire album is a celebration of deviant bodies and identities. This album contains the perfect ratio of soft and tender tracks and upbeat exciting ones so its no wonder why NPR named Dirty Computer their number one of 2018.” (Thorson Munoz)

5. Anderson .paak - Oxnard

“Sometimes artists, after huge successes, feel that they need to make music that sounds just like their previous work to gain the same traction, but really the true artists are the ones that stay honest and true to their creative ability - their sound moves through life with them.” (Naseem Eskandari)

“Anderson .Paak, to me, is responsible for every playlist I've ever built that revolves around driving in Los Angeles with the windows down, no matter the time of day. However, I don't drive a convertible, so instead I honored Venice and Malibu using my radio program, Detours. Not only am I excited to honor Oxnard as well, but Oxnard was built for driving; this is evident after listening to "Tints", the first release, and "Headlow". This album, just like Malibu, is masterful; the only difference is that Dr. Dre stepped out of the shadows and was a feature. Oxnard is beyond incredible and worthy of it's legendary features, Snoop Dog, Q-Tip, and Kadhja Bonet, to name a few. I'm really excited for what will likely be Anderson .Paak's next Grammy nomination.” (Thorson Munoz)

6. Blood Orange - Negro Swan

“AMAZING production, amazing narrative!!!!!!!” (Angel Cortez)

“Dev Hynes never fails to make master pieces of albums that narrate the experience of marginalized people in an oppressive and toxic environment. Hynes brings together artists as big as ASAP Rocky to smaller artists of equal talent such as Steve Lacey creating a beautiful medley of indie hip hop to soul and funk. Coupled with interviews, Hynes is able to make this album a personal experience for the listener. For me it always feels as though he is singing to me personally, something that not many artists are able to do.” (Kelsey Villacorte)

7. Kevin Krauter - Toss Up

“Toss Up has to be my personal #1 favorite album of 2018 by Kevin Krauter who began making music apart from lo-fi dream pop band Hoops in 2015. Toss Up was released this past summer and was the perfect album to listen to during warm summer nights and has carried through to the end of the year as a comforting reminder of those warm times during these cold nights. It has that dreamy, nostalgic feeling, something that you would listen to as you’re reflecting on the tender moments of your life. Krauter mixes vaporwave-esque sounds with sweet ballads with no one song sounding like the other.” (Kelsey Villacorte)

8. MGMT - Little Dark Age

“MGMT's come-back album is focused, synthy, and fresh. Without abandoning the dark undertones present in their older albums, this album reflects the band's personal growth and resonates with fans, old and new. Tracks like TSLAMP and Little dark Age are some of my favorites!” (Angelica Sheen)

“MGMT has maintained their status as an alternative staple and has since transformed their sound into something more experimental since their debut album Oracular Spectacular. MGMT did not disappoint and gave us an album that went from the weird wii-fit/dystopian vibes of She Works Out To Much to 80s dance of Me and Michael to another sweet ballad titled Hand It Over which is super reminiscent of the ending/title song of their second album Congratulations. MGMT never fails to write well thought out lyrics that all almost feel like their own story. All in all, they did not disappoint and this is exactly the kind of MGMT album I was hoping for after a 5 year hiatus.” (Kelsey Villacorte)

9. Ian Sweet - Crush Crusher

“Jilian Medford refines IAN SWEET’s sound and practices self-care on sophomore album Crush Crusher, her most intimate release yet. Medford rediscovers her identity as she considers how much of herself she has forgotten while preoccupying herself with being a guardian to others (she warbles “The sun built me to shade everybody” on “Holographic Jesus”). Ever poetic while satisfyingly straightforward, she notes that “It’s been too long since I let myself cry about something that wasn’t even sad” on the pummeling single “Spit.” She coos, squeaks, and screams in perfect, dissonant harmony over her guitar’s cathartically melancholic reverb. IAN SWEET remains a perfect contradiction that only grows sweeter.” (Sophie Prettyman-Beauchamp)

10. Parquet Courts - Wide Awake!

“This band's genius shows through with every new release. Wide Awake throws all of their influences together and expels energetic funk beats with poignant, dark, and brutal lyrics that are especially political. The juxtaposition of these themes with upbeat and optimistic instrumentals speaks to their compositional talent, making it a fan favorite. AND THEY USE COWBELLS.” (Angelica Sheen)

Honorable Mentions:

Glenn Crytzer Orchestra, "Ain't it Grand?"

This album couldn't have been better aimed at me if the band had come and asked me what I wanted to hear. A modern swing-style orchestra performing both classic tunes from the 1930s and modern pieces written in the big band style. The ensemble playing is tight, the solos just exactly right, and the production quality a lot sharper than any of the original Duke Ellington recordings. Top notch stuff. (Michael Payne)

The Vaccines - Combat Sports

"The Vaccines brought back the spirit and energy of their debut album but with a new twist when they released their 4th album early in 2018. Get pumped up with the "I Can't Quit" and "Nightclub" or settle down with "Maybe (The Luck of the Draw)" or "Young American". The Vaccines perfectly embody the sound and snark of the '70s and '80s artists of which their influenced while still creating a modern feel of the 2010's. My personal favorite off the album "Out on the Street" definitely a treat live! Over all Combat Sports is an excellent album and what we needed in 2018." (Stacey Brizuela)

Cobra Man - Toxic Planet

“Los Angeles local duo Cobra Man blows it out of the water with their sophomore album that carries the heart and groove of something you'd hear out of '84. It is indeed one of the best albums of the year because it utilizes one of the most underrated instruments in the game, the saxophone.” (Spartacus Avina)

Nu Guinea "Nu Guinea"

Heaven & Earth by Kamasi Washington is an album that’s loud and bold in both sound and vocals. A lot of the album often creates an ethereal effect with the heavy instrumentals ascending into a grand peak, most notably heard on “Street Fighter Mas”. The vocals on the album accompany the instrumentals in their same form, loud and climaxing. Listening to this album is like a rollercoaster with its thrilling jazz sounds. (Melissa Palma)

Drug Church - Cheer

Mac Miller - Swimming

“The tragic beauty of this album speaks for itself. Mac was such a raw and very real individual and it reflects in his music the way that many others cannot replicate. May he rest in peace - I hope the next life will be better for him.” (Naseem Eskandari)

Thank you to all the amazing DJs who submitted their Top 10 list of 2018! I am super glad to have been part of an amazing and diverse radio station for this past year and this is only a small piece of what our DJs music tastes are like here. I hope everyone has an incredible and safe New Years Eve and a happy 2019 :)

-Kelsey Villacorte (Music Director)

#kuciFM #top 10 lists #top 10 albums #college radio #mitski #kevin krauter #parquet courts #the internet #Anderson .Paak #kali uchis #janelle monae #mgmt #ian sweet #blood orange

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randomidiocyncrazies · 4 years

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more thoughts/ideas on the P2/4/5 Persona Q style crossover, especially on P2/P5 interactions

the scenes of coming up with codenames for P3/4 in PQ2 were pretty fun, and a similar thing with the P2 crews would be awesome—though Katsuya would probably find it very embarrassing, and while Jun’s not against the idea on principle, he’d also prefer not having an alias (still reeling from his actions as Joker). Maya “it’s whoop-ass time” Amano and especially Eikichi would be thrilled tho :V

“Yeah babes, I like the sound of that!” Eikichi preened despite Lisa’s exasperation at his theatrics. “Call me the Gallant Musician of Love and Dazzling Talent, Michel-sama! Or Death Boss will do if that’s too long!” "Yeah, the first one’s way too long.” Ryuji said. “And... Death Boss?” Not gonna lie, that sounds pretty badass, though not without Eikichi’s... over the top tendencies. ”It’s his former title at our school—Kasugayama’s Death Boss, the bully hunter.” Jun offered as an explanation. Ryuji whistled. ”Damn, a bully hunter? That’s awesome!” Eikichi preened some more. “Yeah right. ‘Undies’ suits him better!” Lisa scoffed. “Oh c’mon, Ginko! Like you’re so much better?” Eikichi stuck his tongue out at her. “What’s your codename gonna be huh? Kung-fu Maniac? Or maybe Lady Violence?” “Kehhei! You wanna DIE?!” ”Yeowch! What the hell—” “Yikes...” Ryuji muttered under his breath at the bickering pair. “Anyway, what about you two?” The only answer from Tatsuya was an abrupt shrug. “Anything’s fine by me.” he said, fiddling with his lighter. “Don’t mind him, he’s just embarrassed.” Jun said, ignoring the look Tatsuya shot him. “Tatsuya perfectly embodies the qualities of Leo constellation... A strong sense of justice and generosity, and a wonderful leader. Something along those lines would suit him. As for me...” he gave Ryuji a pleasant smile. “I’d rather not, Sakamoto-kun. I’ve spent long enough hiding behind another name.” Tatsuya flicked his lighter shut and put a hand on Jun’s shoulder, eyes solemn. “Jun.” Nearby, Lisa and Eikichi had paused from their squabbling, drawing close to their companions’ side. “C’mon man, it wasn’t your fault.” Eikichi clapped a hand on Jun’s unoccupied shoulder. “Yeah!” Lisa smacked her fist against her palm, “That monster is to blame!” Tatsuya turned his head towards Ryuji. “We don’t need codenames, anyway.” Ryuji’s not the smartest guy around, but between this and how they always seemed on edge whenever they hear Akira’s codename in battle, he knew when to leave sleeping dogs lie. “Yeah, got it.”

“Codenames huh?” Maya’s eyes gleamed as she spun her pistols around. “Ulala's a great dancer... What do you say at the end of your performances again? Maybe that can be your codename!” “C’mon, Ma-ya...” Ulala groaned, shaking her head. “I'm gonna go by Carmen, if anything. Seriously, “Ole’? I can’t believe you sometimes...” Ann perked up. “Carmen? That’s my persona.” “Oh damn, that might get confusing in battle...“ Ulala chewed on her lower lip in frustration. “What about you, Big Suou?” “Captain Sideburns here already already has a solid nickname,” Baofu drawled, “Why not make it official?” “Enough about my sideburns! Besides, I’m only a sergeant.” Katsuya sighed, coloring a little at Maya’s snort of laughter at his immediate response. “This is undignified.” “Oh c’mon Big Suou, live a little! And you!” Ulala pointed at Baofu, “Your codename can be Blackmailer!” The man in question only smirked. “I thought the point of codenames was to obscure our identities?” “Wow you aren’t even gonna try to deny it huh, ya old boozehound.” Katsuya sighed again. “What about you, Amano-kun? What would your alias be?” “Me?” As it had for some time now, Katsuya’s heart skipped a beat at the sight of Maya’s radiant smile. “I’ll be the Butt-Kicker, of course!”

also, while the P4 team immediately accepted and approved of the PT’s methods in PQ2, i think reactions are more mixed for the P2 cast. I can see Jun being apprehensive about the PT’s methods but admiring their motivations (after all, the initial intent behind IS!Joker may have been a benevolent figure who grants the caller’s wish, but by the time IS begins he’s been twisted into something cruel and dangerous), while Eikichi thinks the whole thing is friggin’ awesome. Tatsuya respects the PTs for doing what needs to be done (though I think he’d approach it as more of an obligation/’it’s something to do’ if he was in their situation), and Lisa admires the aspect of rebellion & breaking free of society’s constraints, but I’m don’t think she’s terribly invested in the responsibility of changing hearts.

On the EP side, Katsuya would obviously be uncomfortable with teen vigilantes (although I think he does see their point—his own father was framed after all, and he quits the force in order to pursue Sudou freely) while Baofu and Ulala are vocal in their support. Maya definitely think it’s amazing how strong these kids are (she wants an interview!), but over all I think all the EP members feel kinda bad that the adults in the PT’s lives have failed them to the extent that they have no choice but to take on the burden of righting these wrongs themselves. (Katsuya and Maya feels this the most though)

[more of this AU under PQ Triple]

#p2 #p4 #p5 #persona 2 #persona q #persona 4 #persona 5 #PQ Triple #PQubed #ric talks persona #as a cantonese speaker u have no idea how hard it was to stop myself from changing lisa's expressions

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