(via SCTV's Eugene Levy as Gino Vanelli)

Casey Scheuerell's Masterful Drum Pocket on Chaka Kahn's "And The Melody Still Lingers On (Night in Tunisia)"

Today probably more than ever, the division between drum pocket and drum shredding has become quite a point of discussion and display. An entire generation of players have attained a level of technical ability, blazing speed, and consumption of available space in musical time that leaves many drummers from the time before MIDI in the dust. But in 1981, Casey Scheuerell’s drumming on Chaka Kahn’s…

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Watch Gino Vannelli - Wild Horses on YouTube Music

People gotta Move(Live)- Gino Vanelli

Vet bandje!

🎶✨️ when u get this u have to put 5 songs u actually listen to, publish, then send this to 10 of your favorite followers (non-negotiable, positivity is cool) ✨🎶

thanks so much @zralokx :)! this was fun

1. Arrow Through Me - Wings 2. Mysterious Vibes - The Blackbyrds 3. King Kong - Frank Zappa & The Mothers of Invention 4. Vibrations - Roy Ayers 5. Brother to Brother - Gino Vanelli

for my absolute favs if u feel so inclined (no pressure!): @hardrockshrimp @zappafool @flavia-draws @cliffburton @the59thstreetbridgesong @missunytheartist (i know youre taking a break right now but i can't wait until youre back :)!)

roma hi ☁️! for the song ask im gonna send you to listen to lady by gino vanelli it was on shuffle for me today again! i hope you enjoy!

couldn’t listen all the way through | not my thing | it’s okay | kinda catchy | ok i really like this | downloading immediately | already in my library

hiiiii lau <3 this is not similar the songs i typically listen to but it has a really nice tune!! something i'd listen while studying or reading a book + drinking coffee 💕💕

Gino Vanelli - Wild Horses (Extended Mix)

Better Records.

They are a business. These are the people who I said annoy me. To be fair I am adding a link so that you may find them and judge for yourself.

Why do they annoy me? Well they are enthusiastic and I am sure they care as there is a lot of work behind this business. But as I have said many many times the sound YOU like may not be the sound I like.

In one of their explanatory bits they say an LP they liked on their old system was not as good on their new system. I could not find anything about what their current system was. It makes a difference. They have a term "tubey magic" that often determines better from good. I suspect that they have a very good tube based system.

There is nothing wrong with tube systems, (Hell that's what I am running now!) but they can and usually do mask detail to varying degrees. They add "space" and texture and many lovely features that are not on the recording. This is fact. I experienced this first hand over 5 decades in this game. At least one record grading company uses all high end solid state equipment for this very reason. They want to hear what is there warts and all.

As we are talking about LPs the turntable is important, but critical is the phonograph pick up. (Cartridge). What brand and type is it? Is it moving coil or moving iron or moving magnet? What type of stylus does it have? Is it properly loaded? What preamp stage is used? Each of these things make an important difference to the sound.

So their reference system is important. If you have a system similar to that their results are more valid for you. High end systems all sound different.

I spend most of my time with Classical and Jazz type music. I have a fair bit of Rock and Popular too, but so much of that is deliberately mixed for car radios and now earbuds. That is not optimal for big speakers and serious systems. Even a good copy may not sound good.

This is why I like re-issued and re-mastered LPs. The business is targeting good sound now as that is the LP customer base today. My audiophile copy of that Gino Vanelli track on the A&M sampler is different than the original good condition LP we have in apparent compression. The Fancy copy has far less or even no compression compared to the original. That is on the master used and no searching for better copies of the original will remove that.

I am sure the good copies they have are actually really good under specific conditions. What I am saying is you may buy a really good copy from them and not be satisfied. They do have a money back policy, so I believe in their integrity.

Hey my pet cats can be really annoying too.

SCTV's Eugene Levy as Gino Vanelli.

"Mo Soul" Player Playlist 25 January

Billy Cobham Feat. Gino Vanelli - We The People

George Duke - Funny Funk

Azymuth - Biazinho Carioca

Aaron Neville - Use Me

4hero feat. Jill Scott - Another Day

Miles Davis - Mystery

Marcus Miller - Rush Over

Don Grolnick Feat. Michael Brecker - Pools

Chuck Loeb - Red Suede Shoes

Deodato - The Crossing

Don Byron - There It Is

Medeski, Martin & Wood - I Wanna Ride You

Positive Flow feat. Omar - Do What I Do

Gnappy - Grease Don’t Freeze

Skinny - Failure

If you really want to enjoy music and help musicians and bands, buy their lp’s or cd’s and don’t download mp3 formats. There is nothing like good quality sound!!!

(Angel Lo Verde / Mo Soul)

3 Classic Guitar Solos Ep. 2

Rick goes over "Stairway to Heaven", "Back in Black", and "Brother to Brother" by Gino Vanelli

Ver "Gino Vannelli - It Hurts To Be In Love (hq)" en YouTube

Gino Vanelli - it hurts to be in Love

#GinoVannelli

The Menace's Attic #867

The Menace’s Attic Mon-Sat 5pm EST bombshellradio.com on ​Bombshell Radio Sunday’s 8pm EST New Shows Wednesday’s 1pm-2pm EST 10am-11am PDT 6pm-7pm BST bombshellradio.com Repeats Friday 5pm EST #classics #pop #rock #classicrock #themenacesattic #BombshellRadio This Week – Episode #867 (10/20/2018)   “I Decided To Achieve A New Goal: To Be Mathematically Early For The 7” Edition. So, Pretend With Me That It’s Next Week As All Of These Songs Reflect A Brighter Future!”   Opening Song  Give Me The Night – George Benson (Warner Bros.) Set #1 More Quincy, A Bit Of Perfection And An Impromtu Road Trip! I’ll Be Good To You – Brothers Johnson (A&M) Perfect Way – Scritti Politti (Warner Bros.) Hitchin’ A Ride – Vanity Faire (Page One) Drivin’ – Pearl Harbor & The Explosions (Warner Bros.) Set #2 At The End Of Every Smoking Gun Is Either A Failed Relationship Or The Unemployment Office! White Lies Blue Eyes – Bullet (Big Tree) Needles & Pins – Smokie (RSO) Nathan Jones – The Supremes (Motown) Going Down To Liverpool – The Bangles (Columbia) Set #3 Herbie, Nile, Gino And The Runt! Hijack – Herbie Mann (Atlantic) Sky High – Jigsaw (Chelsea) I Just Wanna Stop – Gino Vanelli (A&M) Hello It’s Me – Todd Rundgren (Bearsville) Set #4 Two Songs That Are Sure To Depress You If You’ve Had A Recent Break Up. I’m Always Happy To Help! The Sun Ain’t Gonna Shine Anymore – The Walker Brothers (Smash) Since You’re Gone – The Cars (Elektra) Closing Song  Scorpio – Dennis Coffey & The Detroit Guitar Band (Sussex) Read the full article

RIP Bobby Caldwell. #Repost @questlove with @use.repost ・・・ Man. I have never played close but no cigar/near phone tag with any human on earth than this gentleman. On #thatsite I’ve told the story many a time that I told @Common that maybe we should lose the beat to “The Light” cause it wasn’t “Dilla enough” 😭——but Rash saw something in it man——he was like “naw man imma write to this” (later found he he wrote it already 🤣😂) —-I wasn’t mad at it but at that time as a sophomore at “Dilla U” I thought I had Dilla all figured out and NONE of his trademark characteristics were rhythmically there…where are the drunken drums? The odd patches….I mean he did a normal G Funk jawn cause Quik was one of his fav producers but iuuno this just sounds “normal” (I’m not even gonna get into the “whose on first” battle between Ohio Players & Detroit Emeralds thing that almost caused a minor rift in our brotherhood 🤣😂 #IYKYK) but man I’m so glad I was wrong about this. I got word Brother Bobby loved it like in 2001 & so many “we’ll be in town let’s meet” or later on w Fallon “let’s have you sit in!” opportunities missed. & now you’re gone and I never got a chance to kick it with you & hear your story. Caldwell was the closing chapter in a generation in which record exes wanted to hide faces on album covers so perhaps maybe their artist could have a chance (listen to De La Soul’s MASTERFUL “Patti Duke” on Balloone)——commonplace for black artists (see Smokey/Miracles “Mickeys Monkey” or the Isleys “This Old Heart Of Mine” covers….on on the other side NONE of us knew Gino Vanelli, Teena Marie, the literal named Average White Band——and yeah Bobby were NOT black) Man such a missed opportunity to meet a legend. Thank you for your voice and gift #BobbyCaldwell https://www.instagram.com/p/Cp0O4WPsSuf/?igshid=NGJjMDIxMWI=

Sabías que, el 14 de febrero cumple 49 años la cantante italiana nacionalizada mexicana Filippa Giordano nacida en Palermo. Reconocida internacionalmente como La Diva de la Ópera Pop, ha logrado discos de Oro y Platino en países como México, Japón, Australia, Inglaterra y Francia gracias a sus más de 4 millones de discos vendidos. Criada en familia de músicos y en el mundo de la ópera, tomó clases de canto con su madre y aprendió las técnicas vocales, tanto para la ópera como para la música pop. Su álbum debut, ‘Passioni’ apareció en 1998 y un año después ya conseguía sus primeros discos de oro en Japón y Australia. Desde entonces ha actuado en los mejores escenarios internacionales y ante personalidades como el príncipe Carlos de Inglaterra y el papa Juan Pablo II. En su cuarto álbum, ‘Prima Donna’ (2005) graba por primera vez dos temas en español y tras su boda en 2009 con el mexicano Brando Lomeli, publica ‘Capriccio’ con la mayoría de canciones en español. Mexicana desde 2010, su trabajo más reciente tras unos años de ausencia dedicada a su familia fue ‘Friends & Legends Duets’ en 2018, una selección de duetos con artistas como Peter Cetera, Michael Bolton, Pepe Aguilar, Paul Carrack, Gino Vanelli, Armando Manzanero y Gilbert O’Sullivan. @relaxvideobar www.relaxvideobar.com (at RELAX Videobar RETRO) https://www.instagram.com/p/Cou9-H2OxNX/?igshid=NGJjMDIxMWI=

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