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Let’s just say you can bid adieu to shaky and blurry visuals with this object - Mobile Gimbal. A one-stop solution for creative and cinematic vlogging, tight-budget filmography, social media content, and kick-ass YouTube videos. Regardless of how high-end your smartphone is, avant-garde mobile gimbals can let your videos look better than ever before.
A whale oil ship’s gimbal lantern, 18th -19th century
Designed with an ingenious gyroscopic mechanism, the little reservoir and wick in the centre would remain upright at all times, even when the whole thing was swinging violently in rough seas. The outer cage was designed to keep the naked flame away from the rigging or sails or anything else that might catch fire.
I miss IRL streaming. I’m gonna put this rig back to use next week while I have a visitor in town. In my experience, IRL streaming doesn’t have to look bad on a phone. Here’s some nerd shit about IRL streaming and why I have my setup the way that I do.
The standard for IRL these days is a LiveU encoder with a few 4G/5G modems connected to it. The benefit of this setup is not only using multiple connections, but it allows you to max out the quality of the camera you use for IRL. It allows you to use anything from a GoPro to a DSLR / Mirrorless camera for IRL. The liveU takes that camera’s HDMI or SDI output and sends it over the connections of the modems to a destination: typically a server somewhere that is running streaming software like you would at home to stream on Twitch or YouTube. Using this server (IRLToolkit for example) adds the benefit of automatically switching scenes to a "be right back" scene if your internet connection ever dips on the go.
While this is the "standard" for IRL, the barrier for entry is pretty steep. The LiveU alone will run you $1k new, maybe $700-$800 used. Then, for it to be even worth the investment, you'd want to bridge at least two modem's connections which can be anywhere north of $40 a month per modem. That intermediate server will also run you a decent amount of money per month.
I haven't sworn off the idea of adopting this standard some time in the future but for now, I am running a setup on a phone that has admittedly gotten to the point where I should have just done so ages ago. I use my iPhone 12 pro max for IRL, but on that phone I use an app called Prism to stream to IRLToolkit (just like the big boys do) over RTMP, rather than just streaming directly to twitch from, say, the streamlabs app. The video quality on an iPhone 13 pro max holds up to that of a high quality camera, as long as the right software and tinkering is behind it. The audio codec and noise cancellation on Prism do a good job with keeping the audio crisp, but I've recently made the addition of DJI's new lav mic system. I have yet to test this live, but I have used it just in the iPhone's camera app and it sounds great. Then, there is the gimbal. I am currently running the DJI osmo moblie 5. A lightweight stabilizer is something that even those running the LiveU setup don't have. On the left, I have an old pixel 3 running chat, alerts, and the IRLToolkit dashboard all at the same time. Since this requires very little data, this is doable just with a pay-as-you-go SIM card. Lastly, the box jutting off on the left is a LumeCube that is mounted in a cold shoe mounting block. This is just a small LED panel that I can spin away or toward me to keep my subject lit. Not pictured: I've got a JBL clip speaker to strap to my chest, which runs alerts and TTS (which I get in trouble for in public all the time. Shoutout to the guy who played a TTS out loud while I was in the security line at TwitchCon Amsterdam saying I volunteered for a cavity search).
All said and done, the Gimbal costs $140, the extra phone plan costs maybe $30 a month depending on usage. The (unnecessary) mic system is $300. I do have a discount on the intermediate server with IRLToolkit because I know the guy who runs it (sue me - it's normally $120 a month and I won't say what I pay). You could run this same setup on the Prism app to stream directly to Twitch or YouTube, so the intermediate server service can be avoided (at the cost of your stream possibly going down when you lose connection). The upfront cost is really low and the ongoing cost is also relatively low. For someone that wants a better-than-average IRL setup, I think that going down a route like this or similar is something people should explore. It requires the least amount of knowledge for a relatively low amount of money.
If you want to watch this stuff in action, as well as my studio space where I run my own twitch production full time - I'm live at http://www.twitch.tv/hamncheddar
ched.tv for other socials
2023 was alot. Here are none of the bum times and some of the good times, but mostly just cheese plates and cocktails and getting dressed for gigs in public bathrooms and West Coast Summer and Extravagant Everything Else and Diane Kitten.
I got this one much more precise than my previous attempts, so it not only spins, it spins nearly silently. Plus I managed to build in some (experimental) attachment points, so hopefully the rest of the armguard will just slot onto it. (Once I build the rest, anyway.) This piece will go in the middle of my forearm so my wrists can freely rotate palm up/down.
male videographers/photographers are so ANNOYING literally only ONE man that i’ve ever worked with treated me like an equal even tho he’s been doing this for decades!! most of the times whenever im on set or at a wedding shooting content for the company i work for they treat me like i dont know what im doing bc “its just for social media” and they’re surprised when i tell them im a professional wedding videographer and have YEARS of experience, that is the reason WHY they hired me just bc im young and a girl (not a girl) they assume i don’t know shit AND ITS INFURIATING