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#gesture studies
shinakazami1 · 8 days
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Some art studies from today :]
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loveleetoons · 2 months
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02/25/24 071-078 Did a proper gesture session with a live model at Heavy Manners Library. I arrived over an hour late (special thanks to my uber driver for dropping me several blocks away). But it was fun to be in a room full of people drawing again.
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formaldehydedoesstuff · 6 months
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The road from me doing gesture studies to me just drawing weird little demon guys is short and ever-present.
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teigantulsie · 2 years
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I like to do gesture drawings on and off. Here's 2 pages I did in September of 2020. I really like the 2nd page and my attempt to find the sweeping lines of action to simplify down the figures and their gestures
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lorilambe · 2 years
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Looking for Mr. Goodbar
Richard Brooks
1977
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puppyeared · 4 months
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these two are so interesting to me
characters belong to @canisalbus
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polturn · 5 days
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Weird thing enjoyer found another weird thing to enjoy
Various Frankenstein doodlings. Abt half were from reference half from imagination.
Most of these are related to the Royal Ballet version which I watched a video of the other day. So good and such a wild combination. The elegant medium and the grotesque subject matter.
I also had to draw that amazing puppet version that was made for the Hamburg state opera. lil cutie he is
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sofiaruelle · 7 months
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Cutest bookworm and teache in town!!!
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dierat · 1 year
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Gesture studies from 1/03/2023, from 30 seconds to 10 minutes, using copic markers. I’m drawing from http://reference.sketchdaily.net/
I’m pretty rust on gestures, but it’s fun getting back into it. Also I’m posting these in reverse order because the I hate having the worst ones at the beginning, lol.
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elhnrt · 3 months
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AND THERE'S NOTHING HE CAN DO ABOUT IT!
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kudriaken · 5 months
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Gesture costume study - 5.
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Hands and women. Yuh.
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loveleetoons · 9 months
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Gesture studies for my proper portfolio. I've been doing these studies for years and in sessions, I don't feel that confident. Picking out the best and putting together these pages felt a little nice.
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sleeepying · 7 months
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Prof said "do gesture drawings" i asked of what he said idc. So amanda saw it is!
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neversetyoufree · 13 days
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I've been thinking lately about Vanitas and Noé's first "what is salvation" fight at the bal masqué and what it means about their individual definitions of the concept, and I've realized something about Vanitas.
Noé's definition of salvation is the obvious one. It feels natural. To save someone is to keep them from dying. But in a way, his understanding of salvation is also almost selfish. Noé's foundational trauma is the constant loss of his loved ones. He is the eternal sole survivor. So of course he wants to keep people alive—he wants to "save" the people he cares about in the way that keeps them by his side this time.
It's not wrong to want that, of course. I don't mean "selfish" as a condemnation. It's just that the definition of salvation that Noé starts the series with is inarguably the one that best serves his own happiness.
And it's the same with Vanitas.
When Vanitas kills the little girl Catherine by restoring her true name, he tells Noé he doesn't know what salvation is. He might be lying there, or he might be telling the truth in that he's never put his definition of salvation into words or acknowledged it on a conscious level. Either way, though, I do think he has a definition of salvation somewhere in his mind, and it's a very personal one.
Vanitas sees salvation as the preservation or restoration of one's true self. You're saved so long as you can preserve your essential self, uncorrupted by outside forces. Even if the price of that selfness is death.
While Noé's foundational trauma that informs his worldview is the loss of his loved ones, one of Vanitas's foundational traumas is the loss of his bodily autonomy. Through Moreau's experiments and Luna's mark/bite, he has been transformed into something no longer fully human, and he hates it. From the moment Luna told him he was dying, he said he wanted to die as himself rather than live as their kin, and he has been denied that opportunity.
Nothing is more important for Vanitas than being able to dictate the destiny of his own body, and malnomen are the ultimate corruption of bodily autonomy and selfness. Altering one's true name warps not only their physical body, but their very being on a metaphysical level. The curse takes everything a vampire is and changes it, and doing that to an unwilling victim is the ultimate horror for Vanitas.
Given that context, of course Vanitas thinks that killing a child to restore her true name counts as saving her. He's restoring her essential self and un-corrupting her body and being, and even if her self is only returned for an instant before she dies, it's preferable to living on as something warped by an outside force.
Vanitas absolutely starts the series with a definition of salvation, and like Noé, it's the one that best serves his own happiness. He wants to be saved. He wants to be returned to his human self, and failing that (since he knows it's impossible), he wants to wipe out all traces of the force that changed him and then die without going any further down the path of inhumanity.
Vanitas might not be able to admit that definition out loud (or even to himself directly), but it's there, and it guides him early in the series as much as Noé's own definition of salvation guides him in turn.
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those two vigilantes ruining your local pub are actually a wannabe businessman and his father's very capable butler!
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