galaxy-brained mlc take of the day: mlc is wuxia, yes and maybeee not exactly? it very much is a wuxia aesthetically, but it's actually - conceptually - xianxia story in the core. (this is different from suggesting that it is a xianxia show.) however xianxia can (or should) be considered a subgenre of wuxia, not its own separate distinct genre despite the idea of 仙 xian being fundamentally at odds with the idea of 侠 xia, because they both stem from the same belief. (as seen in mlc, it works with the conventions of traditional wuxia aka li xiangyi the sigu sect leader, to get to the real bits of xianxia concept aka li lianhua's story.) so, mlc is wuxia through and through, inside out. send tweet 🫡👍
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ok wait I can explain
so, this must be premised on the understanding that any discussion of "仙 xian/deities" in this context is only as its abstract idea of living a life distanced, detached from worldly, human woes instead of the possibility of immortality existing in mlcverse. (if you think about the deities in xianxia stories being basically human beings who have cultivated themselves into immortality.)
this is the explanation of xianxia as a wuxia subgenre (古仙武侠) in the baidu article of wuxia genre:
武侠中的侠,是脱胎于墨家“以天下为己任”的使命感;而仙侠的侠,通常是传达着“能力越大,责任也就越大”的朴素精神。侠乃入世,仙为出世,道教阴阳的无情大道(无情指寻求自我的不断体悟,以达精神的成仙,非没有感情之意)与武侠江湖的有情众生,即是矛盾也是循环,象征着太极之道,这也就是为何古仙武侠也属于正统仙侠流派的原因。
rough tl:
the xia of wuxia is born from the mohist ideal of bearing a sense of responsibility for the world
while the xia in xianxia focuses on the idea of "with great power comes great responsibility"
the idea of 侠 xia is secular. the idea of 仙 xian is beyond the secular - it is to pursue a life of suppressing/taming your own emotions (it does not mean to be completely removed of the ability to feel. it's a pursuit of self-realisation that makes one attain the status of a "deity" spiritually.) 仙 xian is then inherently at odds with wuxia jianghu's deep empathy and connection with the secular world, but it's also connected back to it. this is why 古仙武侠 is considered to be a part of the wuxia genre.
the relationship between xian and xia is conflicting because the former is all about distancing yourself from worldly issues while the latter necessitates an active effort to do something about them.
but it also means that both wuxia and xianxia acknowledge this weight of human emotions and connection to the world. it's just their respective responses and the outcomes they want that they differ in. what is the ideal person? wuxia says it's to be someone who can propagate and execute the ideal of doing something about this weight of your connection to the world, while xianxia says it's to learn to be at peace with that connection, and it's ok to not do anything about it actually - which might even be harder than trying to do something. (and focusing on your own cultivation can be a good thing for the world, in fact.)
with this, I hope it sounds less absurd that I'm connecting mlc's story to the concept of xianxia. lxy's life was a traditional wuxia archetype. (I've already harped on enough about how he fits into the quintessential mohist model of a xia leader.) what happens after, aka his journey as li lianhua, is the real story of mlc. it's a breakdown of that quintessential wuxia hero. it is a story in which the main conflict faced by the protagonist is to struggle with all the worldly woes including his own past and the cases' victims, in defense of the serenity he has found in the past 9 years. it is a natural battle to fight for someone such as llh because as long as you're still human, you will face the implications of human connections and the innate feeling of compassion and urge to do something about it (part of this, I guess, manifests physically in bicha breaking him down and the resistance to cure).
and relating that to an excerpt from an article discussing xianxia in relation to wuxia:
武侠剧的精神内核也是仙侠剧的精神内核,而“仙”实际上是实现新形式的“侠”的手段,由此扩展了“侠”的深度和其实施的时空范围。武侠之中的侠义精神,可以强调其自在,更强调其是自为的,前者是需要逐渐成长和觉醒的。然而对于高于人的仙而言,作为上位者的“侠”之精神,则应该是内在自觉且自为的。
rough tl:
the spirit of wuxia dramas should also be the spirit of xianxia dramas. xian should in fact be another way to bring out and explore the idea of xia.
the spirit of xia in wuxia can be an emphasis on the spirit of freedom, and even more so, the idea of agency and autonomy. the former is gained through growth and awareness. but for xian aka people who occupy a realm above the people on the ground, the xia spirit they embody should manifest in their inner awakening and agency.
it goes without saying that nobody is a deity in this show, and never will be. only in ep 40.5 it came so close to possessing that otherworldly, surreal edge, but that's all to it. deities do not exist in the mlcverse.
but but. it's interesting to point out in the ep 3 flashback when lxy walked through town in the aftermath of the sigu sect vs jym battle, commoners were heard describing it as 神仙打架 百姓遭殃 when immortals fight, commoners suffer. of course they didn't mean it literally but figuratively, that those people of wulin jianghu are high above, detached from the people on the ground. which is. contradictory to the idea of 侠 xia to begin with. so... it could even be interpreted that li lianhua living the spiritually "immortal" life embodied the xia spirit even more deeply than he did as li xiangyi the sigu sect leader, the "immortal" in the eyes of the commoners. actual immortals do not have any real attachment to the people, but a cultivated "immortal" does and is destined to feel and learn to deal with it over and over like llh did. it all comes back in a circle indeed.
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I'm seeing a theme here, Baum...
The President [of France] touched a bell and gave an order to his servant. Then he turned to Rob and said, wonderingly:
"You are a boy!"
"That's true, Mr. President," was the answer; "but an American boy, you must remember. That makes a big difference, I assure you."
The Master Key, 1901
The Princess looked at her more closely.
"Tell me," she resumed, "are you of royal blood?"
"Better than that, ma'am," said Dorothy. "I came from Kansas."
Ozma of Oz, 1907
"Our father, the Revered and Resplendent Royal Ruler of the Blues, has made you our slave," asserted Indigo, with a yawn.
"But he can't," objected [Trot]. "I'm some Royal an' Rapturous an' Ridic'lous myself, an' I won't allow any cheap Boolooroo to order me 'round."
"Are you of royal birth?" asked Azure, seeming surprised.
"Royal! Why, I'm an American, Snubnoses, and if there's anything royaler than an American I'd like to know what it is."
Sky Island, 1912
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The LAYERS of imagery here. I don't think I've ever seen anyone talk about the yeagerist insignia before and like !!! The guns superimposed over the wings, the similarities to the scouts wings of freedom but they've lost the fluidity and overlap and are now rigid and symmetrical and conforming and have become secondary to violence instead of giving hope of freedom..... not even to mention the scaffolding and it's similarities to Erwin's almost execution as display of state violence, Historia's coronation as display of change in power and Tyber's speech as display of theatre of warmongering.... I can and WILL go on about this
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I choose to believe that Miyazaki killed the director of the new Snow White dead and now he's on the run from the FBI.
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Hi, can you rec any hardcore bands?
sure! that's a whole genre though so im just gonna throw out some of my favs, which range between place n style (and fair warning im not a purist so there's gonna be some subgenre mixing):
you have the 70s-80s classics like bad brains* (all black), minor threat, + teen idles from D.C., black flag*, dead kennedys*, MDC, + adolescents from CA, poison idea from portland, youth of today from NYC, and negative approach from the midwest
earth crisis was an iconic vegan straightedge advocate in the 90s, cro-mags brought in thrash metal influences (which i love), there's tons of melodic hardcore but lifetime in NJ is probably one of the most well-known. also refused* from sweden is one of my top hc bands personally <3
there's been a resurge of hardcore these past few years which is dope: zulu*, an all black group from CA (considered powerviolence, really), turnstile + MSPAINT* which are more melodic n use synths, backtrack from NYC, death tour* mixes in hip hop, GEL, and then a ton of great female-fronted groups like scowl, G.L.O.S.S.* (ie. girls living outside society's shit, transfem), and gouge away*
bonus i'll throw in united nations (supergroup led by geoff ricky of thursday) and having finally listening to racetraitor i can give it a good sign off
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