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#gEt Me PiCtUrEs Of SpIdEr-MaN
kyameraghost · 9 months
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ConnectiCon, 2023
Spider-Man
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please please PLEASE can some one get me that one picture of miguel where he’s far away and making that stupid little face. help.
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demigod-of-the-agni · 6 months
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A DEVIL REBORN
Happy Halloween!!! A detailed ID will be placed under the cut (it's close to being 1K i could literally post this to Ao3)
p1. ड्याम्म (dyamma) - Nepali for "(feeling) full", "hitting something"
p3. Chutiya - Hindi for "idiot", "moron" and other related insults
p5. க்ரீச் (kreech) - Tamil onomatopoeia describing scraping/screeching sounds
[Extended Image ID: DYAMMA! Slamming his hands on a table, Achanba Okram finds himself in the darkness of his laboratory. He is wearing black clothes and a white lab coat on top, and has a bowl cut with rectangular glasses.
His thoughts whirl within boxes that are coloured gold and are outlined with red; they put a voice to the uneasy feelings Okram knows are stirring inside of him. The thought boxes read:
With Pavitr gone, I finally have time to string my thoughts together. Half-drowned answers bleed out of my pores. Coalescing like some great, abysmal creature of unknown origin.
Bracing his hands against the table, Okram is acutely aware of his body, of the gaping holes in his back that bubble with demonic energy. His thoughts narrate, My body quakes when I begin to question, wracked with paranoia. With dread, as if the idea of what I had to face was unbearable.
The holes in back — four of them, spaced evenly from each other — begin to ooze golden liquid, hot like fire and viscous like tar.
And yet, Okram thinks, I felt it all the same: that crawling, scintillating horror of my reality. Of my tainted flesh and blood. My being here is the work of demonic forces.
Golden arms, fluid yet bony, powered by some otherworldly thing, unravel from the void in his back. They flounder and expand around him, filling the lab with a cold glow. The fingers are tipped with talons, and, if he looked hard enough, Okram swears they are edged with blood.
I died years ago, Okram thinks. I lost my humanity to the fire of the devil's madness. Thus, the question remains: what is the future of Achanba Okram, a DEVIL REBORN?
The lights of the lab suddenly brighten, and Okram hears him before he sees him. His arms register the presence of the other person, immediately unraveling and slipping out of reality. Just outside, Pavitr Prabhakar's voice calls, "HEY, DOCTOR OKRAM! Sorry I'm late! Traffic was abysmal today."
Pavitr's entrance catches Okram by surprise, and he stutters out, "PAVITR?! You- ah- you have one of your shifts today?"
His thoughts reprimand him, You CHUTIYA! Pavitr always has his shifts on Tuesdays!
Pavitr is unaware of Okram's turmoil, sauntering into the laboratory while hefting up a white plastic bag. He's wearing a black and white flannel shirt, and he has circular earrings. Pavitr's eyes are trained on the bag in his hand. He answers Okram's question with, "Yeah, I do. I, uh, got a little hungry along the way (I'm always so hungry)." Pavitr whispers the last part as he lifts the bag up. He continues, "so I went and bought some vada pav, and—"
He suddenly pauses, his eyes locking onto Okram. He can't tell what is going beyond Pavitr's eyes, but the other man's analysing gaze unnerves Okram to a degree beyond description.
(In Pavitr's POV: his Spider-Sense was just triggered. Red and gold squiggly lines emanate from and surround his head in a halo.)
Pavitr lowers the bag slightly in concern. "Uhm," Pavitr says "are you okay, Doctor?"
Dread and fear floods Okram's system. Suddenly he is hyperaware of everything in the room, including the golden arm that has sprouted from his back and was lying on the workbench behind him, right in Pavitr's line of sight.
Play dumb! Okram's mind screams at him. Accordingly, Okram replies, a tad too tightly, "Of course I am, Pavitr! Why wouldn't I be?"
KREECH. The golden arm scrapes its taloned fingers across the table, no doubt giving away its location.
Okram chuckles nervously, sweating almost immediately, at which his mind howls, Not that dumb!
Pavitr narrows his eyes at Okram and at the golden arm on the workbench. "Are those...demonic arms?" he asks Okram, a shadow crossing his face.
(In Pavitr's POV: In the back of his mind, Pavitr sees a vague and faded image forming in response to seeing the arms. He remembers Doctor Octopus, the man with two extra sets of arms who had attacked him many years ago; he was one of the first villains Pavitr fought as Spider-Man. But... Doctor Octopus died a long time ago. Perhaps...?)
"Oh, Doctor..."
Pavitr's gaze softens as he asks, "Are you being haunted by demons? Have you been attacked by them? Why didn't you tell me? I'm so sorry this has been happening to you. I can't imagine how stressful this is for you." A moment, and then, "Do you want to talk about?"
Okram hides his face in his hands, quickly responding, "No, I'm alright, Pavitr."
Pavitr walks forward, placing his bag down and reaching down to place a reassuring hand on Okram's shoulder. "But, Doctor, men of your generation have ignored their mental health for too long."
"Yes, I know," Okram sighs.
"It'll be okay, Doctor," Pavitr promises, "we can figure something out!"
"And what?" Okram asks somewhat sarcastically. "You will be here with me 'every step of the way'?"
"One hundred percent!" Pavitr says.
Behind them, one of Okram's demonic arms reaches out to peer at Pavitr and Okram; if an arm could be happy, it certainly was. The arm is seemingly pleased with Pavitr's helpful and understanding nature. /.End ID]
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artist-issues · 2 months
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What do you think about the Spider-Verse movies, if you've seen them? I love the first one a lot but I've only seen the second one once and, while I think I really liked it too, something about it felt off and I can't quite place it.
I'm glad you phrased this question this way because me too. I totally couldn't place what felt off about Across the Spider-Verse and have been trying to answer the "why" question ever since.
Just to get it out of the way real quick, I thought the first movie was amazing, of course, no surprises. You can tell they really know who the characters are (and I mean, they know what they want their own interpretations of those characters to look like) and that shows in all the emotion and the dialogue. The pacing is perfect. Don't need to say anything about the art style because we all know it's very very good.
I like that Miles has to learn his own version of "with great power comes great responsibility," but in a different way from Peter. Like, with Peter, you get the sense that that lesson is being applied like "if you have the power to do something good, do it."
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But it's applied differently with Miles. Not "you have the power to help others, so take responsibility for that." Instead, it's, "you have the power to be something more than you are, so take responsibility for your potential."
Think about it. Uncle Ben dies because Peter didn't stop a bad guy. Something good he could’ve done, but didn’t do.
But Uncle Aaron (in this version, very intentionally) dies because of his own choice to save Miles after using his talents to be a force for evil (kind of showing Miles what “living up to our potential too late” looks like)—and then Miles, unlike Peter, gets to hear his Uncle's last words—which just so happen to be a specific encouragement for Miles to fulfill his potential.
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And of course, every other character in the movie is asking Miles if he can be what they expect him to be.
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It's not till he hears it from his dad, though, that he believes it. I think all that is great (though not nearly as impactful as Peter Parker, because Peter Parker's application of "responsibility" is more selfless. But both Spider-Men have to think less about their own comfort zones and personal success, and more about others.)
Also, real quick, Peter B. Parker learns the same facet of responsibility as Miles in this movie, too. I mean, they drop him into this story as a Peter Parker who’s already learned his own version of “take responsibility for the good you can do.” Now he needs to learn, as a guy who’s afraid to be a dad, how to take responsibility for his own potential.
I mean, there’s really no such thing as “ready,” in these big life decisions. You just do it, as best you can, and you get ready along the way. Heroics, fatherhood, you name it. Leaps of faith. Applicable to all.
Anyway. I said that was going to be real quick, it wasn't, but whatevs.
On to Across the Spider Verse:
I’ve seen this movie twice. And I think I’d need to see it again to really…get what it’s trying to say. There’s some parts about what I think the Main Point is that I like, and some parts I really don’t. There’s also some parts about the actual “art of storytelling” in it that I like, and some that…I think miss the mark, if I can be that bold.
The movie seems to be saying “be true to who you are.” I hate that message. Because human beings are flawed and every-changing, even though the connotations of the phrase “true to” imply something constant. You can’t be “true” to who you are if who you are is always changing. Even if you want to say “yeah, I’m always changing, so I’ll just be true to whoever I am in the moment,” well, what’s the point of that? Ultimately, your “self” is a terrible thing to point the compass of your life at.
But Miles and Gwen both have to decide that they don’t care what everybody around them tells them to be—AND they have to trust others with their identity. Choosing who they are, and then forcing everyone around them to accept it, (Miles telling his alt.universe mother his identity, declaring himself Spider-Man whether the spider was meant to bite him or not, Gwen remaining Spider-Woman regardless of what it forces her father to do, etc.) is treated like a good thing.
That’s not always great, when it’s contrasted with this idea of “the greater good” or “accepting the grand plan for the sake of the world.” The movie makes the “greater good” look like a bad thing.
…But the movie also equates the negative “greater good” with “let one person die because we can’t save everybody.” So it’s like…yeah. You have a point, Miles. If the “greater good” means you know someone is about to die and you just let it happen—instead of letting that person choose to be the sacrifice knowingly—that seems messed up, morally.
And I like parts of that, because I like the valuing of life, and I like the idea that being a control freak is a bad thing, because it’s prideful, etc. But who’s the control-freak? The kid who thinks he can do it all? Or the outer-dimensional watchdog who’s literally “holding all the strings together?”
And then there’s the cop-out of “Well, maybe none of these questions have answers because it’s only PART ONE!”
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Basically, I’ll stop here, and just admit; I haven’t got a handle on why I don’t wholeheartedly like the second movie, either. It’s just not as tight and well-crafted as the first one. Still incredible, don’t get me wrong. Just…something is off.
I’ll talk about other stuff, instead of the Main Point.
I think the pacing is weird. Too much time is given to characters like Pavitr Parker and Hobie (yes, Hobie, I don’t care, he gets too much screen time.) and even The Spot. As much as I love seeing Andrew Garfield, all the cameos take up too much time. The chase scene? Waaay. WAY. Too much time. But that’s the gimmick they leaned in to, so that’s that.
The first movie knew when to make shots that were super artsy few and far between so that they added to a climactic moment. In this movie, just about every shot is doing something new and flashy with the effects, the backgrounds, the stylized icons, all of the above. Only scenes like the ones where Miles and his mom are talking on the fire escape have that “Gorgeous But Normal” vibe. So you feel like you’re just being firehosed with cool artwork, instead of the artwork melting seamlessly into the story and then popping out to enhance impactful moments.
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Also, the facial expressions, particularly in the mouth-areas, are all not as impactful as they were in the first movie. The mouth movements aren’t dramatic enough to fit what the voice actors are doing in a lot of important scenes.
Finally, if I had to pick one big beef with the movie, it would be what they did with Peter B. Parker. I mean, just…relegating him to comic relief, entirely. No arc. No emotional depth. And his baby is just like…there. There’s nothing about him that acts like Spider-Man would.
Anyway, I’ll watch it again, I promise, and come back with more organized thoughts. (But that’s sort of the problem. A well-crafted, finely-tuned story usually doesn’t need this much analyzation to make it’s point—usually it’s clear. But there’s always the chance that it’s a me problem—an audience problem—so I’ll watch it again.)
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milimeters-morales · 4 months
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does miles look androgynous (even just a little) to anyone else or am i alone in this vast desert.
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Deadpool: And we are…The Red Team!
Daredevil: I don’t think I agreed to that name
Deadpool: Didn’t have to, Spidey loves it, which makes it 2 to 1, isn’t that right, my favorite web crawler?
Spider-man, muffled: Love the name
Daredevil: Is he eating? That’s not fair, you can’t feed him before asking something, he always just agrees with the person feeding him!
Deadpool: That’s not true
Deadpool, shoving more burritos onto Spider-Man’s plate: Right, Spidey?
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lonelysucker7 · 4 months
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I don’t usually post art, but today I felt like it. Couldn’t really get that comic out of my head and it’s art so I was tempted to draw a lil something.
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Based from “Spider-Man: The Lost Years.”
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Alfred Molina, Tobey Maguire, and Kirsten Dunst visit MTV June 29, 2004. More photos on Pinterest: https://pin.it/78onPyd
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the-cooler-vigilante · 10 months
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Ok but Peter trying to share Mayday's moments with Miguel so much is probably because he feels bad about Miguel losing his own daughter and he's trying to include him so much and get him to just smile again broooo.
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jacereaall · 1 year
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Congrats on fatherhood Wally 
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kyameraghost · 9 months
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ConnectiCon, 2023
Spider-Man - Hobie Brown
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rabbit-hearted-girl · 11 months
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demigod-of-the-agni · 9 months
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Spider-Man India but make him a Final Fantasy logo
Textless variant under the cut 👇
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iwasbored777 · 11 months
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I can't figure out why some of y'all think that Gwen being in love with Miles doesn't do justice to her trauma after what happened to her Peter. If I had a whole day I wouldn't be able to explain all the reasons why that take makes no sense.
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milimeters-morales · 6 months
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i jsut can’t stop laughing at this picture he wanna be megan thee stallion so bad
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transgender-catboy · 5 months
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I'm so captivated by his . Everything.
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