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#from : saki❃
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she's telling her brother about her day :D
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heartorbit · 15 days
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back to our yuri programming
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anakirui · 1 month
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hot take ??
the only reason people say that "mafuyu and tsukasa have nothing in common" when presented with mafukasa parallels is because they equate mafuyu and tsukasa being similar to "tsukasa has depression" because the fandom equates mafuyu's personality to being depressed and nothing else.
it doesn't help that people (primarily younger people in the fandom) who DO believe in mafukasa parallels end up making the mistake of portraying tsukasa as depressed because as of right now he is not (although it's possible he was in past because of his Very Unclear Middle School Backstory but that's irrelevant)
anyways, mafuyu and tsukasa are narrative foils because their core personalities are built off of the concept of wanting to make the people around them— especially their families— happy.
they both developed personalities at a young age based on someone they looked up to. for tsukasa, it was seiichi amami's performance that inspired him to be a star— a hero that could cheer anyone up. for mafuyu, it was her mother taking care of her that inspired her to be a nurse— and you can see the similarities from there.
for mafuyu, her identity would first come into conflict when her mother expressed her want for mafuyu to be a doctor— suddenly, "everyone's" happiness didn't match what she wanted to do, leaving her in a state of disorder and eventual depression.
for tsukasa, his identity was something he nearly forgot in its entirety at the start of the main story— becoming arrogant and fully absorbed in a hero persona, forgetting the kind person he truly is. furthermore, his current character arc seems to be foreshadowing that what "being a star" to him is going to be called into question— maybe it is something more than just being the main character that saves everyone.
their insecurities are incredibly similar.
in mafuyu's first mixed, mafuyu feels insecure towards ichika because unlike ichika, she feels as if her lyrics have no genuine meaning to be expressed to other people— despite them being her very real feelings. this is brought up again in her second mixed as well.
in tsukasa's third focus event, something similar happens. when watching seiichi's performance, he thinks that his acting is "real" and feels inferior towards him, which is ironic because tsukasa has been method acting this whole time. when tsukasa is acting out rio or bartlett or really anyone at this point in the story, it's not just those characters— it's a reflection of his traumas.
just like mafuyu, tsukasa undermines his passions he's poured his feelings into because someone else's work is more genuine in his eyes.
now, then, foils have many similarities and parallels (and i could honestly list a lot more), but how i define them is that they usually have some kind of major branching difference that MAKES them foils.
for mafuyu and tsukasa it's pretty straightforward.
mafuyu's people pleasing behavior comes from external expectations and pressures— her mother's demands.
tsukasa's people pleasing behavior comes internally, from himself— if he can't meet his own standards, if he can't be the perfect big brother or the perfect star, then he is nothing.
and even then, there's some overlap.
tsukasa's behavior was indirectly encouraged by his mother praising him for being a "good big brother" over the phone instead of asking him if he was okay while home alone.
mafuyu's terrified to be herself around other people because she doesn't want to worry or bother them— she doesn't want to be a burden— and projects her mother's expectations onto them, not realizing that they would prefer the real mafuyu if they knew the truth.
and the concept of mafukasa being foils is most perfectly and blatantly portrayed in these two cards.
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mafuyu, the marionette, sitting limp on the floor— puppeteered by her mother's demands and donning a mask to hide her true self.
tsukasa, the jester, standing above everything else— puppeteering silenced plushies— his feelings. he's not being completely honest with himself, and he doesn't even realize it.
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mafuyu has cut her strings and ripped her mask in half. she has acknowledged her true feelings and expressed them to her mother, even if she had to run away in the end.
tsukasa has not yet cut his.
#project sekai#colorful stage#prsk#tsukasa tenma#mafuyu asahina#mafukasa#theres also obvious ones im sure you all know. like how theyre the sole sekai creators#or their designs paralleling eachother (color schemes of their eyes and hair)#or how theyre both connected to the moon and bunnies#and how theyre connected by a piano with a moon design thats only shown up in mafuyus 2nd mixed and tsukasas 2nd mixed... where they had#their first mixed events together#or how they both easily overwork theirselves#or how theyre almost always projecting onto other people as if their experiences are the norm#ex: tsukasa with rui in wonder halloween and mafuyu with niigo in main story#I CAN GO ON ABOUT THIS FOR HOURS AS YOU CAN SEE .#EDIT: HERES SOME MORE THAT I DIDNT REMEMBER AT 12 AM LAST NIGHT#theyre both connected to apples! points at tsukasa in fixer 2dmv and points at mafuyu2#literally all of their vocaloids parallel eachother.#wxs and n25 miku have a childlike sense of curiosity#wxs and n25 rin are based off someone that isnt them for the most part (saki and ena)#wxs and n25 len are both anxious and pessimistic (in island panic... wxs len has a conflicting pov from meiko and wants wxs to just stay in#the sekai instead of being stuck out on an island... which is kinda escapist as hell)#wxs and n25 meiluka have conflicts that are very similar. n25 meiluka represents mafuyus inner conflict between isolating herself and#helping everyone because she didnt know what would be better#and wxs meiluka is the conflict between tsukasas ambition and his fatigue#which is why wxs meiko always acts like wxs luka is a burden whenever she falls asleep— tsukasa himself wont rest#not when he thinks it will burden other people#and wxs and n25 kaito are both driving forces in tsukasa and mafuyu accepting their true feelings#(although tsukasa is kinda not where mafuyu is yet i think you get what i mean)#EDIT: 5/22/24 I CANT ADD ANYMORE TAGS FUCK
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kraenny · 2 months
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The gang is here
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hellspawnmotel · 9 months
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old prosekas i never got around to posting
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kawaiichibiart · 4 months
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Hello, yes, I need more cards where the characters interact with their younger selves.
I want more of this please:
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xulips · 1 year
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honorifics
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skmr24 · 1 month
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bahbahhh · 8 months
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DAY 5 -SPECIES
[title page] [previous] [next]
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xtealx · 11 months
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mimimimi
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pineappleciders · 11 months
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daises
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damianbugs · 6 months
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i spoke about this briefly before, and i think i have my thoughts more collected now to develop on it; i feel like comics which show bruce comforting his child self in flashbacks of the wayne murder in crime alley understand the purpose of batman a lot more than the ones that have him talking to his parents.
if you've been keeping up with recent batman comics, then you'll notice a theme of bruce getting the chance to talk to his younger self. the important part though, is that it is not because of time travel or some detached third party force — it's the young bruce in batman's head.
it's the him hidden behind the black door in his mind when he's fighting his nightmares —
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Batman Knight Terrors #2, 2023. written by Joshua Williamson.
— and it's the him tucked away in corner of his mind after being drugged and tortured with his greatest fears.
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Detective Comics #1075, 2023. written by Ram V.
after experiencing something traumatic, the one bruce sees suffering from it isn't himself, but the young bruce wayne in the alley. because at the end of the day, every hurt circles back to that night, to that boy, that he can't save no matter how hard he tries — because that boy never left the pool of blood he was sitting in.
i think people often attribute the existence of batman as something created for his parents. to avenge them, or to be the symbol that could have saved their life had he existed before, to stop anyone else from being killed in the same way. there's some truth to that, however, to me, the answer is a little more selfish.
i think it has always been for himself, but not the him now, but the him that is still stuck in that alleyway, waiting over his parents dead bodies. batman is a symbol of hope and reformation and justice, but at its core, batman is what saved bruce wayne.
as a result, the panels above have a very different feel to say, this moment when bruce sees an illusion of his parents in Superman/Batman #56, 2009. written by Michael Green and Mike Johnson.
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it's an emotional moment for sure, but it didn't quite speak to me the same way this absolutely phenomenal moment did in Batman: Blind Justice, 1989. written by Sam Hamm.
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of course this moment is a lot more cynical in how bruce uses batman to cope with his guilt, while the other moments focus on batman providing young bruce with the hope to continue that he isn't alone — the sentiment of batman being the one to pick him up from the floor and lead him away from the scene in a shared motif.
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it reminds me of that one discussion that batman is a victims power fantasy. his own fantasy! because bruce has — in order to have a semblance of control over himself — separated himself from this event that it is a completely different child at the scene of the crime. it's this fact that let's him reach down, hold the boy's hand and tell him everything will be okay.
this bruce wayne is a child, his child, gotham's child, thomas and martha wayne's child, an orphan to protect.
batman was made for children like bruce wayne, to stop them from becoming like him and for them to hold onto when it does — because batman is still trying to fix a problem that has an endless hole. he can never reconcile this trauma and let the boy in the alley leave, because that's not what batman was made for.
batman was made to protect the little boy, and in order to do that, he must remain in that alley.
there's still a bruce wayne who had to grow up, who learned to fight and love and lose again and again, a bruce wayne who becomes batman. a batman who then, tries effortlessly to fix problems and save people, who goes out everynight because if he doesn't, then that boy in the alley is left there for nothing.
then there comes a moment where he falls through the cracks and he's face to face with the child who can't leave and can't grow up and knows nothing but loneliness and grief — and batman gets to tell this child that life becomes more than just this alley.
the child is happy, if even for a moment, that batman is there. that's what batman is for.
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honeygriot · 5 months
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Me and my bad bitch besties who don't play about me
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bananachippps · 11 days
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Pjsk characters eating their favorite food + 1 kasane teto bc she’s cool
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GOD it’s going to be such a pain putting all the tags in
Credits to my bestie peanut for coming up with the pose and drawing teto eating bread in the middle of class
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turtleblogatlast · 6 months
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I’ve gone on and on about how Leo wants to be who Splinter finds is the ideal person (which just so happens to be Splinter’s ideal version of himself) but I have yet to really touch upon how Donnie is the one who most directly parallels Splinter himself to an honestly shocking degree, Raph’s taking from Splinter’s teachings and parenting has resulted in an unhealthy mixup in the different dynamics of a family versus a team, and Mikey is the one who is simultaneously the most focused on family and the most intrinsically himself which both leads to his better grasp of mystics and honestly what just might be the healthiest dynamic with Splinter.
#rottmnt#rise of the teenage mutant ninja turtles#rottmnt headcanons#it’s late so I’m just speaking from the top of my head haha#anyway yeah#the Donnie Splinter parallels are crazyyy tho#I always see ppl say Leo is just like splinter but no Leo WANTS to be like splinter but he’s more a Karai#meanwhile Donnie exhibits many of Splinter’s traits and behaviors#basically Leo has taken on many perceived Lou Jitsu attributes#including his stance his most flaunted skills and his overall demeanor#while honestly being more of a quiet and determined soul at his core that is most like Karai - with the same hope and love for family#we see the more Karai aspects of Leo throughout the series but most blatantly with Future Leo’s portrayal and how Casey Jr talks about him#Donnie though - rather than Lou Jitsu he has many Hamato Yoshi attributes#it’s funny too because Donnie ALSO parallels Draxum in many ways#(you know who else does albeit to a much lighter extent? Mikey)#make no mistake I super wanna get into Raph having a hard time separating team and family and just sorta jumbling them together#but that mindset can be unhealthy!#SHOULD I GET INTO HOW RAPH ALSO PARALLELS HAMATO SHO IN SOME WAYS AS WELL AS ATSUKO#not to mention his direct parallels to OROKU SAKI HIMSELF#and Mikey - I actuallly have a touched briefly upon how his individuality and sense of self has led to his greater control of mystics#but I do think it’s interesting that he has arguably a more healthy relationship with splinter than the others as well?#idk it’s late#and I may be talking about nonsense BUT#I gotta stop here bc I’m very sleepy but I’ll probably be back in these tags rambling more later lol#would just like to add that splinter loves them all very much he is just a flawed and depressed man with a lot of untapped trauma#which unfortunately ends up affecting his boys to different degrees
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soupthatwasreheated · 1 month
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Damn those ponies weren’t lying. Friendship truly is magic.
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