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dailyrugbytoday · 1 year

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Ulster V Munster Rugby is this Sunday on New Year's Day

New Post has been published on https://thedailyrugby.com/live-ulster-v-munster-rugby-game-on-new-years-day-2023/

The Daily Rugby

https://thedailyrugby.com/live-ulster-v-munster-rugby-game-on-new-years-day-2023/

Ulster V Munster Rugby is this Sunday on New Year's Day

Ulster V Munster will see both Irish sides get their 2023 underway in what’s set to be a thrilling fixture at Kingspan. Between provincial derbies and the Champions Cup, it has been a mixed few weeks for both Ulster and Munster. For Ulster, they will be aiming to show why they looked so impressive at the beginning of the season. For Munster, they have shown progress after questions looming over a difficult spell to start the season.

Here is all you need to know ahead of Ulster V Munster

When Is Ulster V Munster?

Ulster V Munster is this Sunday on New Year’s Day, with kick-off at Kingspan at 5.15.

How Can I Watch Ulster V Munster?

Ulster V Munster will be shown live on TG4, with coverage of the game beginning at 4.50.

Your Ulster team to face Munster on New Year’s Day at Kingspan Stadium! 👊

Last remaining tickets 🎟️ https://t.co/7FMkuHOffk pic.twitter.com/hW6Tt2pBaL

— Ulster Rugby (@UlsterRugby) December 30, 2022

The eight Munster players selected for Ireland’s Nations Series fixtures miss out but Paul O’Connell’s nephew, 18-year-old Evan, is destined for a debut from the bench.

If he features, UL Bohs man and former Castletroy College student O’Connell will become the province’s youngest player of the professional era, beating the record Ruadhán Quinn set earlier this season.

Mike Haley returns from a groin injury to make his first appearance since the win over Zebre at Musgrave Park four weeks ago.

After a six-week rest period and being cleared by the independent medical consultant, Alex Kendellen starts on his first appearance since sustaining a concussion against Cardiff in URC round 1.

Ulster V Munster Rugby is this Sunday on New Year’s Day

by Brenda Reed on December 31, 2022 at 5:30 pm

Rugby World Cup 2023 Spotlight with Flying Fiji

by debrambuhl on December 30, 2022 at 5:47 pm

Fiji may also have most effective made the knockout degrees two times of their history, but they have got lit up each Rugby World Cup they’ve competed in. With their willingness to assault from deep and keep the ball alive, Fiji have produced a number of the event’s standout moments. Most memorable in shape: Unquestionably,

where to watch Munster Vs Ulster Rugby Game for New Year’s Day clash

by Brenda Reed on December 30, 2022 at 5:25 pm

Here is our full guide to 2023 Munster Vs Ulster Rugby live streaming or watching it on TV. How to live stream and watch United Rugby Championship. Munster face Ulster at the Kingspan Stadium in Belfast for a New Year’s Day InterPro clash. On the injury front following a St Stephen’s Day derby with Leinster,

Munster – M Haley; S Daly, M Fekitoa, R Scannell, P Campbell; J Crowley, P Patterson; D Kilcoyne, D Barron, J Ryan; E Edogbo, E O’Connor; J O’Donoghue (C), J Hodnett, A Kendellen. Replacements: N Scannell, J Wycherley, R Salanoa, E O’Connell, C Hurley, N Cronin, B Healy, S Zebo.

Ulster – S Moore, B Moxham, J Hume, L Marshall, E McIlroy, B Burns, N Doak; A Warwick, T Stewart, M Moore, A O’Connor (C), S Carter, D McCann, S Reffell, D Vermeulen. Replacements: J Andrew, R Sutherland, G Milasinovich, C Izuchukwu, J Murphy, J Cooney, A Curtis, C Gilroy.

Referee: Frank Murphy (IRFU)

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papermoonloveslucy · 3 years

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FRANK J. SCANNELL

May 7, 1903

Frank J. Scannell was born on May 7, 1903 in Boston, Massachusetts, as Francis J. Scannell. He was 18 years old when he began his career as a tap dancer and singer at a Chicago speakeasy owned by Al Capone who was his first boss in 1922.

He made his screen debut in an uncredited role in 1943′s Whistling in Brooklyn starring Red Skelton and William Frawley (aka Fred Mertz).

In October 1945 he had an uncredited role in Bud Abbott and Lou Costello in Hollywood in which Lucille Ball played herself in a cameo.

A year later, he played a reporter in Lover Come Back starring Lucille Ball.

In February 1952 he played the Burlesque Clown (aka ‘the poor soul’) who teaches Lucy Ricardo the ‘Slowly I Turn’ routine in “The Ballet” (ILL S1;E19).

From 1955 to 1958, Scannell did six episodes of “The Life and Legend of Wyatt Earp” in various roles. The series was shot at Desilu Studios.

On Desilu’s “The Untouchables” he played a Carnival Barker in three episodes from 1960 to 1961.

Also in 1960, Scannell was one of the partygoers in the film musical Bells Are Ringing who sing “Drop That Name”, a song by Comden and Green that rhymes “Lauren Bacall” with “Lucille Ball”!

In 1969 he was reunited with Red Skelton (the star of his film debut) on “The Red Skelton Show”. Two years later he was re-united with Lucille Ball when he guest starred as one of Harry’s Poker buddies on “Here’s Lucy.”

His final screen role was on a 1976 episode of “McMillan and Wife” titled “All Bets Are Off”. He played a roulette dealer in Las Vegas.

Scannell died on November 19, 1989. He was 86 years old.

#Frank J. Scannell #I Love Lucy #The Ballet #McMillan and Wife #The Untouchables #Here's Lucy #Wyatt Earp #Abbott and Costello #Bells Are Ringing #TV #Lover Come Back #Whistling in Brooklyn #Slowly I Turn

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badgaymovies · 3 years

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The Incredible Shrinking Man (1957)

JACK ARNOLD Bil’s rating (out of 5): BBBB USA, 1957. Universal International Pictures. Screenplay by Richard Matheson, based on his novel. Cinematography by Ellis W. Carter. Produced by Albert Zugsmith. Music by Irving Gertz, Earl E. Lawrence, Hans J. Salter, Herman Stein. Production Design by Robert Clatworthy, Alexander Golitzen. Costume Design by Jay A. Morley Jr.. Film Editing by Albrecht…

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ao3feed-snape · 3 years

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A Multitude of Sinners

read it on AO3 at https://ift.tt/2X8idmo

by aogiriarc

Sirius Black knew of Celeste Scannell only as the girl who cried the entire first night at Hogwarts after being sorted into Slytherin. He remembered how desperate she seemed, how she had tilted her head up and whispered pleadingly to the sorting hat.

In classes they shared, Celeste seemed cold and quiet and indifferent. Sirius thought there was always just something off about her. When he brought his curiosity up to James, he would say, “maybe you should ask Regulus. They're always together. And I think some family time would do the both of you some good.”

Going out of his way to talk to Regulus was the absolute last thing he would do. No, stubborn Sirius Black had decided to use a different approach. He would spy on Celeste Scannell. He would follow her around until he found solid evidence of her being a Veela to shove in the faces of his friends.

Words: 338, Chapters: 1/?, Language: English

Fandoms: Harry Potter - J. K. Rowling

Rating: Teen And Up Audiences

Warnings: Creator Chose Not To Use Archive Warnings, Graphic Depictions Of Violence, Major Character Death

Categories: F/F, F/M, M/M, Multi

Characters: Sirius Black, James Potter, Remus Lupin, Lily Evans Potter, Peter Pettigrew, Regulus Black, Marlene McKinnon, Dorcas Meadowes, Mary Macdonald, Alice Longbottom, Narcissa Black Malfoy, Frank Longbottom, Severus Snape, Marauders (Harry Potter), Original Veela Character(s), Original Female Character(s), Original Characters, Avery Jr. | Severus Snape's Schoolmate, Mulciber Jr. | Severus Snape's Schoolmate, Hogwarts Students, Stebbins | Classmate of the Marauders (Harry Potter), Minerva McGonagall, Albus Dumbledore

Relationships: Regulus Black/Original Female Character(s), Sirius Black/Original Female Character(s), Remus Lupin/Original Female Character(s)

Additional Tags: Marauders Era (Harry Potter), Marauders Friendship (Harry Potter), Marauder's Map (Harry Potter), Marauders, Major Original Character(s), Romance, Hurt/Comfort, Major Character Injury, Alchemy, Alternate Universe - Fantasy, Enemies to Friends to Lovers, Friends With Benefits, Fluff and Angst, Eventual Smut, Character Study, POV Female Character, POV Original Character, Original Character Death(s), Drama & Romance, Psychological Trauma, This is set in a major AU, I will elaborate further in the notes, Young Sirius Black, Regulus Black Lives, Sirius Black Lives, Multiple Hogwarts Years, Male-Female Friendship, Enemies to Friends, will add more tags, Regulus and Sirius are TWINS, Self-Indulgent, rawr, Major Alternate Universe Vibes, read the end notes!

read it on the AO3 at https://ift.tt/2X8idmo

#IFTTT #ao3feed #fanfic #Severus Snape #Snape #Professor Snape #SS

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manualstogo · 4 years

Link

For just $3.99 Released on May 27, 1948: A lady newspaper reporter convinces her boss to help young teen delinquents stay out of trouble by playing basketball, but the gangsters have other ideas. Genre: Crime Duration: 1h Director: William C. Thomas Actors: Phillip Reed (Steve Wilson), Hillary Brooke (Lorelei Kilbourne), Stanley Clements (Tommy Malone), Darryl Hickman (Harold 'Skinny' Peters), Carl 'Alfalfa' Switzer (Frankie Snead), Roland Dupree (John 'Pinky' Jones), Tommy Bond (Waldo 'Dum-Dum' Riggs), Vince Barnett (Louie Snead, bondsman), Charles Arnt (Amos Peabody, publisher), Joseph Allen (Wally Blake, reporter), Donna Martell (Marion Harrison), John Phillips (Joe Moreley), Reginald Billado (Cato, henchman), Sam Balter (basketball game announcer), Lane Chandler (irate store owner), Lester Dorr (man passing Steve in hallway), Edward Earle (court clerk), Franklyn Farnum (squad car policeman), Mary Gordon (Mary, cleaning woman), Don C. Harvey (Police Lieutenant Peterson), Thomas E. Jackson (Police Chief), Richard Keene (Jimmy O'Brien), Ralph Montgomery (basketball crowd extra), Grandon Rhodes (Judge Hogan), Frank J. Scannell (Smiling Charlie Kaye), Harry Shannon (Police Captain Henry), Archie Twitchell (newspaper man), Charles C. Wilson (editor of the Chronicle). *** This item will be supplied on a quality disc and will be sent in a sleeve that is designed for posting CD's DVDs *** This item will be sent by 1st class post for quick delivery. Should you not receive your item within 12 working days of making payment, please contact me so we can solve this or any other questions. Note: All my products are either my own work, licensed to me directly or supplied to me under a GPL/GNU License. No Trademarks, copyrights or rules have been violated by this item. This product complies with rules on compilations, international media, and downloadable media. All items are supplied on CD or DVD.

#classic #theatre #movie #theater #vintage #film

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misstanwyck · 13 years

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The Ballet

#Lucille Ball #Frank J. Scannell #The Ballet #I Love Lucy #subtitle #photoset #classic #TV #TV Show #1950s #sitcom #slowly I turn #gif #my gifs #Photoset: The Ballet

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papermoonloveslucy · 3 years

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BEAUTY INTO BUFFOON

February 18, 1952

Queen Elizabeth is on the cover of the February 18, 1952 issue of LIFE magazine, with an inside article about Lucille Ball. HM Queen Elizabeth II ascended the throne on February 6, 1952, after the death of her father King George VI. Her official coronation was held on June 2, 1953. It was the first coronation to be televised. When Little Ricky was born more people watched that episode than watched the coronation of Queen Elizabeth II six months later. The crowning came one day after the airing of “Lucy Wants New Furniture” (ILL S2;E28).

A year later, Lucille Ball (previously known as the Queen of the ‘B’ movies and about to become the Queen of TV Comedy) appeared on the cover of LIFE in 1953 and then again in 1962. Ball also appeared on the covers of two LIFE special editions: “Remarkable American Women” in 1976, and “Classic Faces” in 1991. It was also used as an on-air prop in several episodes of “I Love Lucy.” The photo magazine was a weekly from 1936 to 1972 and a monthly from 1978 to 2000. It maintained a web presence until 2012.

Photographs in this article were from “The Ballet” (ILL S1;E19) and credited to Life staff photographer Loomis Dean (1917-2005). The episode was filmed on January 11, 1952 and was aired on the February 18, 1952, the same date of this issue of LIFE. It starred Lucille Ball, Desi Arnaz, Frank J. Scannell, and Mary Wickes.

The glamour shot of Lucille Ball was credited to photographer Philippe Halsman, who also photographed Lucille Ball for the cover of TV Guide.

#life magazine #Lucille Ball #Queen Elizabeth #TV #I Love Lucy #The Ballet #Mary Wickes #Desi Arnaz #Frank J. Scannell

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papermoonloveslucy · 6 years

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LUCY’S HOUSE GUEST, HARRY

S3;E20 ~ January 25, 1971

Directed by Charles Walters ~ Written by Fred S. Fox and Seaman Jacobs

Synopsis

Harry is having his house redecorated and needs a place to stay. Naturally, he imposes on Lucy, who is increasingly aggravated by her brother-in-law's obnoxious habits. Rather than ask him to leave, she schemes with Kim to get him to leave on his own accord.

Regular Cast

Lucille Ball (Lucy Carter), Gale Gordon (Harrison Otis Carter), Lucie Arnaz (Kim Carter)

Desi Arnaz Jr. (Craig Carter) does not appear in this episode, but he does receive opening title credit and is mentioned in the dialogue.

Guest Cast

Herbie Faye (Poker Player #1) was a character whose first major acting role (at age 56) was Corporal Sam Fender in “The Phil Silvers Show” (1955). He also appeared with Silvers on Broadway in Top Banana (1951) and also did the film version (1954) with Silvers. He appeared in a 1968 episode of “The Lucy Show.” This is the second of his four “Here’s Lucy” episodes.

Emile Autuori (Poker Player #2) makes the third of his six appearances on “Here’s Lucy.” He passed away in early 2017. He was the uncle of writer / director P.J. Castalleneta.

Autuori introduces the episode on the series DVD. In the episode, he wears a cardigan sweater monogrammed G.R.

Robert Foulk (Poker Player #3, right) played the policeman on the Brooklyn subway platform in “Lucy and the Loving Cup” (ILL S6;E12) and a Los Angeles Detective in “Lucy Goes To A Hollywood Premiere” (TLS S4;E20). This is the second of his six characters on “Here’s Lucy,” two which were policemen.

Frank J. Scannell (Poker Player #4, center) played the Burlesque Comic (“Slowly I turn...”) in “The Ballet” (ILL S1;E19). He had done two films with Lucille Ball in 1945, including Lover Come Back. This is his only appearance on “Here's Lucy.”

Vince Barnett (Cabbie #1) appeared with Lucille Ball in one of her first films, The Affairs of Cellini in 1934. He also appeared with her in A Girl, A Guy, and a Gob in 1941. This is his only series appearance.

Sid Gould (Cabbie #2) made more than 45 appearances on “The Lucy Show,” and nearly as many on “Here’s Lucy.” Gould (born Sydney Greenfader) was Lucille Ball’s cousin by marriage to Gary Morton.

Eugene Molnar (Tuba Player) appeared on four episodes of the series. These are his only screen credits.

Molnar has no dialogue. The character is part of a 12-piece marching band that appears in full uniform. The band is uncredited.

Anthony and Cleopatra are Harry's pet parakeets.

Willy the Goat is the mascot of Kim's college.

This episode was filmed on September 17, 1970.

Charles Walters makes his series directing debut with this episode. He directed Lucille Ball in five motion pictures between 1942 and 1945. He was nominated for an Oscar in 1953 for directing Lili. He will direct one more episode of “Here's Lucy” as well as the Lucille Ball television movies “Three for Two” (1975) and “What Now, Catherine Curtis” (1976), which was his final screen credit. He died in 1982 at the age of 70.

Sid Gould (Cabbie #2), Robert Foulk (Poker Player #3), and Emile Autuori (Poker Player #3) all appeared in the previous week's episode “Lucy and the Raffle” (S3;E19). This is the second episode in a row in which Desi Arnaz Jr. does not appear. Lucy says he is on vacation for two weeks.

This episode was filmed on September 17, 1970. “The Flip Wilson Show” (aka “Flip”) premiered that evening on NBC. Flip Wilson will play himself in the season 4 opener of “Here's Lucy.” In return, Lucy appears on “Flip.” Both shows ended their runs in early 1974.

Harry balks at paying $40 a day for a hotel room in Los Angeles overlooking the park. “For $40 a day I should overlook Fort Knox!” Both Harry and Mr. Mooney were fond of punchlines that featured Fort Knox, a Kentucky military installation that is the repository for most of the nation's gold reserves. In today's money, considering inflation, $40 a day is the equivalent of spending $250 a day; not unreasonable in greater Los Angeles.

Trying to ingratiate himself to Lucy to get her to allow him to stay in her home while his house is being renovated, Harry greets her cheerfully, coyly asking about “dear Kim” and “little Craig.” Lucy says that 'little' Craig is 5'11” and shaves. 'Little Craig' is absent from this episode.

Moving in to Lucy's house, Harry brings his parakeets Anthony and Cleopatra. These are the names of real-life historical figures that also are featured in Shakespeare's play Anthony and Cleopatra. Lucy Carmichael played Cleopatra for the Danfield Community Theatre in 1963.

Harry’s suitcases are packed with his John Philip Sousa records. He calls them The Tijuana Brass of his generation. John Philip Sousa (1854-1932) was a composer hailed as “The March King.” His music was extensively used in “Lucy Goest to the Air Force Academy” Parts 1 and 2. The Tijuana Brass was a modern jazz group led by Herb Alpert. They had numerous hit records from 1962 to 1969, when they disbanded. In “Lucy and the Bogie Affair” (S2;E13) in 1969, Kim has a photo of Herb Alpert posted inside her school locker!

Harry leads Lucy and Kim through morning exercises to “The Stars and Stripes Forever,” which was written by Sousa in 1897. It is considered his most famous work and was declared the officially march of the United States of America in 1987. The tempo is sped up a bit on the soundtrack to add to the comedy of the scene.

When Lucy bemoans Harry turning her home into a gambling joint with the arrival of Harry's poker pals, Kim says “Maybe we could sell out to Howard Hughes.” The real life millionaire aviator was mentioned on several previous episodes, including the very first “Lucy Visits Jack Benny” (S1;E1). In the 1960s Howard Hughes went on a spending spree and bought several Las Vegas casino hotels, including the Desert Inn and the Sands, the setting of a 1958 episode of “The Lucy-Desi Comedy Hour.”

In light of his poker game, Lucy calls Harry Nick the Greek. Nicholas Andrea Dandolos (1883 -1966), aka Nick the Greek, was a was a professional gambler and high roller from Rethymnon, Crete. He was inducted into the Poker Hall of Fame in 1979.

Harry's decorator is named Poindexter. On the telephone, Lucy mistakes him for a her.

Kim suggest checking Emily Post for a polite way to get rid of an unwanted house guest. Emily Post (1872-1960) was a writer who's name has become synonymous with proper etiquette and manners. More than half a century after her death, her name is still used in titles of etiquette books.

When the marching band startles awake Harry, Lucy is trying to look nonchalant by reading a magazine. It is Sunset, a monthly lifestyle magazine that focuses on homes, cooking, gardening, and travel, with a focus almost exclusively on the Western United States. It was first published in 1898 and still is in circulation today.

Harry has fallen asleep reading Boating, a magazine for boat enthusiasts. It began publication in 1966 and is still in print today. Harry is a boat enthusiast who decorates his home and office with model ships and paintings of vessels.

Harry is allergic to Willy the Goat – and all long-haired animals. This is consistent with “Lucy and the Bogie Affair” (S2;E13, above) where we learn that Harry is allergic to dogs.

As Harry is finally is finally about to leave, Lucy has a horrible thought: what if Harry is like Sheridan Whiteside in the play The Man Who Came to Dinner and falls on his way out and must stay with them even longer? The play, by George S. Kaufman and Moss Hart, was a comedy that opened on Broadway in 1939. It starred Lucille Ball's good friend (and “Here's Lucy” performer) Mary Wickes as Nurse Preen. Wickes was one of several stage actors who recreated their roles in the 1942 film adaptation.

This episode is similar to “Lucy's Mystery Guest” (TLS S6;E10), where Lucy Carmichael's Aunt Agatha (Mary Wickes) turns up on her doorstep and turns her life upside down with exercise at dawn, a health food regimen, and wardrobe requirements.

Gale Gordon also put Lucy and a pal through their paces with vigorous exercise in “Lucy and the Countess Lose Weight” (TLS S3;E21) in which Mr. Mooney helps out at a fat farm to keep the bank from foreclosing and recruits Lucy and the Countess as members.

Party in the Kitchen! Harry's poker pals head into the kitchen for their game, despite the fact that Lucy has a green felt-lined card table in the living room!

Where the Ceiling Begins! When Harry is leading the morning exercises, the camera pulls back for a long shot and the top of the living room set is visible on the right, with a loop of cable hanging down.

Where the Floor Ends! Later, when Kim leads in Willy the Goat, the camera pulls back revealing the edge of the sound stage floor.

This is classic (if not hysterical) situation comedy material. No guest stars, no music, just Lucille Ball and Gale Gordon in a battle of wit(ticism)s.

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papermoonloveslucy · 4 years

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MY THREE SONS at 60!

September 29, 1960

“My Three Sons” was a situation comedy produced at Desilu Studios. It premiered on ABC TV on September 29, 1960 and finished its first run on April 13, 1972, with 380 episodes making it the second-longest running live-action sitcom in TV history after “The Adventures of Ozzie and Harriett” (1952-66).

Seasons 1 through 5 were aired in black and white on CBS. In 1965 it moved to CBS when ABC declined to underwrite the costs of airing in color. The series was initially filmed at Desilu Studios in Hollywood, but at the start of the 1967–68 season, the cast and crew began filming the series at the CBS Studio Center in Studio City, California due to Lucille Ball’s sale of Desilu to Gulf + Western, which owned Paramount Pictures. The sale also affected the filming location of another family sitcom, “Family Affair.”

Incredibly, “My Three Sons” ran concurrently through both “The Lucy Show” and “Here’s Lucy.” Both Steve Douglas and Lucy Carmichael (and later Carter), where single parents raising children.

September 16, 1965 was a big night for CBS airing the very first episode of “My Three Sons” after moving from ABC titled “The First Marriage”. It was also the first episode of the series broadcast in color, something “The Lucy Show” did three days earlier with “Lucy at Marineland” (TLS S4;E1). The premise of the series is a widowed father (Steven Douglas) raising his three boys with help of his extended family. Initially, the three sons were Chip, Robbie, and Mike, but in 1967 Mike was written out and replaced by Ernie, whom Steve adopted. The extended family at first consisted of Bub, Steve’s father-in-law and the boys’ maternal grandfather, but in 1964, that character was replaced by Uncle Charley, Steve’s uncle and Bub’s brother.

The leading role was played by film star Fred MacMurray, who the series was built around - including his hectic schedule. To suit MacMurray, scenes would be shot out of sequence and even alone on a soundstage and later edited to create a complete episode. This was not MacMurray’s first time at Desilu. In 1958 he played himself on the “Lucy-Desi Comedy Hour” in “Lucy Hunts Uranium” set in the Nevada desert outside Las Vegas. He was joined by his second wife, actress June Haver. MacMurray (1908-91) appeared in over 100 films in his career but is perhaps best remembered for the film Double Indemnity (1944), which Lucy references in this episode. MacMurray’s name was first mentioned by Ethel in 1953 in “The Black Eye” (ILL S2;E20) when flowers arrive for Lucy mistakenly signed “Eternally yours, Fred.”

Although Lucille Ball was their landlord (and ultimate boss) she never acted on the show, but many of the actors who appeared on Lucille Ball’s sitcoms did appear on “My Three Sons”.

From 1960 to 1965, MacMurray was joined by William Frawley as Bub O’Casey, the family’s live-in maternal grandfather. Of course, Frawley came to fame on “I Love Lucy” as the crusty landlord Fred Mertz. Frawley had worked with MacMurray in the 1935 film, Car 99. When Frawley had to leave the show due to ill-health (and it was too costly to insure him) he was replaced by another Desilu alumni, William Demarest, as Uncle Charley. Like his previous co-star, Vivian Vance, Frawley was not especially fond of Demarest personally or as an actor. Demarest had, however, done three films with Lucille Ball. Frawley kept watching “My Three Sons” on his TV set bitterly. He never really got over being replaced by Demarest. On March 3, 1966, Frawley died of a heart attack.

For Christmas 1959, Frawley and Demarest both appeared with Lucy and Desi in “The Desilu Revue” (above with “December Bride’s” Spring Byington). At the time, Demarest was working on the Desilu lot appearing in NBC’s “Love and Marriage.”

On “My Three Sons” two of Steve Douglas’ boys had been seen on “The Lucy Show”: Don Grady (Robbie Douglas) had played Chris Carmichael’s friend Bill and Barry Livingston (Ernie Douglas) had played Mr. Mooney’s son Arnold. Ted Eccles, who assumed the role of Arnold Mooney when Barry Livingston was busy on “My Three Sons,” also did an episode.

The children of “The Lucy Show,” Ralph Hart (who played Viv Bagley’s son Sherman), Jimmy Garrett (Jerry Carmichael), and Candy Moore (Lucy Carmichael’s daughter Chris) were also on episodes of "My Three Sons.”

Other “Lucy” performers who were on “My Three Sons” include:

Mary Wickes ~ Jeri Schronk (1964)

Doris Singleton ~ Helen & Margaret, 8 episodes (1964-70)

Shirley Mitchell ~ Sally, 2 episodes (1968)

Barbara Pepper ~ Mrs. Brand (1966)

Verna Felton ~ Mub (1962)

Kathleen Freeman ~ Lady Checker (1967)

Jerry Hausner ~ Various Characters, 2 episodes (1964 & 1966)

Reta Shaw ~ Various Characters, 2 episodes (1962 & 1965)

Elvia Allman ~ Maude Prosser (1967)

Eleanor Audley ~ Mrs. Vincent, 9 episodes (1969-70)

Burt Mustin ~ Various Characters, 5 episodes (1962-70)

Olan Soule ~ Various Characters, 5 episodes (1963-70)

Alberto Morin ~ Professor Madoro (1967)

Herb Vigran ~ Caretaker (1967)

Maurice Marsac ~ Various Characters, 3 episodes (1964-72)

Tim Mathewson ~ Various Characters, 3 episodes (1962-63)

Bill Quinn ~ Doctors, 4 episodes (1964-66)

Barbara Perry ~ Mrs. Thompson & Mrs. Hoover, 3 episodes (1964-72)

Nancy Kulp ~ Various Characters, 2 episodes (1962)

George N. Neise ~ Various Characters, 2 episodes (1960 & 1967)

Maxine Semon ~ Various Characters, 2 episodes (1964 & 1967)

Roy Roberts ~Various Characters, 2 episodes (1965 & 1967)

Lou Krugman ~ Various Characters, 2 episodes (1966 & 1967)

Richard Reeves ~ Various Characters, 2 episodes (1962 & 1965)

Dorothy Konrad ~ Various Characters, 2 episodes (1961 & 1962)

Ed Begley ~ Various Characters, 2 episodes (1962 & 1968)

Gail Bonney ~ Various Characters, 2 episodes (1965 & 1970)

Rolfe Sedan ~ Various Characters, 2 episodes (1968 & 1971)

Tyler McVey ~ Various Characters, 2 episodes (1962 & 1967)

J. Pat O’Malley ~ Various Characters, 2 episodes (1963 & 1964)

Paul Picerni ~ Various Characters, 2 episodes (1965 & 1967)

Sandra Gould ~ Various Characters, 2 episodes (1963 & 1964)

Richard Deacon ~ Elderly Man (1960)

Mabel Albertson ~ Mrs. Proctor (1964)

Joan Blondell ~ Harriet Blanchard (1965)

Leon Belasco ~ Professor Lombardi (1966)

Dayton Lummis ~ Dr. Blackwood (1963)

Lurene Tuttle ~ Natalie Corcoran (1968)

Robert Foulk ~ Pop Action (1962)

Dick Patterson ~ Bunny Baxter (1963)

Jamie Farr ~ Itchy (1964)

Larry J. Blake ~ Policeman (1968)

Amzie Strickland ~ Cora Dennis (1968)

Barbara Morrison ~ Mrs. Murdock (1969)

Louis Nicoletti ~ Caddy Master (1962)

Frank Gerstle ~ Policeman (1964)

Gil Perkins ~ Painter (1963)

Tommy Ferrell ~ Mr. Griffith (1964)

Eve McVeagh ~ Clara (1966)

Remo Pisani ~ Pepe (1970)

Dub Taylor ~ Judge (1963)

Frank J. Scannell ~ Emcee (1968)

Ray Kellogg ~ Henshaw (1965)

Romo Vincent ~ Charley (1964)

Stafford Repp ~ Sergeant Perkins (1969)

Jay Novello ~ Vincenzo (1966)

Leoda Richards ~ Restaurant Patron (1966)

CHILD STARS!

Other child stars who appeared on “My Three Sons” included Butch Patrick (“The Munsters”), Jay North (“Dennis the Menace”), Oscar-winner Jodie Foster, Angela Cartwright (“Make Room for Daddy”), Flip Mark (”Lassie”), John Walmsley (”The Waltons”), Tony Dow (“Leave It To Beaver”), Erin Moran (“Happy Days”), Maureen McCormick (”The Brady Bunch”), Ann Jillian (Gypsy), and Heather Menzies (The Sound of Music).

On November 22, 1977, ABC TV (and Dick Clark Productions) brought together a reunion of two of television's favorite sitcoms "The Partridge Family" and "My Three Sons." Hosted by Shirley Jones and Fred MacMurray this would be the only time that the surviving cast members would get together to celebrate the series which included clips, a song from David Cassidy, and an update of what each cast member was doing in 1977.

Also in 1977, some of the stars of the series reunited on a morning program titled "The Early Show", including Stanley Livingston (Chip Douglas), Barry Livingston (Ernie Douglas), Tina Cole (Katie Miller Douglas), and Don Grady (Robbie Douglas).

TRIVIA

In “Lucy Helps Danny Thomas” (TLS S4;E7) in 1965, there is a large framed photo of Fred MacMurray in the studio hallway. He is joined by other Desilu stars like Jim Nabors (of “Gomer Pyle USMC”), Andy Griffith (of “The Andy Griffith Show”) and Danny Thomas (of “The Danny Thomas Show”).

#My Three Sons #Lucille Ball #Desilu #1960 #TV #Desilu Studios #Fred MacMurray #William Frawley

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papermoonloveslucy · 3 years

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ROBERT FOULK

May 5, 1908

Robert Foulk was born in Philadelphia, Pennsylvania on May 5, 1908. He attended the University of Pennsylvania as an architecture student but became interested in theatre and by the age of 23 had made his Broadway debut in 1931. He did six plays on Broadway up until 1939, when he moved to Hollywood.

His first job in Hollywood was not on screen, but as a dialog director for Warner Brothers, where he worked on ten films (including The Maltese Falcon) before making his feature film acting debut in Road House (1948) starring Ida Lupino. In it, he played a policeman (uncredited), something he would do countless times again in the future.

In June 1951, he made his television debut in an episode of “Racket Squad”. Television would keep him busy for the rest of his life.

His first job for Desilu was in April 1953, on Desilu’s “Cavalcade of America” anthology series. He would do six more episodes through November 1956.

In January and May 1956, Foulk did two episodes of Desilu’s hit sitcom “December Bride.”

In 1956 he also did two episodes of Desilu’s co-production of “The Adventures of Jim Bowie”.

In 1956 and early 1957, he did two episodes of Desilu’s “The Sheriff of Cochise.” In addition to law enforcement, westerns were keeping him busy.

Foulk also did three episodes of Desilu’s “The Texan” in from 1958 to 1960.

Not strictly a western, he was also seen in 1960 episode of Desilu’s “Guestward Ho!”

LUCY (to a Policeman): “Oh, good grief, no. Don’t get a policeman. You know how nosy they are, always asking those foolish questions and then, instead of helping, after you’ve gone through all the trouble of explaining for half an hour, all they do is just mess things up. Don’t get a policeman!”

He had been playing policemen for “The George Burns and Gracie Allen Show” so it was natural to cast him as the Cop on the Brooklyn subway platform on “I Love Lucy” in “Lucy and The Loving Cup” (ILL S6;E12), filmed on November 1, 1956, but first aired on January 7, 1957.

After “I Love Lucy” Foulk did two episodes of their copter series “Whirlybirds” in 1957 and 1958.

On Desilu’s “The Real McCoys” he played five different characters in five appearances between 1959 and 1963.

He also did a single episode of their mega-hit “The Untouchables" in 1961. He played a Sheriff (uncredited) in “The Big Train - Part 2″.

From Brooklyn to Beverly Hills, Foulk played an undercover policeman in “Lucy Goes to a Hollywood Premiere” (TLS S4;E20) on February 7, 1966. He gives Mr. Mooney a hard time for hustling Hollywood maps to the stars homes.

He returned to work for Lucille Ball again, this time with Lucille Ball Productions, in “Lucy and the Raffle” (HL S3;E19) on January 18, 1971, the first of his six appearances on “Here’s Lucy.” He played a government clerk who gives Lucy a hard time when she seeks a permit for her raffle.

The very next week he was back as one of Harry’s poker pals (with Frank J. Scannell) in “Lucy’s House Guest, Harry” (HL S3;20) on January 25, 1971. Those are small kegs of beer for such a large man!

Foulk returns for a third week in a row (virtually unheard of with Lucy) to play the janitor in the building where Carter’s Unique Employment Agency rents space. The episode was titled “Lucy and Aladdin’s Lamp” (HL S3;E21) and it aired on February 1, 1971).

He’s back in blue for “Lucy and Mannix Are Held Hostage” (HL S4;E4) on October 4, 1971. Although it is a new season, only six new episodes had passed since his previous appearance.

It had been more than a year, but he kept his uniform on for “The Case of the Reckless Wheelchair Driver” (HL S5;E6) on October 16, 1972.

Foulk looked a bit different for his final appearance with Lucille Ball in “The Big Game” (HL S6;E2) on September 17, 1973, where he dons a beard as a football fan who can’t score a ticket for ‘the big game.’ When Lucy tries to sell him some scalped tickets, he thinks she is trying to sell herself!

Foulk’s final screen role was playing an old sea captain in the Disney film Pete’s Dragon in 1977.

In the 1930s, Foulk married actress Alice Frost. In 1947, he married Barbara Slater. They remained married until his death in 1989 at age 80.

#Robert Foulk #TV #Lucille Ball #I Love Lucy #Here's Lucy #The Lucy Show #Desilu

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papermoonloveslucy · 3 years

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TOP OF MY HEAD: WAX OF BALL

May 16, 1964

Last summer I was engaged to write a one-hour special comedy program starring this glamorous bouquet of names: Jack Benny, Danny Thomas, Garry Moore, Lucille Ball, Andy Griffith, and Phil Silvers. (1)

I am not going to single out any certain name, but one of these stars gave me plenty of trouble. If I play my cards right, I may never have to write for her again.

These six television personalities are all under the sponsorship of one advertiser and appear weekly for separate products in their own respective half hour niches. To herald the opening of a new season a week before their first shows appeared. General Foods gathered them all together into one huge bowl to serve up a mighty chef's salad. It was only natural that some ham should have slithered in.

It was at once discernible to the writers that to accommodate this array of disparate talent the script concept would have to include two important factors. One, a plot in which they would all be concerned. Two, jokes distributed in equal portions among the six performers. Give one comedian, working with a group of other comedians, fewer lines than the others and you have an actor on your hands who, as rehearsals go along, sinks lower than the second f in Schrafft's. (2)

The plot we came up with was a simple and workable one. Five of our stars see a news item in Variety that General Foods has just hired Phil Silvers to do a new half-hour show.

"It is rumored," says our Variety story, "that General Foods may drop one of the other five." If that sounds contrived, it was. We put a piece of paper into the typewriter and contrived it. I don't quite know what critics mean when they write that a story line was contrived. I like to think it was conceived. We certainly went through enough labor to bring it into the world.

In due course an outline in some depth was written and presented to the advertising agency, and there was joy in all the cubicles up at Benton and Bowles. They phoned to say they had engaged as producer a man from the theater with a long list of distinguished plays he had nurtured through their out-of-town tryouts to Broadway successes—Leland Hayward. Mr. Hayward and I were to make the trip to the West Coast and articulate our outline to the stars. Which we did, to unanimous approval. The agency men were quite pleased, and at lunch Ed Ebel, vice-president of General Foods, insisted I have a second dessert.

Then back we came and the script was written. You know that line about everything being fine at the theater until the curtain went up? In the purified vernacular of television, all heck broke loose. Miss Ball found it highly incompatible with her public image to pretend that she would worry about losing her job to Phil Silvers because everybody knows she is president of Desilu Productions. She wanted a slight change—the script to state explicitly that she is president of Desilu and she wasn't worried.

Well, this played hell with our premise —excuse it, I'm getting steamed up now. We watered the plot down to "although Miss Ball was president of Desilu and was not worried about losing her job she would pretend to have some concern for the other stars who might lose their jobs and she would help get rid of Mr. Silvers." Some of the enchantment of doing the show was now slipping away. But it got worse. My good friend Jack Benny, when he saw the changes, reminded us that everybody knows he's quite wealthy and he wouldn't be worried about losing his job either. To keep it from spreading through the cast, Mr. Hayward explained that they were playing the parts of people about to lose their jobs—a crisis with which viewers can all identify.

The point was finally made and the script went into rehearsal. Word came back to us from the Coast that Miss Ball, who evidently wasn't finding it very rewarding laugh-wise to be the public image of president of Desilu, had ordered other changes into the script— among them a scene with Mr. Silvers known in burlesque as "Again I Turn" (3) —ending with the pie-in-the-face bit, in which the president of Desilu pretended to be an old scrubwoman.

After the show went on the air I heard to my sorrow that some viewers found this scene quite hilarious. This I can attribute to only one unfortunate thing—Miss Ball happens to be one of the country's most talented and prolific comediennes.

The other Sunday night Miss Ball appeared in an hour show with Bob Hope. (4) She played, of all things, the president of Desilu. Also, she was an actress for Desilu. She appeared in one scene as the actress trying on a top hat, white tie, and tails.

"This is what I wear in the magic act, isn't it?" she asked the tailor. "Where are the tricks?"

"In the suit," he replied, as the public image of the Desilu president went off gaily to a board of directors' meeting.

Well, if there was a message in a television program, this was it. No sooner had she arrived at the meeting than she removed the top hat, and there, nestling in the hutch of all that red hair, was a rabbit. Desilu stockholders will please not assume that this is her public image.

Also, the very next night the president of Desilu appeared in her usual weekly show. (5) The premise: "Lucy takes a job as a summons server to earn vacation money."

~ GOODMAN ACE

Goodman Ace (1899-1982) was born as Goodman Aiskowitz, aka "Goody" (as he was known to friends) had a low-key, literate drollery and softly tart way of tweaking trends and pretenses made him one of the most sought after writers in radio and television from the 1930s through the 1960s. In 1957 and 1959 he was Emmy nominated for writing “The Perry Como Show.” He and his wife Jane had a long-lasting radio breakfast show called “Easy Aces” that transferred to television in 1949 - where it lasted just six months. As per his desires, “General Foods Opening Night” was the first and last time he collaborated with Lucille Ball.

This article appeared in the May 16, 1964 issue of Saturday Review, a weekly literary magazine published from 1920 to 1986. Norman Cousins was the editor from 1940 to 1971. It was described as "a compendium of reportage, essays and criticism about current events, education, science, travel, the arts and other topics."

FOOTNOTES TO HISTORY

(1) The TV special that Goodman Ace was employed to write was titled “Opening Night” airing September 23, 1963 on CBS starring Phil Silvers (“The New Phil Silvers Show”), Lucille Ball (“The Lucy Show”), Jack Benny (“The Jack Benny Program”), Andy Griffith (“The Andy Griffith Show”), Danny Thomas (“Make Room for Daddy”), and Garry Moore (”I’ve Got A Secret”).

(2) Schrafft’s was a chain of moderately priced New York restaurants which often attracted ladies who were out for shopping trips. It was one of the first restaurants to allow un-escorted females on a routine basis. In 1981, the Boston-based candy company that owned the chain ceased operations, leaving just a few remaining restaurants in private hands. Schrafft’s was mentioned in “Lucy Does the Tango” (ILL S6;E20) and ““Housewarming” (ILL S6;E23).

Ace writes "sinks lower than the second f in Schrafft’s”. This is a reference to the company’s distinctive logo.

(3) The vaudeville routine is most commonly known as “Slowly I Turned” or “Slowly I Turn” or even “Martha”, but not “Again I Turn,” as Goodman writes. Perhaps this mistake is intentional to show his displeasure of the age-old vaudeville routine being inserted into his script - or perhaps not. Lucille Ball had performed “Slowly I Turned” as Lucy Ricardo on “The Ballet” (ILL S1;E9) opposite Buffo the Clown (Frank J. Scannell) in 1952. This time, Lucy takes the role of the clown, and Phil Silvers is the one with the kind face. For plot purposes, Lucille is dressed as a charwoman.

(4) The show Goodman Ace is referring to was titled “Mr. and Mrs.” aka “The Lucille Ball Comedy Hour” and was aired on April 19, 1964. As he points out, the premise has Lucille Ball playing ‘Herself’ as the head of a studio named Consolidated Pictures (not Desilu). Like the real-life Ball, she also has a popular TV show in which she plays a wacky redhead named Bonnie Blakely (not Lucy Carmichael).

(5) Ace is referring to “Lucy is a Process Server” (TLS S2;E27) aired on April 20, 1964, in which Ball plays Lucy Carmichael, a single mother of two who takes a second job as a process server to make enough money to go on vacation with her best friend and roommate Viv (Vivian Vance). Her first summons must be served to Mr. Mooney.

Original 1964 article by Goodman Ace, transcribed verbatim. Footnotes by Michael T. Mooney.

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papermoonloveslucy · 4 years

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FRED MACMURRAY

August 30, 1908

Frederick Martin MacMurray was born in Kankakee, Illinois. His aunt was a vaudeville performer and actress. Before MacMurray was two years old, his family moved to Madison, Wisconsin, where his father was a music teacher. He later attended school in Quincy, Illinois before earning a full scholarship to Carroll College in Waukesha, Wisconsin. At Carroll, MacMurray played the saxophone in numerous local bands. He did not graduate from the college. Before signing with Paramount Pictures in 1934, he appeared on Broadway in Three's a Crowd (1930) and alongside Bob Hope in Roberta (1933).

Fred MacMurray (1908-91) appeared in over 100 films in his career. He is perhaps best remembered for the film Double Indemnity (1944).

MacMurray’s name was first mentioned by Ethel in 1953 in “The Black Eye” (ILL S2;E20) when flowers arrive for Lucy mistakenly signed “Eternally yours, Fred.”

LUCY: “Oh, now, Ethel, you certainly don’t think that these are from Fred Mertz, do you?” ETHEL: “Well, this card certainly wasn’t written by Fred MacMurray.”

MacMurray’s 1954 film The Caine Mutiny was often mentioned on “Lucy” sitcoms, often in the context of the film’s source material, a book and a play. In “Lucy Writes A Novel” (ILL S3;E24), Lucy plans to name the sequel to her novel “Sugar Cane Mutiny,” a pun on Cuba’s main export and the title of the (then) recently released film. In “Guess Who Owes Lucy $23.50?” (HL S1;E11) Van Johnson orders security guards to escort Lucy Carter out of the studio. A bitter Lucy says that now she’s glad he got court martialed The Caine Mutiny.

The first time that MacMurray appeared on screen with Lucille Ball was in “Lucy Hunts Uranium” a 1958 episode of “The Lucy-Desi Comedy Hour” set in the Nevada desert and Las Vegas. MacMurray played himself, and was briefly joined by his real-life second wife, June Haver. The storyline has MacMurray competing with Lucy for a claim on Uranium discovered in the desert.

Lucille Ball later said that MacMurray was “fine enough” in this episode, but she really had to work with him on his comic timing, especially in the telephone booth scene. Ball and MacMurray clearly had different styles.

MY THREE SONS

MacMurray is perhaps best remembered for playing Steve Douglas on “My Three Sons” (1960-72).

MacMurray and the long-running show was on the cover of TV Guide nine times!

From 1960 to 1965, MacMurray was joined by William Frawley as Bub O’Casey, the family’s live-in maternal grandfather.

When Frawley left the show due to ill-health he was replaced by another Desilu alumni, William Demarest, as Uncle Charley. Demarest did three films with Lucille Ball. For Christmas 1959, Frawley and Demarest both appeared with Lucy and Desi in “The Desilu Revue”. At the time, Demarest was working on the Desilu lot appearing in NBC’s “Love and Marriage.”

On “My Three Sons” two of Steve Douglas’ “sons” had been seen on “The Lucy Show”: Don Grady (Robbie Douglas) had played Chris Carmichael’s friend Bill and Barry Livingston (Ernie Douglas) had played Mr. Mooney’s son Arnold. Ted Eccles, who assumed the role of Arnold Mooney when Barry Livingston was busy on “My Three Sons,” also did an episode. Ralph Hart (who played Viv Bagley’s son Sherman), Jimmy Garrett (Jerry Carmichael) and Candy Moore (Lucy Carmichael’s daughter Chris) were also on the show.

Other “Lucy” performers on “My Three Sons” include: Mary Wickes, Doris Singleton, Shirley Mitchell, Barbara Pepper, Verna Felton, Kathleen Freeman, Jerry Hausner, Reta Shaw, Elvia Allman, Eleanor Audley, Burt Mustin, Olan Soule, Alberto Morin, Herb Vigran, Bill Quinn, Barbara Perry, Nancy Kulp, George Neise, Maxine Semon, Flip Mark, Roy Roberts, Lou Krugman, Ted Eccles, Richard Reeves, Dorothy Konrad, Ed Begley, Gail Bonney, Jay North, Rolfe Sedan, Tyler McVey, J. Pat O’Malley, Paul Picerni, Sandra Gould, Richard Deacon, Mabel Albertson, Joan Blondell, Leon Belasco, Dayton Lummis, Lurene Tuttle, Robert Foulk, Dick Patterson, Jamie Farr, Larry J. Blake, Amzie Strickland, Barbara Morrison, Louis Nicoletti, Frank Gerstle, Willy Lally, Gil Perkins, Tommy Ferrell, Eve McVeagh, Remo Pisani, Dub Taylor, Frank J. Scannell, Ray Kellogg, Romo Vincent, Stafford Repp, Jay Novello, and Leoda Richards.

The show’s Dialogue Coach / Director was Adele Sliff, whose name was used in the dialogue of “In Palm Springs” when Rock Hudson tells Lucy and Ethel a sad story. Adele was also the “I Love Lucy” script clerk.

In 1961, MacMurray took part in “This is Your Life: William Frawley” in tribute to his co-star. Naturally, Lucille Ball also took part in the show.

MacMurray was cast as Frank Beardsley in Yours, Mine and Ours (1968) opposite Lucille Ball, but withdrew and the role went to Henry Fonda.

In 1978, Lucy and MacMurray took to the dais to tribute Henry Fonda in “AFI Salutes Henry Fonda”.

Two months later, Lucy and Fred were both seen in “Happy Birthday, Bob: A Salute to Bob Hope’s 75th Birthday” taped at the John F. Kennedy Center.

In 1986, they were both back for “AFI Achievement Award: A Tribute to Billy Wilder”. Curiously, neither MacMurray nor Ball had ever worked with Wilder.

The last time Lucy and MacMurray shared the small screen (with June Haver) was at the “All-Star Party for Clint Eastwood” in 1986.

He married Lillian Lamont on June 20, 1936, and the couple adopted two children.

After Lamont died of cancer on June 22, 1953, he married actress June Haver the following year. The couple adopted two more children in 1956. MacMurray and Haver's marriage lasted 37 years, until Fred's death at age 83 in 1991.

#Fred MacMurray #Lucille Ball #The Lucy-Desi Comedy Hour #Lucy Hunts Uranium #June Haver #I Love Lucy #My Three Sons #The Caine Mutiny #Yours Mine and Ours #William Frawley #Don Grady #Barry Livingston #TV Guide

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papermoonloveslucy · 4 years

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JAMES BURKE

September 24, 1886

James Burke made his stage debut in New York around 1912 and went to Hollywood in 1933. He made over 200 film appearances during his career between 1932 and 1964 including The Maltese Falcon (1948). Between 1934 and 1948, Burke did eight films with another prolific character actor, William Frawley (Fred Mertz). In 1934, he made Ruggles of Red Gap, a film that was re-made by Lucille Ball and Bob Hope in 1950.

He began working in films in 1932, just before Lucille Ball’s arrival in Hollywood. Between 1933 and 1938, Burke appeared in four films that also featured Lucille Ball:

The Bowery (1933) ~ Burke and Ball were uncredited, as were future “Lucy” alumni Charles Lane (Mr. Hickox) and Irving Bacon (Will Potter). Burke played a recruiting officer.

Blood Money (1933) ~ Ball and Burke are uncredited. She was in the racetrack scene and Burke played a detective in the pool hall.

Joy of Living (1938) ~ Burke plays Mac and Ball is Salina Pine. Charles Lane also appears in the film.

The Affairs of Annabel (1938) ~ Lucille Ball plays the title role, Annabel Allison, and James Burke is Muldoon.

Burke made his television debut just ten days prior to “I Love Lucy” - on October 5, 1951, as a regular character in “Mark Saber” aka “Mystery Theatre” (1951-53) playing Sergeant Tim Maloney, police sidekick to the title detective played by Tom Conway. When the show returned in 1957 as “Saber of London” (aka “The Vise”) the title role had been recast and Burke’s role had been eliminated. During his 164 episodes of “Mark Saber” Burke worked with many “Lucy” alumni like Shirley Mitchell, Louis Nicoletti, Frank Scannell, Larry J. Blake, Virginia Barbour, and Dick Elliott.

Burke re-teamed with Lucille Ball in early 1954 as Mr. Watson, owner of “The Diner” (ILL S3;E27). Ricky grows tired of the business called show and convinces the Mertzes to partner with him in a corner eatery. Culture and couple clash ensue and a diner divided amongst itself cannot stand: A Little Bit of Cuba battles for customers with A Big Hunk of America and no one wins!

In the end, we learn that sneaky Mr. Watson (Burke) makes money by buying and selling the diner to naïve entrepreneurs, a discovery that earns him a taste of his own custard!

In December 1957, Burke returned to Desilu to film “Lucy Wins a Racehorse”, an installment of the “Westinghouse-Desilu Playhouse” and the fourth episode of what would be known in syndication as “The Lucy-Desi Comedy Hour.”

Burke plays the man who delivers Whirling Jet (the horse of the title) to the Ricardos after they win a cereal box top contest. Burke (above left) breaks the old show business rule ‘never work with kids or animals’ by starring here with both! Frawley and Burke (above left) should know better: they both were featured in The Lemon Drop Kid (1934), a story that also involves both a child and a racehorse!

His casting in “The Lucy-Desi Comedy Hour” was likely linked to also being featured in “The Crazy Hunter” which aired in December 1958. As usual, the episode was introduced by Desi Arnaz.

His final screen appearance was on a May 1962 episode of “The Law and Mr. Jones.”

Burke was married to Eleanor Durkin making them Burke n’ Durkin. Burke died in 1968 at age 81 from heart ailments.

#Jame Burke #Lucille Ball #I Love Lucy #The Lucy-Desi Comedy Hour #TV #Westinghouse Desilu Playhouse #Lucy Wins a Racehorse #The Diner #The Law and Mr. Jones #the affairs of annabel #Joy of Living #Blood Money #The Bowery #The Maltese Falcon

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papermoonloveslucy · 4 years

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THE CAVALCADE OF AMERICA: “SKYLARK SONG”

June 21, 1948

The Cavalcade of America ran on NBC Radio from 1935 to 1953. It featured events from American history, usually dramatizing the positive aspects of the nation’s past. Additionally, the show attempted to end criticism of its sponsor, the Du Pont Company due to negative publicity from profiting by producing gunpowder during World War I.

Throughout the years, actors and actresses from Broadway and Hollywood were featured. The show was broadcast live from the Longacre Theatre in NYC and repeated later in the day.

In 1952, the series was transferred to NBC television and lasted until 1957, nearly identical to the run of “I Love Lucy” on CBS. For six months the radio and television versions also overlapped. The TV version featured “Lucy” actors Robert Foulk, Dayton Lummis, Byron Foulger, Maurice Marsac, Ross Elliott, Roy Roberts, Hayden Rorke, Pierre Watkin, Will Wright, Nestor Paiva, Joi Lansing, Dorothea Wolbert, Don Rickles, Burt Mustin, Lurene Tuttle, Gladys Hurlbut, Paul Picerni, Richard Reeves, James Flavin, Larry J. Blake, Peter Graves, Rhodes Reason, Irving Bacon, Milton Frome, Eleanor Audley, Joe Mell, Mary Ellen Kay, Mario Siletti, John Banner, Harry Bartell, Robert Carson, William Fawcett, Mabel Paige, June Whitley Taylor, Iron Eyes Cody, Strother Martin, Norma Varden, Madge Blake, Ellen Corby, Dick Elliott, Vivi Janiss, Ida Moore, Elizabeth Patterson, Frank J. Scannell, Herb Vigran, and William Schallert.

Synopsis: "Skylark Song" by Virginia Radcliff is the story of Grace Moore, charting her climb from a small southern church choir to star of the Metropolitan Opera House in New York City.

Grace Moore (December 5, 1898 – January 26, 1947) was an operatic soprano and actress in musical theatre and film. Born in Slabtown, Tennessee, she was nicknamed the "Tennessee Nightingale." Her films helped to popularize opera by bringing it to a larger audience. She was nominated for the Academy Award for for her performance in One Night of Love. In 1947, Moore died in a plane crash at the age of 48. She published her autobiography in 1944 titled You're Only Human Once.

In 1953, a film about her life was released titled So This Is Love starring Kathryn Grayson and Lucy’s friend Merv Griffin. The movie featured “Lucy” players Herb Vigran, Victorio Bonanova, Moroni Olsen, Mario Siletti, Ray Kellogg, Olin Howland, Tristram Coffin, Jack Chefe, and Barbara Pepper as Fat Girl with Sailor in Nightclub!

Lucille Ball (Grace Moore) may be the last person on earth one would consider to play one of the most famous opera singers of all time - but this was radio - and recordings of Grace Moore and studio singers were used to supplement the program. Ball affects a slight southern accent during the broadcast. Operatic trills and other miscellaneous singing by the character was provided by Marjorie Brett and Marjorie Hamilton.

Lucille Ball signed the contract for “Skylark Song” on June 11, 1948 and was paid $3,500 for her work.

The story starts when Moore is 17, convincing her father to allow her to attend music school. She goes to New York City where her father tells her to “only take parts in Shakespeare”. She tells him she will report to theatrical impresario David Belasco to ask him if she can play Juliet.

GRACE: “Hark! What light through yonder window breaks...”

Belasco stops her. Moore is reciting Romeo’s speech because that is the role she played in school. Lucille Ball purposely does a very stilted rendition, with a large country twang.

Lucy Ricardo also did Romeo and Juliet in school, later hoping to repeat her triumph with Orson Welles.

Belasco sends her to see composer and producer George Gershwin, who unfortunately hasn’t got a job for her.

In 1920, Moore finally lands a job in the chorus of a Broadway show called “Hitchy-Koo.” The show was produced by Raymond Hitchcock (hence the unusual name) with music by Jerome Kern (”Showboat”).

GRACE: “Well, Daddy, what do you think of your skylark, now?”

Grace lands an audition at the Metropolitan Opera but is told that her Broadway work has damaged her classically-trained voice and sent away.

GRACE: “I’m either a skylark or a mud hen. There’s nothing in between.”

A fortune teller named Carmen tells her that she should go to Europe and make her name. In a montage sequence, Moore trains in Europe. Now at the peak of her vocal range, Grace finally gets a job at the Metropolitan Opera as Mimi in La Boheme.

Her proud father and mother attend Grace’s triumphant opening night.

Announcer Ted Pearson sums up Grace’s remarkable journey, as well as her tragic death in a plane crash in Denmark.

Pearson reminds us that next week on The Cavalcade of America Basil Rathbone will play Thomas Jefferson in “The Common Glory”...

...and that Lucille Ball will soon be seen in the Paramount Picture Sorrowful Jones, despite the fact that the film will not premiere until a year later, June 1949. Filming began on April 7, 1948.

#Lucille Ball #Grace Moore #Cavalcade of America #NBC #Radio #Metropolitan Opera #Sorrowful Jones #1948 #Basil Rathbone #Longacre Theatre #David Belasco #Broadway #Hitchy-Koo #George Gershwin #Romeo and Juliet #Tennessee #So This Is Love #Kathryn Grayson #DuPont

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