#fotokem
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'...Close behind with two nominations apiece in the feature categories are Oppenheimer (color grading and editing)...
Outstanding Color Grading — Live-Action Theatrical Feature...
Oppenheimer
Kostas Theodosiou, Kristen Zimmerman (FotoKem)...
Outstanding Editing — Theatrical Feature...
Oppenheimer
Jennifer Lame, ACE...'
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Los Angeles Latino International Film Festival Announces Full Lineup for Its 21st Edition
Los Angeles Latino International Film Festival Announces Full Lineup for Its 21st Edition
The LALIFF has announced the entire full lineup for its 21st year and we have the list here for you!!!
DISNEY ORIGINAL DOCUMENTARY’S MIJA DIRECTED BY ISABEL CASTRO TO OPEN THE FESTIVAL AND WARNER BROS. PICTURES’ AND HBO MAX’S FATHER OF THE BRIDE DIRECTED BY GAZ ALAZRAKI WILL CLOSE THE FESTIVAL
TICKETS NOW ON SALE
Los Angeles, CA – May 4, 2021 – Academy Award®-nominated actor Edward James…
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#AltaMed Health Services#Avenida#BMI#Cartoon Network Studios#Disney Television Animation#Fever-Tree#FotoKem#FX Networks#Garcia Hernández Sawhney#High Performance Learning Environments#LA Metro#LALIFF#LLP.#Los Angeles County Arts and Culture#Los Angeles Latino International Film Festival Announces Full Lineup for Its 21st Edition#Movies#Music City drive in#Nickelodeon Animation Studio#Paramount Animation#SAG-AFTRA#Sony Pictures Entertainment#Telemundo#Tres Generaciones Tequila#TVCortos#Walt Disney Animation Studios#Warner Bros. Animation#Warner Bros. Discovery Access Programs
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vimeo
NIKE JUKU Ft.「WOO! GO!」by ATARASHII GAKKOU from Mackenzie Sheppard on Vimeo.
WINNER - Ciclope Asia GOLD 2022 - Best Director
WINNER - Ciclope Berlin SILVER 2022 - Choreography
1.4 Awards - Flying High, Shortlist, Longlist - Branded
Nike Juku music video I directed [Woo! Go!] by Atarashii Gakkou. Credits below!
WIEDEN+KENNEDY TOKYO @wktokyo
Creative Director
Curro de la Villa (クーロ・デ・ラ・ヴィラ) @currodlv
Senior Copywriter
Nedal Ahmed (ネダル・アハメド) @nedallll
Yumiko Ota (太田祐美子) @yuninota
Senior Art Director
Kazuhi Yoshikawa (吉川一陽) @kazuhi_yoshikawa
Lead Producer
Kosuke Sasaki (佐々木洸介) @kosukelawrence
Account Director
Jordan Cappadocia (ジョーダン・カパドーシャ) @jordancap
Account Supervisor
Chelsea Hayashi (ハヤシ・チェルシー) @chelseamiwa
Kaede Ose (大瀬楓) @kadesyrup
Account Executive
Ryu Kaida (海田隆) @ryukaida727
Producers
Ty Demura (出村太) @tydemura
Yoko Onodera (小野寺陽子) @choco2910
Comms Planning Director
Justin Lam (ジャスティン・ラム) @justinclam
Comms Planner
Joanna Fukae (深江ジョアナ) @joyofu
Strategic Planning Director
Thijs van de Wouw (タイス・ヴォン・デ・ウォ) @thijs.vandewouw
Strategic Planner
Rina Deguchi (出口莉奈) @rinadagucci
Studio Designer
Akane Yasuda (安田茜) @akaa.ne
Shotaro Tomiyama（富山庄太郎）
Studio Manager
Aiwei Ichikawa (市川愛維)
Agency Editor
Vinod Vijayasankaran (ヴィジャヤサンカラン ヴィノド) @videovinod
PR
Midori Sugama (菅間碧) @midorisugama
Translator
Mako Tomita (富田万木子)
Executive Creative Director
Scott Dungate (スコット・ダンゲート) @scotty_fingers
Managing Director
Yosuke Suzuki (鈴木洋介) @mrnobody8695
WELCOME FILM PRODUCTION
PRODUCTION COMPANY
AOI Pro.
Director
Mackenzie Sheppard (マッケンジー・シェパード) @mackshepp
Creative Assistant w/ Mack - Kai Sandy
Producer
Daisuke Misu（三須大輔）@misu_da
Director of Photography
Mikul Eriksson（マイケル・エリクソン) ＠_mikul
Line Producer
Anna Liu（アンナ・リュウ）/ Sumire Matsumura（松村すみれ）
Production Manager
Kazuki Omi（近江和希）/ Kanako Sato (佐藤果南子)
Assistant Director
Hideaki Jimbo（神保英昭）/ Kai Hoshino Sandy (サンデイー・ホシノ・カイ)
Production Designer
Masami Tanaka（田中 真紗美）@masamit0125
Casting Director (for Atarashii Gakko!)
Shohei Ueno (上野昇平) @shohey02
Casting Director
Mai Ikeda（池田舞）/Misaki Matsui（松井美咲）/Rikiya Takano（髙野力哉）
Lighting Director
Arata Ijichi（伊地知新）
Stylist
YOPPY（よっぴー）@yoppy0123456789
Hair & Make up
PHOEBE（フィービー）@feebz_
Choreographer
Nozomi de Lencquesaing (ド・ランクザン・望) @nozominski
STUDY BREAK PRODUCTION
PRODUCTION COMPANY
AOI Pro.
Director
ZUMI（中角壮一）@zoomin.graph
Producer
Daisuke Misu（三須大輔）@misu_da
Production Manager
Kai Tsuyuguchi（露口 凱）@kai_0425 /Yurika Yamada (山田 百合佳)
Director of Photography
Shun Murakami（村上 俊）@shun_murakami_
Casting Director
Mai Ikeda（池田 舞）
Lighting Director
Yamato Watanabe（渡邉 大和）@yamato0326_
Wardrobe | Costume | Styling
YOPPY（よっぴー）@yoppy0123456789
Hair & Make up
PHOEBE（フィービー）@feebz_
Production Design
Masami Tanaka（田中 真紗美）@masamit0125
POST PRODUCTION
Editor
Sachi Sasaki @ssachi0528
Assistant editor
Tomonori Watanabe @_tomostudio
Sound Designer
Mike Regan (マイク・リーガン) @mikeregannoise
Sound Mixer
yoshizaki.masaaki（吉崎 雅章）/Hiroki.Okumura（奥村 宏貴）
Colorist
Mikey Rossiter (マイキー・ロシター) @mikolour / Haruka.Okutsu（奥津春香）
Film Transfer
Metropolis Post (メトロポリスポスト)
Compositor
Murata Chitoshi（村田 千登志）/ Yamaguchi Sakiyo（山口 紗清）
FX Artist
Naomi Hayashi（林 直美）
Animation
Takashi Ohashi (大橋史) @ohashitakashi
STILL PRODUCTION
Photographer
Masumi Ishida (石田真澄）@8msmsm8
Assistant Photographer
Ryuji Tamaki (玉城竜次)
Retoucher
Takuya Tsugane (津金 卓也)
STUDY BREAK - LA TEAM
Production Company
Couscous @couscous
Executive Producer
Bear Damen @beardamen
Producer
Salim El Arja
1st AD
Kat Nguyen @katnguyenfilm
Line Producer
Po-Wei Su @poweisub
Production Accountant
Neil Engelman
Locations Manager
Tom Macdonnald
DoP
Logan Triplett @logan_triplett
1st AC
Mike Lemnitzer @hellyeamike
2nd AC/Loader
Vinnie Bredemus @vinniebredemus
Key Grip
Shun Goldin
Grip
Oscar Matute
Audio Mixer
Jeremy Emery @jeremyemery
Medic / CCO
Chris Serafin
Driver PA
Alessandro Sassi
Processing/Scan
Fotokem @fotokem_la
Dailies Producer
David Boito
TIKTOK FILTERS
Illustrator
Audra Furuichi（古市オードラ ）@kyubikitsy
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A whirlwind of a night, the final category of the 2022 HPAAwards is for Outstanding ColorGrading – Theatrical Feature. And the winner is David Cole (@davec555) from @FotoKem, for #TheBatman! #robertpattinson #thebatman#dc https://www.instagram.com/p/ClWc1lTJnmM/?igshid=NGJjMDIxMWI=
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vimeo
NIKE JUKU Ft.「WOO! GO!」by ATARASHII GAKKOU from Mackenzie Sheppard on Vimeo.
Nike Juku music video I directed [Woo! Go!] by Atarashii Gakkou. Credits below!
WIEDEN+KENNEDY TOKYO @wktokyo
Creative Director
Curro de la Villa (クーロ・デ・ラ・ヴィラ) @currodlv
Senior Copywriter
Nedal Ahmed (ネダル・アハメド) @nedallll
Yumiko Ota (太田祐美子) @yuninota
Senior Art Director
Kazuhi Yoshikawa (吉川一陽) @kazuhi_yoshikawa
Lead Producer
Kosuke Sasaki (佐々木洸介) @kosukelawrence
Account Director
Jordan Cappadocia (ジョーダン・カパドーシャ) @jordancap
Account Supervisor
Chelsea Hayashi (ハヤシ・チェルシー) @chelseamiwa
Kaede Ose (大瀬楓) @kadesyrup
Account Executive
Ryu Kaida (海田隆) @ryukaida727
Producers
Ty Demura (出村太) @tydemura
Yoko Onodera (小野寺陽子) @choco2910
Comms Planning Director
Justin Lam (ジャスティン・ラム) @justinclam
Comms Planner
Joanna Fukae (深江ジョアナ) @joyofu
Strategic Planning Director
Thijs van de Wouw (タイス・ヴォン・デ・ウォ) @thijs.vandewouw
Strategic Planner
Rina Deguchi (出口莉奈) @rinadagucci
Studio Designer
Akane Yasuda (安田茜) @akaa.ne
Shotaro Tomiyama（富山庄太郎）
Studio Manager
Aiwei Ichikawa (市川愛維)
Agency Editor
Vinod Vijayasankaran (ヴィジャヤサンカラン ヴィノド) @videovinod
PR
Midori Sugama (菅間碧) @midorisugama
Translator
Mako Tomita (富田万木子)
Executive Creative Director
Scott Dungate (スコット・ダンゲート) @scotty_fingers
Managing Director
Yosuke Suzuki (鈴木洋介) @mrnobody8695
WELCOME FILM PRODUCTION
PRODUCTION COMPANY
AOI Pro.
Director
Mackenzie Sheppard (マッケンジー・シェパード) @mackshepp
Creative Assistant w/ Mack - Kai Sandy
Producer
Daisuke Misu（三須大輔）@misu_da
Director of Photography
Mikul Eriksson（マイケル・エリクソン) ＠_mikul
Line Producer
Anna Liu（アンナ・リュウ）/ Sumire Matsumura（松村すみれ）
Production Manager
Kazuki Omi（近江和希）/ Kanako Sato (佐藤果南子)
Assistant Director
Hideaki Jimbo（神保英昭）/ Kai Hoshino Sandy (サンデイー・ホシノ・カイ)
Production Designer
Masami Tanaka（田中 真紗美）@masamit0125
Casting Director (for Atarashii Gakko!)
Shohei Ueno (上野昇平) @shohey02
Casting Director
Mai Ikeda（池田舞）/Misaki Matsui（松井美咲）/Rikiya Takano（髙野力哉）
Lighting Director
Arata Ijichi（伊地知新）
Stylist
YOPPY（よっぴー）@yoppy0123456789
Hair & Make up
PHOEBE（フィービー）@feebz_
Choreographer
Nozomi de Lencquesaing (ド・ランクザン・望) @nozominski
STUDY BREAK PRODUCTION
PRODUCTION COMPANY
AOI Pro.
Director
ZUMI（中角壮一）@zoomin.graph
Producer
Daisuke Misu（三須大輔）@misu_da
Production Manager
Kai Tsuyuguchi（露口 凱）@kai_0425 /Yurika Yamada (山田 百合佳)
Director of Photography
Shun Murakami（村上 俊）@shun_murakami_
Casting Director
Mai Ikeda（池田 舞）
Lighting Director
Yamato Watanabe（渡邉 大和）@yamato0326_
Wardrobe | Costume | Styling
YOPPY（よっぴー）@yoppy0123456789
Hair & Make up
PHOEBE（フィービー）@feebz_
Production Design
Masami Tanaka（田中 真紗美）@masamit0125
POST PRODUCTION
Editor
Sachi Sasaki @ssachi0528
Assistant editor
Tomonori Watanabe @_tomostudio
Sound Designer
Mike Regan (マイク・リーガン) @mikeregannoise
Sound Mixer
yoshizaki.masaaki（吉崎 雅章）/Hiroki.Okumura（奥村 宏貴）
Colorist
Mikey Rossiter (マイキー・ロシター) @mikolour / Haruka.Okutsu（奥津春香）
Film Transfer
Metropolis Post (メトロポリスポスト)
Compositor
Murata Chitoshi（村田 千登志）/ Yamaguchi Sakiyo（山口 紗清）
FX Artist
Naomi Hayashi（林 直美）
Animation
Takashi Ohashi (大橋史) @ohashitakashi
STILL PRODUCTION
Photographer
Masumi Ishida (石田真澄）@8msmsm8
Assistant Photographer
Ryuji Tamaki (玉城竜次)
Retoucher
Takuya Tsugane (津金 卓也)
STUDY BREAK - LA TEAM
Production Company
Couscous @couscous
Executive Producer
Bear Damen @beardamen
Producer
Salim El Arja
1st AD
Kat Nguyen @katnguyenfilm
Line Producer
Po-Wei Su @poweisub
Production Accountant
Neil Engelman
Locations Manager
Tom Macdonnald
DoP
Logan Triplett @logan_triplett
1st AC
Mike Lemnitzer @hellyeamike
2nd AC/Loader
Vinnie Bredemus @vinniebredemus
Key Grip
Shun Goldin
Grip
Oscar Matute
Audio Mixer
Jeremy Emery @jeremyemery
Medic / CCO
Chris Serafin
Driver PA
Alessandro Sassi
Processing/Scan
Fotokem @fotokem_la
Dailies Producer
David Boito
TIKTOK FILTERS
Illustrator
Audra Furuichi（古市オードラ ）@kyubikitsy
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Video
vimeo
NIKE JUKU Ft.「WOO! GO!」by ATARASHII GAKKOU from Mackenzie Sheppard on Vimeo.
Nike Juku music video I directed [Woo! Go!] by Atarashii Gakkou. Credits below!
WIEDEN+KENNEDY TOKYO @wktokyo
Creative Director
Curro de la Villa (クーロ・デ・ラ・ヴィラ) @currodlv
Senior Copywriter
Nedal Ahmed (ネダル・アハメド) @nedallll
Yumiko Ota (太田祐美子) @yuninota
Senior Art Director
Kazuhi Yoshikawa (吉川一陽) @kazuhi_yoshikawa
Lead Producer
Kosuke Sasaki (佐々木洸介) @kosukelawrence
Account Director
Jordan Cappadocia (ジョーダン・カパドーシャ) @jordancap
Account Supervisor
Chelsea Hayashi (ハヤシ・チェルシー) @chelseamiwa
Kaede Ose (大瀬楓) @kadesyrup
Account Executive
Ryu Kaida (海田隆) @ryukaida727
Producers
Ty Demura (出村太) @tydemura
Yoko Onodera (小野寺陽子) @choco2910
Comms Planning Director
Justin Lam (ジャスティン・ラム) @justinclam
Comms Planner
Joanna Fukae (深江ジョアナ) @joyofu
Strategic Planning Director
Thijs van de Wouw (タイス・ヴォン・デ・ウォ) @thijs.vandewouw
Strategic Planner
Rina Deguchi (出口莉奈) @rinadagucci
Studio Designer
Akane Yasuda (安田茜) @akaa.ne
Shotaro Tomiyama（富山庄太郎）
Studio Manager
Aiwei Ichikawa (市川愛維)
Agency Editor
Vinod Vijayasankaran (ヴィジャヤサンカラン ヴィノド) @videovinod
PR
Midori Sugama (菅間碧) @midorisugama
Translator
Mako Tomita (富田万木子)
Executive Creative Director
Scott Dungate (スコット・ダンゲート) @scotty_fingers
Managing Director
Yosuke Suzuki (鈴木洋介) @mrnobody8695
WELCOME FILM PRODUCTION
PRODUCTION COMPANY
AOI Pro.
Director
Mackenzie Sheppard (マッケンジー・シェパード) @mackshepp
Creative Assistant w/ Mack - Kai Sandy
Producer
Daisuke Misu（三須大輔）@misu_da
Director of Photography
Mikul Eriksson（マイケル・エリクソン) ＠_mikul
Line Producer
Anna Liu（アンナ・リュウ）/ Sumire Matsumura（松村すみれ）
Production Manager
Kazuki Omi（近江和希）/ Kanako Sato (佐藤果南子)
Assistant Director
Hideaki Jimbo（神保英昭）/ Kai Hoshino Sandy (サンデイー・ホシノ・カイ)
Production Designer
Masami Tanaka（田中 真紗美）@masamit0125
Casting Director (for Atarashii Gakko!)
Shohei Ueno (上野昇平) @shohey02
Casting Director
Mai Ikeda（池田舞）/Misaki Matsui（松井美咲）/Rikiya Takano（髙野力哉）
Lighting Director
Arata Ijichi（伊地知新）
Stylist
YOPPY（よっぴー）@yoppy0123456789
Hair & Make up
PHOEBE（フィービー）@feebz_
Choreographer
Nozomi de Lencquesaing (ド・ランクザン・望) @nozominski
STUDY BREAK PRODUCTION
PRODUCTION COMPANY
AOI Pro.
Director
ZUMI（中角壮一）@zoomin.graph
Producer
Daisuke Misu（三須大輔）@misu_da
Production Manager
Kai Tsuyuguchi（露口 凱）@kai_0425 /Yurika Yamada (山田 百合佳)
Director of Photography
Shun Murakami（村上 俊）@shun_murakami_
Casting Director
Mai Ikeda（池田 舞）
Lighting Director
Yamato Watanabe（渡邉 大和）@yamato0326_
Wardrobe | Costume | Styling
YOPPY（よっぴー）@yoppy0123456789
Hair & Make up
PHOEBE（フィービー）@feebz_
Production Design
Masami Tanaka（田中 真紗美）@masamit0125
POST PRODUCTION
Editor
Sachi Sasaki @ssachi0528
Assistant editor
Tomonori Watanabe @_tomostudio
Sound Designer
Mike Regan (マイク・リーガン) @mikeregannoise
Sound Mixer
yoshizaki.masaaki（吉崎 雅章）/Hiroki.Okumura（奥村 宏貴）
Colorist
Mikey Rossiter (マイキー・ロシター) @mikolour / Haruka.Okutsu（奥津春香）
Film Transfer
Metropolis Post (メトロポリスポスト)
Compositor
Murata Chitoshi（村田 千登志）/ Yamaguchi Sakiyo（山口 紗清）
FX Artist
Naomi Hayashi（林 直美）
Animation
Takashi Ohashi (大橋史) @ohashitakashi
STILL PRODUCTION
Photographer
Masumi Ishida (石田真澄）@8msmsm8
Assistant Photographer
Ryuji Tamaki (玉城竜次)
Retoucher
Takuya Tsugane (津金 卓也)
STUDY BREAK - LA TEAM
Production Company
Couscous @couscous
Executive Producer
Bear Damen @beardamen
Producer
Salim El Arja
1st AD
Kat Nguyen @katnguyenfilm
Line Producer
Po-Wei Su @poweisub
Production Accountant
Neil Engelman
Locations Manager
Tom Macdonnald
DoP
Logan Triplett @logan_triplett
1st AC
Mike Lemnitzer @hellyeamike
2nd AC/Loader
Vinnie Bredemus @vinniebredemus
Key Grip
Shun Goldin
Grip
Oscar Matute
Audio Mixer
Jeremy Emery @jeremyemery
Medic / CCO
Chris Serafin
Driver PA
Alessandro Sassi
Processing/Scan
Fotokem @fotokem_la
Dailies Producer
David Boito
TIKTOK FILTERS
Illustrator
Audra Furuichi（古市オードラ ）@kyubikitsy
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While we had shot 16mm on Moonrise Kingdom, we were back to 35mm this time, mostly black-and-white stock, with some color at certain points. We found a place in Paris to process the stuff, but getting the stock was much more of an issue. Only so much gets made in Rochester, New York, so there is a huge lead time when ordering. It’s made to order pretty much just for us, though Kodak and I both hope it inspires others to shoot monochrome. Equipment-wise, These are the same ArriCam ST and LT cameras I used twenty-five years ago; for lenses, beginning with Hotel, we began using the Cooke S4s.
===
As far as I’m concerned, digital projection is the death of cinema as I know it,” he once said. “At least it does nothing for me. I actually think I’m getting gypped [sic] when I go to a movie, and I realise that it’s either been shot on digital or is being projected in digital. It’s the death keel, the death rattle.”
For Tarantino, though, the real reason for his insistence on using film in his movies is that it preserves the “magic of movies” and comes down to how movies, in general, do not capture movement as we think they do but rather capture a series of still images which give the illusion of movement.
“The magic of movies is connected to 35mm because everyone thinks that when you’re filming something, you’re recording movement,” he noted. “You’re not recording movement; you are just taking a series of still pictures. There’s no movement in movies at all. They are still pictures, but when shown at 24 frames a second, it creates the illusion of movement.”
The director is keen that by stressing the importance of shooting on film, the true magic is kept alive. “By shooting it in 65mm, I’m guaranteeing, to some degree or another, there will be 70mm film prints out there in the world screening for people who care,” he said. “I’m hoping that the next generation will demand the real thing.”
Tarantino is at least willing to concede a few benefits to shooting digitally. “The fact that a young filmmaker can just buy a cellphone and can put together an interesting story and make a movie and that film can be legit. It’s a more democratic artistic society.” But for established filmmakers shooting digitally, well, Tarantino has “no fucking idea”. That’s that, then. Film, according to the iconic director, is the only way to go.
...Burbank, Calif.-based Fotokem is the last film lab in Hollywood. Kodak shut its L.A. office this past year, but Evenski said that while its local reps work from their homes, film can be shipped to customers or obtained at a local pickup station at Protek.
===
2015
Christopher Nolan, Judd Apatow, Edgar Wright, J.J. Abrams and Bennett Miller were photographed by Austin Hargrave on Dec. 12 at the Vista Theatre in Los Angeles.
Kodak has finalized deals with the major Hollywood studios that will allow film to remain alive, at least for the near future. This marks the completion of the deal that Kodak said was near-final last summer, when negotiations began.
Disney, Fox, Paramount, Sony, NBC Universal and Warner Bros. have all reached agreements with Kodak to purchase undisclosed amounts of film over “a few” years that would be enough to extend Kodak’s film manufacturing business. The value of the deals were not disclosed.
Andrew Evenski, Kodak’s president of entertainment and commercial films, told The Hollywood Reporter that Kodak is now “actively working with the independents. We are currently looking at it film by film, but hoping for some agreements [along the lines of the majors].” He added that Kodak is also aggressively targeting pilot season work.
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vimeo
Jim Carrey: I Needed Color from JC on Vimeo.
For additional information regarding Jim's art please visit: signaturegalleries.com
For all other inquiries email [email protected]
Director/Producer David Bushell
Associate Producer - Linda Fields Hill
Editor - Nicole C. Conrad
Music - Dave Palmer
Vocals - Jane Carrey
Camera - Bobby Davidson (NY)
Sound - Sean Massey
Asst. Editor - Kelsey Ann McClure
Art Assistants - Roland Allmeyer, Lino Meoli, Brogan Dunphy
Thanks to FotoKem
Edited w/ Adobe Premiere Pro CC
Copyright 2017 Jim Carrey
Unauthorized downloads and usage of this video without written permission is strictly prohibited.
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vimeo
Alaskan Tapes | Of Woods And Seas from Andrew De Zen on Vimeo.
4/4. Who Tends A Garden
"Of woods and seas, belong to me. We went to the woods and knew we knew nothing. We saw the sea and shrunk to our feet. I'm in charge of the fading out. Of the stumbling deeper into the dream" - Benjamin Niespodziany
Starring
Shogen
Itsuwa Sato
Kenji Sato
Kyle Hollett
Artist: Alaskan Tapes
Production Company: Nakama Film
Written & Directed by: Andrew De Zen
Executive Produced by: Kenji Lepretre Sato, Radke Films, Stept Studios
Produced by: Adam Maruniak
Associate Producer: Simon Amar
Production Manager: Yuki Defago
Casting: Kaiju Inc
Cinematographer: Oliver Millar
Production Coordinator: Antoine Migita
Production Assistants: Ted Devo, Yukiko Nagata, Anna Hasimoto
Assistant Director: David Roncin
1st AC: Devin Karrington
2nd AC & Loader: Shun Kitagawa, Rebecca Steele, Takuya Murakami
Steadicam Op: Takuma Iwata
Gaffer: Jun Tanaka
Key Grip: Jon Glendon
Grip: Aiko Tsuneyuki
Sound Mixer: Lyle Smollett
Production Designer: Caitlin Byrnes
Art Director: Brodie Kitchen
Art Assistants: Ippei Kuma, Sui
Wardrobe: Alyson Holler
Hair and Makeup: Kita Nahanni
Editor: Michael Barker
Editorial: Outsider
Edit Assistant: Riangelo Melaria
Colorist: Sam Gilling
Color: Bacon X
Color Producer: Camilla Strandskov
VFX: Impossible Objects
VFX Supervisor: Zach Zombek
VFX Producer: Sarah James
Tokyo VFX Supervisor: Jesse Franklin
Sound Design & Mix: Nikolay Antanov
Film Lab: Fotokem LA
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vimeo
Benjamin Earl Turner "HEADSPACE/BENT" from Abteen Bagheri on Vimeo.
Directed by Abteen Bagheri
Produced by Joon Projects
In Partnership with Love Song, Merchant, Anorak, The Lift
Executive Producers: Elise Tyler, Daniel Wolfe
Director of Photography: Katelin Arizmendi
Editor: Fouad Gaber
Producers Paige Kauffman, Ryan Schemmel
Starring: Benjamin Earl Turner, Dane DiLiegro
Animatronics by Studio Gillis: Alec Gillis, Jon Miller, Zachery Teller, Keaton Blue, Consuelo Duran, Michael Heintzelman,
Luna R Imagawa, Tim Leach, Peter Murphy, Dave Penikas,
Andrew Penikas, Nick Reisinger, Alice Rijn, Sara Villareal, Garth Winkless
1st ADs: Guy Forgaard, Henry Minzes
2nd AD: Christopher Silver
Production Designer: Andrew Clark
Art Director: Chris Steidel
Prop Master: Brendan Sharkey
Armorers: Clay Van Sickle, Mike Tristano
Costume Designer: Astrid Gallegos
Costumers: Mariam Pirouz, Nicole Aprea, Alexis Aquino
Seamstress: Keeva Halferty
Hair and Make-up: Alyssa Holbrook
1st AC: Riley Keeton
2nd ACs: Michael Enos, Kyle Petijean
Loaders: Chris Morgan, Brittany Meadows
Additional Camera: Melisse Rahi, Michael Ragen
1st ACs B-Cam: Guido Raimondo, Mindy Kelly
2nd AC B-cam: Marco Brochie
Camera PA: Matt Adler
Set Photographer: Kalynn Youngblood
Gaffer: Jake Lyon
BBE: Anderson Ko
Electricians: Brandon Alperin, Mark Belcher, Chelsea Pettit, Aaron Mercado, Justin Usami
Hyphenate: Darrel D’itri
Key Grip: Steve Forbes
BBG: Adrian Estrella
Grips: Kyle Sorvig, Matt Cole, Gaither Narron, Cody Ingham, Daniel Kusenada
Sound Recordist: Hanna Collins
Location Manager: Nicholas Reinoso
Medic: Joey De la Rose
PAs: Nadeem Haddad, Claire Schaefer, Allen Baldwin, Jordan Epperson
Driver: Jimmy Valdez
Heshers: Andrew Miller, Ryan Rasberry, Liborio Moreno, Larry Andrews, Stephen Blakeslee, Akkaraj Ak
Restaurant Owner: Jennifer
Server: Joanna Yeh
Editorial Facilities: Trim
Post VFX: Dan Williams
VFX Facilities: The Mill London
Colorist: Jason Wallis
Color Facilities: Electric Theatre Company
Sound Design: Gus Koven
Sound Facilities: Barking Owl
Titles: Sam Smith
Storyboard Artist: Jian Giannini
Casting: Nimzo Casting
Hesher Theme Song: Korvapuusti
Camera: Panavision
Film Processing: Fotokem
Filmstock: Motion Picture Film Stock
For Christopher Black
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vimeo
5219 500T pushed +2 stops kodak 35mm film from drew bienemann on Vimeo.
This is some footage from a short I shot last year. it is kodak 5219 pushed 2 stops, rated at 1250. Shot at a t/1.4/2 split on a 2-perf aaton penelope. all available light in atwater village, los angeles.
The film was transferred at 1080P via a spirit 2k at Fotokem. This is straight from the scan, which had a one-light look applied during the transfer.
you can download a 422HQ version here:
dropbox.com/s/n5qo2cm9au9wo7k/L9974909_CR_A15_A17.mov?dl=0
and the finished short is here:
vimeo.com/130967218
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'It’s the year of color/black-and-white hybrid films, led by such Best Cinematography Oscar contenders shot on Kodak film as “Oppenheimer” (Universal)...
“Oppenheimer”
Christopher Nolan divides his large-format biopic thriller into two separate perspectives and timelines: We cut back and forth between J. Robert Oppenheimer (Cillian Murphy) leading the secret team at Los Alamos to build the atomic bomb in color (titled “Fission”) and Admiral Lewis Strauss (Robert Downey Jr.) advocating further nuclear testing during the Cold War in black-and-white (titled “Fusion”). The collision of these two narratives involves memory as quantum physics metaphors, and the parallel framing devices are Oppenheimer’s hearing in 1954 to revoke his security clearance and Strauss’ Senate confirmation hearing for Secretary of Commerce in 1959. While Nolan intended color to be subjective and black-and-white to be more objective, the latter is actually more nuanced because of Strauss’ limited understanding, achievement, and perspective.
Nolan’s go-to cinematographer, Hoyte van Hoytema, ventured into uncharted territory with the 65mm large-format IMAX camera to explore the landscape of faces in this adversarial back and forth between Oppenheimer and Strauss. The result is a groundbreaking intimate spectacle, redefining portraits and close-ups for 70mm IMAX theatrical presentation. This was especially challenging for large-format black-and-white, with Kodak engineering brand new 65mm film stock for first-time IMAX usage. This large-format finishing process required a special partnership between Kodak, FotoKem, IMAX, and Panavision to support the 65mm black-and-white workflow...'
#Oscars#Oppenheimer#Christopher Nolan#Hoyte van Hoytema#IMAX#Lewis Strauss#Cillian Murphy#Robert Downey Jr.#Los Alamos
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MIKE BLABAC - FAMILY PORTRAITS from Jacob Rosenberg on Vimeo.
Photographer Mike Blabac dives into process, history and the meaning of a life in skateboarding as he captures portraits for his latest book.
Featuring: Tony Hawk, Rodney Mullen, J. Grant Brittain, Rick Howard, Mike Carroll, Jason Dill, Chico Brenes, Wes Kramer, Karl Watson, Jim Thiebaud & Frank Gerwer.
Director - Jacob Rosenberg
Cinematographer - Guillermo Garza
Editor - Chris Amos
First Assistant Camera – Tony Oberstar
Featured Family Members – J. Grant Brittain, Tony Hawk, Rodney Mullen, Karl Watson, Jim Thiebaud, Jason Dill, Mike Carroll, Rick Howard, Frank Gerwer, Chico Brenes, Wes Kramer, Noah Blabac, Tai Blabac.
Producers - Joe Toronto, Ari Weiner
Executive Producer – Adam Warren
Associate Executive Producer – Michel Murciano
Associate Producer – Chris Grannon
Sound Mixer – Matt Miller / Lime Studios
Colorist – Tyler Roth / Company 3
Additional Photography – Kevin Horn, Martin Fobes
Camera Equipment provided by 2020 Camera Rentals / Tim Hanaseth
16MM Film Processing and Scanning – Fotokem
Special Thanks – Saint Archer Brewing, Ryan Slavin / The Reserve Label, Suzy Ramirez / Final Cut LA, Mario Castro / Company 3, Robin Ricks / Ray Morfino / FotoKem
RIPMT
Copyright – Formika Films, Inc. 2019
Song 1
“Vesica Pisces”
Andrew Bernstein
Courtesy of Hausu Mountain
Song 2
“Tree Smoke”
Performed by Kikagaku Moyo
Written by Go Kurosawa
Courtesy of Kikagaku Moyo
By Arrangement with Light in the Attic Records & Distribution, LLC
Song 3
"Time"
Performed by Angelo De Augustine
Courtesy of Asthmatic Kitty Records
By arrangement with Ghost Town, Inc.
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We Won't Forget from Volpana_ on Vimeo.
A woman's frustrations boil to the surface while hosting a party for her friends, culminating in a public freakout that turns into collective hysteria.
USA/Portugal
Volpana
(Subtitles in Portuguese available in settings)
Directed by: Lucas Elliot Eberl and Edgar Morais
Written by: Whitney Able, Lucas Elliot Eberl and Edgar Morais
Edited by: Lucas Elliot Eberl and Edgar Morais
Produced by: Whitney Able
Cinematography by: Lucas Elliot Eberl
Sound Design by: Hugo Leitão
Colorist: Andreia Bertini
Gaffer/Assistant Camera: Micah Van Hove
Sound Mixer: Ian Boyd
Associate Producer: Nell Teare
Production Assistant: Michael Montondon
Visual Effects: Irmalucia
Color Facility: Walla Collective
Sound Facility: Meia Laranja Studios
Film Processing/Scan: Fotokem
Cast (in alphabetical order):
Whitney Able, John Patrick Amedori, Lily Brown, Mário Carvalhal, Claire Clancy, Caitlyn Folley, Escher Holloway, Paul James, Robbie Kaller, Kathryn Keenan, Zachary Kemper, Michael Montondon, Edgar Morais, Rafael Morais, Sam Morgan, J.J. Nolan, Amanda Paddock, Jeremy Palmer, Charles-Curtis Sanders, Tommy Snider, Aaron Tyler, Johnny Wactor, Davida Williams and James Wilson.
FESTIVAL SELECTIONS
Palm Springs International ShortFest
Hamptons International Film Festival
Tirana International Film Festival
IndieLisboa International Film Festival
Woodstock Film Festival
Rooftop Films
Curta Cinema - Festival Internacional De Curtas Do Rio De Janeiro
FEST New Directors/New Films
Bushwick Film Festival
Castrovillari Film Festival
Shnit Worldwide Short Film Festival
Cinalfama Lisbon International Film Festival
Mammoth Lakes International Film Festival
Dances With Films
Catalina Film Festival
AWARDS
Castrovillari Film Festival - Winner of Grand Jury Prize and the award for Best Editing
FEST New Directors/New Films - Honorable Mention in the National Grand Prix
Cinalfama Lisbon International Film Festival - Winner of the Best Acting Award (Whitney Able)
Instagram:
@edgar__morais
@lucasellioteberl
@whitneyablemelnick
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Una regia poco ispirata, una fotografia in bianco e nero di dubbia utilità e il talento dei due bravi attori relegato ad un’interpretazione, a tratti imbarazzante, sempre sopra le righe. Si salvano quei pochi passaggi sinceri nella scrittura e dosati nella recitazione.
An uninspired direction, black and white photography of dubious value and the talent of the two talented actors relegated to a sometimes embarrassing performance, always over the top. What is saved are the few passages that are sincere in their writing and measured in their acting.
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GLAIVE "MINNESOTA" (is a place that exists) from Ramez Silyan on Vimeo.
Starring Glaive & Ryley Ladd
Featuring Noah Centineo
With Dalton Jones & Sophia Parker
Director: Ramez Silyan
Prod Co: HPLA
Executive Producer: Ryan Hahn
Producer: Janelle Lee
Director of Photography: Marz Miller
Production Designer: Ava Villafañe
Costume: Sydney Szramowski
Editor: Ramez Silyan
Colorist: Kaitlyn Battistelli @ Ethos
Color Producer: Sam Cesan
Sound Design: Ramez Silyan & Brent Asbury
Sound Mix: Brent Asbury @ Beta Petrol
VFX: Buralqy
VFX Prod: MADNOMAD
1st AD: Khyber Law
1st AC: Seth Lawrence
2nd AC: Sergey Lobanov
Steadicam: James Troost & Luke Rihl
Audio Mixer: David Shearer
Key Grip: Perry Karidis
BBG: Keith Karidis
Gaffer: Dimitri Christo
BBE: Nick Weir
Set Dresser: Vinny Parillo
Set Dresser: Jonathan Rodriguez
Set Dresser: Moises Carranza
Armorer: Todd Creason
Pyrotech: Dan Gaspar
Pyro Assist: David Marten
Pyro Assist: Steve Purcell
Water Truck: Michael Dunbar
FSA: Mike Clemens
SPFX MUA: Olga Tarnovetska
SPFX: Ian Von Cromer
Cat Wrangler: Studio Animal Services
PA Driver: Cesar Mojica
PA Set: Alaura Wong
PA Set: Chris Solorzano
PA Set: Keats Boyd
Film Processing/Scan @ Fotokem
Label: Interscope
Commissioner: John Jigitz
Special Thanks to Enzo Marc, Noah Centineo,
Donut Prince, Skylar Newman & Praying,
Ava Nirui & Heaven, Alix Ross & Online Ceramics
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