Tumgik
#father zosima
karamazovposting · 5 months
Text
On Father Zosima's memoir
I might be crazy, but I think that some elements of the three personal stories from Father Zosima's memoir (written down by Alyosha, no less) can be interpreted as some sort of parallel to three of the brothers. I've never been very good at organizing my thoughts and saying whatever I want to say clearly, so please bear with me.
I know that Aleksej is actually the one who reminded Zosima of his deceased brother, but I couldn't help but see the first story he tells as a parallel to Ivan's fate. Both Ivan and Zosima's brother are short-tempered but good-hearted and quiet, both are atheists and both are turned delirious by illness, and while Zosima's brother was suffering from a physical illness that caused his death and Ivan had a psychotic break but survived, I think this resemblance deserves to be mentioned. Also I think that in this instance (and from their relationship and their role in their own stories as well) we can also draw another parallel between Aleksej and Zosima himself, with both of them witnessing their older brothers' delirious state.
And Zosima's story of his own days in the military, wasting his capital by getting drunk and causing trouble, reminded me of Dmitri because how could it not have? They both get very close to killing a man and they both get a chance at redemption only for the people to eventually turn against them.
As for the third story, the one where Zosima's friend commits murder and lets someone else get falsely accused, I guess that's the one that was definitely meant to be a parallel/foreshadowing (the others are just connections I made myself) and I've seen someone else mention it already here on Tumblr so there isn't really much for me to say. I'll only say that I find it interesting that while both Pavel and Zosima's friend died shortly after confessing their respective murders, Zosima's friend confessed in a public setting to get prosecuted and then sentenced and Pavel confessed in a private setting (partially blaming Ivan as well) and killed himself to avoid getting prosecuted and then sentenced. I'm thinking about writing another post regarding this one story/situation focusing more on the aspect of guilt but I guess I'll take my time.
Again, I might be crazy, but there is a lot of foreshadowing in The Brothers Karamazov, so I guess this is not that much of a stretch.
24 notes · View notes
v-trin · 7 months
Text
Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media
"This idea is not yet resolved in your heart and torments it. But a martyr, too, sometimes likes to toy with his despair, also from despair, as it were. For the time being you, too, are toying, out of despair, with your magazine articles and drawing-room discussions, without believing in your own dialectics and smirking at them with your heart aching inside you... The question is not resolved in you, and there lies your great grief, for it urgently demands resolution...” “But can it be resolved in myself? Resolved in a positive way?” Ivan Fyodorovich continued asking strangely, still looking at the elder with a certain inexplicable smile.
The Brothers Karamazov (1969) ll The Brothers Karamazov (1880)
3 notes · View notes
hamliet · 2 years
Note
I’ve seen someone on Tumblr saying: “I’m reading ‘The Brothers Karamazov’ and ‘The Grand Inquisitor’ was so good but now I got to the part about Zosima and it’s so dense/boring.”
I am aware that ‘The Grand Inquisitor’ is one of the greatest pieces of literature to exist and I mean no disrespect but Book IV, ‘The Russian Monk’ is my favourite part of TBK. It gives me goosebumps and makes me cry tears of joy every time I reread it.
I’ve seen many people saying they disliked ‘the Zosima part’ and it makes me question if I’m overreacting. How come I’ve only seen people saying that it’s a boring part of TBK? Am I overreacting by thinking it’s the best part?
Oh no. One thing that amuses me is the idea that "The Grand Inquisitor" can or should be read on its own. It shouldn't be. If you read that as an excerpt without the context of the entire novel, there's a pretty significant chance you're going to come away thinking the novel has the exact opposite message that it actually has.
"The Russian Monk" might seem a bit sermon-esque but it's no more preachy than "The Grand Inquisitor" in theory; in fact, it's crucial to countering the philosophy of TGI. And to read it as preaching I think would actually also be wrong--the context is a dying man trying to explain his thoughts to a boy he loves like a son. He's not trying to counter TGI so much as he's just speaking about things he finds beautiful. It also establishes the novel's themes and how to interpret the events to come.
So yeah, I agree. It's the best part.
37 notes · View notes
immaculatasknight · 5 months
Link
Baptism of fire
0 notes
umbrellieo · 3 months
Text
Tumblr media
i saw people (one person) were making fyosonas and i thought i'd join in the fun!!!!! this one is a 1800s orthodox catholic priest
43 notes · View notes
thesynaxarium · 1 year
Photo
Tumblr media
Today we celebrate possibly the greatest example of repentance the church has ever seen. Saint Mary of Egypt gave herself over to fornication and debauchery from the age of 12 and lived this depraved life for 17 years. Having followed a group of pilgrims to Jerusalem with the intent of seducing the young men, she tried to enter into the church of the Holy Sepulchre to see the Venerable Cross but was stopped by an invisible force. She then realised her depravity and repented by crossing the Jordan and living in the desert for 47 years. A holy monk, Saint Zosimas, found her while travelling the desert and related her story to us. May we have her blessing and may she intercede always for our souls + #saint #mary #egypt #maryofegypt #sinner #repent #repentance #penitent #convert #cross #lent #greatlent #jordan #venerable #holy #desert #mother #father #zosimas #palestine #jerusalem #sepulchre #holysepulchre #holy #orthodox #saintoftheday (at الاردن Jordan) https://www.instagram.com/p/CqeGI3djhOo/?igshid=NGJjMDIxMWI=
45 notes · View notes
toodleroo · 1 year
Text
blogging karamazov: book X
i think i’m the designated Alyosha Defender now because in class whenever someone accuses alyosha of something my professor always looks at me and is like “do you have any comments?”
21 notes · View notes
girl-kendallroy · 2 years
Text
reading the brothers karamazov is like reading the most profound shit your 20 y/o ass has ever seen and then it goes straight into reading literal philosophy
1 note · View note
gegengestalt · 2 months
Text
131 useless or often forgotten facts in The Brothers Karamazov!
This 27 of April is the second anniversary of the day I finished this book for the first time. To do something special, I reread it over the last 20 days and as I did it, I compiled little things that are easy to forget in these 1000 pages filled with food for thought. Let's go!
1. Mitya fought in a duel, though it's most likely that nobody died in it.
2. Ivan's journalist pseudonym is "Eyewitness".
3. Alyosha, in his own words, came back to Skotoprigonyevsk to visit his mother's grave.
4. Fyodor Pavlovich owns several taverns in the district.
5. Grigory was the one who gave Sofia Ivanovna a proper gravestone.
6. Alyosha is one deduction away from becoming a communist.
7. The Brothers Karamazov begins in late August.
8. Kalganov is supposedly Alyosha's friend. This is never mentioned ever again.
9. Kalganov gave one coin to some beggars and told them to divide it among themselves.
10. There is a rumour that the previous elder beat people with sticks. This is false.
11. Alyosha is the only person in the monastery who knows that Rakitin is an atheist, and keeps his secret.
12. Four years ago, Pyotr Miusov divulged a fake story about a saint making out with his own decapitated head. Fyodor never forgot.
13. Madame Khokhlakov is only 33 years old. She has been a widow for 5 years, meaning Lise lost her father at age 9.
14. Zosima's serenity in front of the woman who confesses to a murder may foreshadow his later recollection of having a murder confessed to before.
15. Zosima likes to make jokes.
16. Lise and Alyosha last saw each other two years before.
17. Reminder that Grushenka met Mitya because Fyodor wanted her help to throw Mitya into a debtors' prison.
18. Kuzma Samsonov is the mayor of Skotoprigonyevsk.
19. Ivan rambled to Dmitri and Katerina about how he thinks Rakitin will be a failed journalist turned landlord.
20. Fyodor Pavlovich's house is filled with rats.
21. The Miusov family had their own private theatre.
22. Lizaveta Smerdyashchaya was a bit over 142cm/4'7 tall.
23. In 1842 there was a runaway convict called Karp commiting crimes in Skotoprigonyevsk.
24. Marya Kondratievna's mother is missing a leg.
25. Mitya ghosted a girl in real life.
26. Katerina's mother died when she was young.
27. Mitya had a fever for two weeks once because of a spider bite.
28.Mitya thought Grushenka was "nothing striking" the first time he saw her.
29. Mitya was squatting in his neighbour's rented room.
30. Fyodor Pavlovich has a portrait of the former provincial governor in his house.
31. Fyodor Pavlovich goes to sleep at 3- 4AM, like Dostoyevsky himself.
32. Sofia Ivanovna was being courted by a rich man called Beliavsky while she was married.
33. Who was the woman coming from the alley that Mitya mistook for Grushenka? I still wonder.
34. A cheap glass jar was destroyed during Mitya's frenzied break- in.
35. Katerina sends two detailed reports a week to her surrogate mother figure who lives in Moscow.
36. Katerina has an aquarium.
37. Alyosha sleeps using his monk habit as a blanket.
38. Father Ferapont survives eating nothing more than 1,6kg of bread a week.
39. Ivan had told his father about his feelings for Katerina, for some reason.
40. When Alyosha kissed his father, he had the impression that Alyosha was thinking that it was their last conversation.
41. Madame Khokhlakova owns three houses as property.
42. Madame Khokhlakova and Katerina Ivanovna are supposedly great friends.
43. Ivan reads Schiller when nobody is looking.
44. One of Snegiryov's daughters, Varvara, is invested in feminism.
45. Captain Snegiryov's childhood friend is a lawyer.
46. Mitya spilled cognac over the table of the summerhouse.
47. Smerdyakov sings in falsetto.
48. Marya Kondratievna is the only one who ever calls Smerdyakov 'Pavel Fyodorovich'.
49. Ivan uses Smerdyakov as a messenger.
50. Dmitri and Katerina had been engaged for around six months.
51. Ivan's right shoulder looks lower than the left one when he walks.
52. Smerdyakov often moves the tip of his right foot from side to side when he stands (adorable).
53. Dmitri's favourite death threats are "pounding in a mortar" and "breaking legs".
54. Grigory suffers from paralysis three times a year.
55. The real name of 'Lyagavy' is Gorstkin.
56. Zosima's real name is "Zinovy".
57. There was actually another old German doctor before Herzenstube and he was named Eisenschmidt.
58. Zosima has known Brother Anfim for forty years.
59. The Bible is thrown once.
60. Madame Khokhlakova asked Rakitin to go to the funeral as her eye.
61. Alyosha was hiding behind the grave of starets Iov, who lived 105 years.
62. Zosima was harshly criticized for telling a monk hallucinating to take his meds if praying doesn't work.
63. Both Grushenka and Rakitin are children of deacons.
64. Samsonov is the only person that Grushenka seems to be completely and clearly sincere with.
65. Likewise, Samsonov only trusts her when it comes to counting money.
66. Samsonov has the entire first floor of his house for himself.
67. Mitya tells many of his secrets to his landlords, who are fond of him.
68. Alongside eggs and bread, Mitya grabbed and ate a piece of sausage that he "found".
69. Mitya and Perkhotin first met at the Metropolis tavern.
70. Mitya's dueling pistols are his "most prized possessions".
71. Madame Khokhlakova apparently borrows money from Miusov.
72. The brass pestle was 17 centimetres long.
73. Mitya spent exactly 300 rubles in food and alcohol in Mokroye, and it would have been 400 if Perkhotin didn't help.
74. Mitya gave a glass of champagne to a kid.
75. The owner of Plotnikov's shop is called Varvara Alexeievna.
76. Two thousand villagers live in Mokroye.
77. Trifon Borissovich makes his younger daughters clean up the messes of every guest of the inn.
78. Pan Wroblewski is 190cm / 6'2 tall.
79. Madame Khokhlakova gets a migraine whenever she has to talk to Mitya.
80. The ispravnik's elder granddaughter is called Olga, and the night of the murder was her birthday.
81. The prosecutor's wife seems very interested in sending for Mitya often, for reasons he doesn't know.
82. Mitya does not know that the epidermis is the outer layer of the skin.
83. Nikolay Parfenovich is the only person in the world who trusts Ippolit Kirillovich.
84. Mitya often dreams that a person that he fears is chasing him and searching for him.
85. Nikolay Parfenovich wears a smoky topaz ring on his middle finger.
86. Pan Wroblewski is a dentist without a license.
87. Kalganov had visited Grushenka once before, but she seemed to dislike him for some reason.
88. Kolya's father died when he was a little baby.
89. There was a plot going on in the background about the doctor's maid having a child out of wedlock.
90. Rakitin often talks with Kolya. Seems like the only person who takes his ideas seriously is a literal child.
91. Smerdyakov and Ilyusha met and talked to each other.
92. Alyosha rarely gets colds.
93. Katerina befriended Snegiryov's sick wife.
94. Kolya was taken to a judge for teaching a guy how to efficiently crack the neck of a goose.
95. Kolya is against women's rights.
96. Mitya and Grushenka spent five weeks secluded and away from each other after the arrest.
97. Grushenka went to see Grigory to try to convince him that the door wasn't open.
98. Rakitin made up in an article that Madame Khokhlakova offered Mitya 3k rubles to run away with her.
99. Madame Khokhlakova doesn't remember Rakitin's patronymic, and calls him "Ivanovich" instead of "Osipovich".
100. Madame Khokhlakova didn't know of the judicial system reform until two days before the trial.
101. Lise sent chocolates to Mitya in jail, even though there's no reference to them ever interacting before.
102. Alyosha has had the same dream about the devils that Lise has.
103. Alyosha is friends with the jail inspector, who often discusses the gospels with him.
104. Mitya spent two entire nights awake since he discovered ethics.
105. Ivan cleans his own room.
106. Smerdyakov shared a hospital room with an agonizing dropsy patient.
107. Mitya's letter had the bill on the other side.
108. Smerdyakov uses garters with his stockings.
109. There is an apple tree in Fyodor's garden.
110. One of Ivan's "most stupid" thoughts is being the fat wife of a merchant.
111. Ivan had a friend named Korovkin when he was 17, the one he told the story of the quadrillion kilometres to.
112. Ivan has another poem named Geological Cataclysm.
113. Alyosha was the first person the distraught Marya Kondratievna ran to.
114. Ivan is mistaken for "the eldest son" twice in the trial.
115. Grigory did not remember he was in 1866.
116. Rakitin knows "every detail" of the biography of Fyodor Pavlovich and all the Karamazovs.
117. Grushenka's surname, Svetlova, means "light".
118. Mitya once dropped 100 rubles while he was drunk.
119. Ivan saw not just the Devil, but people who had died while he walked in the street.
120. Ippolit Kirillovich died nine months after the trial, the first and last day he received applauses.
121. Marfa is dismissed as a suspect simply because they can't imagine her killing.
122. There is a partition wall in Mitya's lodgings.
123. Mitya mostly stopped staring at the floor during the prosecutor's speech whenever Grushenka was mentioned.
124. Fetyukovich bends forward in an unnerving manner when he speaks.
125. An 18 year old street vendor committed axe murder earlier that year.
126. The verdict was given past 1AM, making the trial last almost 16 hours.
127. Katerina kept the sick Ivan in her house knowing it could possibly be harmful to her reputation.
128. Rakitin tried to sneak in to see Mitya in the hospital twice.
129. Lise sent the flowers that adorn Ilyusha's coffin, and Katerina paid for the grave.
130. Snegiryov cries seeing his late son's little boots the same way one of the women at the monastery in the beginning of the book did.
131. At the end, Alyosha mentions "leaving the city for a long time" soon. Where to? We don't know.
If you read this far down, I hope you enjoyed it as much as I enjoyed writing all of these down.
92 notes · View notes
bucoliqves · 3 months
Text
Father zosima surely yaps a lot for a fossile on the brink of death (lovingly)
30 notes · View notes
girlmetamorphed · 8 months
Text
i don’t think you understand how much i have been thinking about grushenka’s onion being her sympathy for alyosha after she finds out father zosima has died ? like by the time alyosha enters grushenka’s vision she’s determined to ruin and corrupt alyosha’s heart but as soon as she discovers father zosima’s dead she just ??? full on stops ???there’s like a complete rewiring inside her heart and mind and becomes the person who helps alyosha strengthen his faith in God and in people
but hold on, that’s not it!!
after seeing her kindness and compassion towards him, alyosha ALSO experiences a heart/mind rewiring process himself and goes from thinking grunshenka is an evil woman to believing there’s still love and goodness in her heart and that she’s a true sister.
THIS belief becomes alyosha’s onion and in the same way grushenka’s empathy pulls alyosha from the darkness, his faith in her having a good loving soul pulls grushenka from her own personal hell and gives her the hope that she will get over all her maliciousness
68 notes · View notes
Text
I love the brothers karamazov because the majority of the action is like Alyosha is wandering around town in circles putting together information because his illegitimate twin brother Smorgasbord has been going around forging checks and pretending to be him and he’s gotta get that sorted out but on the way he runs into the teenager down the street who’s teaching his friends how to use chatgpt to cheat on their essays about the nature of free will and alyosha has definitely got to exert his influence there and then he takes another five laps around the province jusy for show and as he’s walking by the monastery he learns that rakitin is selling “real genuine relics bones of father zosima goblincore corvidcore limited edition” (who’s still not dead but just you wait) on his Etsy and just as alyosha is going to have a talk with his pal about that he learns that Lise has actually pre ordered every single one of the bones so rakitin is busy quietly preparing to dissemble a corpse and meanwhile alyosha has not even gotten close to finding Smorgasbord
92 notes · View notes
karamazovanon · 7 months
Note
Do you have any thoughts about Alyosha's momentary crisis of faith? Because I understood why he had one, but not so much why he was immediately ready to drink and go see Grushenka. Interested to see if you've any opinions on the matter, either regarding Grushenka or just in general.
OOOOOO this is an interesting question and my answer is going to get kinda long, warning you now LOL
i think alcohol & drinking in general is often a big part of "the karamazovian nature"—fyodor pavlovich and mitya are open alcoholics & hedonists, and ivan's heavily implied to be an alcoholic as well by his delirium tremens at the end—and more generally as one of the wordly temptations that human nature as a whole is susceptible to (tangent, but this is also really interesting when you keep in mind ivan's cup analogy!! drinking & cups are tied to living & life so often; mitya chooses to "fill" his cup/life with alcohol, ivan drinks in secret until he throws the cup/life to the ground at 30 in rebellion, and alyosha instead chooses to fill his cup/life with god. one of the schiller verses mitya quotes in the ardent confession chapter even says "To the soul of God’s creation / Joy eternal brings her draught, / In strong secret fermentation / Flames the cup of life aloft")
and the common denominator is that they don't believe enough to overcome the natural urge to indulge. mitya does believe, but he can't stop himself and reproaches himself for it; ivan doesn't believe despite wanting to and that contributes too imo. but alyosha doesn't drink and is an ascetic for the most part bc everything for him is based off of his unwavering faith—and so when his entire worldview and moral system is shaken by both ivan and father zosima, he questions EVERYTHING and begins feeling detached from reality when it doesn't match up. without his bulletproof faith intact, he no longer has the external ruleset to dictate his behavior, and the karamazovian desire to ease pain with alcohol wins for a moment without being able to trust his prior moral compass
(on rereading for this post, i don't have a formulated thought on it but it's interesting that he agrees to rakitin's initial offer of vodka even though they end up having champagne instead—there's probably some connection there between vodka and worldly/russian baseness vs champagne, which while not communion wine is still wine LMAO)
this quote from the onion chapter is what stands out the most to me, bold mine:
"Alyosha cried out with a wail in his voice. ‘I speak to you not as a judge, but as the least of the judged. What am I before her? I came here in order to be destroyed, saying: “Go on, go on!” – and that was because of my cowardice, while she, after five years of suffering, no sooner did someone come and say a sincere word to her, forgave everything, forgot everything and cried! The assailant of her honour has returned, is summoning her, and yet she forgives him everything and hurries to him in joy and she will not take the knife, she will not take it! Oh, I am not like that! I do not know whether you are like that, Misha, but I am not like that! Today, the moment I received this lesson, I … She loves in a way that is loftier than yours or mine … Have you heard her say this earlier, what she said just now? No, you have not; if you had, you would have understood everything long ago … And let the other woman, whom she offended the other day, let her, too, forgive her! And she will forgive her, if she learns of this … and she shall learn of it … This soul has not yet been reconciled, we must spare it … This soul may contain a treasure …" (tr. mcduff)
when he loses his infallible external/divine guidance, he has to turn inward/to the world around him instead, where he finds guilt and the human urge to self-destroy (as well as the influence of rakitin & his schadenfreude) and as a karamazov, it naturally comes first in the form of alcohol (women, too, but alyosha never really shows any desire on that front) when he sees grushenka's kindness and forgiveness, he snaps out of it and his faith is reinforced (while he believes he's a sinner and unworthy, he sees in her christlike forgiveness and is reminded that although he has these karamazovian urges, giving in to them entirely isn't the answer etc etc im not a theologian and have been writing too long anyway)
this has been such a long ramble with so little structure but this is SUCH an interesting plot point, thank you for asking my thoughts on it!! :D
30 notes · View notes
mityenka · 1 year
Text
for me rereading the brothers karamazov really opened my eyes to just how much the book is haunted by alyosha dostoyevsky... i was aware of the naming parallels between the characters and dostoyevsky’s real family with fyodor being the father and alyosha being the son as well as alyosha k.’s role in the story being that of an almost messianic figure but god there is so much more... the fact that child death is a recurring theme throughout the book... the peasant woman in book two who came to see elder zosima mourning the death of her three year old son who was called alexei...
Tumblr media Tumblr media
69 notes · View notes
immaculatasknight · 5 months
Link
Christ never abandons His children
1 note · View note
karamazovposting · 2 months
Text
On Ivan and bipolar disorder (part three)
This is my favorite part of this whole thing. I haven't written it yet, that's literally the opening line, but here I'll be talking about one of the most interesting (to me) aspects of Ivan's character: how the other characters perceive him; I already know I'll be having a blast writing this. Internal vs external perception is probably my favorite topic when it comes to character study, so I was thinking of doing something similar for Dmitri as well in the future because I noticed some things that I want to talk about. I'll think about it.
For once I don't have to make an introduction where I explain what I'll be going over in this because there's none to be made, so let's start from the beginning. The first time we see Ivan is when they're all waiting for Dmitri at the beginning of the book, and what does he do? He takes the piss out of everyone, of course. And I think that in everything that happens there and in the following passages (I was particularly struck by Father Zosima's words about him, which I've already mentioned in here) we pretty much have the key to Ivan's character, and he doesn't even give it to us himself (very fitting indeed). The first thing we find out is that Alyosha is afraid Ivan will be condescending towards the monks and while Ivan technically isn't, he still adopts a subtly mocking tone with them, which checks out considering that Miusov says Ivan feigns arrogance to mask his own insecurity. Also it's very telling that Ivan's demeanor changes when it comes to Zosima, I feel like he actually does respect him and to some extent appreciates his words. Funnily enough I've found myself in a similar situation in the past (atheist surrounded by nuns, my family was there, they told me some things I appreciated; I wasn't making fun of anyone though I swear) so I get it.
Speaking of words, there are many used for him in those chapters, and there are even more as the novel goes on, brushstroke after brushstroke painting a rather confusing and contradictory picture of this young man: he's bright yet insecure and "a tomb", he's weird and a misunderstood outcast in his own family yet he's charming (said by multiple characters in multiple occasions, I think it's the word that's used the most to describe him) and refined, yet again eccentric. He's paradoxical and a riddle (another word used multiple times), and his own father fears him more than he fears the son who almost beat him to death and at first I couldn't understand why, considering everyone else's opinion of Ivan and the fact that Ivan actually helped get Dmitri off of their father when he was beating him, but then I went back to Book Two and stumbled upon a line that managed to completely go over my head in the past (how could that happen? God, the horror!) that does explain a lot and looking back now, to me feels like one of the most important lines (about Ivan) of the whole novel:
What seemed to [Aleksej] strangest of all was that his brother Ivan, [...] who alone had such influence on his father that he could have stopped him [...]
I don't think I need to explain why I think this line (that you can find in The old buffoon for context) is crucial so I won't say much about it, but it also explains why Ivan's presence in the Karamazov household is seen as a guarantee for quiet and order (as stated during Dmitri's trial, and we also see it in the fact that both Dmitri and Pavel had in mind to murder Fyodor only if Ivan had been out of the picture, though for different reasons), and honestly it surprised me: I mean, Ivan's influence over other people plays a very important role in the story, but him having influence over his father? Fyodor Pavlovich Karamazov? Wow. Also I have something else to say about the quiet and order thing but it belongs in part four.
The rest of that line is also interesting in my opinion:
[...] [Ivan] sat now quite unmoved, with downcast eyes, apparently waiting with interest to see how it would end, as though he had nothing to do with it.
This, maybe trivial, line never really left my head, which means it must mean something to me. Maybe because that behaviour fits Ivan's character so well and I always like when he gets to act like a normal, unbothered, and even childish at times, twenty-three year old (he's not even angry there, what a rare occurrence) and because according to how the other characters speak of him, it feels unexpected (and turned out to be useful for this post).
Back to how others speak of him, someone (Fyodor I think) goes as far as saying that maybe Ivan deliberately seeks torment, which honestly feels a little too familiar to me and that's why that's another line I can't seem to get out of my head; when people have such a high opinion of you they do tend to blame your own struggle on you, at least in my experience, as it's their only way of rationalizing it. You should be better than that, you should be smarter than that. But you're not, so maybe you actually want it; why would such a brilliant person be like that otherwise? You're not allowed to be "weak" and I think Ivan is a perfect example of this as he has internalized this concept, but I'll go over it in part four.
But what does all this have to do with bipolar disorder? I'm getting there, but you'll have to bear with me because this whole thing gets quite intricated at this point and I have to be as clear as I can (and I can't, ever), so let's take a seemingly nonsensical step back to see the bigger picture.
None of the brothers are stupid: Dmitri is naive, impulsive and uneducated, sure, but the narrator does describe him as a fairly intelligent man in spite of it, Pavel was basically a child prodigy and a very smart young adult (and maybe I should talk about it sometime because everyone in the novel considers him to be capable but stupid and there's only one person who explicitly recognizes his intelligence in a genuine way apart from the narrator, guess who), and Aleksej, while also uneducated, isn't stupid either. But there is a particular emphasis put on Ivan's intelligence and it's hard to find a paragraph where he is present or where someone else is talking about him that doesn't mention it. Ivan is bright, Ivan is educated, Ivan is an academic. It's pretty much the first thing the other characters think of when thinking about him, it's almost some sort of morbid fixation. And it's not a positive thing either as it does nothing but feed into his insecurities and Pavel even uses it against him by telling him how intelligent he is over and over until he officially loses it. Ivan is smart to the point of being charming and admired, but that turns out to be a double-edged sword (of course) because everyone puts him on a pedestral and higher the pedestral, deadlier the fall, as we see in the second half of the novel. In my opinion the only one who seems to view him as a human being and not as some sort of ghost or higher, detached entity (apart from Zosima) is Alyosha; Dmitri considers Ivan to be better than everyone else including himself, Smerdyakov is...well, Smerdyakov, his father's attitude towards him is basically I don't understand what's up with him and I don't really care (in addition to what I said a few paragraphs ago) and even Katya is charmed by him more than she loves him, at least at first. Everyone else doesn't even really know him and that's partially his own fault, but I can't blame him.
Why do I consider this bipolar coding? To make it short, intelligent people are often considered charismatic and many psychiatric studies suggest that there's a link between bipolar disorder and high intelligence (which to me personally kind of feels like a consolation prize, like nature saying hey, you'll hate being alive but at least you're not an idiot!, thanks a lot I guess) and it's also worth mentioning that bipolar disorder is linked to creativity as well since Ivan has come up with multiple poems over the years, which means he must be a creative person to a certain degree. I haven't been citing my sources because this is not an academic paper and I'm just some guy on Tumblr who doesn't even study psychiatry and just happens to be basically cursed, but there's a book about this topic that I want to mention: Touched with Fire: Manic-Depressive Illness and the Artistic Temperament by American psychiatrist Kay Redfield Jamison; I've also read her (very relatable) autobiography and I'm a big fan of hers since she knows what she's talking about even more than the average psychiatrist because she has bipolar disorder herself. For anecdotal evidence, I keep a mental list of historical figures and artists (including contemporaries/celebrities who are still alive) diagnosed with bipolar disorder (so if you ever want to know if someone has/had it hit me up I guess) that I won't include here for obvious reasons, but let me just say that the doctors who did the aforementioned studies do seem to have a point (and I'm an artist myself). I want to make clear that I'm not trying to play into the overused, boring, inaccurate, and generally uncomfortable (for me at least) mentally ill tormented genius trope/stereotype and that it's obviously not what Dostoevsky was going for either; it's just that I've personally had people fixate on my intellect my whole life (not to mention the general weird fascination the average person has for mental illness and mentally ill people as well) and seeing Ivan go through that same experience combined with the studies I just mentioned made this association inevitable for me. Also people seem to find you more fun and charming when you're manic/hypomanic (only when you're the "right" kind of manic/hypomanic of course, when you're experiencing dysphoric mania/hypomania people just become ableist because that's the "wrong" kind of mania/hypomania, duh) which is...uhm...I don't really know how to feel about it honestly, but it's a fact so I'm mentioning it.
But what came first, Ivan's self-isolation or people's misunderstanding of him as a person? Is it the former that caused the latter or the other way around? To me this feels like having to talk about the good old chicken and egg dilemma and I still haven't figured it out in relation to myself, so I guess this will remain unanswered for now (or forever). But what I do know is that bipolar disorder is a lonely experience, no matter how hard someone tries to not make it lonely; people just don't get it even if you explain yourself a thousand times over and over. It doesn't mean you don't have relationships with others, it just means you know you have to keep some things to yourself sometimes and you get used to it, which seems to be Ivan's case too; to me the best example of it is when he's just about to tell Alyosha about the devil but stops himself from doing so and decides to push him away instead. In my opinion it's also connected to his inability to show "weakness" that I already mentioned and that is often one of the core experiences of living with bipolar disorder, but I won't go over that now. I'll just say the problem when it comes to Ivan is that everyone (the readers, the other characters, even himself) gets tangled in a net of performance; living with bipolar disorder feels like having to constantly keep up a certain kind of act (that I wouldn't even know how to explain) in front of others due to the stigma, and I'm pretty sure that's the case with every neurodivergence and invisible disability (bipolar disorder is in fact a disability and I'm legally disabled, that's why I mentioned ableism earlier). Ivan knows what people think and expect of him (we've seen it in his first real interaction with Alyosha and I've already talked about it in part two) and we see few moments when he goes mask off, and apart from those moments his facial expressions are always described as being forced or "off" in some other way. One thing that struck me is the significant contrast between what Mrs. Khokhlakova in particular says about him and how we actually see him behave when he doesn't bother with his forced coldness and collectedness (usually by himself or around his family): she talks about how refined and chivalrious he is multiple times because that's the side of him she sees (and almost everyone else sees), yet he's the character who swears the most (I don't know if "swearing" is the right term as in the novel there are no actual curse words in the modern sense but he doesn't really speak kindly does he); his language is even worse than Dmitri's. I'm not saying that being polite in public/formal settings and swearing like a sailor in private/informal settings is something unusual because I'm also like that (as I'm afraid you might have noticed, sorry for all the swearing!), I just wanted to point that out because to me it seems important in general and relevant for this post.
This doesn't mean I think of Ivan as a fake person because I would have to have that same opinion of myself and I don't, it's quite hard to explain if you haven't lived the bipolar experience first-hand or don't really know what masking is and I hope you'll understand what I'm trying to say here; it's just that he hides and polishes some parts of himself due to a combination of childhood emotional neglect, mental illness, and a personality that's difficult on its own (but really, when you have a disorder like this one it's quite hard to tell what's personality and what's mental illness, especially because at times they're one and the same; it shapes you and sometimes you can't even do anything about it and to me it's no surprise Ivan's sense of self is as warped as it is), all factors that contribute to his partially self-inflicted isolation. I mean, he does say himself to Alyosha that at first he kept him at a distance on purpose and you can also find a glimpse of that in his own philosophy: he openly says that he loves humanity but dislikes humans. He can only show affection from afar and I think that also reflects in the situation with Pavel and in Ivan's own guilt: I don't think Ivan lacks empathy (quite the opposite), he just doesn't have the tools to do anything with it. Could he really have done something? He says he would have if Pavel had explicitly told him to stay in their father's house (here the conversation shifts on the physical aspect of things as Ivan now feels guilty for also being physically distant from his family and not only emotionally), but Ivan's words are never really reliable. How can we expect someone who's incapable of getting close to people to help them? Even when trying to help Dmitri escape prison he's still rough with him. There's a reason why his thing with Katya is a mess as well and he refuses to admit that he loves her (he even says to Alyosha that he doesn't like her and he's with her only to prevent a catastrophe at Mitya's trial, which are later stated to be lies by the narrator): he always tries to convert his feelings into reason, otherwise his whole façade crumbles.
I also want to mention Ippolit Kirillovič's words about him at the trial because they seem very important to me, but only very briefly because first, many things he says have already been talked about in my other posts and second, it seems a little unfair to leave the other members of the family out because Ippolit Kirillovič says many interesting things about all of them; maybe I'll make a post about that in the future. Basically, Ippolit Kirillovič doesn't particularly like Ivan because he got the better of him in a couple public arguments they had in the past (very funny to me by the way), but he still prefaces his criticism of him by talking about his positive qualities (once again, his vigorous intellect and brilliant education) and saying he was welcome in their community (but not in the same way Dmitri was). This is yet another case of me not knowing where I'm going with this, but this particular instance stood out to me so it was worth mentioning; I think it summarizes the other characters' attitude towards Ivan quite well, but I can't really explain it.
Another thing that I noticed is that no one ever calls him by a nickname, not even Alyosha. I wrote a post about the use of names and nicknames in The Brothers Karamazov months ago but I hated the way it turned out because I felt like I wasn't making any sense so I decided to throw the whole thing away and I don't even know if I should try writing it again. Anyway, it's very interesting to me that pretty much everyone is referred to by a nickname (even Rakitin of all people) except for Ivan; not even Alyosha calls him anything other than his name (and if I remember correctly not even Katya, who talks to Ivan using the informal you, does). Actually, there are a couple instances where this does happen and that drives me even more insane because the first one happens at the beginning of the novel, when his father calls him Vanya a few times only to never do it again (and honestly Ivan didn't seem to like that either), and the second one is Rakitin mockingly referring to him as Vanechka when talking about him to Aleksej (because of course he'd never call Ivan that to his face and I also have a feeling he'd get decked if he tried). I don't really know where I'm going with this (again) but I wanted to throw it in anyway because it always stood out to me considering the only main characters that are never referred to like that are Fyodor, Ivan, and Smerdyakov and well, there seem to be implications here. In the aforementioned deleted post I wrote about this topic I mentioned sense of belonging (Mitya belongs there after all) and affection/connection (everyone loves Alyosha) in opposition to being excluded (Smerdyakov is not a legitimate son) and being unable to connect with others (Ivan is an outcast due to the multiple reasons I went over in the previous paragraphs). Maybe I really should try writing it again.
Well, I think I'm done for now. I found it a little hard to separate the themes of part three from the ones of part four, because the latter will focus on Ivan's self-perception (among what happens from Book Eleven to the epilogue and other, more "medical", things) but we see how he perceives himself through the devil but the devil is not an actual real person in the book so I couldn't really include that here and in my mind the themes of these two parts kind of blended together so I had to to figure out where to break them apart.
This took longer than usual (which bothers me but oh well) because I had to take a break from pretty much everything (which is why lately many posts have been queued) for a while due to the February-March period always being whacky for me bipolar-wise, mostly because of the seasonal change (something that plays a huge role in this shitshow of a disorder and something I'll go over in part four because surprise surprise) that always makes me mentally and physically tired. All of this, which can be summarized with bipolar disorder bipolar disordering, to say that I hope this part isn't as messy as it seems to me and that I hope you can't tell I wrote it during a time I wasn't getting enough sleep (I swear I did my best given the circumstances), and if I "disappear" or interact less from time to time it's usually because of this kind of stuff. I'm still not getting enough sleep by the way so I might take a break from serious posts again, I love that daylight savings time happens during one of the worst seasonal changes of the whole year for me every year and it doesn't mess with my disorder at all.
It sure didn't help that I chose to make part three more complicated than the others thinking it wouldn't go in a completely different direction than I had originally planned and wouldn't therefore have to reorganize my thoughts during a period I simply couldn't do so; I will obviously be punished for my hubris. But until then I'll be working on part four (and some other unfinished stuff I have in my drafts and have no idea when I'll post), which will be the last part of my bipolar Ivan Karamazov essay.
14 notes · View notes