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#every time he beats the shit out those people oooh the satisfaction i get
introspectivememories · 3 months
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cloudbatcave · 3 months
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Bought indigo disk let’s g - hey who is this cool looking new teacher I want her outfit
Ms. Briar, cool
“Getting to take part in a school trip so soon after transferring here” I beat the elite four, sir
“Blueberry academy” I named one of my pet fish that as a kid. He died from a swollen eye.
Oh we’re going to the Me region (Unova) - no okay Kitakami is elsewhere
Oh you wanna look around the crater yeah haha about that - you know what never mind I don’t wanna be deported to Poké Area 51
Yeah even Jacqs knows this is a hard sell and changes the subject.
“I already cleared things with your mom” thanks bro literally wasn’t even on my mind (it probably should be)
“I hope you don’t mind flying. Or long bus rides.” You don’t want to know how long my bus rides to college back and forth were, ma’am.
Oooh her ancestor wrote the violet book? Isn’t that something.
Man now I feel bad she probably won’t be able to get into the crater, she seems legit.
What? Okay I guess this IS teal mask, the Nintendo store told me I couldn’t purchase it…whatever.
I can be trusted to run ahead to the town and help my sick classmate [immediately runs off to pick up shit off the ground and catch a Sewaddle]
Me catching multiple more Pokémon and getting into a battle: he’s fine. Just give him a salt tablet.
Girl I challenged is scared by me being from Paldea. Curious.
Sorry for slaughtering your surskit, ma’am. And your chingling.
“This is the Paldean style of battle, huh?”
It’s called “fuck shit up sandwich style.”
Oh it’s the siblings, neat.
“If you insist on coming in, you’ll have to battle me first.”
Hey buddy I have a sick classmate to help! I don’t have time to fuck around even more!! How dare you. (Cloud bullshitted every word so as to avoid blame later)
Lmao her brother immediately calls her out, I love it.
Oh wow, a Poochyena, I’m really intimidated by you telling me to eat dirt. Quaking in my boots, here.
Close combat! And you’re dead.
“You know about type matchups, huh?”
I was not born fucking yesterday, girliepop.
“Do you not know about type matchups”
Girl I have never seen your sapient cup of chai in my life and don’t know its types from Adam. Now shut your face before I superglue your teeth together.
“You…Who ARE you?”
I fucked your mother last night!
“Wowzers! You went and beat my sis?”
And I used all of one Pokémon to do it.
Carmine talking like she has any power still. Nice try. Move before I end your miserable fucking life.
“I hope those two kids weren’t giving you any grief just now…were they?”
I’ve met mosquitos who had a more lasting impact on my existence, so no.
“It’s a pleasure to meet all you outsiders”
Knock you off the nearest cliff without anyone knowing I did it at the earliest opportunity, got it.
I get a selfie stick, fucking amazing.
“You want to pair up with one of us poor, lonely Blueberry students?”
Want is such a strong word.
God she’s so passive aggressive. Girl can you quit it.
Sure, I’ll battle poor Kieran. I wish I could let him win to spite Carmine.
Oh well.
Red alert, Carmine has complimented her brother’s battling skill and I don’t fucking trust it.
“I’ll just follow you from a safe distance” poor kid.
Oh boy, I get to be an exchange student? Wait actually I know nothing about this Blueberry place.
Okay even Clavell agrees I should meet the director of it to see what’s up.
Hisuian Growlithe??? What are you doing here?
I like Perrin.
“Are you always this open with total strangers?”
I have six pets who can commit murder, I’m Gucci. And you’re just taking my photo.
Oh god. Rich people.
“Will you duel me for riches beyond your wildest imagination?”
I’ll duel you for the sweet satisfaction of crushing you, blondie.
One Persian? That’s it? Pathetic.
“Spend that reward on something meaningful.”
Setting it on fire as we speak!
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redstainedsocks · 3 years
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Human Again
For @amonthofwhump’s March Madness for the whump trope: choking
Here’s my whumpee Zach having a very bad wake up call. I know the previous four Zach pieces have been post-escape but, and hear me out here, he was just in need of some whumping. So have some out of context, out of order, pain. (Read more high up the piece for vaguely referenced thoughts of noncon)
Warnings: Forced nudity, implied torture, implied past noncon, choking, noncon kissing, shotgunning cigarette smoke, smoking, cigarette burns, manhandling, antagonistic language, blindfolds, captive whumpee, nausea mention, food mention, prisoner denied food
Zach woke up naked. He woke up stiff and sore, and though he knew he was on the thin mattress that was granted as his bed—he could smell the musty stink of it—he had no idea how or when he got there. 
The two things combined were enough to turn his stomach, and bile crawled up his throat. There were fuzzy memories, blurred indistinct ones of beatings and being bent over a table… but was that the last thing that had happened? Or was there more? Was that even yesterday, or two days ago? It all mixed up together, and he couldn’t work out what had happened when, or which thing it was that had made him lose consciousness. Was it drugs again? An electric shock? Or just the accumulation of pain and fatigue and he’d passed out naturally?
He only knew he must have been out a while to have been brought back to his cell. Not knowing if anything more had happened while he was unawares he shivered and curled up, wishing for a blanket to cover himself with. As he moved he felt the protest in his bruised ribs and moaned as he clutched his side. 
“Ah, he lives,” came a smarmy, grunt of a voice. 
Great, Mack, of all people, was here. 
Zach opened his eyes to better defend himself against whatever Mack had in mind and found something still blocked his sight. He groped for his face, arm numb from his own dead weight crushing it. 
“Leave that,” Mack said. “Don’t you fucking dare touch it, that’s your first rule of the day.”
Zach swallowed, groaned again and pushed himself to sit up, hyper aware of every inch of skin on display. He smelled Mack’s cigarettes before he heard the man move, felt the stale smoke waft over his face and another roil of nausea that it brought with it. He lifted a hand to rub his nose and coughed onto the back of his hand to try and rid the smell and the almost-taste of it from his body.
Mack’s hand—probably, unless someone else was here too—caught his wrist and squeezed painfully. “You deaf today or some shit, I said don’t touch your fucking face.” Mack twisted his hand until the skin pinched beneath his grip, and the joint protested. Zach hissed in pain and lurched into action to try and grapple his hand free, digging nails into the back of Mack’s hand.
Mack held on for a few more long moments before he shoved Zach, freeing his wrist, and he scooted further away from where he thought Mack was crouching.
“Actually you said not to touch the blindfold,” he replied tersely. “Try thinking before you speak it might help you get your point across.”
Mack grabbed the back of his neck, fingers curling into the ends of his hair and yanked his head back. Zach hadn’t known to brace for it and the jerk sent a wave of pain that ricocheted down his neck and jarred something in his aching hip. “Far too mouthy you little shit. If it were up to me I’d sew that mouth of yours shut.”
“But then how would we have these little chats I know you love so much?”
Another puff of smoke rolled over his face and he wrinkled his nose, stomach churning. He needed food, water... he needed proper rest, not just to pass out after some torment or other and wake up bruised and sore. Resigned to not getting enough of any of those things he focused on the slight sense of satisfaction of irritating Mack instead.
He heard the hiss of the cigarette being dragged on and hoped it was nearly gone. It was fruitless hoping when fingers gripped his jaw until his lips puckered, the heat of the cigarette sizzling far too close to his skin, held in the fingers that gripped him. Then Mack’s lips were on his and he sucked in a breath of surprise only to inhale a mouthful of smoke.
He sucked it down, drawing it into his lungs in surprise, hoping and hoping for clean air to come on the back of it. Mack’s lips were a seal over his own that breathed the filthy, cloying stuff from his own mouth—expelled it forcefully right to the back of Zach’s throat. 
Zach’s lungs grew tight and full and he needed to exhale but Mack’s mouth was still smacked over his own and his tongue was in Zach’s mouth too, invading and claiming and bitterly acrid. Zach grew dizzy, swayed forward as his lungs tried to force the shotgunned smoke back out, he coughed and wheezed and batted at Mack weakly. Over the sound of his own hacking coughs he heard Mack’s laughter. Why was it always funny to these pricks? Why did they have to delight in making him suffer or making him ill? 
The weight of it all was enough to drive him flat back onto the mattress, gasping for breath, aware he wasn’t going to catch a break here. Not even given a moment to try and process and remember the previous day’s horrors before the current day’s began.
“Your mouth has other uses too, I guess. Wouldn’t want to miss out on those,” Mack’s shoe nudged him.
He was about to respond when Mack’s heavy weight descended on top of him, driving more air from his lungs. The hand was back and it caressed his jaw as he grew tight as a bow string, muscles locked like he could fight this, change whatever was about to happen by being ready. Mack’s calloused hand slipped lower and closed around his throat... and squeezed. 
It trapped the air in his lungs, stopped the coughing in its tracks and he arched up, kicking his legs looking for the pressure to lessen. Mack held him on the knife edge of breathlessness until he went limp, allowed him a precious few wheezing breaths and then closed his hand again while he blew another round of smoke into Zach’s gasping mouth. 
Zach squirmed as his chest failed to expand and his lungs didn’t fill, the black behind the blindfold going haywire with flashes of light and colour and then fading to grey. There wasn’t room for breathing or thinking, he was only animal—desperate, hungry and directionless with the fear that came hot on the heels of being pinned down and choked out.
He clawed and kicked, begged with soundless words as he tried to make the shapes and couldn’t find enough air to give them voice.
Mack pressed tighter one more time and then released. Just as Zach thought it was over a burning, blinding pain sparked to life on his shoulder. He writhed, still sputtering inhaled smoke while a scream—half surprise as well as pain—was forced out of his throat. He smelled his singed flesh as well as the ashes of a cigarette on his shoulder. With a heavy hand he blindly flicked the hot ash from his skin, feeling it smear on his fingers with intense heat. He knew the scent would linger on his hands for a while, like some sick sort of reminder of the mornings activities.
“I’d miss that scream too, oooh man, you’re like a little girl sometimes. Can’t handle a little ciggy?”
Zach grit his teeth while tears swelled hotly behind his eyes and he only hoped to keep them at bay. He felt sluggish, no idea if it was from whatever knocked him out, or the lack of breath in his body, or just the general exhaustion and constant suffering. He almost began to laugh, and caught it before it turned into a pitiful whine. Drawing more attention to himself for being strange wouldn’t help him now.
“Think fast,” Mack said and a thud of something heavy landed on his chest with a slosh and a thud. “Drink up. Boss wants you in the training rooms today.”
Grateful for the fresh bottle of water, and hating that he was, Zach fumbled to screw the cap loose. The water soothed his abused throat, settled his stomach a little. Made him feel, briefly, more human. 
Mack pulled him off the mattress and to his feet and shoved a pair of loose trousers into his hands, holding him steady with a thumb pressed firmly on the spot Zach had just been burned. Zach steeled himself and ignored the sharp pain. He stepped one foot and then the other into the trouser legs, leaning on Mack for balance while he couldn’t see.
“Now you’ve got your modesty let’s fuckin’ get on with it, step to it Griffin, time to go see what else you’re good for today.”
With tired, heavy feet Zach followed where Mack steered him. Whatever dregs of human decency he was given were always taken away sooner or later. He wondered if today would be a day he remembered, or if it would fade and be lost to some indescribable pain like the day before. He shuddered, unsettled by the idea that maybe it was kinder if he forgot; if the memory was choked out of him into oblivion so he could sleep deeply and soundlessly. If all the days bled into one, would he really be living them? Or could he float through them like the moments he drifted, lacking in oxygen, somewhere between consciousness and sleep. 
He hated that that seemed appealing and wrapped a tentative hand around the bruises forming on his throat and pressed down, just because he could, just to feel the pain because he chose to for once; just to remind himself he was still very much alive, awake, and human, and that was worth fighting for.
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britesparc · 3 years
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Weekend Top Ten #464
Top Ten Feelgood Moments in Movies
Serendipity’s a funny thing, isn’t it? I’ve been planning to make this week about feelgood films since, oooh, late November maybe. I mean, we’ve had enough misery since 2016 to last us an entire Middle-Earth Extended Edition boxset. We need our Pelennor Fields moments wherever we can get them, and Joe Biden being sworn in as President is a good a moment as any right now. So anyway, that was the plan, and then along comes good old Empire magazine with a month dedicated to top cinema moments. They’re not all feelgood, to be fair – there’s the chestburster scene from Alien for a kick-off – but it’s one of those instances of curious synchronicity. What I’m saying is, I didn’t rip them off, okay? This was percolating since the Tangerine Nightmare lost Georgia.
Anyway: feelgood.
This was surprisingly hard, because the moments that I cherish aren’t always feelgood. Even in Lord of the Rings, even in the Pelennor Fields, the whole Ride of the Rohirrim stuff is laced with tragedy. The best bits of those films – “Fly, you fools!”, “For Frodo,” “I can’t carry it but I can carry you,” “Go away and don’t come back” – they’re all melancholy, aren’t they? It’s a saga about people being heroic under duress, and in those cases quite often people don’t make it back all in one piece. Think about Pixar, what are the great moments? “Thanks for the adventure, “So long partner,” “Take her to the moon for me” – they’re all about loss. Or rather, new joy from loss, hope from despair, that kind of thing. They’re terrific, they always make me cry, but they’re not exactly feelgood if you know what I mean.
So here we are. Moments of utter joy, that’s what I’m after. Heart soaring, tears pouring, euphoric moments of extreme happiness. I’ve tried for the most part to avoid joyous moments of excess: there’s one explosion and one bit where a dude gets stabbed in the face, but for the most part I’ve eschewed “feelgood violence” for want of a better word. These are scenes that are supposed to make you smile.
And y’know what? We could all do with smiling more in this day and age.
Good luck, Joe and Kamala. Do a good job. Take us to the moon.
(P.S. spoiler alert for, well, pretty much every film in the list)
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“Happy birthday, Aunt Lucy.” (Paddington 2, 2017): after ninety minutes of watching Paddington bring out the best in everybody just by existing, we all feel he deserves a happy ending. And everyone pulls together and gets it for him. Everyone he’s helped, everyone whose life he touched, they’re all there, leading Paddington – and us – to the door. As an adult, you know what’s coming; kids are less sure. But it’s a joyous moment of nothing but true happiness. Two CGI characters hug with such sincerity you can feel the warmth from the screen, and then comes those last words – quiet, whispered, almost thrown away. It’s perfect.
“When you realise you want to spend the rest of your life with somebody, you want the rest of your life to start as soon as possible.” (When Harry Met Sally, 1989): romcom endings are very hard. You’ve navigated a couple’s relationship, generally speaking you’ve split them up in act three, and now they need to get back together in a big, extravagant way, that undoes the plot machinations that separated them. No one does it as well as Harry here, delivering a soliloquy on what it means to be in love, loving a person’s quirks and foibles and how they occupy your mind, ending with that superb line. Sally says it best: when he says stuff like that, he makes it impossible for us to hate him.
“On your left.” (Avengers: Endgame, 2019): Captain America stands alone, battered and beaten, his unbreakable shield broken. The vast armies of Thanos stand before him. He faces certain death, and the probable destruction of everything. He grits his teeth, tightens his shield straps, and then… Sam Wilson’s voice, delivering a line from several films ago, a moment of levity and shared continuity. His friends arrive, slowly at first; Black Panther, the Guardians, Spider-Man. Legions from across the cosmos. “Is that everyone?” asks Doctor Strange. “You wanted more?!” replies Wong. And then giant Ant-Man bursts through a building, with Hulk and co. An army of good from across the galaxy to face the forces of evil. Cap calls forth Mjolnir (and that moment was so nearly my choice), and then… “Avengers… assemble.”
“That’ll do, pig.” (Babe, 1995): Babe is one of those films that’s mostly joy: feelgood throughout, really, despite moments of drama or sadness. But after some nail-biting scenes as Farmer Hoggett and his piggy bud do their sheepdog act, we have a moment of angsty silence before the crowd goes ballistic, cheers everywhere, women crying, top marks. And then very softly, oh-so-tenderly, Hoggett’s great catchphrase. It’ll do. It’ll always do.
“Indiana… let it go.” (Indiana Jones and the Last Crusade, 1989): a film built on witty repartee and full-throated spectacle, Crusade lingers in the memory due to the subtle character work between father and son. They mend their fractured relationship over the course of the movie, but it’s really symbolised when Henry saves “Junior” at the expense of rescuing the Grail, calling Indiana by his chosen name for the first time in the film. It’s a great character beat, and is followed shortly afterwards by the protagonists literally riding off into the sunset.
“I am no man!” (The Lord of the Rings: The Return of the King, 2003): as I alluded to above, the Rings trilogy is full of incredible moments of awe, pathos, tragic heroism, and bittersweet joy. But arguably the biggest cheer is reserved for when Eowyn of Rohan dispatches the Witch-King of Angmar courtesy of a Shakespearean loophole in his whole “no man can kill me!” schtick. Coming between the awe-inspiring Ride of the Rohirrim and the death of Theoden, it’s a terrific punch of joy and satisfaction.
“E.T. phone HOOOOOME!” (E.T. the Extra-Terrestrial, 1982): E.T. is another of those films full of joy, but it’s also tinged with sadness. Melancholia bleeds into the film like sunlight through Elliot’s blinds. E.T. himself spends half the film getting sicker and sicker, until he appears to die, all pale and cold-looking. But then! The flower comes back to life! His heart glows bright red, visible through his weird hyperbaric chamber/coffin thing! Elliot flings back the lid, and E.T. barks his catchphrase euphorically. God, it’s great.
“Andy Dufresne, who crawled through a river of shit and came out clean on the other side.” (The Shawshank Redemption, 1994): it’s a bit of a grim watch, Shawshank; this isn’t a Paddington-style joy-fest. Andy is wrongfully impression and then spends twenty years being brow-beaten and abused before making his escape. But what an escape; not just the audacity of it – not just the fact he gets out at all – but how he ingeniously tunnels his way out over the decades, steals the warden’s ill-gotten money, exposes the scandal at the prison, and – as Red says – crawls through a sewer. It’s a beautifully put-together scene, everyone getting their just desserts and deserved rewards, and is capped off shortly after when Red himself is released and gets to retire alongside his friend.
“You’re all clear, kid, now let’s blow this thing and go home!” (Star Wars, 1977): I almost had the mothership explosion from Independence Day on this list, because I remember how much that impacted me as a teenager; seeing the baddie aliens get theirs was just great. But really it’s a replication of this, the grandaddy of all “beating the bad guys” big bangs. Luke, whiney teenager from nowhere, ends up flying an X-Wing against the evil oppressive Empire’s mighty Death Star. When all hope seems lost, Han Solo returns, proving his heroism, knocking Darth Vader for six and leaving our hero free and clear to use the Force, Luke. Cue phenomenal fireball. Joy!
“I’m singin’ in the rain…” (Singin’ in the Rain, 1952): musicals are joyous, aren’t they? A proper old-fashioned feelgood sing-song can be transcendent. “Singin’ in the Rain” – as in, the song/dance number – is about a bloke so bloody happy that he doesn’t care if he gets wet. It’s a euphoric statement of intent, a declaration of both love and supreme serenity in and of itself. And as a piece of cinema, it’s all that and more; an escalating dance routine, as the music soars and the camera lifts up, and we take in the splendour of this one bloke kicking in puddles. It’s daft, it’s funny, and it’s just, well, feelgood.
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