I just want to say, that I agree with almost all of your Critical Role takes and you have 1000% better and more nuanced takes than all of Twitter and I greatly appreciate it! The takes over there regarding Liliana and the gods are just wild and you bring some much needed sanity to the content I see
Thanks! I hope you don't mind because I've been thinking about this re: the Twitter takes but the thing about Twitter and Liliana specifically that I've seen is that there's this really bizarre fetishization of like, the fact that she is a (white) southerner (this also weirdly happened for Birdie though to a much lesser extent, and the person who spearheaded that wasn't even American so I have to assume this is a specific corner of Twitter Culture At Large). And like, here's the thing. It's true that fantasy tends to be very British in its accents, and it's also true that accents in a fantasy world are used to convey the same things we'd assume in our world - RP British for educated, southern American for rural, Cockney for rougher types, etc.
It's also true that laying the exact socioeconomic parallels from our world onto, say, Liliana and Orym (who reads to me as non-regional but I, like Liam, am from the Northeast originally) is a recipe for disaster. Or rather, it's not, but it is going to reaffirm your own biases, some of which are dangerous to reaffirm.
There was a popular post on Tumblr a while back, probably not long after Trump was elected, of someone talking about how they were convincing a relative with the confederate flag towards socialism by appealing to the idea of "isn't in unfair how uneven wealth distribution is and how a small group has so much control" and a number of people were rightfully like "uh, maybe you should focus on the racism" or "hey OP ask your relative who they think that small group in control is because I'm getting a really bad feeling they're going to say it's The Jews." And I feel that a lot of the empathy for Liliana from those spaces feels like that OP. Or in other words: I get that you see your relatives in Liliana. Unfortunately, I cannot help but see me and mine in Orym.
You see someone trapped by circumstance and desperation in a dangerous ideology. I see the fact that I haven't gone to a synagogue in easily 6-7 years without there being a security guard present and usually, the doors locked with someone looking through the window to let you in, and then in the sanctuary there's been an installation so that you can quickly bar all the doors in case an alarm goes off or you hear shots in the lobby.
I think there's a great case for seeing yourself in Imogen, who is in a painful struggle with the fact that her mother does love her very much but is in dangerously deep and has done a number of incredibly terrible and harmful things. That latter point is important, incidentally; I get that cult members sometimes rise through the ranks but all but the leader are being manipulated. But the fact remains that a brainwashed person can still commit atrocities, and in this story, they have, many times over. It's especially true because like...sure, plenty of people are like "I lost my relative to a cult and I just want them back and I couldn't harm them," but also, as we've seen, this cult can and will harm Imogen! Plenty of people are also like "yeah I gotta cut them off, it hurts but unfortunately my horribly bigoted and violent relative, while a victim of brainwashing, is a threat to me too." It's not even the full picture of the Temult side of things, let alone the picture that includes the Vanguard's victims.
I also think the Southern gatekeeping is unhinged because it's like. guys there's QAnon members and other cults across the country; the Confederate flag example above was actually notable in that OP wasn't even Southern so you couldn't even write the flag off as deeply misguided heritage but rather was explicitly being used as a hate symbol. It's awfully presumptive to assume all southerners have the same experience (especially since the Temults are portrayed, physically and in accents, as white southerners, not that the experiences of white southerners aren't also incredibly varied). It's awfully presumptive to assume that people find Liliana threatening because they have no personal experience with people like her; often, it's because they have all too real experience with people like her, and it says something even worse about you if you can say "but you guys, I see me and my family in Liliana" when people are telling you that they see them and their families in Orym. I would not, personally, publicly admit that one's empathy extends to the people who remind you of your family but runs out before it reaches their victims. Nor would I publicly admit that I assume everyone who disagrees with me clearly has never had personal experience with this topic.
I should also note that, as I've noted a number of times before, that these are fictional characters and not real people. Twitter seems to be really fucking bad at grasping that. Like, yes, this is the other thing; I do not think that OP should kill their Confederate flag-toting relative, whereas if Imogen did so to Liliana I'd be like "hell yeah." The former is a real person who I do hope gets deprogrammed, just, you know, maybe adjust those priorities; the latter is a fictional character in a story.
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one more thought. watcher isn't entirely comparable to netflix or other streaming services. unlike netflix, watcher tv exclusively hosts content that they've made. watcher isn't limiting any access to content that isn't their own. the closest thing to what watcher is doing is when streaming services have content exclusive to their platform, like netflix originals, tubi original movies, disney+ aninated shorts... it can be frustrating to not be able to access content because it only exists on one paywalled platform, but when it's literally created, owned, and funded by the platform itself, it doesn't really make sense to expect that content in any other way. you can want the content to be free or hosted on another platform. but the creator has the final say.
(and yeah at that point, maybe it's expected for things to get pirated. but unlike other media where sometimes the creators don't exactly discourage piracy bc their hands are tied and otherwise there's no way to access their work except through this larger entity, watcher is both creating the content and providing the means to access it. they have control over their own work. they can choose to do with it as they please.)
again i think it's normal to feel shocked, overwhelmed, upset, sad, disappointed, frustrated, etc. but if you specifically view this move as a betrayal against you, i'm personally inclined to think that you thought you were entitled to watcher's creations all along. you weren't. you aren't. you're not entitled to anybody's art, creations, or passions. and if you want to combat all of that by saying watcher doesn't make art in your opinion and thus shouldn't be allowed to treat it as such.... you and i have drastically different viewpoints and i don't think we can have productive conversation here lmao
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got a new follower and remembered to check the blog (shoutout, you know who you are) and it reminded me HEY I WANT MORE ARTISTS ON MY DASH
if you follow me and post og art or have an art blog reply here please??? O:
reminder for newbies my art tag is #doodlesketch but ive been dry as hell for ages
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Master Of The Mountain and my maladaptive daydreaming mix well. Too well. Too well to the point where it's a pain in the ass to complete MOTM because my daydreaming turns on, making me have to walk around my room for a couple minutes. Then those couple minutes turn into a couple hours, & I can't watch anymore MOTM for the day because there's no time left.
Guess that's what happens when you have a shit ton of lore and an OC that has a lot of ties to one season.
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Beatles for Sale 🍂
I should say from the outset that I really enjoy this album and I think Virtually Everyone Else is just being mean.
One of the many things about it I like is how much of their superb "vocal double act" we're getting from John and Paul. But my absolute favorite...
Favorite: No Reply
LOVE when Paul jumps in and they just belt out the quasi-chorus/middle eight together. I love the spare, clean arrangement, too.
Plus, the title is a real good 'un! Unlike...
Least favorite: I Don't Want to Spoil the Party
It's basically too much the same as No Reply and I'm a Loser. Only it's the worst of the lot. Terrible lyric hook, John. Shit lyrics.
I do enjoy the vocals* but, again, spoiled for choice on that with this album! So we don't need to put up with this substandard crap.
I will award John an E for Effort.
*fun fact, there is endless debate about who is singing the low harmony: George, Paul (I always thought it was Paul), or John himself
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