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#ep: the die is cast
asexualjedi · 2 months
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Julian misses his boyfriend. :(. O’Brien is going to give himself indigestion with how quick he’s eating. Also would be an incredible moment in series for Julian to realize his feelings for Garak are romantic.
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feelingtheaster99 · 3 months
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I know Beardsley already alluded to thing but it was really sad and powerful when Kristen tells Cassandra that she knows “chaotic is not cute.” And then Cassandra straight up tells her, “I can’t rely on you.”
And Kristen and the entire audience have to agree. It’s really humbling for me as an audience member but I’m guessing also for Kristen in that moment
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vaguely-concerned · 2 months
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somehow enchanted by the detail that odo specifically gives himself (makes himself into??) a latte. he's thought about this. he has Colour Coordinated.
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treasureplcnet · 6 months
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Hello! I adore your Bodies fanart. I was imagining Karl in 1890 and how much havoc he would wreak. Also Henry and Karl would get along very well, I think, and Karl would be a *terrible* matchmaker for Henry and Alfred... I'd love to see your take on any of this, if anything comes to you 😍
HELLO OMG THANK YOU FOR THE EXCUSE TO JUST DROP HOT TAKES INTO THE BODIES NETFLIX TAG <3 all these drawings are very scrappy and i lost the plot and this became more like sharing all my hcs but still :')
now that you have brought it to me i really do think henry and karl would be unstoppable, i think they'd constantly have a fun, back-and-forth banter !!! i also can see karl dropping multiple not-so-subtle hints, and all of the detectives being quite supportive. gently too, considering the period-typical homophobia. i do think sometime along the lovelorn pining looks, he gets tired of seeing them orbit each other without anything happening, and this exchange occurs:
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more doodles and crying under the cut :)
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i will die on the "karl weissman bisexuality" hill. HE TOLD ME IN A DREAM!!!! it's just a little messier for him because he really likes women and will not figure it out ever. charlotte hillinghead TO ME also has the exact opposite problem where she is very much in love with her husband and doesn't have any incentive (or freedom considering the time period) to explore her sexuality. the way she accepted hillinghead's feelings for henry, and was less rejecting and more devastated over thinking he didn't love her or polly, just read queer to me somehow. an acceptance because she's like that too, yk? (maybe a bit of a reach but i don't get to choose who my mind designates as being bi)
i like to think that charlotte-karl experience a spider-verse mindmeld "YOU'RE LIKE ME" moment over being bisexual but they're not quite sure why they're feeling that way because they have no idea they're bi. if you are me you will understand perfectly
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and i am a henry/alfred/charlotte poly truther as well (please see above discord ranting from my dms with a friend lol)
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on more notes of just giving whichever character i want the bisexuality card, hasan is bi to me too. i think hillinghead and her bond a little over that shared religious guilt, of having their respective institutions be homophobic, and the feeling for so much of their life that they're different, so there must be something wrong. it helps her empathise with him and they quickly become closer because of it :) possibly also introducing him to queer lit, and maybe some non fiction lgbt history books
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and one last final doodle because i think alfred as the only detective with an active love life where he's pursuing someone would make the others pretend like they can be adults but they want to know SO BAD and they also give advice once in a while because they're rooting for alfred :) they're all pretty good at hiding how badly they're invested in this (think iris 'casually' asking hillinghead how it's going and the other two perk up in the background) like i refuse to believe any of them are totally immune to the equivalent of office-gossip
this was so so long LOL i hope any of that is coherent !!!!! a lot of it ofc is my own projection bc i am bi, but it's real to me <3
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jackklinemybeloved · 1 year
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went into this episode excited to see ylfa and the beast interact and crossing my fingers for a good elody and gerard union and came out with an existential crisis about these young nihilistic women running themselves into the ground and destroying everything because they don’t know what else to do
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poebrey · 11 months
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gonna write a whole thing someday about how characters of color who clearly have a history of trauma or mental health issues aren’t given consideration or acknowledgement in the fandom imagination
#this is first and foremost about yennefer being canonically suicidal and it being never brought up in fandom#but people can talk about how they think she’s a bitch just fine like we’re all stuck in 2005#but also applies to like just about every character of color who has a prominent role in sci/fi fantasy genre space#because they sure get made to suffer a lot by these writers but in the white imagination that’s not noteworthy at all?#but also Scott McCall#who deadass attempted suicide on screen in one ep?#suicide tw#which I have moved on from teen wolf but it for very obvious reasons another great example#or Michael Burnham who canonically had a fucked up childhood that gave her a lifelong martyr complex#but if you ask who clearly has ptsd on the show it’s not her because it needs to get spelled out even though she is the main character?#Or even Culber; they bonded once over how they both died!#but we don’t do that with white boy side characters 5-7#they try to hate crime someone on screen and people are making shit up to justify before whatever media it is finishes airing#we talk about diversity in media#but one of the catch 22s is that more diverse media tends to be genre media#because that’s allowed to push boundaries#but as a fan of color you have to mentally prepare yourself for witnessing trauma every time#meanwhile the silly no stakes fun shows get majority white or entirely white casts every time#so you get this fun thing where if you’re white and want a fun escape you get a buffet of laughs#and if you’re a person of color at best you *dont* get to see yourself die on screen#anyways this has been a middle of the night that no one should be taking seriously#*rant#gotta make sure everything referencing tw isn’t in the first 5 tags or I might wake up to a whole essay crying in the inbox
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and i draw parallels solely on the cinematographic basis of “when my man is no more than a millimeter away from perturbation at all times but you give the Whole Right Half Of The Screen 3/4 Closeup of Harrowing Recontextualizations” like that’s right. we’re living it up
#i mean i guess it counts lol. said generally similar cinematographic approachs for said very generally similar scenarios#(a) when a guy shows his hand (shit) & the Team Experience is in shambles & you're two sec away from shooting him for real....#nemik not even being around for said ''oh so this guy is like that then apparently'' but Insisting on giving cassian his manifesto when we#all knew like oh f you're gonna get it lol. unsurprised but not unmoved that nemik's manifesto is the source of that Quoteth....#paraphrasing closely from memory the frontier of the rebellion is everywhere even the smallest act of insurrection pushes our lines forward#the imperial need for control is so desperate b/c it is so unnatural tyranny requires constant effort it breaks it leaks....#(b) when against all odds you busted out of island forever factory labor electric containment torture execution jail and made it to a phone#make a risky call home to relay to your mom that you're alive and all only to be informed that she is not#and both still like serving as [major turning points] naturally. end of ep six; end of ep eleven of twelve....#love some drama. even on top of ''oh we knew you'd die but now we know you're dying'' and then like escalation on escalation like umm what's#our bestie here talking about. oh i see. oh he's getting quickdraw blown away right on really at this point; makes sense in this position;#still what a surprise lol truly....that we Aren't surprised maarva dies not only b/c it's heavily cued but also We find out at the ep start#like the one guy dying in prison while we Know that's coming but heaping drama on drama as the doctor tells them what happened on floor two#and we get yet more Acting Wins as andy serkis (lino?)#(nah looked it up & i spoonerized that lol. kino loy. i Only Just Now have one name per each of that heist team down i think lol) so anyways#andy kino loy serkis is getting to be the king of Harrowing Recontextualizations in that moment. ugh just great shit going on throughout#there was a Lot of great [i'm perturbed to harrowed] acting all across the board. its being by and large a cast of characters who are all#like wary and continually endangered with varying degrees of urgency. like the rec abt this series as [tfw depiction of police state life]#star wars ///#andor#truly cassian my [he has the face of a friend] cassian#he really does have this key energy of like your insta new best friend and comrade....nemik's delivery w/''i wrote abt you last night.'' Fun#again like also unsurprising he'd already land on cassian out here like ofc i'll give my crucial legacy work to that guy who just showed up.#and And I Insistingly....and he's right
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istherewifiinhell · 8 months
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~~just toy show things~~
they fucking blew that planet UP. oh yeah and the leader is gonna go on a journey to a farm upstate to find a new planet without war. ahhh yes ofc the old toy wave his old companions will come with him. no. not you arcee. your too marketable and we havent invented a new girl character to be vagely unpleasant about.
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Imagine if the OFMD DVDs have audio commentary.
Like Taika and Rhys and maybe David doing some commentary for episode one?
Id lose my fucking mind.
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frommybedroom · 7 months
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pls tell me i’m not the only one disappointed by s2
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asexualjedi · 2 months
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Odo and Garak becoming friends after Garak tortured Odo is so funny
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SPOILERS
Started rewatching shen he ling bc I forgot its not nice and cheerful like priest's other drama and actually EVERYONE FUCKING DIES so I'm here at ep 29 wondering if I should take the plunge and cry for the last 7 eps or just leave it there except I stopped too late and siji manors already in flames and zishus been captured and I KNOW the next scenes are the massacre the nails the ghost massacre and then the deaths and I can't subject myself to that HELP
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vaguely-concerned · 2 months
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Visual Language Things in Improbable Cause/The Die Is Cast that are driving me INSANE
the stuff they do with light and shadow in these episodes is just. someone went 'I know artists who use subtlety and they're all cowards' and they were so right for that
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are you telling me... that this man is caught between light and dark in this moment and hasn't yet decided which side his soul is going to come down on in the end. hm. interesting. (especially cool that when the shadows of his face are lit up in the runabout at the end, that's when you see the damage underneath. he's partially made that choice and he's illuminated, but not by a comforting light yet, those are danger colours. odo and garak bonding on a day trip to hell; the episode)
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I think this shot is ultimately my touchpoint for the visual language set up in this episode -- julian bashir standing there in 'wherever you have to go, come home to this afterwards' light as garak walks into the shadows (and towards tain). where does the light in his life come from currently? we may have a clue before us folks
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(This one is literally just because his expression here makes my chest feel weird and aching. oof. I feel like this is one of the rare times he lets himself be really openly soft because he must know there's a decent chance he's not coming back)
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aaaand what's the very first thing that greets him once he 'returns to the light' so to speak? :) little bit of a moral and emotional horror show in the middle there admittedly but thanks to odo he did come home and no one like. died or anything. well. many many people died but that honestly wasn't his fault or responsibility. we'll call it a victory
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some really cool odo shots too in this ep. I love you constable this was so fucking extra for no reason
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fun little detail: when the defiant starts shaking upon taking fire, Julian immediately puts his hand on Garak's shoulder -- the same way and on the same side as Garak did to Tain minutes before, when Odo had to fucking. knock him out to make him let go. (again: odo I love you. a direct and decisive thinker above all)
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itsmebytch001 · 4 months
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My Hazbin Hotel Critiques:
Note: These are my personal opinions, I'm not looking for conflict.
Not enough eps, I think with this kind of escalation in plot it should of had 12, at the very least, it would have left far more time to develop Angel Dusts character.
It had a three season story squeezed into 8 eps it was mad, if the battle had taken place three seasons in, the reveal of Vaggie being an angel, the fear of war with Heaven and the death of Sir Pentious would have meant so much more to the audience.
To ethicise Angel's deeply ingrained hyper sexual behaviour, it should, in my mind have been shown more so how uncomfortable he makes the other staff especially Husk.
Charlie got over Vaggie being an angel far to soon, imagine the emotional conflict if they had actually broken up, or atleast separated, If Charlie have had an episode or two of her going through the motions of forgiveness, Vaggie being cast out the hotel in shame Alastor using it as a means of emotional manipulation to grow closer to her, praying on her vulnerability and THEN he swoops in and makes the deal, showing again Alasor is a grifter and will take advantage of someone if he feel's he can benefit.
The Friendship between Lute and Adam should have had atleast three scenes dedicated to it, they are bad people but to make then good characters in the sense that they have depth would have been great for the audience, for atleast some emotional reaction for Lute, yes Adam is a twat who deserved to die, but just a pang of sadness for Lute would have been great.
too much swearing, it's excessive and cheesy, instead of Alastor saying ''Im about to end your fucking life'' he could have just said ''I am about to end your LIFE" with a deep growling kinda thing on 'life' of instead of Vaggie saying ''Shitass'' (A terrible sweat word) she could have just not said that it didn't add any enthesis on her conversation with Alasor.
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hastyprovocateur · 4 months
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An analysis of Mizu×Akemi
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Mizu gave up Akemi to Lord Daichi's men saying her path of revenge has no room for "love, friendship or weakness." She looked Ringo up and down at "weakness" after which he got offended and ended his apprenticeship for not helping Akemi. Mizu's eyes held guilt as Akemi cried out for her, hoping to be by Mizu's side and not go through with her marriage to the Shogun's son. Mizu was aware that if she fought Daichi's men, it meant more would be coming, which inadvertently meant more time having Akemi around, growing close to her... peering into her soul, breaking some walls... like she did at Madam Kaji's when she lay bare the fact that she's not the killer she pretends to be. Which was hammer meets nail as far as Mizu's singular purpose is concerned. It also means a lot that Mizu's appearance in itself wasn't scary to Akemi, or worthy of contempt despite being an aristocrat in an extremely xenophobic time. Racism should've been her second language but she doesn't exercise it. She only noted the distress evident in Mizu's behavior. Her rage- "Your face isn't even so scary... you're just... angry."
The thing about noticing is... you keep noticing more. Especially someone as observant and calculated as Akemi. Mizu was aware of this, hence why she tested Akemi's mettle in the brothel knowing she was the princess all along, trying to get under her skin instead of the other way around- "You thought I wouldn't recognize you?" casting back to the very intense first sight exchanged between the two on the bridge in ep 1. Mizu looked up with little interest, yet the stoic samurai's jaw dropped upon their prolonged eye contact and she tracked the palanquin long after Akemi had left her line of sight. It's implicit that love, friendship, and weakness represent Akemi, Taigen, and Ringo respectively. When Ringo questioned why Mizu let the princess go, she stated that Akemi's "better off" almost following up with "without me." She didn't deem her marriage to the Shogun as favourable, hell, she was unimpressed by the fact that Akemi was trying to save her doomed engagement with Taigen, telling her she's "begging to eat trash" despite being a "magical forest creature," who could have anything she wants. Mizu still considered it the lesser evil as opposed to spending time alone with her.
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This isn't the case with Taigen, whom she is decidedly more comfortable with even though he threatens her, and calls her slurs. In part, Mizu believes that she deserves the hatred. She's more familiar with it. With her past where she was the demon as opposed to the future where she could be loved. Imagining true love is cruel for Mizu so she rejects it and embraces her darkness. It protects her from people actually seeing her as a person. As a whole. She can loathe herself in peace. She can be a vessel of revenge. She even promised Taigen the duel he wanted to up and kill her in exchange for his honour. Believing she won't have much to live for after concluding her revenge. Akemi is not the same. She never wished to hurt Mizu, going only so far as to try and drug her, until Mizu made her believe she killed her fiancé. Akemi was soon able to see Mizu's honour when she fought alone against the Thousand Clawed to protect Kaji's girls. Akemi was bent on helping, braving the trained men to protect Ringo and then to save Mizu's life from the man who almost choked her to death.
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I will forever love the detail of her vulnerability in the face of death being mirrored by Mizu's own intimacy with Mikio in the flashback, letting her body serve love over rage for once. Engaging in sex was a huge step towards transparency on Mizu's part. Also, the fact that Akemi, in her little capacity, wielded her knife and pulled the clawed men away from unconscious Mizu, trying to keep their focus on her. Knowing she could very well die. She tells Ringo "I have been a captive my whole life. If I die, I'll die free." And then she goes upstairs saying "Mizu can't hold them off alone." Acting, most likely, out of a place of love. I was also warmed at the instances of Akemi trying to "drug" Mizu before she took on the bitter task of killing Kinuyo and then a few scenes later "slapping her awake" from a burning memory of betrayal. When her father's men came to fetch her, Akemi did not doubt that Mizu would fight for her after she did the same for her, hence her asking for her validation "I'm not going anywhere... right, Mizu?". And Mizu would've fought them for her, what's 3 more men after a whole army? But something prevented her.
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To ruin Akemi's strong faith in her then... as opposed to later? When more of her ugliness had spilled before the princess? When both their hearts were more open to be scrutinized by the other? Madam Kaji and Swordfather Eiji are both the motherly and fatherly advice Mizu sorely needs. That fighting is an art, not independent of loving. Mizu cannot evade love if she is to take on a bigger war. She cannot do it alone and the story's purpose keeps circling back to the same lesson. Fighting from a place of hatred can never be stronger than fighting from a place of love. Akemi, evidently, was hoping to seek refuge under Mizu's protection. She is loyal, as she was to Taigen even though he abandoned her in pursuit of his lost honor. But Mizu's betrayal broke her heart. At the end of the Bunraku play in ep 5, Akemi confessed that she met the Onryo but that it was "incapable of love." That she searched his eyes for "love or mercy or good," only finding darkness. Both Mizu and Akemi weighed the merit of love in each other, Mizu pushed Akemi away because she felt love and Akemi avoided Mizu because she felt her lack of love.
Taigen, Mizu's former bully, did learn to respect her as a fighter and comrade. Representing their growing camaraderie, how they fight alongside. Mizu told him about Akemi getting married off to the Shogun's son in her duty to him as a friend. Upon learning that she abandoned Akemi, Taigen is also reasonably pissed. Mizu is on the precipice of the rebirth of her katana. Swordfather is justified in being wary of her guilt and darkness, refusing to aid in her pursuit but only guiding her by way of asking her to seek peace, to unify herself. Which she does by adding Chiaki's broken blade (which Taigen took), Akemi's knife, Eiji's tongs and Ringo's bell into the forge. She is ready to make amends by going to save Akemi, to encourage her to leave with Taigen, to be honorable as Ringo wants, and to find peace as Eiji wishes. And ofc to fuck the shit out of Fowler.
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Akemi's repeated assertion of "we are not friends" (accompanied by the angy eyes) when Mizu comes back to save her is reflective of that heartbreak Akemi felt after relying on Mizu for her freedom before. Mizu tries to fix this by showing her a way to Taigen, trying to do right by her, asking "Do you still want your freedom or not." To give her what she wants even if she disapproves of Akemi's choice when she states "He's not a good guy, but he could be a great one." Seki too, gives Akemi a share of her dowry he saved to build a free life "With Taigen, or without." Akemi did end up rejecting the idyllic runaway Taigen was willing to embark on, it is hard to say Mizu would take it as an opportunity to make a move on Taigen after deeming him unsuitable for a partner. It would be against her nature to try to jump in as a lover just because Akemi's out of the picture. Not when she's so hot on the track of striking down Skeffington and Routley. It's pretty straightforward if you ask me.
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Mizu is focused on going up for a bigger war. To seek the truth. To turn London upside down to kill all the four white demons that sabotaged her life since conception. This is parallel to Akemi deciding to stay and take control of the Shogunate through her powers over her decidedly meek husband. To take control of her life against all the odds that seek to box her up. I do not doubt that she will move to include Kaji and her girls in her retinue, subdue her father's machinations and rebuild Edo, and wrest power from whoever threatens her. Love doesn't seem to be on her cards. Kaji told her to choose a path of freedom through a man, not to choose a man to love like she'd been doing all along- "Stop running to and from men and decide what you want for your fucking self." Could this mean that Akemi is to never chase men romantically? Either way, Akemi follows through pretty quickly. Takoyoshi is a means to an end. Her sexual prowess was her first tool to entry into the Shogunate. Nothing more than an instrument of control as opposed to her initiating any sort of genuine romantic bond.
I fail to see as of now where Mizu and Taigen's paths collide romantically further since the latter clearly showed his intention to abandon all pursuits of greatness and to settle down. Which is vastly opposed to what Mizu and Akemi are bent on doing. I see a lot of potential there. If anything, Mizu would quite possibly need Akemi's refuge if she were to return to Japan in the wake of the London chaos. They are foils of each other. On the opposite ends of the spectrum with the same stories. Poor-rich, blue-red, water-vermillion, darkened-fair, streetsmart-booksmart, warrior-prostitute, bastard-pureblood, masculine-feminine, caged internally- caged externally, widow-new bride. Both deal with same vindictive self-serving parents. Mizu lost her stand-in mother in ep 5, and Akemi lost Seki at the end of ep 9. Mizu the crashing waves and Akemi the rising flames. Both women. Both so alike yet so different. Mizu's name is pretty straightforward, meaning "water." However Akemi's can be written as "bright sea" or "vermillion beauty" While vermillion is Akemi's colour scheme, "sea" is likely her connection to Mizu.
I find the sex in the show to be representative at best. Borne out of duty or manipulation rather than true love. Just because Akemi and Taigen had sex was no testament to the endurance of the depth of their relationship, same as Mizu and Mikio's wasn't. Akemi's alliances with men have always been influenced by the need to go with or against her father and never her independent choice. Same as Mizu merely agreeing to her mother's insistence on marrying and settling down. I liked the juxtaposition of Mizu being submissive during sex and Akemi being dominant, both with Taigen and Takoyoshi as well as in the brothel. Here, I would extend that this isn't their true nature. Both in marriage or the brothel, sex is labour meant to cater to men. As Seki said a woman can only have fixed paths- "Proper wife or improper whore." I can't imagine Mizu or Akemi being happy as either.
Akemi for the most of S1 only wanted to be loved but was being forced to use her lovemaking skills to steer men into agreeing with her. Playing the improper whore. I imagine that in a safer intimate relationship, she would enjoy being on the bottom, to be protected and pleasured instead of always being the pleasurer. Mizu on the other hand, was shown to deliberately downplay her physical agencies during her marriage, to pretend to not know knife throwing or what she wants during sex, thus settling for whatever her husband had to give lest he feel inferior. I would imagine she'd prefer to be loved in all her proactive masculinity, to not be forced to submit. To not be forced to be the proper wife.
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Mizu has repeatedly been shown to dominate people unthinkingly, her safety lies in her being on top and knowing what she's getting into. We saw a glimpse of that in the brothel with Akemi under Mizu where she ordered the princess to "get down." The colours from their respective sex scenes blended into one, inky blue on Mizu's end, warm golden on Akemi's. Mizu immediately doses the princess on pursuing worthless men and then Akemi soon willingly submitting to Mizu's protection while thinking of her to be a man. They both tried doing the rightful wife thing, both tried to save their marriages with their husbands as best they could, to be the ideal women even after both men bailed on them. But now they are liberated. Akemi is free from her father and on the path to rule Edo, Mizu is on her own with Fowler, to pursue her revenge in London. Both are relentless in their pursuits. Akemi's "No one refuses me" and Mizu's "We're going to the 9th level" is one and the same. Unstoppable force meets immovable object. Only time will tell. I rest my case.
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Hazbin Hotel Ep 5&6 Oh My God (Major Spoilers)
I am having so many thoughts, this is just a brain dump
-LUCIFER. He’s so pathetic I love him
-Jeremy Jordan you fucking legend. I’m a big fan of a lot of his work and was excited to see him in this but I was slightly unsure if he was the right casting since I expected Lucifer to be more of a high and mighty/snobby figure, but with the way they characterised him HE IS PERFECT.
-“TAKE THAT DEPRESSION”
-The Lucifer vs Alastor rivalry is beautiful
-“Ha ha, fuck you.”
-Father figure Alastor
-HIS EARS GO BACK LIKE A CAT WHEN HES ANGRY I CANT
-MIMZY’S ARRIVAL. I know most of us know the lore about her and Alastor being developed as a couple before it was scrapped but I really like how they are in the show
-Even if it’s just crumbs I’m so excited to be getting snippets of Alastor’s lore. It’s wild to keep going back and forth between “aw he actually cares for and protects his friends” and “oh my god he’s a fucking psycho”
-Speaking of that the scene with Husk holy shit. Poor man looked terrified
-The confirmation that Alastor’s also stuck working for someone, it has to be Lilith surely. I know some people will call it predictable because a lot of theories are coming true but personally I think it’s from good worldbuilding/foreshadowing
-ALASTOR IN FULL DEMON FORM JUST ANNIHILATING EVERYONE and then he just goes “Ah that was fun, now back to it”
-I kinda like the parallel between Al and Mimzy & Angel and Cherri where they invite their friends to join them if they want to, even if neither of them take it up initially maybe we’ll see them join the hotel in the future?
-BABY CHARLIE
-I really expected Lucifer to be a dickhead and a shitty dad, but he seems to be an overall better guy than most people in hell
-CHERRI BOMB ARRIVAL! And she’s Aussie now fuck yeah represent
-I still love her and Angel’s friendship even if she is a terrible influence. Everyone’s got that friend who’s solution to a bad day is just self-destruction but they mean well at least
-DARREN CHRIS TOO, THE MUSICAL THEATRE/BROADWAY ACTOR CASTING IS STACKED
-Emily is so sweet I love her
-The Molly cameo is so sweet, I was waiting for her to appear somewhere but lowkey forgot she was in heaven. Honestly though how did she get there when the rest of her and Angel’s family got condemned for what they did together? Maybe she left the mob or something idk I just hope we get to meet her properly at some point
-Heaven’s real fucked up? Yeah not shocked
-VAGGIE?? FALLEN ANGEL REVEAL?? AND SHE WAS AN EXTERMINATOR???? I know most of us called it but holy shit I didn’t expect it to be confirmed this soon
-Adam is such a dick but he’s so much fun
-I love that Charlie was gonna start her court presentation with definitions like a high school essay
-“Consent is a good name for a sex club” the gentleman Husk truthers gonna have fun with this one
-Pentious hitting on Cherri is hilarious and totally not the same level of subtlety I flirt with when I’m drunk
-Hearing more and more about how Val treats Angel is so sad especially with how casually he talks about it since it’s just another day for him
-Him parenting drunk Nifty is beautiful
-“You wanna play with the kitty?”
-Valentino is my #1 enemy
-Seeing Angel stand up to him to protect his friends is making me feel feelings. Like he knows that he’s gonna be treated even worse for it but I think he’s reaching his tipping point and shits gonna go down soon
-Also I know there’s a popular theory that he’s gonna die soon and a lot of the theories are coming true so I am scared. I kind of don’t think this one’ll happen though since he’s the fan favourite and its just too soon to take that much of a risk. Plus Vivsie’s admitted he’s the best written character and it’d be such a waste of all that development
-More sweet moments between him and Husk, they’ve gotten me so invested in this ship so fast
-The fact that most of heaven didn’t know about the extermination?? Wild
-Idk how I feel about the timeskip between Ep 4&5, they’re only a month away from the extermination now. Yes it’s making the stakes feel higher but I do wish we’d been able to see more of that time for the relationship development, all the characters seem much closer than before and we’ve only seen bits of how they got there
-I really wish they’d greenlit more than 8 episodes to pace things a little better but I’m glad we have season 2 confirmed
-That last minute ‘reveal Vaggie’s past to Charlie, boot them out of heaven and then cut to credits before she can react’ is gonna torture me until next week
-I don’t disagree with past criticism that Vivzie’s female characters can feel a bit underwritten but I think it’s getting better
-“We’re coming to the hotel first” plus all the theories that someone’s gonna die are fucking stressing me out man
Anyway hope you enjoy the brain dump, this show has once again consumed my thoughts
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