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#did they release something from the archive????!!
matchestopetrol · 2 months
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TMAGP episode ten mood
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art · 6 months
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Creator Spotlight: @jdebbiel
Deb JJ Lee is a non-binary Korean artist based in Brooklyn, NY. They have appeared in the New Yorker, New York Times, NPR, Google, Radiolab, and more. Their award-winning graphic memoir, IN LIMBO, about mental illness and difficult relationships with trauma, released in March 2023 from First Second.
Below is our interview with Deb!
Have you ever had an art block? If so, how did you overcome it?
That implies I am over my art block, but I’m still in it! I think about Kiki’s Delivery Service a lot and how she had to stop doing a thing, and that you can’t really force it, and you have to let it come back to you. It’s a pretty humbling moment, realizing there is more to life than just drawing. I’ve been trying to consume other content like reading or watching movies—anything that is not drawing-related—and to trust that it will come back to me. I think not being afraid to do the small pieces before committing to the big pieces is helpful. Because big pieces are what I am known for, I dig myself into a deeper hole, thinking that each piece has to be bigger than the last one. So yeah! Relaxing and doing the small things before overcommitting to a big piece is the best way to go about it for me.
Which 3 famous artists (dead or alive) would you invite to your dinner party?
I feel like these are all artists that I have second-degree connections with! Jillian Tamaki, Victo Ngai, and Tillie Walden would be my picks!
What are your file name conventions?
…What file name conventions? I mean, I don’t have specific file name conventions, but I actually have a public Google Drive archive! But I usually put “djjl_whatever-the-title-is_final,” and I would always know it’s the final and legit version.
What is a recent creative project that you are proud of?
I did an illustration for the whiskey brand Johnnie Walker. It’s so wild because I only had four days to finish it, and it usually takes me a week and a half if I rush. And honestly, it’s probably one of my best pieces from this year, which is funny. It was for the Mid-Autumn festival, so I made it as Korean as possible.
How has technology changed the way you approach your work?
I only use my iPad to draw everything now, and if I want to pretend that I have a steady workstation, I’ll use my Cintiq. I still am not as comfortable on the Cintiq as I am on Procreate, but it’s still pretty solid and nice. That’s the good part about technology. The bad part about technology is how AI art has been messing things up for me. I’m currently in a lawsuit about AI art as a class rep. Some of my stuff got turned into AI art late last year, so I have to give a deposition at some point. 
What is a convention experience that has stuck with you?
Honestly, they’re all good! I feel like Lightbox Expo has been really nice because it’s truly been a convention for artists. I feel like that’s where most of my audience is, and they’re all around because their purpose is to be better at art. That’s where a lot of original artists do well because they’re getting art they’re inspired by, not so much fanart. I like the Lightbox Expo because it encompasses the pure love of art very well. 
Top tips on setting up an Artist Alley booth?
Use a Y axis, not just your X axis! Take advantage of it! Branding is also something to think about. It is definitely something I’m getting better at. Having an assistant is also very important. I’ve also heard that 8.5x11 to 12x18 inches is usually a good size for prints, but I also provide postcard-sized prints because sometimes people don’t want to commit to a larger size. 
Who on Tumblr inspires you and why?
You know this is so funny. I’ve been following @alicexz for over a decade on Tumblr and other platforms. I’ve followed her work since high school, and we’ve only recently become peers. I found her, and we met for the first time in real life, and she recognized me. And then I found all my drawings from when I was in my Alice phase, back in high school, and I was like, “Yo, this is when I was trying to be you so badly!” and she was cracking up and was like “Wow, this is so good!” It was such a sweet moment. I wanted to take a picture of her holding my drawing up. It’s really nice because now we’re peers.
Thank you so much for stopping by and sharing, Deb! Be sure to check out their Tumblr blog over at @jdebbiel.
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alpaca-clouds · 9 months
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The history of Solarpunk
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Okay, I guess this has to be said, because the people will always claim the same wrong thing: No, Solarpunk did not "start out as an aesthetic". Jesus, where the hell does this claim even come from? Like, honestly, I am asking.
Solarpunk started out as a genre, that yes, did also include design elements, but also literary elements. A vaguely defined literary genre, but a genre never the less.
And I am not even talking about those early books that we today also claim under the Solarpunk umbrella. So, no, I am not talking about Ursula K. LeGuin, even though she definitely was a big influence on the genre.
The actual history of Solarpunk goes something like that: In the late 1990s and early 2000s the term "Ecopunk" was coined, which was used to refer to books that kinda fit into the Cyberpunk genre umbrella, but were more focused on ecological themes. This was less focused on the "high tech, high life" mantra that Solarpunk ended up with, but it was SciFi stories, that were focused on people interacting with the environment. Often set to a backdrop of environmental apocalypse. Now, other than Solarpunk just a bit later, this genre never got that well defined (especially with Solarpunk kinda taking over the role). As such there is only a handful of things that ever officially called themselves Ecopunk.
At the same time, though, the same sort of thought was picked up in the Brazilian science fiction scene, where the idea was further developed. Both artistically, where it got a lot of influence from the Amazofuturism movement, but also as an ideology. In this there were the ideas from Ecopunk as the "scifi in the ecological collaps" in there, but also the idea of "scifi with technology that allows us to live within the changing world/allows us to live more in harmony with nature".
Now, we do not really know who came up with the idea of naming this "Solarpunk". From all I can find the earliest mention of the term "Solarpunk" that is still online today is in this article from the Blog Republic of Bees. But given the way the blogger talks about it, it is clear there was some vague definition of the genre before it.
These days it is kinda argued about whether that title originally arose in Brazil or in the Anglosphere. But it seems very likely that the term was coined between 2006 and 2008, coming either out of the Brazilian movement around Ecopunk or out of the English Steampunk movement (specifically the literary branch of the Steampunk genre).
In the following years it was thrown around for a bit (there is an archived Wired article from 2009, that mentions the term once, as well as one other article), but for the moment there was not a lot happening in this regard.
Until 2012, when the Brazilian Solarpunk movement really started to bloom and at the same time in Italy Commando Jugendstil made their appearance. In 2012 in Brazil the anthology "Solarpunk: Histórias ecológicas e fantásticas em um mundo sustentável" was released (that did get an English translation not too long ago) establishing some groundwork for the genre. And Commando Jugendstil, who describe themselves as both a "Communication Project" and an "Art Movement", started to work on Solarpunk in Italy. Now, Commando Jugendstil is a bit more complicated than just one or the other. As they very much were a big influence on some of the aesthetic concepts, but also were releasing short stories and did some actual punky political action within Italy.
And all of that was happening in 2012, where the term really started to take off.
And only after this, in 2014, Solarpunk became this aesthetic we know today, when a (now defuct) tumblr blog started posting photos, artworks and other aesthetical things under the caption of Solarpunk. Especially as it was the first time the term was widely used within the Anglosphere.
Undoubtedly: This was probably how most people first learned of Solarpunk... But it was not how Solarpunk started. So, please stop spreading that myth.
The reason this bothers me so much is, that it so widely ignores how this movement definitely has its roots within Latin America and specifically Brazil. Instead this myth basically tries to claim Solarpunk as a thing that fully and completely originated within the anglosphere. Which is just is not.
And yes, there was artistic aspects to that early Solarpunk movement, too. But also a literary and political aspectt. That is not something that was put onto a term that was originally an aesthetic - but rather it was something that was there from the very beginning.
Again: There has been an artistic and aesthetic aspect in Solarpunk from the very beginning, yes. But there has been a literary and political aspect in it the entire time, too. And trying to divorce Solarpunk from those things is just wrong and also... kinda misses the point.
So, please. Just stop claiming that entire "it has been an aesthetic first" thing. Solarpunk is a genre of fiction, it is a political movement, just as much as it is an artistic movement. Always has been. And there has always been punk in it. So, please, stop acting as if Solarpunk is just "pretty artistic vibes". It is not.
Thanks for coming to my TED Talk, I guess.
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nonsensical-pixels · 26 days
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have 3 hairs + 2 new gothy makeups from the super iconic & talented @profesionalpartyguest for our collab! these are, from top left to bottom right: @thecosplaysimmer's misaki hair, @idsims' 80s hair, @s-club's edward hair, and two of agora's own creations, the you're my s**cide eyeshadow and white face blush!
unedited bodyshop previews by profesionalpartyguest below the cut, keep in mind that the hairs aren't particularly low-poly. they all come in @antoninko's afterglow. thanks again to agora for collabing with me and allowing me to release these files on my blog, you're too kind and awesome 🥰i hope you enjoyed working together as much as i did!
DOWNLOAD: PROFESIONALPARTYGUEST'S SIDE | MINE
credits of course go to @profesionalpartyguest themself for the amazing conversions and fresh creations; to @thecosplaysimmer, @idsims, and @s-club for the original ts4 creations; @serabiet, @twisted-cat, @whysim, and ea/maxis for the textures used to create the makeup; and last but not least to @antoninko for the afterglow hair system! 💞
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4T2 COSPLAYSIMMER MISAKI - for tf-ef, 13k polys - in @antoninko's afterglow - streaked + natural versions
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4T2 IDSIMS 80s WIG - for tu-eu, 38k polys - in @antoninko's afterglow - high polycount warning!!
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4T2 S-CLUB EDWARD - for tm-em, 20k polys - in @antoninko's afterglow
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YOU'RE MY SXXCIDE EYESHADOW - a gothy shiny shadow - texture by io + twisted cat - 6 swatches WHITE FACE BLUSH - based on something 80s goths used to wear - texture by whysim + ea/maxis - 2 swatches
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all credits for this set go to @profesionalpartyguest, go send them some love 🥰 we hope you enjoyed our collab! just keep in mind,
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[ @the-afterglow-archive ]
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fuckmyskywalker · 5 months
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❄️ 𝐃𝐞𝐜𝐞𝐦𝐛𝐞𝐫 𝟏𝟓𝐭𝐡 : 𝐇𝐢𝐠𝐡 𝐚𝐧𝐝 𝐃𝐫𝐲 - 𝐀𝐎𝐓𝐂 𝐀𝐧𝐚𝐤𝐢𝐧 𝐒𝐤𝐲𝐰𝐚𝐥𝐤𝐞𝐫.
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— CW: 18+. Smut. Dry Humping. Virgin Anakin/Reader. Cumplay. Mentions of Anal. Slight exhibitionism. | Word Count: 0.8k (not proofread!)
— a/n: Happy first day of the Anyafest! (๑>◡<๑) I hope you like it. Every fic will be posted around 7:30 PM PST!
— Anyafest 2023 + Taglist!
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“I don’t want to wait anymore,” Anakin panted against your neck, his big hands squeezing your hips as his crotch rubbed against your ass. “I want to fuck you so bad.”
Choking a whine, your hands tightened on the shelves of the archives. “But Anakin— you know we— we both promised to wait…”
“I know.” His soft hiss was translated to nothing more than frustration and pent up sexual tension. You both swore to wait until graduating to Jedi Knights to lose your virginity, but the more time your relationship progressed, the harder it was to keep that promise. Anakin constantly jerked off to the thought of finally fucking you properly, despite knowing that he still had at least six more months— even a year of waiting. All depending upon your schedules and performance. 
The silence and “privacy” provided by the farthest hallway of the Jedi Library proved to be more than sufficient, his hands were able to explore your body the way he likes, tracing circles and leaving burning caresses in their wake. It is always enough to turn you on but far from being able to fully please you. “You have no idea how much I need your tight pussy around my cock,” Anakin whispered, always the needy and impatient one. 
His virgin ass was filled with hormones, always ready to drag you to a forgotten corner of the Library, a storage room— even sneaking out his quarters at midnight to hide underneath your covers, to drag his lips against your neck and whisper sweet promises as his thumbs rub your erect nipples in circles.
He fumbled with his belt, dragging his pants low enough for his boxers to show, the outline of his hard member embarrassingly noticeable. With your face against the shelves you were unable to see him but you were more than convinced that there was a wet patch in the dark fabric of his underwear. Muttering some curses under his breath, Anakin did the same with your pants, running his palms over your ass, kneading it and spreading your cheeks and then yanking the elastics of every leg opening, so the fabric creates a similar pattern of a thong. 
Pulling out his cock, he slapped it against each of your asscheeks with a little grunt, smearing some droplets of sticky precum before tucking himself back in. “Please let me fuck your ass soon,” Anakin subtly begged, pushing his hips forward. “It doesn't count if I fuck your ass right?” It was as if he was talking to himself, too immersed in his own lust, his heartbeat ringing in his ears. 
Grinding his erection against your ass, Anakin hung his head back, his braid falling off his shoulder. There is something so erotic in his movements and how you seemed to choke every possible moan, he loves to see you struggling to stay quiet. Sneaking his hand in between your bodies, he reached tentatively for your clit, hovering over your arched back. 
It could be described as pathetic, humping you like a dog who wanted release; Anakin circled your clit as his hips grew in momentum, biting his chapped bottom lip to mask his groans of pleasure. Yes, a simple dry humping was absolutely pathetic but there was something so erotic in it that he was just spinning down in a tornado of sensations. The soft fabric of his boxers gave him enough stimulation but it became borderline painful, burning against his throbbing cock. The wet patch grew bigger, stickier— 
“Fuck, I’m gonna come—” Anakin shivered. “Can I come on your ass? Please, please, I really want to.”
Nodding frantically, you felt your own orgasm teetering. His middle finger joined his index on the torture over your swollen clit, rubbing it side to side harder, applying an even tighter pressure almost begging you to come with him. Your forehead rested over the shelf, the material of the placed archives scratching your skin. A strained moan was the only evidence of your undoing, legs quivering and muscles tensing, his name falling from your lips like a sweet prayer. Anakin couldn’t bear it any longer, his favorite music was the symphony of your orgasm.
Everything happened in seconds, too fast for Anakin to fully process it. Dragging his hips back he pulled out his cock just in time for the hot, creamy spurts of cum, covering your ass and even your underwear still tucked in between your asscheeks. 
“Sorry,” He said in between labored breaths. “Did I hurt you?” 
Giggling, you shook your head. Anakin was just as horny as he was caring. “It’s alright, darling, but…” You looked away, scanning the empty halls of the room. Your next words made him crook a smile, leaning closer to kiss your hot cheeks. “Do you mentioned something about fucking my ass?”
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— ❄️ Taglist! : @darthgloris | @offthethirlwall | @pockcock | @shellxrls | @anisdoll | @wifeofasith | @Nikitewksbury | @princessswiftie | @anakinsgirlfriendreal | @urmomsfav0 | @anisgurll
— 🎄: If your account is crossed is because I was unable to tag it! You can check your blog configuration and privacy settings.
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ghostchems · 27 days
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hello my darling. i see your requests are back open… 👀 i've got a prompt for you if you so wish to write it… reader has been dead for decades, aimlessly wandering the halls of the ministry where no one has ever seen her, heard her or even felt her… until one day, she's walking (or y'know… floating…) through the halls and someone is walking towards her. He stops in his tracks and stares straight ahead. Then she realises…
he's staring at her… Choose a papa, any papa! Whoever you would like to write, if you choose to write it! 😘
a/n: almost 1k words of some sweetness. after reading the prompt i KNEW i had to pick Cardinal Copia 🥹 bee. thank you SO much for sending this in. hit me right in the dang feels
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Loneliness has driven you to the busy corridors of the Abbey. Despite the clergy members quite literally seeing right through you, their presence around you is enough to alleviate the void inside you. You’ve had to make do over the decades but even after all of the disappointment there is still an unwavering flicker of hope that you’ll make some sort of contact. Who knew it would be impossible for a ghost to be noticed in a Satanic Ministry? Many attempts have been made, ranging from morose to macabre (floating candles vs. severed limbs) but to no avail. Perhaps there’s something wrong with you. Is your spirit not dark enough to be seen? You remember how you died and decide that can’t be the case.
You gave everything for The Olde One. The Ministry was a very different place back then.
You’re lost in the endless abyss of your thoughts until there’s a shift in energy around you. Something new. Someone new. The wisps of your ghostly train curl towards the ceiling behind you and gust of warm air blows your hair out of your face.
Oooh. A Cardinal. It’s been ages since there’s been one here, the last one being in 19—
Is he looking at you?
There’s no way but… his gaze is fixated on the space you occupy, eyes wide. He bears the Mark of The Olde One — just like the Papas, but even with the Eye no one has ever seen you. He picks up his pace, walking to you with such purpose. You feel an excitement you haven’t felt since you were alive but it’s quickly replaced with crippling anxiety. In a fit of panic you poof out of the corridor and reappear deep into the underground archives, far far away from any person. But the new Cardinal saw you. He really did. After vying for this for so long… you aren’t ready for it.
***
You’ve meandered further into more densely populated areas of the Abbey over the last two weeks after taking some time for yourself to come to grips with the fact that he saw you. Problem is now the Cardinal is nowhere to be found. The longer the week stretched the more you began to believe it was over — he must have only been visiting for the day and thus your chance at talking to someone other than yourself for the first time in 55 years has slipped through your fingers. But that same hope you’ve clung to keeps you pacing and wandering day after day, hoping to catch of glimpse of his black cassock.
One late night you find yourself perusing the library, hovering around the new releases aisle (you like to see how ridiculous the names of romance novels have gotten). The further you get down the aisle the thicker the air becomes around you, the familiar buzzing in your ear from the first time you saw him. There’s a dim light coming from one of the nooks. You steel yourself, you’re going to make yourself known like you planned. Glowing brighter than you ever have before, you float toward the light. How can a ghost have anxiety? You’d think all of those feelings would be gone but somehow you feel like you’d throw up if that were even possible. You reach the outside of the nook and suck in a sharp breath before peering around the corner.
His duochromatic eyes are on you instantly.
“Per favore — please, do not run away again.” He sounds quiet, sleepy but polite and he extends a hand out to you. “I was worried I would not see you.” You blink at him as you reveal yourself fully to him, his gaze taking you in.
“You… you really see me?” Your voice cracks, your ghost trail wiggling with how charged you are emotionally.
“Yes. I do.” The Cardinal stands, his hand still out to you. “I, ehh… I’m the new Cardinal, Cardinal Copia. What is your name?”
My name?
“You’re… you’re the only person who’s ever seen me.” Not an answer to his question at all but your brain is broken. All that time you spent hoping for this…
“Oh. Oh, poverino.” His fingertips graze your hand and you jump — he could feel you too? “Ah! I am sorry! Ehhh… what can I do? How can I help you?” Copia shuffles on his feet anxiously, making sure to keep a safe distance so that he doesn’t startle you again. Your guise is crackling, vibrating with energy, more than you’ve ever felt before. He seems… delighted by your prescience and it makes you feel warm.
“H-how? Cardinal, how?” You push in closer to him, wisps brushing against his cassock.
“Non lo so. I’ve… I’ve just always been able to.” He gives you a sad smile. “I eh… had some weird “imaginary friends” growing up. But please, you must… you must have a lot to say after spending so long only listening.” Copia may have the gentlest voice you’ve ever heard. You want to hug him especially since something about this feels deeply personal to him…but you compose yourself and instead take him by the hand as you sit on the corner of his desk.
“What do I even say now?” You laugh to yourself. “I’ve been so worried about ever being heard that I haven’t thought about what to say. What do you… want to know, Cardinal?” Even now you’re feeling shy.
He gingerly rests his hand on top of yours, a warmth spreading through you that you’ve never experienced before.
“I’ve wanted to get to know you since I saw you, fantasmina. Please, tell me about you.” Copia squeezes your hand with a kind smile. Speechless. You take a deep breath and nod.
You’ll tell him.
You’ll tell him everything.
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apple-salad · 3 months
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Rose Ribbon Embroidery "Mini" Projects (for BABY NYFW) Part 2: Embroidered Bonnet
I decided semi-last minute to attend BABY's fashion show at NYFW!
BABY had mentioned in their NYFW brand description that their newest collection would be a return to their origins, as well as presenting archival items.
You have to dress to impress for NYFW, right? So of course, I had to pull out all the stops and wear my Rose Ribbon Embroidery.
Also at the last minute, I decided to make a few extra complementing items...
A matching RRE kumya JSK, and a bonnet.
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What follows is more of a sew-along/journal rather than a tutorial or guide, mainly for my own memory's sake. But if you enjoy looking at my process (sometimes sloppy), I'm happy!
Also feel free to take a look at the more romantic process video I edited.
Part 1: Kumya JSK
Part 2: Bonnet (you are here)
This post will be my process pictures and notes for the bonnet, as well as a matching mask as a bonus.
I don't believe BABY released matching headwear for Rose Ribbon Embroidery, although I've seen an unknown velveteen headbow with rose lace sold with RRE before.
BABY usually coords RRE with the bunny ear bonnet since Ichigo wears it this way in Kamikaze Girls.
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I do own this because I wanted to wear an Ichigo-like outfit at some point, but for this occasion I decided to do something different and make a "matching" embroidered bonnet.
I originally wanted to make a hard bonnet with a very defined brim that could show off the embroidery clearly as I don't really like soft bonnets, but when looking at existing BABY bonnets as a reference, it doesn't look like hard bonnets were a thing back in 2004 (and as it is, BABY rarely releases hard bonnets). So to keep with the oldschool theme, the bonnet is a soft one, although I later make some decisions to make it slightly more structured.
The next decision to make was full bonnet vs half bonnet. The bunny ear bonnet is a full bonnet and I think this is technically more "period accurate", but I am not a fan of how they look like a weird hood from the back so I opted for half (plus, that makes construction and patterning easier for me).
I still used my own bunny ear bonnet as a reference for approximate brim dimensions!
The kumya JSK was a little easier to carelessly sketch out and embroider since I was copying 1:1 from an existing design, but I felt I needed to do at least a bit more careful planning for the embroidery on this. I'm quite bad at creating embroidery designs from scratch, but with the mental image of the rose clusters and swags of vine, as well as referencing the embroidery from the film, I came up with this:
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I wanted to emulate the embroidery style of the Momoko's (well, in reality likely the embroidery designer Onoe Megumi--unclear if she did the actual embroidery, but it's likely) embroidery, which I figured wouldn't be too difficult if I was also embroidering by hand.
For material, I am using the same velveteen I used for kumya's JSK. Not my first choice and I actually purchased some thicker looking 100% cotton velvet that I thought would be more similar to the original JSK material, but was worried it wouldn't arrive in time and wanted this project out of the way in case things went wrong/took longer than I expected (it did arrive about a week before the event, but it was totally wrong IRL so I'm glad I just went with this acceptable option). I also bought some more torchon lace, so I used that and another lace from my stash.
The colours of the embroidery in the film also seem to be quite different than BABY's dress. I'm not sure if the pink of the roses has faded over the years, but it has a slight salmon tone whereas the film's roses seem to be more of a pale cool/neutral pink (hard to tell with the yellow tint of the entire film) with some variegation. I love the colour scheme of the film's embroidery, but to keep things coordinated I try to opt for the same colours as the actual dress I have.
I only have white silk ribbon in the width I wanted, so I opted to attempt to dye it to match. Previously I have used alcohol markers to colour the embroidery afterwards, but I find the colour hard to control and it tends to bleed into the fabric. I've also tried colouring the ribbon with the marker before embroidering, but without heat setting the colour transfers onto the fabric as well (and it seems like trying to do so with the amount of ribbon I need would be a waste of ink).
I don't have a lot of experience with it, but since the ribbon is silk, acid dyeing seemed like the way to go.
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Very interesting photo of ribbon in pot (the pink ribbon gets eaten up by pinwheel roses much faster than I expected so this is the second batch I had to dye--not ideal as they are definitely slightly different in colour but it's not too noticeable). In total, I think I had to dye 3 batches of ribbon and 4 for the pink ribbon as I just barely ran out near the end, and they are all slightly different colours. Thankfully the undertone is the same so it's difficult to tell unless you are really comparing up close.
I thought I would take this opportunity to use the "peach" acid dye that I bought years ago for another project, but this ended up being a mistake as the colour was totally off (maybe the red dye was too expired). I ended up using my regular fiber reactive procion dyes (with heat/acid), because I have many more colours I could mix together, and that was much better. I really should have done this from the start as I wasted perfectly good silk ribbon by making it too dark/off for my purposes (I ended up overdyeing it in pink so it's a usable colour now, but not for this project).
The silk seems to take on dye extremely fast--even just heating up the dyebath will colour it. In some cases I removed the ribbon before adding any acid at all because I felt the ribbon was already getting too dark.
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I managed to get a fairly usable mossy green colour for the leaves and vines, however the pink still ended up being a little off/dark compared to whatever BABY used. It's not too bad here as one strand of ribbon, but when many layers are on top of each other in a rose it seems pretty dark. While not ideal, I think it's still okay, especially considering the embroidery colours used in kumya's JSK match nothing else (many pinks will be going on in this coord).
After dyeing and drying, the ribbon is super wrinkled so I ironed it and wound it on some spare card so it's ready to use.
And now I can start the arduous process of embroidery.
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Like before, I mainly use a combination of ordinary ribbon stitches, pinwheel roses, and french knot roses. However, this time I try harder to duplicate, or at least evoke the appearance of the embroidery of the film.
It's interesting how plain and somewhat boring the roses look on their own, especially with this monotone colouring. The varied colours of the film's embroidered roses are lovely, but I decided against it here because the BABY dress has monotone ribbon roses.
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The roses definitely seem to just be pinwheel style which is very easy and doable, however I am a bit more confused about the leaves. They look like a number of straight stitches in various lengths and directions that fill in a leaf-like shape. I have no idea if this technique has a name and if there is a proper method for it, because I am a silly beginner who is very uneducated in embroidery.
Anyway I do my best and hopefully I got close enough. Ribbon embroidery is really all about the texture, which is really lovely to look at. Except I have trouble looking at my own work for too long because I start nitpicking all the mistakes I made...
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Adding the green and leaves really helps the embroidery come to life.
I took even fewer pictures of the embroidery process than kumya's JSK this time because it's not that interesting. I was definitely getting sick of doing the same pinwheel over and over...
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I stupidly decided that aside from embroidering the front of the brim, I also wanted a little bit of embroidery on the back of the brim for interest, as well as on the side.
The designs I drafted out for these two pieces is much simpler, but still, more work....
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Almost ready for construction! Hopefully a lot faster with the handwork out of the way.
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I iron on some interfacing onto the back brim panel and the bonnet band for slight extra stiffness.
The bottom part of the brim is plain cotton sateen because I was worried that the part that touches the head would get dirtier more quickly it if was velveteen.
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I wanted some lace gathered around the brim and an extra velveteen ruffle on the back of the band, so I prepare that now. The lace is gathered with a single gathering thread and sewn down before sandwiching between the two brim panels.
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Brim sewn and topstitched (and band is ready for attachment).
The upper flowers ended up a little closer to the top of the band then I intended, but I think it's okay.
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Gathering brim and attaching it to band. Because the velvet fabric is so thick, the usual "sew one line of stitching with a wide stitch length" not only made the fabric incredibly difficult to gather, but the thin polyester thread also continually broke when trying to do so. Therefore, I opted for an alternative method I think I'd remember seeing in my sewing machine manual of all things--a zigzag carefully stitched over a central gathering thread. This worked much better, although I probably should have used a thicker/extra strong thread as the central gathering thread because it did break the second time I had to gather the brim due to a mistake.
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I also add a bit of lace to the inside of the brim. I think this adds some luxury and frilliness between the head and the bonnet's brim, so I wanted to add a small width. I probably could have used even more of the lace's width since it turned out very subtle when worn. But I still think it adds a small amount of interest to the innermost part of the brim and was worth adding.
Unfortunately here after sewing on both brim parts I realize that I gathered both using an incorrectly marked centre line, so I had to rip it out and do it again ;_;
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Next, I can carefully align and pin the bottom of the brim to the bonnet and sew it down. I tack this down by hand because I'm not skilled/accurate enough with a sewing machine to topstitch both sides nicely at once (look closely, and my messy stitching is quite visible...)
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I also fold in the raw edges and finish the sides of the brim by hand, leaving some openings for ribbon ties.
At this point I spray almost the whole bonnet with water to disperse and fade my markings. Unfortunately, some of the earlier batches of ribbon that I dyed (Can you tell the variance in the 3 dye batches I needed to do?) were probably not washed well after dying and seem to have bled into the fabric from the water...but hopefully it's not too noticeable.
Next I topstitched all around the brim and attached the ribbon ties.
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I bought some double sided velvet ribbon in my last minute supplies shipment and made some bows from it. I think the material is a little thick and petersham would have worked alright as well, but the consistent velvet material feels more luxurious, doesn't it? I also think as an added benefit (?) the ribbon being plush and double sided made the bows more puffy looking.
I add some clips to the sides and a toupee clip to the top for security. I opted for a toupee clips because I think it's really the way to go if you don't want the head item to move at all, no matter how thin or slippery your hair.
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Finished.
Bonus 1: rose accent pin
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I was in a bit of a rush at this point as it was near the end of the week coming up to the show, so I didn't take any photos of the process here but the technique and templates I used were identical to my handmade faux rose rosettes I made for UM (and the bonus corsages). I have a post with all the details of this sitting in my drafts that I will post eventually, and I will update this post when that happens.
The brooch was just meant to add a bit of 3D faux flower accent to the bonnet, bringing in the rose motif even more. Partially inspired by the faux flowers BABY adds to their bonnets sometimes, like on Milk Tea Doll.
The fabric was "custom dyed" with the same fiber reactive dye I used for the silk. The fabric was further starched, cut out by hand, and shaped with flower iron tools before gluing together.
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Bonus 2: matching embroidered mask
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I wasn't sure about whether or not I wanted to wear a matching mask, but decided to do so for situations when I would want my face at least half-covered in public. I didn't really expect to be visible in fashion show pictures as someone in the back, but just in case. (I think this decision was worth it, although my makeup transferred all over the thing and in most pictures my face was even more unflattering. eh well)
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I forgot to take a lot of pictures of my process for this, but it's very uninteresting and not dissimilar from every other mask sewalong from 2020. I draft out a design similar to the bonnet motifs on both of my mask panels (cotton sateen), and embroider.
I should have embroidered closer to the centre of the mask because when worn the embroidery is not very visible/covered by my hair at the sides. What can I do since the panels were already cut though...oh well!
The lining material is some Japanese CLEANSE Ex fabric I had bought previously to make masks during the pandemic. It's supposed to be antibacterial and antiviral, as well as washable, but I have no idea how well supported those claims are.
Sew together normally on both upper and lower sides, turn inside out, add a channel for nose wire and side channels for elastic.
I also have some mask elastic on hand so I use that.
And the finished outfit again with all my items~
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Thank you for reading! If you ever feel inspired to take up a similar project, such as the kumya JSK, I'd love to see it!
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inhuman-obey-me · 1 month
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⚡️Solomon and mc please if you are still doing these.
"What good is this "great power" of mine? Absolutely everything slips through my fingers." - Solomon/MC
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This wasn’t supposed to happen.
You were supposed to be safe here in the human realm. Safe with him. 
“Solomon,” your voice is weak as you call out his name, lying in the middle of the room. Blood is seeping through the bandages tightly wrapped around your wounds. Your eyes flicker as you seem to fade in and out of consciousness. 
Shit. That potion didn’t work either. 
“Don’t speak. Don’t move. I’ll get you fixed up.” He does his best to keep his voice calm, swallowing the panic that threatens to take over. No, he needs to focus. He needs to find the right ingredients, he needs to measure precisely, he needs to find the damn spell or potion or whatever it is that will undo the damage that’s laid claim to your body. 
Books go flying off the shelves, circling in a dizzying array around the sorcerer as pages flip rapidly. He had taken you to one of his secret abodes spread throughout the human realm, all stocked with various magical items and artifacts along with numerous grimoires and journals he had collected over centuries. A treasure trove for any occult enthusiast – but currently, an archive of desperation. 
“There has to be something here. It’s a complex curse, but it still seems to be human-made, though with some demonic assistance, so,” he speaks his thoughts aloud, talking more to himself than to you, “I just need to find what can neutralize it.” 
Surely he can find it. Solomon has never met a curse that he couldn’t eventually break, faced a foe he couldn’t manipulate, discovered a spell he couldn’t replicate. The air fills with the noise of a sorcerer gone mad – the clinks and clanks of vials and bottles, the continuous flutter of pages turning, the hiss and bubbling of items being thrown together, the scrape of metal against glass, of chalk against wood and the crackle of fire.  
“This one should work.” 
It didn’t.
“Okay, maybe this one.”
Another failure. 
“This one has to be it.”
No.
“Please.” 
Solomon slumps beside you after his latest attempt, his face in his hands and his deep breath turns into an exasperated yet muffled yell. His hands travel up his head, fingers tightly gripping at his hair as a hiss leaves his lips. 
Solomon the Wise. Solomon the Witty Sorcerer. These names and more had plagued him for so long, were ones he at times embraced and gloated over. He had been the most powerful human in existence, continuing to obtain more and more power so that he could show the angels and demons that they couldn’t control him, control humans. It wasn’t without sacrifices, without pain and hardship. He still lost so much.
And now, he was afraid of losing you. 
There was no other choice. He was going to have to call upon the demons for help.
“What good is this great power of mine?” His voice nearly breaks, tears stinging at the corner of his eyes. “Absolutely everything slips through my fingers.” 
“Not everything, old man.” 
Solomon jolts up, eyes wide as he looks to you after hearing your shaky voice. 
You let out a low groan, shifting in place before slightly propping yourself up on your elbows. “Come on, you didn’t think I would go down that easily, did you?” You wince. “Have some faith in your apprentice. I’m basically as strong as you.” 
Your name leaves him in a near-sob as he scrambles up and throws his arms around you. “Oh thank the stars, you’re okay.” 
“Ow,” you respond, but sink into his embrace. “I’m not touching a strange statue again for a good while after this.”  
“I’m sorry,” Solomon releases you, checking over your wounds to ensure that you are now healing. “I should have known, I should have stopped you, I should have –” 
“Solomon.” You stop him, brushing some of his wispy locks from his face. “It was an accident. You can’t always be there watching over me. And if it wasn’t for you, I would be in a lot worse shape.” Placing a hand on his cheek, you gaze affectionately into his eyes. “Thank you.”
He swallowed his protests. It was true that you were on a path to quickly overtake him as the most powerful human sorcerer the world had ever known. He was going to have to get used to you getting into dangerous situations, used to you wielding such power and the responsibility that came with it. He was no longer alone in carrying that burden.
With a sigh, Solomon rests his forehead against yours. “Looks like I’m going to have to make a lot more protection charms.” 
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kaisertheadvisor · 4 months
Text
Alright, time for some obscure Persona 3 history. I was browsing the old Japanese Persona 3 website, when I stumbled across something interesting. This is what it looks like normally (Vanilla P3 specifically)
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But on certain captures of this website on the Wayback Machine, it was set to midnight (JST). The website was coded to have a special easter egg that goes off around that time, as the Dark Hour clock appears...
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And then the site is now in the Dark Hour.
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Click on the Akihiko, Mitsuru, Fuuka, and Junpei, and cause them to disappear, and Yukari will start to glow.
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And you will have unlocked a secret section of the Japanese website! This mostly contained diary entries on various perspectives regarding the Dark Hour (on one section, there even was text regarding Strega's revenge request site), but there also were some secret downloads, namely a supposedly early version of a Persona 3 commercial (which Google translate says it was rejected by a TV station for containing subliminal content?), MP3 downloads, a video showcasing the P3 girls in maid costumes in Tartarus, and a message from Elizabeth to the player (which acted as a tease towards the new Elizabeth requests being added in FES). I have the latest capture of the secret section of the website, as well as a capture of the website during the Dark Hour so you can try this for yourself! (You'll need Ruffle for this)
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Speaking of the Persona 3 website, let's go over some of the evolution of the P3 website! Here's the original version of the website when Persona 3 was first announced.
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It was updated from P3's initial announcement in March towards May when the newer website was launched, last major update was Fuuka Yamagishi's character profile. Here's a Wayback Machine link for you to try it out yourself.
Here is the website around the time they were teasing FES. Makoto is replaced with Aigis, and there was a section containing audio messages from the developers that would help tease FES. (So far, they are lost media? Hopefully some fan manages to recover them)
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And here is the FES version of the website, with both the normal and Dark Hour variations. (Metis replaces Yukari on the Dark Hour variation of the website, though I cannot access the secret section, probably because the silly toaster is blocking the way)
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And just for funzies, I thought I'd include this link regarding P3 ads in this blogpost on the old AtlusNet. Hopefully somebody will get high quality scans of the magazine ads and promos used to promote P3 in both Japanese and English.
Now to wonder, what other crazy P3 promotional stunts did Atlus do? I know there was a countdown on the Atlus USA website that counted down the days until the release information on FES would be provided to the world, and I'm well aware of various Japanese gaming magazines that had various info on P3 (that so far only exist as JPEGS on the old Digital Devil Database and other websites), but man, I wanna know more. The fans should be archiving a lot of this stuff. Reload has re-triggered my Persona 3 phase, and I want to know more secrets about the game. I honestly think there's a lot of cool things waiting for us down the line...
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sehtoast · 4 months
Text
A Helping Hand (Homelander x Reader)
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18+ | 550 words. light, lovey smut. sleepy homelander | Fic Directory
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You start off with kisses to his neck. Soft ones, sweet little pecks of adoration. 
He's sleepy today. A lot on his mind, so much to do. Your poor baby's plate is full, but he can relax here. 
He can relax with you 
You lean on your elbow and stare at him for a moment. The worry lines at his forehead are relaxed, his breaths are soft, eyes shut. He's beautiful.
You press a kiss to his cheek, thumb stroking the curve of the other. His hand rests against your forearm, and he takes shelter in you. Free and safe from all of the judgment, all of the pain and uncertainty. 
You map the paths of his torso over and over again. Your fingertips dance through the expanse of hair on his chest, once an insecurity of his. 
Only as something as smooth and pure, as flawless as carved marble did he ever think another could find beauty in his form– that the suit was the be-all-end-all of his physique. 
But you find it everywhere. 
In the dips of his hips, the little birthmark just above. You find it in the point of his nose, in the furrow of his brows, in the peaks of his hairline. You find it in the darkened roots of his hair. In the bite mark he so often chews into his lower lip. 
These things make him special. They make him so very beautiful. 
He mumbles something when you finally grasp him. He's half hard and wanting, so you make sure you give him a helping hand. Soft strokes, sweet nothings whispered in his ear. Promises of love. 
Everything he can never get enough of. 
He pants softly through parted lips. Your lips meet his temple and he all but totally melts.  His eyes are shut as you kiss the expanse of his face all the way down to kiss him properly.  He reciprocates almost as if he’s weak, like he can hardly muster the power to do anything more than lay there and bask in your love.
His breaths fan hot against you between kisses.  Every stroke elicits a new, needy reaction.  A new groan, a new furrow of his brow, a slight bucking of the hips.  His hands fist the sheets to keep himself under control.
“You’re so cute,” you murmur against the corner of his mouth.  “Feel good?”
He nods until you capture his lips again.  You thumb at the tip and he whines into your mouth.  Only you could ever get him like this.  Only you could take apart a living god and have him keen and tremble below you.
A few more pumps and he’s falling over the edge, painting his abdomen with his release.  His moans come from deep in his chest and he arches toward you as you swallow each one with more of those addictive kisses.
“Sweet boy,” you call him.  “My hero.”
That really does it.  You can see the smile creep onto his face and the way his cheeks warm into a flattering pink.  His grin is like the sun, only far more beautiful.
You kiss him all over through the process of cleaning up.  By the time you move to snuggle against him, he’s out like a light.
Your precious Johnny looks so peaceful.
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its-your-mind · 4 months
Text
alright fuck this I’m making a TIMELINE. and a FACT SHEET. it will not be in order. Nor will it actually track dates really. Mostly it’s going to contain the seeds of my theories. I’m red stringing this Shit via tumblr post on mobile.
TIMELINE:
Magnus Institute fire: 1999
Windows NT 4.0 (the Windows NT that was the commercial predecessor to Windows 95) was released to retail in 1996 (with the final version released in 2001) so Freddy has been creeping around the web since around the time the Institute burned down
Jon, Martin, and probable Jonah Norris, Chester, and Augustus started actively reading roughly 1/30 statements entries out loud ~a year ago, according to Alice
Statements Entries so far are dated to May 2022, and it’s implied that Freddy collects them more or less as they appear, so as far as rough estimates for when tmp is set, it’s nowish, or just a bit earlier than now (similar to how tma was)
My kingdom for an ARG player who can hook me up with the founding date of the OIAR and the dates on those Magnus Institute records, just cuz I’m curious
SHIT WE KNOW:
Jonah Magnus exist(s/ed) in SOME form in this world, and built an institution designed to research the paranormal. That institution burned down and cleared of all records. Unclear exactly when the clearing happened.
The voices in the computer are the same as Martin Blackwood’s and Jonathan Sims’s
The OIAR has a department (this one) dedicated entirely to sorting weird shit scraped from online with an obsessive specificity
Everyone who works in this department wasn’t forced to be here and isn’t forced to stay, but all of them do have something that guided them to this position and is keeping them here
There is supernatural shit happening here in this world right now
Annabelle Cane said that the rift under Hilltop Road was a rift in reality - time, space, dimensions
She also said that the Fears would be following the voices that were woven into the web made of the tapes
In the TMA-verse, the Fears had a penchant for spreading themselves around via books (and then someone stupid idiot motherfucking dusty ass book collecting rat old bastard avatar of the whore biggest clown in the circus cowboy— starting slapping a label on em
SHIT THAT IS STILL A ???:
Did the fears exist in this world for an extended period of time, or have they only recently appeared? All the dates we have for statements entries are recent, but there was at the very least some FUCKED UP SHIT happening before the jmart+Jimmy Magma squad popped up
Did Robert Smirk build batshit crazy buildings and also a panopticon under London?
Was Magnus fear-aligned? Was the Institute? Or was it just a place for fucked up research?
Are there alternate-reality versions of any beloved TMA recurring cast members running about?
Was the og TMA world the place where the Fears started? Or had they already spread?
How far have they made it at this point? Is this the first new world post-archives-crew? Or are we several down the chain?
COLLECTION OF FACTS INTO BATSHIT THEORIES:
The Fears have been Updated for the Twentieth (not twenty-first, rip to Colin) Century and now they have infused themselves into computer systems via Jon’s tapes letting them encode themselves in a new and fun way (I am not 100% sure how tapes work besides magnets somehow, but I DO know that early computers used them for data tracking, which makes enough dream-logic sense for me) and are thus able to hack themselves into forum posts and also spy on the whole world via one (1) government computer system
Panopticon screenshot happened in March 2021. First two statements are May 2022. Alice said the voices started showing up about a year ago. So even if the Fears were already here, JMart are here now once more to lend their voices to the verbal record of Fear
Speaking of the Fears already being here. If the Rift was also for Time, I’m sure the Web could have figured out a way to drag the Squad back along the timeline while somehow leaving jmart behind
OIAR is EITHER. The Fears (Web specifically) preparing a perfect funnel-spider web trap for JMart when they did show up (oh voices? tapes? telling fear stories? here you go motherfuckers) or someone’s Leitner/Smirk/Magnus-ass attempt to wrangle all the trauma under one roof. Either way I’m p sure it is Web-ish-aligned, if the Fears even exist in this world in the way we’re used to seeing them
If we’ve got two grown up paranormal guinea pigs, AND a bouchard running around, and all of them are here because of Some Sort Of Reason, and are Still Here Even Though They Could Leave, I assume everyone else is too. I wonder if they all have some tie to this world’s Institute, or if they’ve all had encounters, or were selected based on their compatibility with the OIAR’s aims
Speaking of which
WHAT IS THE OIAR? Cuz this part of it is clearly kinda similar to the Archives in terms of collecting and sorting statements. Is there more of it? What do those people do? Do they use these sorted entries somehow? Also why tf do they have do work overnight????
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tatsumessy · 5 months
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solo masturbation - {dan heng} 18+
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dan heng was alone most of the time and never really had the time to think about women or anything sexually related to it. so yes he was a virgin and he didn’t really understand why when the two of you were on a extended mission for a long period of time, he really got to know you better and he started feeling differently.
anytime he saw you down the hall on the express he just gravitated towards you or was always around you. you never thought anything about it and just like that your friendship was getting closer because you thought he hated you for some reason. everyone knows that dan feng was very observant and when you because a constant topic in his mind he just couldn’t stop thinking about you.
even when he was in the archives trying to keep his mind off the one thing he shouldn’t be thinking about 20 out of the 24 hours during the day. he’d be there for hours trying to get his mind off of you but that doesn’t help when you came strolling into the archives just to find some peace and quit but was met with dan feng. you greeted him with a smile but that faltered when he didn’t respond back and was just staring at your outfit.
march was bored and had made some alterations to your outfit making it’s tighter and a bit more exposed. “dan heng. is something wrong?” you asked looking up at him with doe eyes and a slight tint of pink appeared on his cheeks, he shook his head and looked away. “yeah hi.” he coughed trying to cover up the fact that he was taken back by how cute you looked. and trust he uses the word cute lightly.
“dan~ you’re acting very suspicious recently. is there a problem?” he shook his head no again and pretended like he was reading the book in his hands. “do you not like the outfit?” you ask staring down at your fit and mentally cursing yourself out for being so stupid, “i like it.” he quickly responds putting the book away then crossing his arms and facing you. “yeah? i like it too. march did a really great job especially with the mater-” your sentence was cut off by him placing his lips onto yours for a second then pulling away.
“why did you do that?” you asked rubbing your fingers lightly across your lips blushing a bit from the sudden kiss. “i read about affectionate actions such as a kiss.” “that’s stuff you do in relationships. or if you like somebody. p-plus you just took my first kiss.” you said looking away from him, “so did you.” he bluntly responded, for some reason that didn’t make you feel any better. “did you not like it?” “no no that’s not it at all.” you replied waving your hands infront of you.
“i can do it better.” you raised your eyebrow and in the next second his hand was cupping the side of your cheek and his lips were connecting with yours. you were inexperienced with kissing so you let him take the lead and he did, he hooked his hands underneath your legs and laid you on top of a table that was towards a window down the isle.
his lips molded perfectly with yours and his tongue romanced the inside of your mouth wanting to taste every inch of it to brand it into his brain and his mouth. suddenly during the kiss his cock started to twitch and he could feel himself tightening against his pants. he was about to grind himself into you to see what that would do but the loud ringing of your phone interrupted the two of you.
it was march calling to tell you to come help her with something. before you left you said something about stopping by his room later to talk but that went over his head completely. that’s why now he was sitting on his bed with a hard on continuously thinking back to yours and his make out session. and his boner was not going away at all no matter what he thought off.
so to help himself he thought back to what Sampo said once when he was asking questions. jerking off to help release and relive stress. he sighed then leaned back slightly on his bed to unbutton his pants letting out his cock, it sprung up thumping against his stomach lightly. using his right hand he started to leisurely stroke his cock adding pressure every now and then to make himself groan out.
he laid back all the way and started stroking himself faster, he pulled his shirt up and but down on it so that he could see the way his abs flexed every time his thumb brushed against his reddened leaking tip. he was stroking his cock for atleast a good ten minutes trying to come but he couldn’t. something. wasn’t working out.
this was wrong of him but everytime he thought about you, about your lips, and your tongue especially wrapped around his cock had him dripping down his length. he moaned out louder than expected as he started bucking into his fist wishing that you were making him feel like this maybe even better. he was so entranced in delving into his own pleasure that he failed to hear the knock on his door.
it was you coming to see him like you said, you knocked again but this time speaking. “dan heng. it’s me. can i come in?” you asked and a second later you heard him say “yes y/n!” you smiled in excitement as you opened his door only to be faced with him aggressively stroking his dick on his bed with his eyes closed. you stood there watching as he moaned out your name in desperate whines.
“fuck y/n” he moaned out louder as he started shaking a bit then white thick ropes of cum shot out of the tip of his cock. before anything else you quickly closed the door and went back to your room. you laid there in your bed hot and bothered with a blush on your cheeks and your panties wet.
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ryunumber · 7 months
Note
Spooky from Spookys House Of Jumpscares/Spookys Jumpscare Mansion
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Spooky has a Ryu Number of 5/4/does not have a Ryu Number.
(explanation below)
Look, it's complicated. Things will be more concrete when Cross Impact hits Early Access.
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Fair warning: this explanation is a bit more involved than normal, because the research hole this sent me down had me sincerely doubting my own base competence.
So, from the top: Spooky's only eligible appearance is in her own game, Spooky's Jump Scare Mansion née House of Jump Scares, as her only other appearance, period, seems to be as a trophy in Indie Pogo.
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Naturally, this makes SJSM's specimens as the only connecting points. I've identified three that could work:
Unknown Specimen 1 is just White Face from IMSCARED.
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This seems to be a dead end, as White Face's only other eligible appearance seems to be in the Nightmare Mode of Cooking Companions, as part of a menagerie of other horror game characters, including SJSM's own Specimen 6. But all of those also seem to be dead ends, and Specimen 6 just gets back to where we started, so that's probably no good.
How about Unknown Specimen 5?
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Named Lisa. Sure looks quite a bit like Lisa from P.T. and once-prospective Silent Hills. Let's say it's that Lisa. What else has Lisa been in?
Apparently just P.T., which wouldn't be altogether unsurprising given, you know, all that happened with Silent Hills. Even the Lisa decoys for Metal Gear Solid V showcased in the Tokyo Game Show 2014 trailer didn't make it to the final game.
But there are still other P.T. references that did make it. Namely, that pleasant radio transmission, interruptions and all, can be heard from some radios in MGSV.
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Now, given that audio-only appearances are broadly eligible, you could make a case that whoever's reading in this transmission is a character themself, which would in turn connect Lisa to The Phantom Pain, at which point calculating the Ryu Number is just a matter of hashing out who exactly is and is not in MGSV. The only issue I have with making this connection is that the audio is basically reused wholesale from P.T., which arguably makes it more in line with an archival recording, which is not eligible, than bespoke radio chatter, which is eligible, but hey, whatever, I've peddled dodgier. Why the hell not.
So in the search of a route with less caveats, let's consider what I've identified as the last possible eligible connection, Specimen 8. This cervine bundle of fun can be seen in Lost in Vivo as part of Lost Tape 3.
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It turns out there's another character in Lost in Vivo who's been in something else: Sotiris. It also turns out that the "something else" in question is, uh,
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the EEK3 2020 Virtual Show Floor. Which, to the best of my knowledge, is never referred to as a game, so if that matters to you, then we're done, and Spooky either has the aforementioned route through Lisa or nothing.
If you're willing to say that the virtual show floor is a game, which does not seem to be an unpopular opinion, then good news! There's a clear path to Ryu. You just have to go through Skully, who cameos in Toree 3D,
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to the titular Toree, who's a guest character in Lunistice,
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to Kit, the main character of Lunistice, who cameos in CrossCode,
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to Lea, whose Ryu Number of 2 is already established, which gives Spooky a final Ryu Number of I'm sorry, I'm being handed a note.
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Oh. Well fuck me, then, for not considering that the realities of game development could lead to a scenario wherein a character from an in-progress game could make cameo appearances in other games, only to be scrapped entirely before their would-be source game is released. Clearly, this is what the kids refer to as a "skill issue".
And the best part? This chain is so long that I'm genuinely expecting to have overlooked something really obvious that gives a shorter number, because the documentation I found on indie-ass indie horror game crossovers is spotty. So if you have any information that could shorten this more substantial than "White Face is graffiti in the full release of FAITH", send it my way. I'd rather be definitely wrong than dubiously correct.
Anyway, Toree's set to be playable in Cross Impact, so when that's released to the wider public most of this nonsense I just spewed at you will actually come into play. Until then, make of all of this what you will. If you'll excuse me, I need to go fucking distort.
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sgiandubh · 4 months
Note
@outlanderskin :"For those who have doubts: just research a little about Caitríona's dating history. See how she treated Dave and James and how she talked about them in interviews. See how she wrote about the Irish boyfriend she had in Paris in that article. Compare all of this to the impersonal way she treats or talks about Tony. Bingo🙃"
Good point 👌
Dear Good Point Anon,
You know, it's really serendipitous, as I have just finished a weeklong deep dive in very, very old press articles on (or at least mentioning) S and C, who clearly had a life before OL, thinking it would be nice to put some of my archive work skills to good service.
I think @outlanderskin was referring to C's New York Times article I reviewed and analyzed last summer, but I just found way better: a very long report in the Irish Independent's Sunday issue of July 11, 2004, focused on the next generation of Irish supermodels. Of which there could be only one, at that time: C, who dominates Roxanne Parker's 'Through Thick and Thin".
I am sorry, there is no link available to my knowledge, so we'll have to work with these very poor xerox scans:
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I took the liberty of generously using my dreaded highlighter and, for the people who need to translate this post with Google, I am now taking my time to type what I find damn interesting in this almost twenty-year old article:
'If Ireland ever has a hope of having its own supermodel, then Caitriona Balfe is it. Sitting in the Pink Pony Café on Ludlow Street in New York, Caitriona swirls a wad of bread into her carrot and coriander soup while informing me that her musician boyfriend just brought her a breakfast-in-bed of cream eclairs and coffee a little over an hour ago. But that doesn't stop Caitriona from finishing her lunch and chasing it with a large cocoa-dusted cappuccino. Ebony-tressed and ivory-skinned, Caitriona clip-clops down the cobbled street after we leave the cafe, heading towards her apartment in Chinatown with Dave Mailone (sic!), the boyfriend, in tow.'
This reads, in 2024, like an interview with a more benevolent C clone from a totally different planet, indeed. A young, carefree, in love and hysterically funny C, who apparently had no problem heavily dishing out happy tidbits of her private life to her home country's press. A C also very much reminiscing anyone with a brain of the 2013-2018 bantering C, as this quote shows:
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Again, you'll have to indulge me retyping it, Anon (tedious, I know - but helpful). She is remembering her real breakthrough, in November 2002, at the Victoria's Secret Fashion Show, in New York:
That was the most I've ever been paid for a show. I've got 18,000 euros for one day's work! They made me get a spray tan before the show, and I was still the whitest and the least well-endowed girl in the entire show! So what did she have to wear on the big day? `Not a whole lot! I think I described my outfit on the day as something Wilma Flintstone would wear on her honeymoon night. There wasn't a whole lot to it and it had bits of fur hanging off it.'
And, for good measure, we even have a (admittedly, awful) picture with the season's fiancé, with whom things did not end well:
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I know, it looks like a Pravda pic, circa 1957 and I am honestly sorry. But it's still very clear. And, which is more important, very eloquent.
Anon and reader, you draw your own conclusions on this. I know where I stand. The only guy C has similar pics taken with and released in the press or on social media is the peasant some love to bash every single day in here. Their problem, not mine.
Yes, of course Mordor will yell and hiss. Of course they will throw rotten tomatoes at the blunt knife and scream THIS IS OLD. But hey, do you have any better than this poor (but oh, so endearingly authentic) picture or than any given S&C pic before the fucking EFH and IFH, when she gradually started to turn into today's Reclusive, Restrained and Rarefied Greta Garbo wannabe?
Oh, and please: don't give me the 'he's shy' or the paperwork crap again. Her public persona has drastically changed, and not for the better. It's plain to see and there are reasons for this.
Who's to blame? This question is so wrong, in so many ways.
The question should be 'what's to blame?'
I'll stop here, Anon and I hope it was somewhat useful. Thank you for dropping by.
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pitviperofdoom · 9 months
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Jongerry prompt: reunion after one thought the other was dead?
Tim wasn’t sure what to make of the guy. 
They met in an awkward almost-collision at the institute’s front door, Tim rearing back in surprise, the other flinching away from the sudden movement. He was lanky, and probably would’ve been tall without the permanent slouch to his spine. His hair was a dull shade of mousy brown, and looked like it had been hacked short with kitchen scissors. His clothes hung loose and ill-fitting on his body. He looked like he hadn’t slept in weeks.
Tim took a wild guess. “Here to make a statement?” he asked.
The man grimaced. “Maybe later.”
“I’d make it quick if I were you,” Tim chuckled, holding the door open for him. “Jon was in a good mood before lunch, and those don’t tend to last long.”
Halfway through the door, the man froze. “Who?”
“Jon Sims, the head archivist,” Tim said carefully. “He’s the one who takes statements, so…”
“Oh.” The man’s face was blank. “He’s… that’s… down in the archives, yeah?”
“I can show you how to get there?” Tim offered. Whatever statement this guy had, it must have been rough.
"Sure, thanks," the guy said distractedly.
In spite of the accepted offer, the guy quickly pulled ahead, and Tim found himself trailing behind as the scruffy stranger led the way to the basement stairs. Before long, he was jogging to keep up.
That was why, when the man suddenly stopped at the top of the steps, Tim crashed straight into his back.
"Hey, what did you—"
A hand closed tight around his arm, stopping him from shouldering past. The man had gone still, staring intently down the steps. There was nothing to see except the bottom of the stairs, and the mouth of the hallway that led to the archives.
"Smell that?"
Confused, Tim sniffed. At first all he could smell was dust and old paper, but then, beneath it, as if carried on a draft, came a familiar musty, wet stench.
"Damn worms," He muttered. "We've had a bit of an infestation—dunno if you saw them on your way in—"
"I'm gonna need you to shut up and go back outside," the man interrupted. "Maybe pull the fire alarm on your way out, get everyone out of the building."
"Excuse me?" Tim demanded. The man was already releasing him and moving on, so Tim grabbed him before he could make it two more steps. "Hey, what the hell are you—"
"Listen." The man turned, deftly winching his arm out of Tim’s grip. "I have had a very long day. I was hoping it would end with a long shower, a change of clothes, and a minimum twenty-minute hug from someone who means the world to me. Instead, there's something very nasty down there that I need to deal with. Kindly piss off."
Tim's blood ran cold. "You—you mean Prentiss is—" He stopped. He had a million questions, but maybe just this once they could wait. "My friends are down there."
The man spared a moment to look, if possible, even more exhausted than before. "Great. Fine. Stay close and don't fuck me."
***
Tim's head swam with the gas. His body felt strangely detached as he heaved the fire extinguisher against the wall, again and again until he felt the plasterboard give way. His strange companion drew back as if preparing to do a run-up, and Tim hurled himself into the space and finally broke through.
His first view into the dimly lit storage room was of three familiar faces with varying levels of shock, alarm, and growing relief.
"Hey, guys!" Tim gasped out.
Sasha was already struggling to her feet; Tim was about to go in for a hug when he was roughly shoved out of the way. A gas canister landed on the floor with a heavy thunk as the stranger lurched his way past Tim.
A strangled cry broke the shocked silence, and it took Tim a moment to realize it had come from Jon. His friend was sitting on the floor, propped up against a stack of boxes, one leg wrapped in bloodstained bandages. He stared at the man in blank, silent shock.
The stranger moved as if to lunge, but stopped when Jon held up a shaking hand.
"Wait." Jon's voice broke. He was fumbling something out of his pocket, wincing when the movement jarred his leg. "Wait, just—" 
"Mmhm," the man said in a strangled voice, fidgeting but staying where he was.
Jon finally wrestled his wallet out of his pocket, ripped it open, and pulled out a photo—a Polaroid? His eyes flickered between it and the man standing over him.
The wallet fell to the floor. With a sudden burst of energy, Jon heaved himself upright, and managed to stand for all of a second before his leg gave out and sent him pitching forward. The man caught him before he could fall and yanked him into a hug.
"What the fuck, Gerry," Jon choked out.
Sasha was eyeballing Tim frantically, but all Tim could do was shrug back.
"I'm sorry," the man—Gerry—mumbled, face buried in the side of Jon's neck.
"I thought—she told me that you—" Jon stared blankly over Gerry's shoulder, looking at the others without seeing them. "Where have you been?"
"Couple of hunters picked up our trail in the woods in Pennsylvania," Gerry answered. "We split up. They caught me. Didn't kill me, just… didn't let me leave either. Sorry I didn't contact you right when I escaped, I just—I was afraid I'd get your hopes up and get killed on the way home."
In the silence that followed, Martin let out a strangled "Um."
Jon jumped, and his teary eyes focused back on them. "Oh. Right. Er." He tried to pull back, without much success since Gerry was the only thing keeping him upright. "E-everyone, this is Gerry."
"You just finished telling us he was dead," said Sasha.
"Yes, well." Jon managed a watery smile. "I've been wrong before."
"We had a moment about it."
"Right." Without warning, Gerry reached down and swung Jon up into his arms in a bridal carry, ignoring Jon's squawk of protest. "Let's go. We can talk later—and we will be talking later—"
"Gerry!"
"Seriously, I turn around and you're fighting the Corruption with fire extinguishers, and you're the bloody Archivist."
"Put me down, you absolute—"
"No, you've got holes in your leg." Gerry shouldered past Tim and stepped back into the tunnel, carrying a disgruntled Jon with little apparent effort. "You three coming, or what?"
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feiandart · 22 days
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"You could have changed." "Not with the chaos in my room right now." "Would you rather feel hot?" Aziraphale looks at him puzzled, then sighs and turns his whole body towards the artist, without getting up from the chair. His hands go to the buttons of his cardigan. "May I see what's so obscene?" Anthony remains silent for a moment, his eyes on the Lord's fingers, waiting for permission to release the buttonholes. "All right," he concedes, "but if you feel uncomfortable -" "Anthony dear," Aziraphale calls him back, hinting a small smile. "I would like to point out that it would not be the first time I have seen you in an unseemly condition." With his fingers he begins to slowly unbutton the cardigan, from the bottom upwards. "Yes, but they were different situations and safe environments." "Let me decide if something makes me uncomfortable or not, hmm?" You would tell me too late, though. "Whatever." Anthony shrugs his shoulders. When the cardigan opens to reveal the artist's half-naked chest, Aziraphale stares unblinkingly. His hands leave the edges of the fabric to brush his hips through the semi-transparent tank top, tilting his face. Anthony places the coffee cup, now empty, on the coffee table. "Sometimes I really don't know where you find such things," he comments distractedly. "It barely feels like fabric on your skin." A pause. "You went around the house looking like that?" Aziraphale looks up, searching Anthony's eyes. "Did the servants see you half-naked?" He frowns, and there it is, between the creases of his forehead: a hint of annoyance and disappointment, accentuated by the way the Lord wrinkles his nose. "What were your intentions when you decided to dress like this?" Anthony gasps. He lowers his gaze to his own indecency and swallows. His fingers twitch and quickly reach for the lower flaps of his cardigan, twisting them between his knuckles nervously. The weight shifts from one leg to the other.
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