#dick cuthell | Explore Tumblr Posts and Blogs

spilladabalia · 6 months

Text

youtube

The Specials - Friday Night And Saturday Morning

12 notes · View notes

ageingslacker · 2 years

Text

The Specials.

Their influence cannot be overstated.

29 notes · View notes

lyrasky · 1 year

Text

追悼 The Specials【Too Much Too Young】和訳 Terry Hall Forever!! 解説

追悼 The Specials【Too Much Too Young】和訳 Terry Hall Forever!! 解説 Lyraのブログへ #terryhall #thespecials #toomuchtooyoung #terryhallrip #テリーホール #JerryDammers # DaveJordan #LloydCharmers #JerryDammers #EmmanuelRodriguez #RicoRodriguez #LynvalGolding #RoddyRadiation #NevilleStaple

Terry Hallが亡くなった。イギリスの音楽を牽引して来たアーティストの1人であり、素晴らしいパフォーマーでもあったイギリスの伊達男が、この世からいなくなってしまうなんて…。長い間、闘病生活をしていているとは聞いていたが訃報を知り、この曲が頭の中で鳴り出した。彼の歌をステージで歌うと皆が盛り上がり踊り出したあの光景を忘れない。LonsdaleとMartin。あのピッチリ・タイトなパンツを更に細くして履いていたっけ。Terryの辛辣な歌詞とダンスしたくなるビート揉まとうと気がし引き締まる。 Ah、また1人素晴らしいヴォーカリストが逝ってしまった。 Terry Hall 天国で安らかに…。 (more…)

View On WordPress

#Dave Jordan #Dick Cuthell #Emmanuel “Rico” Rodriguez #Horace Panter #Jerry Dammers #Jerry Dammers & Dave Jordan #Jerry DammersTrombone #John Bradbury #Lloyd Charmers #Lloyd Charmers & Jerry DammersTrombone #Lynval Golding #Neville Staple #principal songwriter #Rico Rodriguez #Roddy Radiation #The Specials【Too Much Too Young】和訳 Terry Hall Forever!! 解説 #追悼 The Specials【Too Much Too Young】和訳 Terry Hall Forever!! 解説

0 notes

de-salva · 1 year

Audio

TRIFLE - Is It Loud? (part 1)

Alb. “Trifle: First Meeting” (1971)

Personnel:

Alan Fealdman - keyboards John Hitchen - guitars Dick Cuthell - fluegelhorn, trumpet, cowbell Barrie Martin - tenor saxophone, alto saxophone, bongos Patrick King - bass guitar Chico Greenwood - drums, congas, maraccas George Bean - tambourine

#Trifle

11 notes · View notes

rladbswl0274 · 1 year

Text

재벌집 막내아들 16화 16회 E16 다시 보기 누누

재벌집 막내아들 16화 16회 E16 다시 보기 재방송 실시간 됩니다.

재벌집 막내아들 16화 16회 E16 다시 보기 누누 링크 <<

넷플릭스 부잣집 막내아들 무료 보기 해보십시오.

잉글리시 투톤 스카 리바이벌 밴드 The Specials의 리드 싱어 Terry Hall이 사망했습니다. Hall의 사망 소식은 밴드의 인증된 소셜 미디어 계정에 공유되었으며, 페이스북에는 그가 "잠시 병을 앓다가 사망했다"고 썼습니다. 홀은 "우리의 아름다운 친구, 형제이자 이 나라에서 배출한 가장 뛰어난 가수, 작곡가, 작사가 중 한 명"이라는 게시물은 "그의 음악과 공연은 삶의 본질을 압축했다. 고통, 유머, 정의를 위한 싸움, 하지만 대부분은 사랑입니다.” Hall은 사망 당시 63세였으며 유족으로는 영화 제작자인 아내 Lindy Heymann과 자녀인 Leo Hall과 Felix Hall이 있습니다. 1977년 영국 Coventry에서 시작된 Specials는 데뷔 셀프 타이틀 앨범으로 70년대 후반과 80년대 초반에 성공을 거두었습니다. 멤버의 원래 라인업에는 Jerry Dammers, Roddy "Radiation" Byers, Neville Staple, John Bradbury, Dick Cuthell 및 Rico Rodriguez와 함께 The Specials 결성 직후 보컬리스트 Tim Strickland를 교체한 Hall이 포함되었습니다.

Specials는 "Gangsters"와 "Ghost Town"을 포함한 트랙으로 유명하며, 후자는 1981년 영국에서 3주 동안 1위를 유지했으며 계속해서 Top 40에서 10주를 보냈습니다. 인종적 불의에 대한 확고한 반대로도 알려진 밴드는 영국과 그 밖의 지역의 정치와 사회 개혁에 대해 자주 논평했습니다. "40년 전 Specials는 국가의 상태를 구현했습니다. 일반적으로 박탈당한 영국 마을에서 하나가 된 일곱 목소리입니다." 밴드의 공식 웹 사이트에 설명이 나와 있습니다. Hall은 또한 1981년에 Fun Boy Three 밴드와 1984년에 The Colourfield(히트곡 "Thinking of You"로 알려짐)를 결성한 후 90년대에 한 쌍의 앨범으로 솔로 활동을 했습니다. 결국 그는 2008년 투어와 새로운 음악을 위해 The Specials를 개편했습니다. 최근 스페셜 라인업에는 Lynval Golding, Horace Panter, John Bradbury, Neville Staple, Roddy Byers 및 Nikolaj Torp Larsen이 포함되었습니다. 2019년 The Specials는 1981년 'Ghost Town' 이후 Hall이 보컬로 참여한 첫 신소재를 선보인 여덟 번째 정규 앨범 'Encore'를 발매했습니다. 월요일 기념관의 SNS 게시물은 가수가 "The Specials의 삶을 긍정하는 쇼가 끝나면 종종 'Love Love Love'라는 세 단어로 무대를 떠났습니다."

Tom Cruise의 무모한 스턴트에 관해서는 말 그대로 하늘이 한계입니다. 일요일, 60세의 할리우드 액션 영웅은 비행기에서 뛰어내리면서 "탑건: 매버릭"을 흥행작으로 만든 것에 대해 팬들에게 감사하는 자신의 비디오를 공유했습니다. 크루즈는 비행기 문을 내밀면서 카메라를 향해 소리칩니다. “극장에 와주신 모든 분들께 감사드리고, ‘탑건: 매버릭’을 응원해주셔서 감사합니다.” 그런 다음 카메라는 "미션 임파서블: Dead Reckoning"을 지휘하기 위해 액션 프랜차이즈로 돌아온 크리스토퍼 맥쿼리 감독을 보여주�� 위해 패닝합니다. "미션 임파서블: 데드 레커닝"의 첫 번째 부분은 7월에 출시될 예정입니다. "탑건: 매버릭"의 각본을 공동 집필한 맥쿼리는 크루즈의 스카이다이빙에 대한 초대를 거절하기 전에 주인공에게 그들이 세트장에 있다는 것을 상기시킵니다. 자신의 스턴트를 연기하는 것으로 알려진 크루즈는 비행기에서 뛰어내린 후 자유 낙하하면서 카메라로 돌아갑니다.

“즐거울 수 있게 해주셔서 감사합니다. 정말 일생일대의 영광”이라고 팬들에게 말했다. "높이가 낮아서 다시 일해야 합니다. 이 사진을 찍어야 합니다. 안전하고 행복한 휴가를 보내세요. 영화에서 뵙겠습니다." 올해 5월에 개봉한 "탑건: 매버릭"에서 크루즈는 피트 "매버릭" 미첼 역을 다시 맡아 탑건 아카데미로 돌아와 전투기 조종사를 훈련시켰습니다. 1986년 블록버스터의 속편은 박스 오피스에서 10억 달러의 이정표를 달성한 크루즈 영화 중 첫 번째가 되었습니다.

Emily Blunt는 Tom Cruise의 조언이 '여전히 우리가 웃는 것'이라고 말했습니다. 그리고 팬들은 크루즈가 자신의 감사 메시지를 전하기 위해 엄청난 노력을 기울인 것에 대해 분명히 감사했습니다. 한 사람은 자신의 인스타그램에 “마블은 잊어라! 진정한 액션 영웅입니다! 영화 보러가는 것을 다시 스릴있게 만들어 주셔서 감사합니다!” 또 다른 누리꾼은 “톰 크루즈가 자신의 목숨을 걸고 오락으로 영화계 전체를 구했다..! 나머지 영화계는 메모하십시오!”

1 note · View note

90363462 · 1 year

Text

Kendrick Lamar’s Harrowing Song ‘We Cry Together’ Has a History Far Deeper Than Eminem’s ‘Kim’

Jem AswadMay 17, 2022 12:07pm PT

Popular on Variety

“We Cry Together” is probably the most conversation-stopping song on Kendrick Lamar’s brilliant and challenging fifth album “Mr. Morale & the High Steppers” — a horrifyingly realistic recreation of an argument in an abusive relationship that finds Lamar and actress Taylour Paige saying absolutely horrible things to each other, with her delivering an entire verse while sobbing, and apparently culminates with the two of them having sex.

The most commonly cited precedent for “We Cry Together” is Eminem’s 2000 song “Kim,” an even more horrifying scenario in which he murders his real-life ex-wife. It’s plenty upsetting but in many ways is more like a horror film, with Eminem voicing both characters. But what is most unsettling about “We Cry Together” is the anguish and anger in its delivery, conveyed so powerfully by Lamar — who is the only credited lyricist — and Paige. While there’s no shortage of yelling or violent lyrics in the annals of popular music, particularly heavy metal and hip-hop, that kind of deeply upsetting screaming and crying has few precedents in major songs.

One particularly harrowing example is “The Boiler,” a single released 40 years ago by the Special A.K.A., a group assembled from the extended musical family around pioneering British ska legends the Specials after that group split in 1981. Set over increasingly ominous ska-jazz music, the song is a narration by vocalist Rhoda Dakar about an evening that culminates in a date-rape. Centered around a story about a lonely woman (a “boiler” is a British slang term) on a date with a man she gradually realizes is dangerous, it’s anchored by a pummeling beat, Jerry Dammers’ demented-calliope organ and Dick Cuthell’s braying trumpet, all of which grow more and more threatening as Dakar’s narrative gets increasingly uneasy and frightened, until the song concludes with 90 straight seconds of her horrifying screaming — the kind of oh-my-god-call-911-right-now shrieking that triggers the amygdala, the area of the brain that generates a fear response. It’s a deeply powerful and disturbing song that you can’t un-hear — we can’t put enough trigger warnings on it — which was presumably the point. (There’s no indication that Lamar is aware of the song.)

youtube

A sad irony of the Specials’ career is how many of the group’s madly skanking fans were completely oblivious to the deeply political meanings behind many of their bouncy, cheerful-sounding songs: Nearly every one had a socially relevant point and perspective, whether it was racism, the stupidity of unplanned parenthood or simply feeling alienated on a Friday night. The group’s final single, “Ghost Town,” was a stinging indictment of the race riots that plagued Britain in the summer of 1981 and reached No. 1 on the country’s singles charts as the group imploded, with the three singers forming Fun Boy 3 and Dammers and others continuing with singers Dakar (previously with British ska outfit the Bodysnatchers) and Stan Campbell under the Special A.K.A. moniker.

“The Boiler,” released in January of 1982, certainly continued the group’s socially relevant messaging, but it removed virtually every vestige of the pop and fun that made the Specials’ music go down so easily. The song somehow reached No. 35 on the British singles chart, and Dakar even sang it on the BBC’s “Oxford Road Show,” a performance that is surreal enough in itself, as she dances through the first verses and then becomes far more serious as it progresses. The Special A.K.A. ultimately would release just one album (which did not include “The Boiler”), but made an indelible mark on the world with their galvanizing song “Free Nelson Mandela” in 1984. Dakar picked up her solo career in 2007 and has continued to tour and record ever since, with an album called “Version Girl” comprised of reggae covers of songs like the Pretenders’ “Stop Your Sobbing,” Tim Buckley’s “Song to the Siren” and Patsy Cline’s “Walking After Midnight” due later in the year.

Speaking with Variety over Zoom on Monday night, Dakar had mixed feelings about “We Cry Together.”

“It’s kind of disappointing, because she caves at the end, doesn’t she?,” she says. “It’s like, ‘Oh no, she’s gonna go back to him!’ And at the end, where she caves and says, ‘fuck me,’ I was really disappointed: I’m reading it as an abusive relationship where she is essentially colluding in the abuse. That’s something women don’t get taught not to do, in a sense. You know, ‘He may be abusive, but at least I’ve got a man.’ It made me annoyed.”

Dakar is quick to acknowledge that although she is a big fan of the British rap hybrid grime — “because it’s about where I come from” — and felt a connection to ’80s rap pioneers like Public Enemy and N.W.A, contemporary American hip-hop doesn’t really speak to her, although her kids are fans.

Looking at Lamar’s larger discography and lyrics, “His life experience has been so different from mine that I can’t relate,” she says. “If you’re Black in the U.K., you can’t relate to the level of the level of racism that he will have come up against, because it’s not as blatant. Racism here is very different; I suppose it’s more sort of nuanced. You know how English people talk to each other, all nuance and inference: An American will just come up and say, ‘Hey, you’ve got some green shit on your face!’ but an English person would never tell you that. (Laughter) They would be mortified to say it, and just let you walk around with this thing on your face all day.”

She is also surprising low-key about the creation of “The Boiler” and any musical or societal impact it might have had. “I wasn’t trying to do anything,” she says. “We’d just decided to be in a band — [the Bodysnatchers] didn’t know how to play our instruments or how to write songs, and we had our first gig in a month.” The original idea for the song came about during a Bodysnatchers rehearsal. “I had been in youth theater and I wanted to be an actress,” she says “but then you realize that you will only ever play nurses and prostitutes for the rest of your life, because that’s all there was for Black women in the ‘70s and ‘80s. But that’s where my experience in storytelling came from.

“Anyway, one day in rehearsal I just started to do what was an improvisation from a story [about an incident] that somebody had told me not long before, so it was essentially a piece of theatre. And because I was completely wrapped up in the idea of the actors’ studio and Stanislavski and emotional memory and all of that, that’s how I was able to make it real: You use the emotional memory technique, which can trigger you into appearing as if you’re reliving something had happened to you, but you’re just telling a story.

The song, later recorded with the Special A.K.A., “was [written] before we really had a term to describe it: Now we call that date rape.”

Responding to an observation that she’s downplaying how powerful and impactful the song is, she says, “Well, thank you. But obviously, I have no idea how it lands because I’m entirely the other side of it. It’s a piece of theatre: How it lands to you is whatever you make of it.

“People sometimes say to me, ‘Why don’t you do sing “The Boiler” [at concerts] now?,’ because it’s kind of culturally appropriate. It’s because the character was a young girl in her 20s, and I don’t know that I could pull that off now. A woman of my age wouldn’t get sucked into that [kind of situation] — at least I’d like to think she wouldn’t — so the story would have to be different. Actually, it would be probably be something like more like the Kendrick Lamar song [‘We Cry Together’], about domestic violence.”

Which, in a way, brings the discussion full circle. “People will probably shoot me down in flames for saying this,” she concludes, “but I’d say to Kendrick Lamar: If you want to know what a woman thinks about domestic violence, don’t write the words for her!”

Read More About:

Ksndrick Lamar,

Mr. Morale & the Big Steppers

#Youtube

1 note · View note

vmonteiro23a · 2 years

Text

40 YEARS AGO: PAULINE BLACK - "SHOO-RAH SHOO-RAH"

40 YEARS AGO: PAULINE BLACK – “SHOO-RAH SHOO-RAH”

40 YEARS AGO: PAULINE BLACK – “SHOO-RAH SHOO-RAH” “September 16, 1982 PAULINE BLACK has finally released her solo single. It’s titled “Shoo-rah Shoo-rah” and is flipped with “Call of The Wild.” She may be the former lead singer for the Selecter, but hasn’t been abandoned by her old label mates. On the record you’ll hear her helped out by Jerry Dammers on keyboards plus Rico and Dick Cuthell on…

View On WordPress

0 notes

myvinylplaylist · 2 years

Text

eURYHMICs: Touch (1983)

RCA Records

#eurythmics #ann lennox #dave stewart #michael kamen #dean garcia #dick cuthell #rca records #new wave #80s music #vinyl records #album cover #album art

11 notes · View notes

makeshiftjukebox · 7 years

Video

youtube

#trifle #is it loud?#first meeting #1971 #united kingdom #brass rock #jazz fusion #george bean #chico greenwood #patrick king #barrie martin #dick cuthell #john hitchen #alan fealdman

0 notes

aefward · 7 years

Photo

#Port Magazine #March 2017 #Dick Cuthell #Vincent Bark Stradivarius Long Scale Cornet

0 notes

nasu-no-hana · 4 years

Photo

Specials / Specials (1979) 久しぶりに聴くスペシャルズ。ふと、新宿の街を汗をダラダラかき��がらレコードを探して歩いた時のことを思い出した。もう40年も前のこと。ディスク1にオリジナルの全曲。ディスク2には『Too Much Too Young』のEPとBBCライヴを収録した２CDスペシャル・エディション。写真2　きのう丸一日帰って来なかったmimi。きっと元気に帰ってくると思っていてもやはり心配。帰ってきたら嬉しくてつい抱きたくなる。抱っこは嫌いだからこの表情。 #TheSpecials #TerryHall – vocals #NevilleStaple – vocals Lynval Golding – rhythm guitar, vocals Roddy Radiation – lead guitar, vocals (6) #JerryDammers – keyboards Horace Panter – bass guitar John Bradbury – drums Guest musicians #RicoRodriguez – trombone Dick Cuthell – horns #ChrissieHynde – vocals on "Nite Klub" Produced by #ElvisCostello #cdcollection #vinyl #vinylcollection #coverart #albumart #33rpm #lp #nowspinning #nowplaying #アナログ盤 #レコード #records #rock #ska #reggae #2tone #punk #TwoToneRecords #1979 #coffee #コーヒー #cat #猫 (宮古島) https://www.instagram.com/p/CCP8jhhpcom/?igshid=gg9sxphoqnvn

0 notes

spilladabalia · 11 months

Text

youtube

The Specials - Stereotype

9 notes · View notes

budaallmusic · 6 years

Photo

Burning Spear ‎– Garvey's Ghost #IslandRecords 1976 UK Alto Saxophone – #HermanMarquis Bass – #AstonFamilyManBarret, #RobbieShakespeare Clavinet – #BernardTouterHarvey Design [Cover] – #BloomfieldTravis Drums – #LeroyHorseWallace Engineer [Dubbing] – Dick Cuthell, John Burns Flute – #CarltonSamuels Lead Guitar – #EarlChinnaSmith Organ, Piano – #BernardTouterHarve, #TyroneDownie Photography By – #DennisMorris Plated By – EG Producer, Producer [Dubbing] – #LaerenceJackRubyLindo Rhythm Guitar – #TonyChin Tenor Saxophone – #RichardDirty HarryHall Trombone – #VinGordon Trumpet – #BobbyEllis https://www.instagram.com/p/BoTvDftAuZb/?utm_source=ig_tumblr_share&igshid=gvru9gkkt2q7

#islandrecords #hermanmarquis #astonfamilymanbarret #robbieshakespeare #bernardtouterharvey #bloomfieldtravis #leroyhorsewallace #carltonsamuels #earlchinnasmith #bernardtouterharve #tyronedownie #dennismorris #laerencejackrubylindo #tonychin #richarddirty #vingordon #bobbyellis

0 notes

reffolder · 7 years

Photo

Dick Cuthell

0 notes

morespecials · 12 years

Video

youtube

Nelson Mandela rehearsal on the Channel 4 programme Play At Home.

#Dick Cuthell #Jerry Dammers #John Bradbury #Rhoda Dakar #Stan Campbell #The Special AKA #The Specials #Egidio Newton #Gary McManus

3 notes · View notes

spilladabalia · 1 year

Text

youtube

The Specials - Holiday Fortnight

6 notes · View notes