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dan-terminus · 1 year
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8 years ago, The Wrath of Code was released.
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divid77 · 4 months
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jim-synth · 8 months
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absolutevalentine · 2 years
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Hello 👋, in two weeks there will be a super exciting synthwave festival in #lyon, you should buy your tickets now because I believe it will be sold out!!! @absolute.valentine , @waveshaperofficial , @nightcrawlermusic , @danterminus , and @thomasbarrandon are some of the performers. Search for @retrowaver_festival . (à Lyon, France) https://www.instagram.com/p/Ce_ECVIs02Z/?igshid=NGJjMDIxMWI=
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astarothmusic666 · 3 years
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Dystopian Nightmare from Astaroth
Checkout the debut from this past December. Reblog if you're into it! For Fans of Perturbator, Gost, Carpenter Brut, etc.
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timidusmusic · 5 years
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Dan terminus. The man himself! One of my inspirations for starting, learning and making electronic dark music. Frenchsytnh/Darksynth. Was more than glad to see him live and meet him at boston last year. So modest and great person, came out after the show and had some casual talk with us. Found this photo on my old phone. Check out his music if you're into some cyberpunk synthwave and ready to speed! #danterminus #darksynth #synthwave #retrowave #cyberpunk #music #boston #magicsword #carpenterbrut #dark #electronicmusic #frenchsynth #timidus (at Middle East Restaurant and Nightclub) https://www.instagram.com/p/BwJXp5EFpsv/?utm_source=ig_tumblr_share&igshid=11nr2hi30msfu
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schriz · 6 years
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Last Night @ Union! @danterminus @facexhugger @streetcleaner82 @_macready_ Last night was Lit! #synthwave #darksynth #la #cyberpunk #danterminus #bloodmusic #deathbydistortiontour (at UNION) https://www.instagram.com/p/BoVud9OBXpU/?utm_source=ig_tumblr_share&igshid=1shuvooljfsdj
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matteohudson · 4 years
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Now Listening: Dan Terminus - Last Call For All Passengers. #danterminus #danterminuslastcallforallpassengers #lastcallforallpassengers #oubliette #requiem #inhert #disfigured #multitude #ruins #march #abattoir #feral #excalibur #2020 #2020album #electronic #cyberpunk #darksynth #synthwave #nowlistening #nowplaying https://www.instagram.com/p/CF2LK1DjUs4/?igshid=110s3hl5etun5
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martinmillar · 6 years
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Hey guys my new Starsceptre EP is out now - bit of a difference in style compared to my usual stuff (tho 5 years of listening to Dan Terminus, Carpenter Brut and Perturbator was infairness going to have an influence on me some day!), lob in the STAR code at the checkout and grab it at half price! https://bocuma.bandcamp.com/album/starsceptre-the-other-side-ep Hope you like 🎹🎧😊 #bocuma #starsceptre #soundtrack #indiedev #gamedev #synth #synthwave #darkwave #danterminus #carpenterbrut #perturbator
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noirespoir · 6 years
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Dan Terminus Automated Refrains #vinylcollection #danterminus #limitededition #worththewait #synth #bloodmusic
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dan-terminus · 7 months
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For those of you who want to know more about the Man Behind The Machines, check my interview with BeyondSynth 's Andy Last
Hear me talk about #horses, machines and #ArmoredCore
#ExclusiveSoundbyte
#sneakpeak
#danterminus
#cyberpunk
#synthwave
#beyondsynth
#andylast
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frenchcapricorn · 2 years
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Oh... Hi ? Im new here, I will made my first post . let me introduce myself (English here, second post in french )
---Im a french artist who made digital art and traditional art. I draw my OC, fanart (of a lot of things more below ) , and a lot of Webcomic too !
-- Im inspired by Hotline miami, Destiny 2, Perturbator, Fnaf, scifi and horror stuff like creepypasta, Corpse husband.
-- For the fanarts, I already made a lot for NVTVS, WorstNightmare, Perturbator and DanTerminus, EverymanHybrid, Zxdiak, and OC of other friends !
Here all my links ! Feel free to follow me for know more about me , and support me !
DEVIANTART - https://www.deviantart.com/creepymakara/gallery
fact : It’s 5 years Im on DA lol.
WEBTOON [FRENCH] - https://www.webtoons.com/fr/challenge/les-l%C3%A9gendes-de-gz-by-creepymakara/list?title_no=713035
INSTAGRAM - https://www.instagram.com/xmakaraart/
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thatsnakeman · 4 years
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Dan Terminus AMA - 1 Oct 2020 via /r/outrun
Dan Terminus AMA - 1 Oct 2020
/u/DanTerminus will return to this sub for an AMA on the 1st of October!
Dan Terminus, one of the behemoths of the darksynth scene, together with the likes of Perturbator, GosT and Carpenter Brut he pushed the genre forward. He had his first AMA on this subreddit when he was about to release The Wrath of Code on vinyl with Blood Music. A lot has happened since then. Now 3 years and one album later, he will join us for an AMA to celebrate the release of his new album Last Car For All Passengers on September 25.
You can follow this post to get a reminder when the AMA goes live. Dan will create the thread on the scheduled day and time. You can ask your questions there. However if you fear you cant be there when the AMA is live you can also leave your questions in this thread, we will relay them to the AMA in your stead.
Hope to see you there!
Submitted September 10, 2020 at 08:18PM by Vaaag via reddit https://ift.tt/2RirKkk
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newretronet · 4 years
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Enjoy our Vengeance Cloud Battalion Edit Synthwave Retrowave Music Video 80s Action Movies Dark Synth Dancing scenes ! Visit https://Newretro.Net for the best and affordable retro streetwear outfits. Free Worldwide Shipping! Dan Terminus Instagram: https://ift.tt/355CatH Dan Terminus Bandcamp: https://ift.tt/1QHFgrm Dan Terminus Twitter: https://twitter.com/danterminus ℗ 2020 Dan Terminus - The Grid by NewRetro. Net
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trvepeak-blog · 6 years
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Mix Analysis #4 “Fall Of The Ancient World” by Dan Terminus
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FOREWORD
In this article I will do a mix analysis of “Fall Of The Ancient World” from Dan Terminus' recent album “Automated Refrains”, which is available here for free on Bandcamp! The genre is called Synthwave and can be described as followed: Kick, Snare, Hi Hat, Toms and additional percussion are most of the time Roland 909 or 808 samples and the range goes from very relaxed, chill and atmospheric (FM-84, S U R V I V E, Gunship, Timecop1983) to fast, up beat and hard hitting (MASTER BOOT RECORD, PERTURBATOR, GosT, Carpenter Brut).
Despite several different styles within the Synthwave genre, all of the mentioned artists are using sounds and elements that were very popular during the 80s and therefore create a feeling of nostalgia and retro while listening to it. Also 9 times of 10 you can dance to the music, no matter how hard or soft it is.
Although referencing the 80s in all it's glory more or less, the music doesn't sound like it's been recorded (nearly) 40 years ago, because it applies the standards of modern music production of 2017. Especially the more aggressive tunes have quite sophisticated songwriting and are mastered very loud, like MASTER BOOT RECORD, whose Synthesizers sound so harsh and distorted they could be actual guitars.
The most fascinating thing about this music is, that the general loudness of the recordings are pushed to the limit, almost completely brick walled and yet it's possible to enjoy it, cause it doesn't feel forced but like a natural thing to do. Which is weird, cause I'm not a friend of killing dynamics and transforming WAV form into a sausage but with this music it makes sense somehow. So let's take a look / listen at it!
HARD FACTS
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PLR: ~ 9.5 (lowest) ~ 7.0 (highest)
Average Loudness: -7.6 LKFS
Inter-Sample Peaks: 0.8 dBTP (left) 0.7 dBTP (right)
Digital Peak: -0.0 dBFS (left) -0.0 dBFS (right)
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Mix: Dan Terminus Master: Dan Terminus
Year Of Release: 2017 For measuring the PLR, Average Loudness and Inter-Sample Peaks I used MasterCheck Pro by british company Nugen Audio. To keep it as neutral and simple as possible, I chose the „Optimal Master - Codec Only“ preset. For measuring the Digital Peak Level I used the 4U Meter, Fader & MS-Pan Plug-In by german company HOFA. The DAW used is Logic Pro X. The source material is 16 Bit and 44,1 kHz. If you want to now what all those fancy words mean, have a look at this article.
As expected, the WAV form of “Fall Of The Ancient World” is a big, fat, juicy sausage. Digital Peak is at -0.0 dBFS on both channels, which is standard for this kind of music. Unfortunately there are Inter-Sample Peaks up to 0.8 dBTP which could have been avoided with a fitting Limiter (like the ISL 2 by Nugen Audio) and more attention during the mastering process.
The average loudness of the song is at -7.6 LKFS, which is more or less irrelevant on Compact Disc but wouldn't work with streaming platforms like Spotify or YouTube considering their maximum limit is -14.0 LKFS. If you would upload it like this, it could be turned down by around 6 dB!
Even during the quietest part of the song (the intro) the PLR is pretty high and goes up only a little to 7.0 during the louder parts. Which shows again how important loudness is to the artist even when things could be more quiet.
PERSONAL IMPRESSION
It wasn't really hard to pick this song, cause unlike other material on “Automated Refrains”, this one's got a serious “Das Boot” vibe going on, which I really like. Unfortunately this is the only time Dan Terminus is doing it on the record and I wish he would have kept it going. Instead he uses the “typical” Synthwave schemes, which dominate the rest of the record and make the second half feel a little boring and repetitive.
This is something I noticed about other artists from this genre as well. If you listen to the songs out of context, they feel a lot different, fresher I would say. But if you're listening to them after you already heard five tracks (or so), it's somehow exhausting and not interesting anymore. This could be the reason why some of the “big names” started incorporating singers to make their tracks stand out and be more memorable. Most of the time the song benefits from it but I also heard a few ones that were ruined by uninspired vocal melodies and should have been left alone.
A few words about the mix: The single elements aren't really distributed across the stereo field, the more accurate term would be stretched. They're all on the same line and right in your face but the synthesizers sound super wide though. Only those “Das Boot” sounds give a feeling of room and depth.
CONCLUSION
“Automated Refrains” by Dan Terminus is - compared to his previous work - more atmospheric and slower but unfortunately during the second half a bit boring due to a lack of diversity. If you're interested in what it sounds like when he puts the pedal to the medal listen to “The Wrath Of Code”!
The production is very modern and bright, super loud and in your face. Except the Intro it's constantly peaking at -0.0 dBFS which isn't nice but typical for this kind of music. Would have been cool though if he at least avoided those Inter-Sample Peaks which go up to 0.8 dBTP.
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totskver · 7 years
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