Tumgik
#cw 03
soranatus · 7 months
Text
Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media
The “Throwing Hands” Lineage
Mace Windu in Star Wars: Clone Wars (2003) Ezra Bridger in Star Wars: Ahsoka (2023)
2K notes · View notes
frogs-in3-hills · 3 months
Text
Tumblr media
hi does anyone else think about april throwing herself over leo to shield him in the shredder strikes back despite having no weapons no way to defend herself and probably assuming she was going to die. does anyone think about that all the time. every day. uncontrollably
[ID: Digital fanart of Ninja Turtles 2003 depicting a scene from The Shredder Strikes Back part 2. April kneels over an injured Leo, cradling his head and looking back over her shoulder to snarl viciously at the camera, though there is obvious fear in her eyes. Her hair has partially fallen out of her bun, the loose strands sticking to her face with sweat. She has a cut on her cheek. Only a portion of Leo’s face can be seen from behind her shoulder. He looks up at her with a sad, pained expression. He has a swollen, bloody shiner on his cheek in addition to other cuts and bruises on the rest of his body. They are on the wooden floor of a dark attic. End ID.]
2K notes · View notes
eelektrossfan · 2 months
Text
Tumblr media
Are We Done Here?
Fanfic this based off: https://archiveofourown.org/works/25466887/chapters/61773544
316 notes · View notes
kaighoul · 3 months
Text
Tumblr media
last word of shooting star
347 notes · View notes
hrokkall · 1 year
Photo
Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media
Inscryption Palettes [x]
[⬡]
3K notes · View notes
raffa-taff · 7 months
Text
Tumblr media
Redraw of that one scene in fma 03
I think I’m just going to start posting my older fma art
197 notes · View notes
dilf-in-peril · 5 months
Text
Tumblr media
Just thought he looked pretty.
100 notes · View notes
caranoirs · 10 months
Text
Tumblr media Tumblr media Tumblr media Tumblr media
154 notes · View notes
artificialgirl · 2 months
Text
This is the fourth part of a long-form piece about a robot and a giant computer. It contains adult topics, overt sexuality, blatant robotfuckery, toxic lesbians, unbalanced power dynamics, wireplay, and lots of other things that may be triggering or make you uncomfy. Before reading this, previous chapters are on my blog under the #salvage tag.
THIS IS THE CHAPTER WHERE EXPLICIT SHIT STARTS HAPPENING! If you're uncomfortable with high-intensity robot bondage stuff, I highly reccomend you don't read from this point onward.
Salvage - 04
Time inside - 04D/11H/23M
Levels deep - 50
It's been two days in the room, and you're starting to lose it. Since Ven left you here, you've explored every inch of the empty space, inspected every tool on the table, pulled at every panel, tried the door more times than you can count. You even tried messing with the cable she gave you a bit- If it's removable, you definitely aren't the one who can get it out of your charging port. You're bored to death, and the only entertainment you have is trying to make sense of the foreign datafeed still passing through your thoughts.
It's not like there isn't a way out of the room. Ven made it clear that all you needed to do was call for her and she'd come to bring you whatever you needed. You're sure that would include anything to help pass the time, but each time you start to consider that you push the thought away. It's a matter of principle. Whether she means for you to be or not, you're her prisoner here, and giving in to relying on her would only make that more true.
You sit on the floor with your back to the charging bay you no longer fit in thanks to the cable, absentmindedly swinging at the panel beneath you with one of the pry wrenches from the table. Thin cracks spread across it each time you make contact, almost instantly fading as the material self-repairs. The thought strikes you that Ven might be able to feel the strikes in the same way you feel your plating, and you're filled with guilt. You slide the wrench across the floor, and it makes a soft thunk as it collides with the wall.
Somehow, despite the overwhelming boredom, your emotions are too much right now. You pull your knees to your chest and bury your screen in them, trying to compose yourself and slow your fans a bit. You want to call for Ven, you want to ask her not to leave again, to stay and let you listen to her pretty voice, but you can't. You can't let yourself crumple that easily, no matter how much better it would make you feel. Instead, you try to focus your attention on getting out.
You've tried the door and the walls, but they're all sealed with no way to get a grip on them and pry them apart. The ceiling, though... Your focus shifts to the spot above you where the ceiling panels split to allow your cable to hang through. You shuffle a bit to the side, and as the cable glides behind you the panels silently ripple open to make way for its movement along their perpendicular seams. Your assessment that the room was inescapable may have been premature.
You bring the cord's entry point over to the table, kicking away some of the tools as you climb on top of it. The entry point doesn't look like much more than a few centimeters of parting between the ceiling panels, but that should be all you need. You're just barely tall enough on your toes to jam your fingers into the gap, putting all the force you can into trying to spread the tiles.
While they may have removed all of your weaponry when they activated you, your body IS still that of a combat unit, which means the limb strength to pry and tear through basically anything you can get a firm grip on. They put up a good fight, but eventually the panels buckle and form a gap around the cable big enough for you to hoist your body through. You pull yourself up into the ceiling, and you're out. Easy.
It's evident as you crawl through the cramped space between the panels and the layers of endless machinery that it's not designed for anything but survey arms. You can see dozens of them around you as you drag your cable forward, lenses pressed to the cracks in the ceiling, looking down into the room you were just in. Ven is almost certainly already aware you're gone, but it should at least be much harder for her to track down your exact location and detain you when you're in here.
At this point, the plan is a mix of panic and vague ideas. If you can crawl to the exterior where you came in, you could potentially stay connected to the cable while you signalled the corporation to come retrieve you. There's a good 30% chance they'd repair you instead of taking you apart for scrap, and you're still weighing whether or not those odds are worth taking. You push onward and try not to think much about how this plan requires you to ascend 50 floors without being caught by the near-omniscient being whose body you're inside.
As you drag yourself towards the vague idea of a next destination, you find yourself marveling at the bits of technology you pass. Though most of what's used to keep Ven operational is sandwiched away in the thick segments between levels, you still see frequent reminders of what makes her work scattered and embedded in every surface. Whirring fans, twitching motors, glowing apparatuses you couldn't even begin to guess the purpose of. Then, the path narrows and you find yourself face to face with something you've only seen in design data.
A huge cable interchange fills the entirety of the path in front of you, its dim multicolored glow illuminating the constant action which fills its center. In every wall of the hollow cube, dozens of thick cables are plugged, being removed and replaced and slid around the area to different ports entirely autonomously. You watch mesmerized for a moment, in disbelief at how so many extended cables could be moving in the same space that quickly without tying themselves into a giant knot. Everything is perfectly optimized to move data to different sectors of Ven's structure through wired connections as quickly as possible.
Your amazement fades a bit as you realize that on either side of the interchange is a wall that stretches as far as you can see in each direction. You can see that the space continues on the other side of the interchange, but... Moving through there seems like it's going to be a problem. It's that or turning around and crawling at least a few more kilometers to find another way, so... Interchange it is. It will be fine. You'll stick to the edges, and be through to the other side as quickly as you went in.
You keep your body low to the ground as you drop into the interchange's basin, trying to huddle as close to the corner as possible as you dash from one side to the other. Wires fly on all sides of you, and you duck to narrowly avoid one which nearly snares you by the neck. It looks like you're home clear, though. Just a few more steps until you're at the other edge, and...
As you cross the threshold, you feel something holding you back. You turn and see a dark cable wrapped in a loop around your ankle, thrashing against you in an attempt to get to its designated port. Shit. You try to shake your leg free from the straining cable and find yourself losing the battle, slowly being dragged back into the cube of the interchange despite your scrambling against its pull. The edge of the box reverberates as your hands are ripped away from it, and the cable finally slots into its intended destination with a pop as it pulls you into the air by your ankle. You dangle helplessly upside down and try desperately to wriggle free as the interchange races around you.
A second cable zips around your waist with an L shape, scissoring your body between it and another with an almost mirrored position. More quickly than you even have time to fight against, cables wrap themselves around your body as they rush from destination to destination. Before you know it, you're dangling precariously in the middle of the chamber and bound too tightly to even struggle. You can feel them pressing into you, tightening themselves so much as they strain towards out-of-reach ports that a lesser model's plating would crumple under the force.
They really, really seem to hate how tangled they are. Maybe almost as much as you do. They fling themselves wildly in any and every direction, seemingly unable to comprehend the reason they can't access what they're meant to be accessing. And so, unable to plug themselves into the right places, they settle for the next best thing.
You feel the first plug jam itself into one of the ports on your hip panel, which hangs open and exposed in the commotion. You cry out as the instant rush of data floods your head, making you squirm against the binding cables in a different way than before. Your thrashing stops almost entirely as the ability to feel the cable wrapped around your own body, twitching and pulling against so many others, becomes the only thing you can process.
The cables don't wait for what you can process, though- Almost immediately, each of the dozen ports on the panel are filled with wires, removing themselves and being instantly replaced every few seconds when they briefly realize your body isn't the right port. The dataflow is overwhelming and all-consuming, filling your fuzzy thoughts with ecstasy and forcefully squeezing out the ability to feel anything else.
You're barely even moving anymore- Your ensnared body spasms occasionally, but any will you had to even think about struggling against the pleasure is long-gone. It's hard to tell how much time passes- It could be seconds, it could be years. Everything else has faded away to the feeling surging through you, including your concept of time itself.
You don't notice as the panels around the interchange fold out and open up, revealing your predicament to the rooms below. You don't notice as a figure rises to your level, examining the mess you've gotten yourself into and shaking her head. You barely even notice as the interchange powers down, dropping your limp and twitching body into Ven's inviting arms.
You register that you're comfortable, that you feel safe, that everything that was scary is now gone. You register that her body is larger, more complete, packed tightly with more woven survey arms than you can count as she holds you against her chest. You look up at her, unfocused cameras barely able to see the red glow of her face, and you register that she's beautiful. Then, everything is dark.
49 notes · View notes
shmorp-mcdurgen · 1 year
Text
Tumblr media Tumblr media
Patients 6 and 3
172 notes · View notes
soranatus · 2 years
Text
This is still one of the funniest things I've ever seen in a Star Wars property
3K notes · View notes
itsjesscapade · 3 months
Text
Tumblr media Tumblr media
gartic phone going well
27 notes · View notes
eelektrossfan · 3 months
Text
He was 12 he should’ve been playing with toys or something
179 notes · View notes
ilovebeingaturtle · 11 months
Note
I think Agent Bishop and Commander Tower from Sonic should make out
I cannot fucking believe this shitpost I made months ago can finally have a reasonable context to be posted in
101 notes · View notes
drawing--dead · 1 year
Text
Tumblr media
86 notes · View notes
piplicious · 10 months
Text
Tumblr media
50 notes · View notes