#cabaret bootleg
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does anyone have a cabaret bootleg of the 2014 revival with alan and emma stone? i do not have anything to trade but i need to see the show SO bad
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Why is youtube so dry on Cabaret bootlegs 😭 girlie is not providing !!!
I don’t have any bootlegs to trade with, but I’d really appreciate it if anyone would be willing to gift me some 🧎🏽♀️🧎🏽♀️
#like if anyone got a link or a google drive file with a good cabaret boot…👀#send that shit my way please !!!#i need more alan cumming but i am also very open to seeing diff emcees and sallys heehee#raúl esparza as the emcee would also be *chefs kiss*#cabaret#cabaret bootlegs#musical bootlegs#bootlegs#cabaret bootleg
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Visual Description: Sally, center stage, performs at a microphone in the now desolate club. Kost, Ernst, and the (now converted) white ensemble members sit at tables, watching vaguely, but loudly talking amongst themselves. As Sally sings, her makeup and dress become increasingly disheveled, with her dress eventually falling to reveal her slip. Sally, upon noticing the lack of attention she receives (first verse end), storms around the stage and steals a drink from a nearby table, before finally calling off the band. She sits, performing the majority of the song in a drunken stupor on the stairs leading down toward the audience. In the end, she rises, having reached her mental break, and finishes at the microphone; blowing it out audibly and chucking it to the ground as she storms out of the club.
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I am several months too late in posting this publically, but everyone please enjoy Miss Thing's absolutely unhinged performance of Cabaret. Forever thinking about her Sally choices. (If you want the full audio, just message me. I went,,,, too many times).
#krysta rodriguez#cabaret#musical theatre#bootleg#audio#broadway#i never know how to fucking tag things
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Does anyone have a cabaret bootleg of cara rlt or nic?x
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i would pay. an exorbitant amount of money. to see raúl in cabaret. like ridiculous amounts of money.
#and when i say this i mean even just a bootleg. i would pay so much fucking money#raúl esparza#cabaret#the emcee
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okay someone tell me they have a slime tutorial (b**tlegs) of mason alexander park in hedwig 😭😭😭
#mason alexander park#broadway#hedwig and the angry inch#cabaret#musical theatre#theatre#slime tutorial#bootlegs
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hello, does anyone have a recording of krysta rodriguez in bsc's production of cabaret? i cannot stop thinking about how perfect she is as sally.
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Pleaseee, anybody has the bootleg of cabaret plays? Doesnt matter the cast or year, I only request for audio and image quality near decent like 480p minimum. I would love any bootleg with alan cumming or emma stone on the cast🥺🙏
If you have, comment below and i will open my dm
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Hello! Im very new to bootlegs. I thought i should come onto tumblr and ask for a tiny bit of help. I think ive got all the sort of basic rules and language, but im unsure of how to find “For Trade” bootlegs and audios, so i guess im asking for masters to look into? or help for finding bootlegs that arent already everywhere on youtube lmao.
I can list some musicals im interested in, just incase theres specific masters for musicals(idk, is that a thing?)
& juliet
bat out of hell
Bonnie and clyde
Cabaret
Anything Disney
Everybodys talking about jamie
Heathers
Legally blonde
Six
Waitress
Thank you for any help!!
#heathers#six#heather#musical#musicaltheatre#musical theatre#theatre#& juliet#Bootleg#musical bootlegs#heathers bootlegs#six bootlegs#bonnie and clyde#bonnie & clyde#Legally blonde#cabaret#disney#everybodys talking about jamie#theatre kid#theatre gay#waitress
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i am looking for a cabaret bootleg with emma stone as sally. i’m willing to trade and/or pay for it. please lmk if anyone has it !
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NEED someone to watch Cabaret (1972) with me NOW
#please#actually id rather watch the play but its literally never in finland and i am bad at finding bootlegs#anyways#cabaret 1972
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Credits: MCR photo by Steve Jennings | Recordings playlist | Swarm fly stencil by @vampchem | Inspired by @columbosunday
I combined my desire for a Cabaret-inspired MCR show a la NJ 2 Sinatra night with one of my perfect setlists. This is a Swarm Tour bootleg, so I aligned the format and songs with the tour's (except for the bonus, which I picked for the beautiful crowd singing). This was so so so much fun to curate, edit, design. Considering how many songs / performances I adore I had to leave out, I'm probably going to make another one. Hope you enjoy!!
Listen, burn, download here. All audio files are .wav (lossless).
Plus: I like going over the top, so I made CD covers (below) and a faux-setlist (above).
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TRADING MY WHOLE BOOTLEG COLLECTION FOR A RECORDING OF SOME LIKE IT HOT WITH CHRISTIAN BORLE THAT IS NOT ONE OF THE FOLLOWING:
- November 2022
- April 2023
- The one with Jarvis as Daphne
FOR ANY OTHER RECORDING I WOLL GIVE ALL THESE (most shows I have multiple recordings for which is why they aren’t very specific)
- [ ] A Bronx Tale OBC
- [ ] A gentleman’s guide to love and murder
- [ ] A New Brain Jonathan Groff
- [ ] A New Brain 1998
- [ ] Aida (Idina Menzel)
- [ ] Alice by Heart
- [ ] Allegiance OBC
- [ ] Amelie (Phillipa Soo)
- [ ] American Idiot
- [ ] Anastasia Closing Night
- [ ] Anastasia June 16/2017
- [ ] Angels in America - Millennium approaches - NTLive (Andrew Garfield)
- [ ] Angels in America - Perestroika - NTLive
- [ ] Annie
- [ ] Anyone can Whistle
- [ ] Anything Goes 1988
- [ ] Anything Goes (Rachel York)
- [ ] Bandstand
- [ ] Bare (with Gerard Canonico)
- [ ] BTCKM Broadway
- [ ] Beauty and the Beast
- [ ] Billy Elliot (with Tom Holland)
- [ ] Bloody bloody Andrew Jackson
- [ ] Be More Chill
- [ ] Bonnie and Clyde
- [ ] Bonnie and Clyde with Jeremy Jordan
- [ ] Cabaret
- [ ] Catch me if you can 2009
- [ ] Charlie and the Chocolate Factory
- [ ] Cinderella 2013 revival
- [ ] Come From Away 2017
- [ ] Curious Incident Proshot
- [ ] Cursed Child
- [ ] DEH
- [ ] Evita 1980
- [ ] Falsettos OBC
- [ ] Fiddler
- [ ] Finding Neverland Jeremy Jordan
- [ ] Fun Home 2018
- [ ] Godspell 2011 revival
- [ ] H2$ 1995
- [ ] Hedwig NPH
- [ ] Hedwig Urie
- [ ] If/then Idina Menzel
- [ ] Jersey Boys
- [ ] Jersey Boys (Andrew Rannells)
- [ ] King and I 1985
- [ ] Lightning Thief workshop
- [ ] Man of La Mancha 1972
- [ ] Mary Poppins 2005/6
- [ ] Natasha Pierre and the Great Comet of 1812
- [ ] Newsies OBC
- [ ] Newsies (kara’s last)
- [ ] Newsies 10/2/11 (fan day)
- [ ] Next to Normal
- [ ] On Your Feet 11/13/15
- [ ] Once OBC
- [ ] Peter and the Starcatcher
- [ ] The Prom
- [ ] Something Rotten
- [ ] Spider-Man: Turn Off the Dark 2011
- [ ] Spring Awakening OBC
- [ ] Spring Awakening 2015
- [ ] Tick Tick Boom 2001
- [ ] Tuck Everlasting
- [ ] A Xmas Story (broadway)
- [ ] Yank
- [ ] 9 to 5
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The Gilded Age's Broadway Divas: Amber Gray (Bea)
While her Hadestown co-star Patrick Page is terrorizing workers' unions (as per usual), and her Comet co-star Denée Benton is the star of this show, Amber Gray gets one scene where she's terrorized by white men. As a restaurant proprietress, Amber enjoys an elevated place in society, all things considered. For plot reasons, Amber cannot enjoy this victory. Instead she gets manhandled and probably assaulted. Justice for her.
Amber Gray has enjoyed an eclectic career in the off-Broadway and fringe theatre spaces before making her Broadway debut in Great Comet alongside Denée Benton. She also originated Laurie in the pre-Broadway run of that reimagined Oklahoma revival of 2018, and has been Persephone in every iteration of Hadestown. She left Hadestown in 2022 after several years to join the Daniel Craig Macbeth happing just across the street. This last year, she has performed in the benefit concert of Jacques Brel is Alive and Well and Living in Paris in Tangier, and now delights audiences as the vapid and tech-obsessed Claudia Bursik-Zimmer in Sondheim's final musical, Here We Are playing at The Shed through mid-January.
Her character is only ever referred to as "Bea" by the white man who gets physical with her, and IMDb incorrectly attributes her character as the one she played in The Underground Railroad so I don't really know what we're doing here. God forbid HBO put end credits that list everyone and their characters.
#1: "Charming," Natasha, Pierre & the Great Comet of 1812 (2016)
youtube
Released as a series of music videos on the show's youtube channel, this staging of Amber Gray's solo number is not what happens in the show, but it's fun, and fabulous, and I was obsessed. Amber's signature growl can be heard across her discography.
Playing Countess Hélène Bezukova, a "Queen of Society," she attempts to woo Natasha (played by Denée Benton) on behalf of her brother in this homoerotic little number.
#2: "Our Lady of the Underground," Hadestown (2019)
youtube
In a jazzy, capitalist critique adaptation of the classic Hades/Persephone & Orpheus/Eurydice myths, Hadestown is quite possibly Tumblr's most recognizable musical based on all the best musical polls that completely disregard-- You know, I won't get into it here.
Hadestown is a great musical. I've seen it twelve times (which was probably seven times too many, but 2019 was a weird time for me). Amber Gray is a marvel as Persephone, the disillusioned lush of a wife to Patrick Page's Hades. She was nominated for a Tony for Best Featured Actress in a Musical. And I'm not mad about who won, necessarily, but I would have cast my vote in Amber's box.
#3: Here We Are (2023)
Naysayers turn away because I loved Here We Are in all it's messy, unhinged, utterly deranged glory. With the death of Stephen Sondheim, it will never be fully finished, and the second act is almost entirely bereft of music, but I still consider the euphoria of sitting in that first preview audience and hearing the first notes of that music one of the best experiences I've ever had in a theatre.
As Claudia, Amber Gray is serving cunt and there is no other way to describe it. Now, I don't have the time nor the room to explain the plot of this show. Because of its style and lack of traditionally formatted songs, it's unlikely Here We Are will get a cast album, or that the score will become cabaret hits. Thus, we'll just have to work with the bootlegs I've clipped.
Also featured in the show is Tony-nominee Michaela Diamond, who played a non-speaking shopgirl in one scene during Gilded Age's first season.
LINK TO MASTERPOST
#the gilded age#amber gray#natasha pierre and the great comet of 1812#hadestown#here we are#sondheim#broadway#musical theatre
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just got done watching the 50th anniversary touring production of jesus christ superstar. here are The Thoughts
i've watched either the movie or a different bootleg of jcs during the week of easter for the past 8 years. i LOVE jcs and am very familiar with the material, so this was not a first for me except for seeing it live
i'm not sure if the setup for the staging was unique, but there were 3 big parts: 2 two level bits that were set up towards the back (one that was used almost solely for the instruments) and then in the middle was a very large, elevated cross made of grated metal. it was where the smoke machine bits came through and it had bright lights that hugged the edges.
the way that the cross elevated a bit in the middle of the stage and bisected it was really cool. it let different actors (a lot of the time jesus pre-arrest) elevate themselves over the rest of the scene, and created a pretty clear divide between two different events/sides.
costumes- most of them were what i'd expect from a jcs production, but i was impressed by how lowkey and modern jesus's civilian clothes were (the khaki shorts, the loose white top, the light gray hoodie) and then the way that the leader guy of the I BELIEVE IN YOU AND GOD SO TELLLL ME THAT I'M SAVED! has jesus's exact same outfit but with the colors of the shirt and hoodie swapped. i dunno that worked for me. judas's look, of course, SLAYED in the don't you get me wrong number. sparkling like a star, with his hair all done up in this brilliant and gorgeous updo... *chefs kiss* and then pilot's crown was good and subtle and i love love loved herod and his gang. herod had a big goofy overcoat that gave him a cartoony frame and then he took it off and was in this straight up cabaret bright gold high boots outfit with french revolution aristocracy era face paint and get up. the lackeys had on these striped outfits and harem pants and the like, big circles that surround your head kinda like a dog cone? and at the very end of the number when he's encroaching in on jesus and about to kick him out he kicks the head of every single lackey who's on the ground in a line, like waiting for a beheading? and then it like SPEWS BLOOD along their neckline and the cone. visually appealing, horrifying, and interesting, especially with the french revolution imagery.
they did this really interesting thing with guitars and microphones with the actors. so jesus had a guitar that he carried around with him a lot and peter did too. jesus took it out during emotional moments and the way that they framed the gethsemane number to start with was him just working out his emotions through song? he plays the number himself (and he and peter were playing on pilot's first little number, which is interesting symbolism) and then as he finally builds to a point where he can't keep going he unplugs the guitar from the amp and goes to cry and finish the number with no mic.... just him.
additions on gethsemane- as he was winding up to the FIIINNNNEEEEE I'LLLLLL DIIIIIIEEEEE bit, the lights started flashing from all different directions. in the divine intensity. you will be doing this. you don't have a choice. then jesus, who's mainly performed in a much more.... traditional? style than neeley's jesus finally DOES take it into that piercing, 70s rocker falsetto belt.... and to have that happen right before he finally... does give up. just collapse into a little pile of just him, no more lighting anymore but this single spotlight on this sad, tired little man... the heart. it wrenches. then judas comes in from the Super Secret Suprise Entrance Cross and everything just keeps going.
super funny when we got all the apostles looking between each other when judas and jesus have their fight and judas leaves and then peter strums a cord and restarts" ALWAYS THOUGHT THAT I'D BE AN APOOOOSTTTLLLEEEEEE"
caiphas was, unfortunately, hot.
thinking about the shift of the ensemble so quickly from We Are The Sinful Temple Fuckers to We Are The Ailing of the Earth and how the ailing surround and overwhelm jesus and the way that it just. is visually even more in person
the use of the mics was also interesting. the high priests had mic stands that they always came in with as props and the dancing with them was cool and worked well, and then jesus/judas/mary passed around a mic some, both on the mic stand and without it. and especially when it was on the stand it gave this sense of... presence and importance. a lot of the judas-mary altercations were spent moving the mic back and forth and it was +++++ especially since we saw the microphone taken away from jesus when he was arrested (taking away his power along with his guitar, his ability to express himself). the mic's cord was ALSO used in really interesting ways. the first time it really comes up is when judas is realizing that he's been duped by the narrative and he's been left with the bag... and then he stretches the bright red cord out to its full length as he climbs up to the second story and threads the cord to stage the hanging... with the microphone. the lighting in this scene was great and just UUUUUGGGGGGHHHHHH watching judas send the microphone over the edge and leaving IT hanging as the symbol of judas's death. fucking. fuck fuck fuck fuck fuck
the other time that the microphone cord itself comes up is in pilot's last number, when the crowd is getting increasingly YOU HAVE NO CHOICE CRUCIFY HIMCRUCIFY HIM! and pilot's like. uh. how about i beat him? will that satisfy your blood lust? and he fucking wraps his mic cord around jesus's hands and holds him in place with it??? like oh my god. that made me feel some kind of way.
peter brought his guitar back out when he and mary magdalene were singing about how jesus should probably make things stop sucking now, please? then them on the smaller, more cut off scene watching jesus get beaten and sentenced to crucifixion. the powerlessness of that staging
jesus spends most of that number physically on the ground. he falls off the cross to the ground. he's so bloody and broken looking and it was painful.
the way the crowd shifts from being the taunting crowd to the JESUS CHRIST! SUPERSTAR! background singers. but. this staging... it had jesus. out during this number. and the chorus kept on hurting him as they KEPT DEMANDING ANSWERS? just like the way that they made every character who did that a guard (they had different roman emperor heads, it was great) and then. jesus is still there. he is still broken and beaten and Not Yet Crucified. and they're passing him around like emma perkins in inevitable.
(and his horror keeps going on)
something about how they gave judas's actor bright white hands after touching the blood money to contrast against his dark brown skin. something about how in this show he gets both pilot and jesus's symbols of being doomed by fate (pilot's bloody hands, jesus's crown of thorns).
like. they do not crucify this poor motherfucker until after the entire staging of "don't you get me wrrrroooonnnngggggg". and then we have to watch him raised onto the cross and his painful cries and everything. a few murmured notes from the crowd. then it's just a few actors helping to take jesus down off the cross and judas sitting on the edge, looking forlorn and regretful and just. so lost.
and a tattered jesus manages to move to the spot across from him, and sends him a tiny smile. he takes the crown of thorns off his own head and passes it over to judas.
the lights go down and the show is over. judas is forgiven. he's elevated! he's trapped!!!!!!! he and jesus are here together in this story that neither of them can control. they share that knowledge, and then the lights go down.
i am no longer the same. i don't want to be
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ok so google drive has messed me up and deleted my drive with all my bootlegs so i’m after losing over half of my bootlegs so here’s an updated list of what i manage to still have!
- Rent: Hope Mill Theatre
-Six: - West end
- Hampton court audio
-A new brain: 1998
-Amelie: - Broadway
- London cast
- Pippin: Pro shot
- The Prom
- Grease: Us Tour
- Angels in America
- Alice by Heart
- Come from away
- Anastasia: Closing night
- Ride the Cyclone
- Sweeney Todd: 3rd revival preview 2023 (audio)
- Lion King: OBC
- Chess
- Cabaret: third broadway revival (emma stone)
- Frozen: Us tour
- Almost famous: Broadway (October 8th 2022)
-Into the woods: 2nd revival Broadway (22/23) (audios)
- Moulin Rouge: Broadway (Aaron Tveit)
- Wicked: Broadway
- Catch Me if You Can: Broadway (Aaron Tveit)
- Company: Broadway
- Aaron Tveit Concert
- Beetlejuice: Broadway reopening (April 2022)
- Phantom of the Opera: Broadway (March 23)
- Kimberly Akimbo: Broadway November 2021
- Legally Blonde: West End Regent Park
- Newsies: West End Audio
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