Semi-desperate Mithrun in regards to Kabru post-canon is so fucking real. On top of everything else, the guy kinda sorta literally gave him a will to live. Like. Mithrun's an acts of service logic type guy and was already attached to him. And how the fuck are you gonna return a favor like That. Beyond the continuing demon hunting and shit he probably rings up Kabru once a week like "You wanna hang out. I know you're stressed all the time every day. Come hang out with me." And is like yea, this is a normal response to a guy making you see you still have a life. And doesn't process the fact he's in weird complicated some kinda love with him.
YES !!!! mithrun hasn't desired (or hasn't believed he desired anything besides revenge) and when he's starting to develop feelings for kabru, he's nervous and a bit surprised. to me the realisation is slow and methodical, like "i miss kabru. i want kabru around. i feel his absence. what does this mean. all a part of newly wanting things i guess. totally normal to do this." -> 6 months later "oh"
and last time he fell in love, mithrun became a dungeon master and his entire life changed. now he's got his life back, learning about loving that, and kabru complicates many things. i think even kabru would have hesitations, mostly over how he believes elves can't understand short lived races, and if there is a 'future' for them that they'd both be happy with. i want to see them work it out together. it's very beautiful to me :)
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thinking about how mishandled the herb brides are because like. The Text tells us they're not sexual beings (P1 mentions them being virgins, engaged to the Earth, and not to be touched even by their husbands, almost, for a lack of a better word and to conjure an image more than anything, priestess-types) and that their dances are nonsexual and sacred (all all true and correct) WHILE. giving them detailed / 3D modeled nipples. topless. clothes very conveniently torn [in ways that would be unrealistic for actual dancing like in the fucking moshpit]. all pretty thin hairless white-passing blemishless 20-something women. being already sexualized as white-passing asian women, but if they looked more like other NPC models/members of the Kin like the Kayura models (which to me would make more sense because they are never mentioned to be mixed in the way Artemy, an indigenous man who's blonde blue eyes due to being mixed, is [while still very much being indigenous and it being a central part of his story]), it would be even more obvious and would steer even more into Very Blatant fetishization of asian women. and then one asks, are they white-passing because they're sexualized? are they sexualized because they're white-passing? was it an admission of guilt to not make them look like Kayura model, because it would be too obvious then? or is it an admission of lust for women more white-passing? is it about beauty in the eye of the beholder?
then there's bewildering and dehumanizing lore of members of the Kin being non-humans, through the existence of the Worms (literally half-soil), them being a (more or less literal) hivemind, and that being "less human"/closer to the earth (nice_dichotomy_what_lies_outside_of_it png but also... the game touches on that...) immunizes them to the Earth's disease... and yet the Brides look like women... pretty thin hairless white-passing blemishless 20-something women who someone found wise to give 3d modeled nipples to, still good for the ritual cutting... do you hear how i'm going mad yet...
edit to add because while i was so mad and it WAS in my mind i just didn't have the strength to add it when i first wrote:
and they're bought and traded between the odonghs they pair with (again, closer to cattle or things) ... ladies there's so much. there's too much.
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Something else that makes me sympathetic to Pharma's situation is like. Idk if there's an actual term for this or if someone smarter and more academic wrote it about some real life context that actually matters.
But, so we've already established among Pharma stans that the circumstances at Delphi were blackmail/torture with no real way out that wouldn't involve Pharma being responsible for people getting killed (either killing patients for the deal or having everyone die bc he failed his end of the deal).
And I feel like while "he's still in the wrong because he killed people" is part of it, another sort of implicit part is the idea that Pharma should've been willing to take more personal risk, maybe even risk dying? I mean, Ratchet does ask "why didn't you just detonate it near the DJD" (to which Pharma responds that he did try to get Sonic and Boom to do it, but they refused) so like
Idk I feel like we do have this social notion of martyrs as a very romantic ideal, people you can praise for being so brave and strong and righteous that they ended their own lives for their cause, while you can also coo about how sad and tragic it is that dying is what it took for them to do the right thing. But at the same time I feel like in reality, having an expectation that people become martyrs is kind of a toxic social norm bc like. It's very easy to demand that others sacrifice their lives for some Ultimate Moral Good when you yourself aren't experiencing the same hardships as they are. And ultimately it is kind of fucked up to tell someone "the moral thing you should've done was risk your life/kill yourself" because asking someone to pay their life to do the right thing is no small request. And sure, the typical response would be to call them a "coward" for caring more about saving their own skin instead of doing the right thing... but again, death is a really scary thing and self-preservation is a really strong instinct, so it kind of feels like having this binary view of "you're either a Brave Hero who sacrifices your life for everyone else or a Dirty Coward who's too scared of dying to do what's right" is kind of fucked up?
I guess the best way to describe it is that if someone willingly gives up their life as a sacrifice to others, it can be a noble thing because it's a choice they made willingly, but if it becomes a Moral Standard that in order to be a Good Person you have to be unafraid of throwing your life away and if you aren't willing to die you're a Cowardly Bad Person, that's when it becomes toxic.
Idk, I guess how this ties back to Pharma is that he was never in a position where he expected to make these kinds of moral decisions/ultimatums. He's a doctor who doesn't even get into combat, his job is to heal and not to kill, he's behind the front lines in a hospital that's supposed to be a safe, neutral place for him to heal people. So in the face of suddenly having a "murder people on behalf of me, or I murder everyone you swore to protect" ultimatum thrust upon him, I understand why Pharma wasn't """"""""""brave enough"""""""""" to "do the right thing" (whatever that would've been in the case of Delphi). You could argue that maybe a frontliner soldier accepted the burden of possibly dying for their cause and they've become used to it as someone who lives that reality every single day, but I feel like for Pharma, who's a doctor and a protected non-combatant (from what we can tell), that sort of risking of his life/living with the fact his life could be snuffed out any day isn't something he would've been prepared for at all.
And for me personally, from an outsider's perspective, it strikes me as kind of unethical to go "oh well he should've just detonated the bomb himself even if it killed him" bc again, there's a difference between witnessing a moral conundrum as a bystander versus being the person living with it and being under time pressure where it's do-or-die. Just as part of my personal standards, I feel like death is such a huge consequence/burden of someone's actions (literally you are no longer alive, any potential you had left is cut short, you cease to exist on this plane) that it feels rather callous to go "Well you should've just been willing to die for your beliefs if you really cared that much!!!"
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"Margaret (of York, Duchess of Burgundy) left Bruges on 24 June and was in England for more than three months. She travelled with a large retinue headed by Guillaume de Baume and the embassy included two officials who were well-known to her, Thomas Plaines and Jean Gros, the treasurer of the Order of the Golden Fleece. She received aides from the Estates to cover her expenses with the Hainault Estates contributing 4,000 livres. Her mission had several goals, but the immediate need was to obtain some military help in the form of English archers to reinforce Maximilian’s hard pressed armies.
... King Edward sent Sir Edward Woodville, the Queen’s younger brother, aboard the royal ship ‘Falcon’ to bring his sister across the Channel. It was twelve years since she had sailed to her marriage. Sir Edward had been part of her marriage party and he had won the honours in the famous joust of the Golden Tree. This time Margaret took the shorter route from Calais to Gravesend, where she was received by Sir John Weston, the Prior of the Knights of St John. She then transferred to a royal barge which had been sent to bring her up the Thames to London.
The barge was specially refitted for the occasion. The master and the twenty-four oarsmen had been supplied with new liveries in the Yorkist colours of murrey and blue with white roses embroidered on their jackets. The knights and squires who formed the escort of honour wore fine black velvet jackets which were decorated with a pattern of silver and purple. Two residences had been prepared for Margaret’s use, the palace at Greenwich where she had spent so much time before her marriage, and the London house of Coldharbour near her mother’s home at Baynard’s Castle. New beds with red and green hangings had been sent up to the Coldharbour house and the finest bedlinens and coverlets had been ordered. Curtains, screens and tapestries were provided for both the houses, including a piece of arras which depicted the story of Paris and Helen. For her travel during her stay in England, Margaret was sent ten ‘hobbeys and palfreys’ all newly harnessed and caparisoned in rich saddle cloths. The King encouraged everyone to be generous towards his sister and used ‘right large language’ with the Archbishop of Canterbury who failed to offer Margaret a gift. His own final present to his sister was a luxurious pillion saddle in blue and violet cloth of gold, fringed with ‘Venetian gold’ thread.
While she was in England, Margaret renewed her contacts with all her old friends and family. She was received by the Queen and introduced to her royal nephews and nieces. Her youngest brother Richard, Duke of Gloucester, who was busy dealing with Scottish incursions in the north, made time to come south to see his sister, and the King gave a state banquet at Greenwich in honour of Margaret and their mother, the old Duchess Cecily. It was also attended by Margaret’s sister Elizabeth, Duchess of Suffolk. It seems that Margaret admired the wine, for on the day after the banquet, Edward sent her ‘a pipe of our wine’ valued at 36s 8d. As well as enjoying the company of her living family, Margaret could not have failed to remember all her dead relations. It was perhaps with a chantry in mind that she persuaded Edward to introduce the reformed Order of the Observant Friars into England. Soon after her departure the King sent for the Vicar-General of the Order and offered him a site for their new monastery near to the palace of Greenwich. Building began in 1482 and the abbey chapel was dedicated to the Holy Cross. Was the dedication in honour of Margaret, and does it provide further evidence of her connection with Waltham Abbey?
... Well satisfied that the negotiations were at last completed, Margaret prepared to leave London. She paid a farewell visit to the city where she was presented with a purse containing £100. She then set off for the coast accompanied by her brother Edward who had decided to see her on her way.
... The Dowager passed a week in Kent visiting the shrine of St Thomas à Becket and staying on the private estates of Anthony Woodville, Lord Rivers. These two bibliophiles must have had much in common especially now that Rivers was the patron of Margaret’s former protégé, William Caxton. No doubt she was shown Woodville’s translation of the ‘Dictes and Sayings of the Philosophers’ which was one of the first books printed on Caxton’s press at Westminster. With the King still in attendance, Margaret finally left for Dover, where the ‘Falcon’ waited to take her back to Calais. Edward seemed to be genuinely sad to see her departure and he wrote to Maximilian on 22 September announcing the return of his ‘well-beloved sister’. She left behind her in England Jacques de la Villeon, who was to act as an agent for the Burgundian ally, the Duke of Brittany."
Christine Weightman, "Margaret of York: The Diabolical Duchess"
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