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Don't Dream It's Over by Crowded House

previous ⏪︎ now playing back to playlist

Hyello, okay so. I don't have the emotional energy to take in and discuss everything in that chapter so imma just gush over the info cause I am a ✨whore✨ for world building.

So obviously MOC SPOILER

hi bestie HELLO guess WHO!!! finally ANSWering!!! altho im gonna answer separately and space everything out all Neatly bc im all over the place so strap IN we’re going on an moc RIDE!

THERE'S A WHOLE SIREN COMMUNITY?! AND YN AND IT MUST BE WOOYOUNG WERE FRIENDS? SIRENS HAVE A FULLY FLEDGE COMMUNITY WITH PRIESTS AND SCHOOLS AND MULTUOLE CITIES TO SOME EXTEND??? MAYBE EVEN AN ENTIRE PLANET WITH SIRENS MAYBE THEIR ORIGIN PLANET? HOW MANY TYPES OF SIRENS ARE THERE AND IN THE COMMUNITY HOW DTRICT ARE THE DIFFERENT ROLES?!?! ALSO DOES THE SIREN COMMUNITY ALLOW FOR DIFFERENT TYPES OF SIRENS TO BE TOGETHER? OBVIOUSLY THEY SHOULD BUT ARE THE CHILDREN THEN HYBRID TYPES, LIKE WHEN WE GET BLUED DARK SKIND BABIES OR CAN A SKREN ONLY BE ONE TYPE. WHAT POWERS DO SIRENS HAVE AND DOES THE POWERS REFLECT THEIR PERSONALITY AND DO THE DIFFERENT TYOES LEAN TOWARDS CERTAIN JOBS. LIKE WE JUST LESRNED THE OCEAN GOTTA BE PRIESTS BUT MOON ISNT STRICT WHAT ABOUT FIRE. AND IS YN INSTIC TO PULL OUT A HEART CAUDE HER PERSONALITT, TRSUMA OR IS IT RELATED TO THE MOON. ALSO CAUSE ITS A RED MOON WHICH IS COMMONLY A BLOOD MOON, IS YN THEN A SPECIAL MOON SIREN AND THATS WHY HER POWERS ARE STEONGER OR HER INSTICTS TO USE THEM ARE STORNGER BUT THEN THE MILITARY FUCKED HER UP. AHHHHHHHHHHHHHHHHHHHHHHH

now this is the thing im biting my tongue on SO HARD bc it’s my favorite aspect of the world building and the universe and everything involved in it bUTIHDFKJG THERS SO MUCH I WANNA SAYYYYYYYYYY in short that one dream sequence holds more hints and information than ANYTHING from previous chapters, i think that it’s probably the MOST IMPORTANT dream to date. while we’ve seen some crazy ones in the past, this one is both the biggest hint and the biggest window into y/n’s past by FARRRR. even tho that whole scene was dialogue i think there’s so much to pick up on from it and so much to see and learn from it and it’s one of my faves bc there’s so much to unpack from it !!

Like yes the story and the development is freaking ✨yes✨ I love it. Genuinely think moc should be released as books. But I just cannot deal with the emotions rn.

But also now all I'm going to be thinking about how many sirens are actually out there. And if yn knew her parents and wasn't just an orphan the military found in the streets... How the fuck did she end up in the military grasps. What happened to her parents what happened to the community, is it still out there? Guess I gotta go back and reread the galaxies and the backstories, obviously I must have missed or have forgotten something. Ugh how the puzzle pieces are puzzling (or something). Moc is a drug and I'm not going sober anytime soon

(obviously you don't have to respond to my questions, this is more just an insight into the spiralling of theories going on in my mind)

releasing moc as books? a dream and a half, i can say that much slkjdlgkjlkf but back to the sirens... how many are out there? we heard early on that hongjoong was looking for ‘the last five’ but then seonghwa debunked that and said that was a mistranslation over time that was passed down and such, but beyond that, we don’t really know much about sirens as a whole? there are some hints in the galaxies and planet descriptions but if that dream sequence is a puzzle, i would say we have a handful of pieces that can be put into place based on what we’ve learned so far!!!!

Okay I lied, I am ready to unpack a little of the ✨emotions✨

When hongjoong explained that hwa tried to stop San only for San to detain him and in a sense make him watch the scene unfold. And then realising hwa had to go through that again, only being even more helpless. I don't doubt hwa loves San, but to see the events happening again, with someone he clearly loves as much as he does yn even if he also loves joong, and to see the desperation and determination must have been just. Horrible. Just absolutely soul breaking horrible. I can imagine him vowing to himself after San that he would never let something like that happen again. That of any of the crew got out of control like that, that he would fight harder to stop them. That he would would do absolutely everything in his power to stop it. And then being helpless as he watched yn do it. Just pure heart wrenching pain. And it must have been beyond terrifying to see someone you love ready and determined to kill themselves partly from rage and partly from desperation. With the backstory, that scene becomes almost as cruel as the warehouse scene with San. The only redeeming quality is no one needing life saving surgery in a time crunch, otherwise they would be the same level of ✨never again✨

honestly i think the two crew members i torture the most are san and hwa bc i just keep putting them thru all this shit and hurting them so much but really this was the defining point of why seonghwa was so afraid. before we kinda just knew he was afraid of yn and hongjoong was mad about it. in this revelation we get to see the source of the trauma and how it was amplified by it being someone he loves as dearly as he loves yn. and for sure when first reading that scene of yn and jisung in the brig, it’s meant to evoke a sense of anger and rage like yn is so angry to a point where she would do this sort of thing, but my hope with that scene was also to show that desperation. that when looking back at it after having already seen the rage and the aftermath, that reading it again shows how desperate and hopeless she was in that moment. which is exactly the same emotion that was evoked back in that warehouse scene with san, except it was relayed differently because the warehouse was a more immediate sense of desperation. this brig scene was meant to emulate that but in a slow burn kinda way where the veil of realization is pulled off after the fact and not in the moment!!!

Just to make sure you don't misunderstand. Those asks were compliments. You are an absolutely incredible writer. And the fact that you aren’t afraid of hurting your characters *cough cough* SHOOTING SAN?!?!?!?!?!?!?!?!?!??!?!?!!!?!?!?!?!??!?!?!?!?!?!?!?!? *CLEARS THROAT AGRESSIVELY* just makes the story much better. No one gets plot armour, making it more realistic (?) and really draws in the writer and sorta imitates the fear and desperation the characters feel

PLS don’t worry, i live for every moment and i live for these open and raw and genuine conversations i didn’t take any as an insult i PROMISE!! i think part of the nature of this whole trope of space pirates and criminals is that hter is no guarantee of safety! i don’t wanna have to cut corners to make sure everyone stays unharmed and undamaged throughout the story when the nature of the world i’ve built thus far is a wildly dangerous one!!! i always say that i try to be as realistic as i can, all things considered, and i think that’s the biggest thing that adds to the ‘realism’ in my mind so im so happy to hear that you see it and appreciate it and enjoy it!!!

OHOHOHOHOHOH ALSO

YN GRIPPING SOMEONES HEART??? YOU WRITE THAT SO FUCKING WELL. LIKE ENIGUH DETAILS THAT WE KNOW WHATS GOING ON, BUT ALSO NOT SO MANY DETAILS SO IT GETS DETACHWD FROM THE STORY. LIKE THE LACK OF CLEAR SUPER MANY DETAILS REALLY MADE IT THAT *YOU ARE EXPERIENCING THIS, NOT JUST READING IT* LIKE IT MADE IT WAY MORE EMOTIONAL AND OERSONAL AND THE READER REALLY GOT IMMERSED IN THE MOST HORRIBLE WAY THAT KUST MADE IT ALL RHE MORE BETTER. ALSO JOONG AFRAID????? JOONG REALISING HE GOT A FULLY FLEDGED HEART RIPPER SIREN WHO CANT CONTROL HER BODY TO MOVE THROUGH A HARMLESS DOOR BUT CAN DEFINITELY KILL IN A HEARTBEAT (OR TWO 👀) ALSO THE CONTRAST OF REMOVING RHE BLOOD COLOURED WHITE OLASTIC AND HAVING A CLEAN HAND UNDERNWATH. THE SYMBOL OF IT ALSO BEKNG A TRASH CLEANERS SUIT. LIKE SHE WASN'T SUPPOSED TO ACTUALLY USE THE TRASH PROTECTION DUIT FOR ITS INTENDED PURPOSE. ALSO THE OART WHERE SHE SAYS SHES FINE EVEN TJO SHE ISNT. AT FIRST I READ IT AS HER TELLING HERSELF TO LIE BUT THEN I REALISED ITS HER ADMITTING SHE VERY MUCH ISNT. AND SAN NOT KNOWING???? AND KISSING HER HAND AND UGH AND SEONGHWA KNOWING. I BET HE'S LOWKEY GETTING MORE AND MORE AFRAID OF HER. LIKE YN IS READY TO KILL HERSELF AND ANYONE AROUND HER TO KEEP SAN SAFE. AND SHE INSTICTUALLY GOES FOR THE MODT AGRESSIVE METHOD POSSIBLE. IHHHHHHHHHHHHH I FUCKING LOVE YOU AND YOUR WONDERFUL WTITING AND YOUR TWISTED MIND THAT CAN CREATE ALL THESE FUCKING SCENES THAT GOT ME THUNKING AND FEELING ✨EMOTIONS✨

truly one of the HIGHLIGHTS of the chapter simply bc of how shocking and sudden it is!! for me, that was one of the easiest scenes to write in the chapter, oddly enough? it was something that when it came time to write it, i knew how i wanted it to be and was able to just sit down and write it out the way its written in the final draft of the chapter. i really love playing with those aspects of fiction and storytelling. tangible to a point, without spelling it out. i think it’s obvious that i really love delayed realization in writing, but i really like playing with how the brain processes information and for me personally, i don’t pick up on things right away! i can realize them in a snap or it can take me a bit to go ‘oh god that’s what happened’, and i like playing with that in y/n’s character a LOT.

and in that same vein of thought, there are some layers to that scene as well when compared to the door scene. in the door scene we saw hongjoong clearly tell y/n ‘you need to do this to save san’ yet she wasn’t able to do it despite trying and believing hongjoong. then in the heart scene we saw y/n clearly tell herself ‘you need to do this to save san’ and she did it then. so there’s a lot at play in that parallel alone too. and with that internal monologue she has of im fine vs not fine, then san kissing the hand that touched a literal real actual beating heart for me that was a sort of self indulgent scene and i was really worried about it coming across as too cheesy or something like that, but that is something that’s gonna impact y/n as a character and her relationship with san when they have the conversation of ‘oh hey i put my hand through a man’s chest for you’

i think part of why this chapter was so difficult to construct and write as a whole definitely is because of all the undertones and nuances throughout, and in a lot of ways it’s so so much to even think about that it’s almost too much packed into one chapter alone, but even if you don’t pick up on all the nuances throughout, i’m hoping to revisit them and bring them back around in that delayed realization style again bc that’s one of my favorite things to do ofc :3

ok so u guys know season 5 ep 2 right. yea that episode fucking sucks ass. it’s the worst ep in the show. here’s why as written by a woc autistic bisexual

I want to talk a bit about the thought process behind entrapta. she is autistic and bisexual as confirmed by noelle, who has also said that she was based off of an autistic crew member. very funny how noelle doesn’t go into the specifics of the crew member considering the fact that they’re not even a crew member technically. they’re a story boarder that left during season 2 or 3 I believe. they had like,,, no impact on the actual writing, as none of the writers are autistic. no idea why noelle had to bring it up. or why they didn’t just confirm her autism beforehand. brownie points probably.

here’s the very big problem with the aftermath of this episode. entrapta has done awful things for the horde, and the princesses are right to be mad at that. the way they talk to her is degrading but they feel justified for doing it. however, how come it’s ONLY entrapta that this happens to? scorpia is great but other than being a prisoner, we never see her get scolded for her time in the horde. not even CATRA gets scolded for her war crimes. the princesses act as if entrapta just doesn’t care and throughout the episode, there’s a clear fact that they don’t want to bother actually talking to her or putting themselves in her pov. they pretty much left her to die, it’s not surprising that she got into the horde. but it’s very obvious that she wants to further their communication by helping them via tech and her special interest. however, mermista and the others do not use their brains and just go “yea she’ll probably go join prime lol” purely bc of her hyperfixation bc homophobia doesn’t exist but ableism sure as hell does. if ur neurotypical, let me be clear: we do not choose hyperfixations. our brain is wired to constantly think about them. the others do not consider this which is why it’s ableism. in all, there is a clear miscommunication issue with entrapta and the other princesses and it’s not entraptas fault. but the show sure as fuck tries to make it seem like it is indeed her fault and maybe she should’ve been more in touch with social cues and “””normal””” talk.

let’s focus more on entrapta for a second. it’s easy for US THE VIEWERS to say that she’s actually not the villain the princesses are making it out to be bc we’ve seen her journeys and her interactions. she grew up building robots to befriend. shes there for scorpia when she wants to talk and never turns her down. shes there for hordak when he’s questioning the dilemma of worth being wrongly tied to how perfect your actions are. entrapta doesn’t HAVE to do any of those things. but she really wants friends and wants to be a good one. I think what’s really special about the “imperfection is beautiful” scene is that she’s saying it’s okay to not be perfect and it’s okay to not exactly love or apply any kind of passed down ideology of what qualifies as perfect as a moral and ethical equivalent to the varying labels of life and what and what doesn’t make life itself worth living if no impact is being made that doesn’t satisfy the imaginary line of worthiness built on the digression of self love. hordak wants to hear that he’s perfect and that’s not what he gets. entrapta doesn’t tell him what he wants to hear, she tells him what he NEEDS to hear. bc entrapta deserves to know what it’s like to experience romance and the essence of chance meetings determined by the concept of fate. she knows what she needs and she never lets go. she doesn’t give up on anything, even after she thought she trusted catra. she forgave her and she never stopped believing in hordak. scorpia defected from the horde to be a good friend, as did hordak. she didn’t tell scorpia to go after her. she didn’t tell hordak to ditch prime. entraptas impact doesn’t need to be heavily interpreted with some kind of moral and ethics book. it’s good that people understand where she’s coming from in terms of her moral compass but maybe we don’t have to. it’s great that the crystal she gave hordak says luvd bc thats everything abt entrapta. the only thing that ever needed to be understood about entrapta is that she loves the things she holds to her so much and wants them to love her back. love varies upon all our meanings but I think entrapta does represent a very pure and meaningful direction of love, and that depends on how long your imaginary line of worth is. entrapta threw it away with love. different circumstances make u stay and hold on to things.

anyways episode 2 took whatever I just said and fuckin axe body sprayed it. the overlaying message of that dumpster fire is that entrapta just learned that her actions are bad and she should feel bad bc she was just incapable of not understanding the importance of friendship and doing what’s right until she got put on a leash and got her hair pulled like a billion times. she doesn’t even get an apology. bc apparently everything wrong that’s happened in that ep is all her fault and we’re all supposed to relate to the neurotypical abeist thought process of the princesses.

let me be very clear. ENTRAPTA NEVER NEEDED TO LEARN HOW TO DO GOOD AND BE BETTER. the very fact that the show insinuates that she actually needed to learn a lesson in actually helping people, which is something she’s been doing throughout the ENTIRE show, is bullshit. she’s a grown ass fucking woman. she knew what she was doing. and with the rebellion she wants to do better bc she’s aware she’s been wrong. she’s ALWAYS known that she’s different and can’t properly help with others outside of her expertise but apparently some of u will self combust at the thought of an autistic woman not being a child and not having to learn lessons through literal ableism. this isn’t the only time this has happened. autistic characters in shows often get surrounded by a negative stigma of ableism in order for their character to progress in any way. if u honestly think that it was good that entrapta had to risk her life to save glimmer to prove a point that she does care, ok. but don’t tell me it’s well written bc it’s all riddled with ableism. she’s been handling friendship well throughout the show and the s5 narrative completely ignores it. hell the episode is so triggering I can barely watch it without feeling nauseous.

tl;dr entrapta is the best character in the show who is very aware of friendship/doing the right thing and the episode didn’t know how to properly handle an autistic character without pandering to neurotypicals and this is the result.

Abb/y has something to s/ay

Let me premise this by reminding everyone that Abby -like Trump-doesn’t “get” comedy. They literally do not understand jokes, punchlines, or humor. So a satirical show about the Hollywood song writers falls flat. Her time away did nothing to sway her conspiratorial aspirations or her misogynistic hatred of Mia. She watched Royalties not once, but twice... not to enjoy Darren’s creativity and performance, not to support the celebrity she stans, and not even to crack up at the humor, no she watched twice because she was looking for confirmation bias. She wanted to document all of the ways Darren wrote his CrissColfer truth into Pierce’s life and she obsessively listened to all of the diss-tracks he wrote to attack his wife.  

Let me also premise this by saying I loved the show. I thought it was funny and the songs are so damn catchy.  The lyrics are quintessential Darren- funny, very clever, and raunchy.  

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R/oyalties, the Tale of Two Shows with a Heaping Side of Meta

ajw720. So I just finished watching R/oyalties for the second time, this time solely focused on the meta.  Look, we all know, the show is not good, it was not well written and the short format didn’t help as there was no option to develop character or plot.  But D knew it would not be good, he apologized for it back in January 2019.  And I think the effort he put into acting was the effort it deserved. Ok.

But his songs were genius.  As were the videos, hence why i call it the tale of two shows.  It truly was like watching content made by completely different people. I concur with MH, D is “intensely talented.”  And the part of this show he poured his blood, sweat, and tears into, the songs, are evident of this.

But this is a post about that Heaping Side of Meta. I think D, knowing that that show would not be made in the manner he envisioned, instead used it as a vehicle to make some bold statements and parallels with his career and public life.  Shall we begin?  And please, unlike the perfect song, this is not a perfect post and after the second round of watching i canceled my Quibi subscription and never plan to look back, so please feel free to add. I know some of these have been pointed out but I thought it was valuable to have one post.

One idea to inpsire the song?  A tiny FROG on a dime.

D’s shirt 1st seen in Episode 2: “It is hard to soar like an Eagle when you are surrounded by turkeys”

And of course “Call me Goldilocks bitch”  Remind you of something?

How about the entirety of Episode 3 when we are told that an artist is completely the product of the team.  That no matter what the artists expresses they want, it doesn’t matter because the Label/manager/publicist/on camera agent/legal will always have a say. And how it will play in America or the Foreign market are key metrics of how the product is produced and presented.  I love the line of the songwriter that tells P/ierce and S/ara to “get out while they are young.”  Or the line by one of her team “we don’t want something different, we want something the same that is different.”  And in the end P&S simply took one of KK old songs and reworked it, making something different that is not different and her team loved it.  

And of course, the line that was an utter slap in the face to the most over praised “director” of an indie band video ever when D reminds her of the real director in his life, the man set to direct major motion pictures, “you know who would be perfect to direct? C/hris.  C/hris would shatter this.”

Not much in Episode 4, but the gorilla suit in my opinion was mocking of a certain MMR video where we watched Swiller and a banana in a song about a gorilla.  Images I never need to see in my head again.

Episode 5, a gem, I am still so fucking proud of D and how he mocked her throughout the entirety of the episode.  New lines I love of that amazing song he wrote about her (in addition to those i posted previously here) “Some people say I’m a  genius, which comes from the greek word for Latin, and other people will say, alright in fact i’m a fuckin’s genius” “I’m not saying I’m a god, but I’m not saying I’m not a god.”  Mocking at its finest made all that much better by the band’s name “Switchback Jacket” that D describes as “butt rock emo” that is performed by a band that doesn’t actually sing, they are just the public image.  He literally told us that what we see is an image created for the public and that it is completely fake.  And he used his beard to make this statement. Just brilliant.  I cannot praise him enough for this, stealing her moment in the sun and making her look like an utter fool, telling us just how narcissistic she is.

Also some wonderful lines from that episode that are beyond telling:

“Power, it felt good to remind Kevin that I hold power over him. You always want to be the one with power”

“p/ierce wouldn’t know where to take a shit if I didn’t tell him.”

“she is like my wife except we don’t have sex and we are friends.”

“alright boss, I am ready to record that song, but where should i take a shit?”

“You will do anything to succeed.”

Episode 8 starring “Poly Amorous and the Unicorn Guild” an episode used to shine a light on how absurd it is that people believe D&PBB lived with platonic roomie B/enny for something like 4 years.  3 grown ass adults, all of whom have money to spare lived together in a relatively small house for four years.  It is pure comedy that anyone would believe that this is normal.  But hey these are the same people that explained away the infamous arm around her while at an awards show with D looking on:

And the cherry on top of this episode, the inclusion of C/huck (for some background, see my post here).

I really like the one bit of dialogue between P&S, where D pretty much tells us once again that M will use anyone to get what she wants:

“Did it ever occur to you that maybe just maybe, I don’t like where we are now? There were a lot of really great things about the way things were.  Things that are worth preserving.  Not that you just take and use and through out.”

Episode 9 had some really impactful lines:

“you think i wouldn’t steal for my career? You think I wouldn’t lie?  I would do anything.”

The Neils being the nameless individuals, nothing more than a number, who are the ones who actually create the product.  And then the song, some of the translations are D telling you how he feels, because sometimes i think in terms of his public image he is just a Neil trying to escape the cage that has been built around him:

“I dream about getting away, I have been locked up in this cage wishing i could make my escape. I hate that I need you.”

And finally Episode 10, where we learn the Neils get no credit and no royalties. This reminds me of a script C wrote that never saw the light of day but suddenly the next season of AHS had the same theme as his script.

And that is all i got, if you have more please add. I think the fact that D took what he knew would be a mediocre project and projected his voice and story throughout it was pretty genius and a smart way to utilize this vehicle, that was clearly payout for so many that have used him for years and to shine a bright light on the truth.

elicc  The “perfect song”’s performer is called Bailey Rouge, a clear link to TLOS.

He is a genius.

ajw720   @elicc damn, that was on my list and I forgot. And we all know who Red is inspired by, so seems fitting Bailey Rouge would get the perfect song.

ajw720. Just adding one more I thought about putting in my original post but admittedly think it’s a stretch. But maybe not? Just adding here for fun.

When Theo tells P to bottle up all his romantic feelings I couldn’t help but think of a certain chapter in a book

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Oy Vei! Abby didn’t use her time away getting any therapy or perspective.  She hasn’t learned any lessons. I have no doubt she’s been reading just as much as she did before and she’s speaking to Cassie, Flowers et al all day. It’s really sad. It’s sad that she can’t see how silly she sounds, what an asshole her version of Darren is. If she could restrain herself even a little bit it might come off less unhinged because turning every single moment of Royalties into some crisscolfer wet dream reeks of desperation. 

Abby hates Royalties. In last week’s “Dear D” she had the audacity to say 

....Fans that are beyond devoted and mainly because of the way you have treated fans with respect and a level of caring that far surpasses the majority of public figures.  And while I am not enjoying the show itself, the music shows how diverse you are as a writer and how you can virtually write for anyone or any genre. The songs are fantastic.  Memorable.  And really fun.  

She knows the the Langs wrote the show and Darren wrote the songs but what she can’t seem to comprehend is that Darren IS Royalties. Everything in the show is Darren’s.  

Staying in the closet would be less painful than trying to express oneself through a short-form satirical comedy.  Can you imagine trying to express your devastation and pain through Kick Your Shoes off or Break It In? 

“I’m the king of the hard fuck....pile drive the bed like a young buck...if you like feathery shit thats pretty cool but I don’t need that...people say I fuck too soft, saying that I can’t please a woman” 

BTW Abby- “call me goldilocks bitch” isn’t a reference to TLOS it’s a reference to Goldilocks and Three Bears because because he fucks perfect, not too soft, not too hard. It’s much more believable that he is referring to a random nursery rhyme than it is to believe he is referring to a children’s book his lover/husband/boyfriend wrote 8 years ago. You might love the book but Chris has moved on and written new things. 

Darren wrote funny lyrics. I loved Kick Your Shoes Off because it’s written by a man whose watched his wife and female friends wear painful shoes for the same of fashion even though its painful as fuck.   

“Yeah, I’m a bad bitch so don’t be mad bitch. I turned the room into a catwalk like a sad bitch. I can’t feel my toes in these stilettos. when I walk out my roomate says you’ll regret those....Beauty is pain but oh I look amazing.  You won’t hear me complaining but oh my instep (inside?) is screaming...kick your shoes off (kick em off) ooooooo I do what I want..(Kick em off) ooooo Hey I can’t walk in these, blisters start to bleed now both my feet are swollen. Kick your shoes off (Kick em off).....It’s like i feel so good when my shoes are on, but like i also feel sooooo good when they are off” 

Abby’s convinced I am So Much Better Than You is straight up about Mia because Mia is in the video. She listened to it on repeat the day after it came out. In her “Letter to D” last week she said 

Especially after you made an effort to mock her for the entirety of Tuesday when her episode aired (and for the record I am still really, really proud of what you did with that episode and how you handled the roll out, that is the fighter I admire and that inspires me.  I listened to I am so much better than you on repeat on my drive home from work yesterday).   

Good Lord  The lyrics are as silly as all the other songs: “My mirror wants to bone me (but it can’t because it’s a mirror)” How did Abby miss the obvious TLOS mirror/ Halloween costume reference here?  

“You keep doing push ups while I get buff eating mac and cheese (with overpriced lobster and truffles because I’m worth it)”  

“Some people say I’m a genius (which comes from the greek work for latin) Some other people will say yeah I’m right I’m a fucking genius (I’m not saying I’m a god but I’m not saying I’m not a god). 

“And even when you sneeze, God blesses me, he blesses me. And even when you sneeze, god blesses me, he blesses me, he blesses me”

“I’m am so much better than you at everything”. 

She believes Darren would be- and stay- married to a women that he publicly ridicules and attacks. I don’t get why she thinks that is something admirable . 

She thinks Also You is referring to Ben living with them.  Where to start with this one? She says

“Episode 8 starring “Poly Amorous and the Unicorn Guild” an episode used to shine a light on how absurd it is that people believe D&PBB lived with platonic roomie B/enny for something like 4 years.  3 grown ass adults, all of whom have money to spare lived together in a relatively small house for four years.  It is pure comedy that anyone would believe that this is normal.  But hey these are the same people that explained away the infamous arm around her while at an awards show with D looking on”

I’m gobsmacked.  Also You is about Polyamory. She doesn’t even understand her own theories if she thinks that is the message Darren wants to share about Mia and Ben.  In no world would someone try to proclaim their wife was cheating on them with a live-in houseguest by writing an episode called Poly Amorous and the Unicorn Guild.  Also, someone needs to explain cuckholding to her because her theories about Ben and Mia make Darren a cuck.  

OMG I just realized that Darren is a cuck and Royalties proves it.  He hired Kether to be his costar in Royalties,...Kether is in You’re the Worst as Lindsay.  Lindsay cuckholds her husband. Bam! mic drop.   

Why isn’t Perfect Song about Mia, you know, if we are playing confirmation bias “No one is as good as you because you're my perfect song” 

on the topic of rk900 && his ‘deviancy’

the way that i write rk900 to be is very specific, and it includes a lot, which i will? try to explain? as best i can? please feel free to ask clarifying questions though like i have so much to say about this and im sure i’ll miss something. anyway imma shove this under a cut because i KNOW im about to just fucking go.

so i wanna make it very clear from the get go that 900 is not deviant in the typical fashion. he does not believe that he is a free being with actual emotions and rights to live. there is never a moment where he stops and goes ‘oh shit’ and breaks through that red tape. he never has an ‘i may be deviant’ breakdown. he is not deviant.

however, he is not not-deviant. 

what i mean by this is kind of complicated. let me start with some background into my personal interpretation of the rk900 series in general. they are a series designed for warfare -- the majority of them have been shipped overseas with soldiers to act as a variety of things: weapons, infiltration, an inhuman line of defense to protect the human soldiers --- like. they were specifically designed to be killers, to be dangerous, to be pretty damn hard to stop. they are essentially top of the line terminators -- are they entirely legal? ehhhhhh. but they let the government get away with things that might either kill their human soldiers or are of questionable ethic that they can just.... decommission the android afterwards. that’s their main function, the main reason they exist. 

this is crucial, and i will explain more on it in a moment, but for the rest of this meta i’m going to be using rk900 to talk of the general model series, and 900 to speak specifically to mine (and, in a lesser way, the fandom one in general, though this should go without saying i don’t intend to infringe upon other personal headcanons of rk900 writers)

connor was the rk ‘law enforcement’ prototype, but he also functioned mainly as a playing piece in an android revolution that, let’s face it, cyberlife saw coming a mile away. cyberlife wanted a say. they wanted to have a semblance of control over how to twist the uprising in a way that benefit them. given 900 comes about in a world where the revolution was quelled, cyberlife basically achieved their goal (i’ll touch upon my meta of my machine connor and this in another post). 

the reason this is important is because 900 was implanted with the majority of observations and experiences that connor had. things he learned about humanity, how to mimic it, how to manipulate it, how to use it. things like the events of the revolution in the order they happened, what it was like to be a detective with the dpd, literally like. all the things that connor went through or observed or scanned or downloaded or learned -- these were uploaded into 900.

now, his memories weren’t necessarily input into 900 -- that is, 900 doesn’t have any first hand accounts of most things (from petting sumo all the way to connor ending the revolution). so even if he has an understanding of what being on a case is like, he doesn’t have connor’s exact memories of doing it. it’s more like all of these things have been converted into data for him to retrieve -- it’s been shifted into facts, statements, articles, serving more as.... general history knowledge? like that stuff everyone just knows for some reason? 

but it’s more in depth than that because, yknow, they intended for 900 to be top of the line (yes, 900, not rk900). so all this information from connor was used to boost the insanely vast amounts of knowledge that they input into 900 to begin with -- it was used as contextual information, filler information, you get me? because the main thing that differed between connor and 900 is that 900 was given all the knowledge he needed before he was released, where as connor was expected to observe and adapt. cyberlife took connor’s methods of observing and interacting and adapting to humanity and refined it so that 900 already had that information.

so when 900 was officially done, he had basically anything he might need to know in his software already. he didn’t need to learn anything. 

so let me backtrack a little bit into why i say 900 gets these things and not all the rk900s. 

like i said before, the rk900s were built for warfare. 900 was not. i mean, yes, his model and abilities are all the same, he is still an rk900 model. but he was not built to go to war. the 900 that connor meets in the zen garden is the same 900 i write. that particular rk900 model, 900, was specifically designed to replace connor. the others were mass produced for their purpose as war based androids. but 900 was made to work for the DPD, to sort of take connor’s place, in part because it gives them access to local law, but also because they want to monitor the place where connor was assigned. 

so because of this 900 does not have a purpose. 

he was not developed with any specific goal or mission or duty aside from ‘work with the dpd’, so he doesn’t have the same goal set that the rk900 models are programmed with. cyberlife essentially input all this data into 900, and then didn’t tell him what to do with it aside from ‘just go to this location’ which means that 900 had to figure it out for himself.

this is where cyberlife fucked up big time.

the other rk900 models are designed to be perfect soldiers -- deviancy was basically coded out of them based on connor’s experience (whether or not he went deviant, it was in his code). thats not to say that they can never go deviant, its just to say it would be really fucking hard to make them do that. 

since 900 has none of that, he is inherently different from the rk900 model. when you make an android without a purpose, you have basically created a deviant android from the get go. 900 is more or less his own model, in which there is only one 900, and by default, he works for the Detroit Police Department.

now, generally, this means he’s paired with gavin (gotta live up to that delicious ship, honestly) so a lot of my following nonsense is stemmed from that but the point is that, he gets to decide what his goal is whenever he wants, so it can change, and it does change, and the choice is entirely his own. by all intents and purposes, cyberlife inadvertently created an android with honest to god free will.

so where does this leave us with deviancy? because i can hear ya’ll but fox, you said he wasn’t deviant and now you’re saying he is which is it?

here’s what makes 900, well, 900. as part of the fact that he is so incredibly self-aware, he knows he’s a machine. he accepts he’s a machine. there isn’t any like -- ‘i’m a machine’ with a touch of sadness or regret. he doesn’t wish to be human -- he has no desire to feel or experience human things, or do whatever deviant androids wanted. he doesn’t care about that. it doesn’t interest him in the slightest. and this isn’t because he doesn’t know about feelings or that “how could he know if he doesn’t want them if he hasn’t experienced them” because it’s not like that. 900 has an incredible sense of what things are, what they’d be like -- he got all of this from connor, remember. so 900 isn’t inherently interested in being anything other than a machine, and he holds no misunderstandings about what being a machine entails either.

does that make sense? hold on let me try it this way. because cyberlife tried so hard to make sure that 900′s software had everything, they created an incredibly self-aware android that doesn’t seek humanity because of how well they understand life. 900 doesn’t like or dislike being an android -- he just is. he recognizes that. wanting to be something else doesn’t... compute because it just doesn’t make sense. like why would he want to be human when he’s not? when he can be better and do more? like i can’t even say he’s happy about it because he doesn’t (at first) associate chemical reactions in his system with being emotions because they aren’t. it’s all synthetic.

he is perhaps the most alive an android can get without being alive, honestly.

900 decides that, upon being assigned to work with gavin, that gavin is technically his mission now. as a partner to a detective, but as a partner that is stronger, faster, and can withstand immense damage, he essentially positions himself as a bodyguard for the human. the problem here is that, due to his awareness, his approach to this is.... unorthodox.

900 will let gavin throw a punch at someone who can and will definitely hit back, but he’ll stop gavin from walking into an ambush. he might get gavin a coffee one day without being asked, but then throw the coffee at him the next day when gavin demands one. he has a habit of making sly comments and is known to push buttons and see what he can get away with, testing limits and constantly pressing against the boundaries of what he can do before someone snaps, and then sees if he can go just a little farther. 

900 is very much his own person. he belongs to neither cyberlife nor DPD. he does what he wants when he wants it and how he wants it, and he can, at times, appear very human (albeit one that is obnoxious and at times infuriating). however 900 never lets it be forgotten that he is a machine. he can crush every bone in your body one by one while you’re helpless to it. he can have expressions that are near-humanlike : amused, angry, exasperated. but he will go from lightly smiling to fucking cold eyes and danger just radiating off of him to the point people will actually feel the room lower a few degrees

900 knows he’s a machine. if you even for a moment forget, he will remind you. he has unethically tortured suspects for information, they purposely don’t give 900 a gun at the start because he would get bored and simply shoot whoever they’re investigating and apologize later. he has no qualms about killing, about breaking laws or faces, about doing things the way that he feels like doing them, with or without anyone approving. and if anyone thinks they can stop him, they’re just. good fucking luck.

but the reason he doesn’t do any of this is because he is self-aware enough to know there’s no fucking point to it. his mission is, as he decides, “protect gavin reed” and he will do what it takes for that, which may include punching a suspect or stealing evidence or something, he doesn’t care, but if it serves no true purpose in what 900 is doing, then he consciously decides he’s not going to just.. do it. but the thing is that at any moment he could decide to change his mind. and that’s what makes him so terrifying. he is literally unpredictable.

i ... okay i think that’s what i wanted to say? just as like some added notes, but with gavin, 900 does become.... hmm... softer? he doesn’t soften but he basically claims gavin as his own, like he is assigned to be gavin’s partner but it becomes literally almost a possessive thing. 900 makes gavin his mission, and if anyone gets in the way, they’re fucked. but by attaching himself to a human, he opens himself up to the softer side of being human, so 900 never truly ‘becomes deviant’ because there is never, as i said, a moment where he’s got a red wall that says this isn’t protocol becaaaause he doesn’t have protocol. so there’s never a chance for him to break through it. but he takes care of his partner, makes sure gavin is eating well and sleeping well, makes sure he’s more or less safe, is always in tuned to where gavin is and what gavin is doing, will step in at a moment’s notice if he feels the need. 

it becomes way more.... well, more, if this is a ship with a gavin, but regardless, 900 will have a gentler approach to his interactions with the human he has claimed that will be noticeable. softer tones, less cold eyes, more considerate touches. he’ll listen to gavin (may not always follow directions, but he listens), he’ll defend gavin’s actions, he’ll get angry if something happens to gavin. 900 never explicitly goes deviant, and he never fully accepts that what he feels is.... a real feeling? because he does not fully believe that androids can experience true emotion, so even if he does get angry, or he does feel amused or happy or whatever, it’s based on an extensively coded software that has made him so perfectly able to mimic humanity that it’s basically indecipherable. yes, he cares about gavin in most cases. yes he can feel panic or worry if something happens. but in general, no. he will not feel fear, he is not concerned with death, he can’t experience pain... so.

a last note is that like. this is the reason that he goes by 900. gavin typically calls him ‘nines’ which is only allowed for gavin. but a name is a human thing, and 900 is not and has no desire to be, so he just uses 900. most other people in the DPD also just use 900, sometimes they’ll call him rk which he’s okay with but it’s not his preference. he would’ve allowed gavin to name him if he wanted to but gavin didn’t, so that’s why when gavin begins using nines, that’s what 900 assumes as a name. 900 is comfortable to him, it’s who he is, and he doesn’t desire more than that. 

alright i’m. i’m probably gonna start getting repetitive soon, and a lot of the rest of the emotional aspect is based on 900 being involved with gavin, and thats case by case so it’s can be subject to change, and this post is meant to serve as a general basis for my portrayal of 900. 

Ok so, my thoughts on the VR ending and VR overall as the 6th entry.

Also because most of my thoughts aren't...complimentary im editing the names so they dont appear in the general tag. This also got LONG so readmore.

The Good:

- A//i's character still managed to be the one thing that saves VR as a show for me. Even with all the weird...contradictory plot issues, A//i still manages to be a compelling character who brings up the question of the right to live. I actually do like how he made it so itd be an ultimatum that he loses in either way, even if the ending kinda ruins the weight behind the action (which I will get to in a bit).

The meh:

-the ending was left somewhat open to interpretation which for a show as...empty as this was works out but honestly it was so vague as to A//is fate is that it may as well not exist.

The Bad:

-The main conflict behind the entire show is...simulations. No joke. Every conflict in the show can be traced back to someone doing a simulation and deciding to lose it. Even if they gave the (rather stupid) explanation that AI experience simulations like actual life (which btw the first villain wasnt an AI so this reason doesnt work), the fact that Yu//sa//ku took a bullet for one of A//is robot bodies that he literally has millions of is...just stupid and there solely for the "uwu drama".

-They actually killed A//i off but wait hes actually alive, so like the final duel literally had no purpose aside from...drama??? The episode is called Compromise and yet A//i had to lose just to keep Yu//sa///kus win streak and theres no compromise whatsoever. Yu//sa//ku litetally destroys the CompromA.I.se card so its just, no comrpomise in any way.

-This....wasn't a happy ending??? I have no idea why both the show and the fanbase frame this as a happy ending bc think about it in context: A//i pretty much loses everything, so does Yu//sa//ku who just isolated himself from everyone else for 3 months in order to comb the network for whatever remnants of A//i exist.

- So many of the supporting characters are just...there. Like, there is no side/supporting character who actually has a character arc in this show. Lets go through the list: Ao//i is pretty much the same character as when she started and goes through 2 unnecessary costume changes for a character growth that isnt there because she has literally ONE victory against an opponent that was stated multiple times to be weak and faulty and have her lose and tortured multiple times for no reason whatsoever, G//o had this weird deterioration that may have lead to something but ultimately didn't, Ak//ira is pretty much the same, J//in has ALL HIS TRAUMA ERASED SO THERES THAT, literally the only side characters who have some sembalnce of an arc are Sho//ichi (the best one anyways) from his "betrayal" in S2, and E//ma with her reconciliation with her brother. Outside of that, nothing. Yu//sa//ku, Re//volv//er and Ho//mu//ra are pretty much the only characters with an arc and even then they're not too solid? Which brings me to-

- Yu//sa//ku has been so wildly ooc since the end of S1. Ive seen so many say that his enphasis on bonds and friendship are character growth but actually looking at the sequence of events he suddenly just like. changes completely around his first duel with Ea//rth. Plus, the message of "revenge is good" was always so weird? Like, he got his revenge so all his trauma is ok now and never brought up or explored again aside from within the first 20 episodes. Theres nothing about it after that and its never built upon. The whole point of a revenge arc is to show that its BAD and yet he starts preaching that revenge is wrong AFTER he successfully gets revenge??? And even then its not exactly a revenge as it is more lashing out since it was Ko//ga//mi who was behind it all. Yu//sa/ku was definitely at his strongest characterization in S1 where we see how badly the Lo//st Incid//ent hurt him but S1 had its own share of problems that led into S2 and so many random plot threads that never went anywhere (such as the Anot//her Incid//ents, the Cy//berse deck being irl despite that A//i didnt have a physical body before then, The Bl//ue Mai//den meetup that was repeated by Nao//ki like 10 times in S2 which seemed to be leading up to something but never did, and the fact that theres 4 recap episodes in S1 already spelled some early problems). So much of the supporting cast function to just say "he turned this whole situation around...with ONE card..." i kid you not watch back every Yu//sa//ku duel I GUARANTEE you'll see someone saying hes a great duelist and serve only that purpose. ALSO THE END OF THE SHOW IS JUST MORE DRAMA?? They make him suffer for no reason other than that they can??? What purpose does his suffering at the end serve aside from just "uwu...poor baby..."???

-Re//volv//er is not a good rival. At all. He's so incredibly bland because much like Yu//sa//ku he was at his strongest characterization in S1 where he actually had some solid motivation in continuing his fathers work and being unable to accept that his dad was evil, yet most of that just flies out the window with all the collateral he's willing to inflict with the K//O//H?? All his character amounts too post S1 is "yeah i told you robots are evil and YOU didnt believe me". The most we got of him growing out of this mindset was calling A//i by his name exactly one time and nothing ever again. Also the fact that in the end we see him and his crew working for S//O//L despite the fact that they were gonna turn themselves in for their crimes just. leaves a rotten taste in my mouth. hes not a good rival at all. All he proves to me is that a good design can get anyone to like a character.

- Ho//mu//ra is...there. I literally cant say anything about him because he absolutely has the strongest motivations of the three but then the show jumps through hoops to push him to the back of the other two. He also has a bunch of early victories I do feel are undeserved (ESPECIALLY the A//oi duel that one pissed me off so much). Also the fact that the show just made him Yu//sa//kus friend immediately whereas it took Sho//ichi several months to get Yu//sa//ku to warm up to him just had me :/.

-The speed duels were a cool concept but they just became these huge cheat fests? Seriously Play//Maker uses StAccess literally every speed duel to pull out a new monster from whatever plot holes the writers need to patch up. I am not kidding. You can go back to every single speed duel Yu//sa//ku was in and youll see this. Skills just werent a good mechanic because when a protag pulls a new card its supposed to be representative of some growth/characterization but he stays the same pretty much throughout the entire show up until S2 where he wildly just switches personality. Plus the fact that Que//en could literally use a skill whenever just shows that it was cheating???

- The villains were overall lackluster. Boh//man was the best because Re//volv//er is just flat whereas A//i struck me more as an anti hero. And again: simulations are the enemy. Light//ning ran one and decided to go ham. Kog//ami ran one and decided to go ham. A//i ran one and decided to go ham. The conflicts are all the same and it just makes things happen rather than following a consistent plot thread? I will say that Boh//mans characterization of a hive mind to become perfect does strike my tastes but thats more my personal preference in villains rather than any merit he has.

- This is a bit of a personal pet peeve but I've seen some of the praise to this show about being the "darkest Y//G//O to date so therefore its good" and im just...no? Edge does not make a good show and just because they lightly focused on the tragedy in Yu//sa//kus life (and it IS lightly because its barely touched upon after mid S1) most of the stuff that happens in this show is pretty tame in comparison? The most that happened here was an attempted global hack of everyones minds from S2 and destroying the internet in S1, with a few references to the torture that happened during the Lo//st incid//ent. To compare: the previous series had this huge interdimensional war that, even if they could reverse the carding of people (which makes Den//nis' attempted suicide even more tragic), ended with an entire dimensions full of brainwashed soldier children, a dimension with huge class inequality that was still being heavily worked upon since there were canonically slaves, and a dimension that was savaged by a genocide and total global destruction. Hell, the series before that had a huge war where the arc actually did focus on the tragedys the characters faced and held consequence (even if they pulled a dbz revive everyone at the end). And as far back into the very first series there were even more graphic depictions of war and death? Idk i feel like people are overplaying the edge here just to find a way to complement this show.

Overall:

I'm...genuinely dissappointed. VR really had so many strong starting points but it all just fell apart at execution. Really the only reason I even bothered to watch it as kong as I did was because Im a longtime fan of the series and wanted to give it a chance rather than jump on whatever love/hate train the show has. Its been rated poorly on the JP side and most of the approval is a vocal minority. Just to be clear: this isnt me bashing the show, my opinions are mine and you can agree or disagree to any capacity, and even if a show isnt well written you can still find a reason to enjoy it despite the flaws.

But if Im being perfectly honest? I do not like this show. It's rushed, choppy, has no consistent or clear plot threads, most of the genuinely interesting characters are wasted for the protagonist to look better and he never really does because he ALSO has an interesting idea behind him but it never goes anywhere. It started strong but ended so poorly. Id be angry but im more dissappointed because Ive watched this show from day 1 and wanted to see the good things it has rather than focus on the negatibes but. yeah. This show really had potential and yet it just fell flat.

MY THOUGHTS ON 7x19 'FAREWELL MY LOVELY'

OMG I LOVED THIS EPISODE AND I NOW HAVE MANY SUSPECTS MAINLY EZRA AND CALEB HOLLYYYYY SHIT PLL 7x19 REWATCH - Very predictable that Aria was able to save her ass and retrieve her keys before that cop saw the body and dragged her tiny lying butt to jail. - Ezra dragging the girls to the ground, pointing out that they've all made mistakes they have to live with and Aria is no different. This episode was lacking a snarky comment from Hanna or Alison shading Ezra for being a lying, stalking predator. (I can dream, I just want them to say it out loud again!!!)!!! It's my aesthetic. - Directly after a scene where someone hid Aria's keys in the trunk of her car along with the body, Caleb mentions Aria having spare keys???? Caleb has been so shady this episode like, my heart couldn't take him being AD, just for the fact of Hanna, her reaction would destroy my soul, I mean she's targeted the most and Halebs love seems the most pure:((((( - pie????? And the Alison Varjack / Holly Golightly reference???? HELLO EZRA, I SEE YOU - Mary Drake is my favourite. I actually love her Idc - wtffff? We waited so long for that classroom scene only for it to be a gas leak related dream Emily had???? Wtf Marlene really does know how to disappoint - Why cant Emily tell Alison she loves her? I mean Emily is the one that has been pining over Alison for years and Ali has said it twice, but Emily can't seem to say it. Marlene just sort your ships out ffs - 'You have an alibi, you're in the clear' at what point did Aria speak to Ezra about this little prize AD gave Aria? Hmm hmm or should I say, the prize he gave her. - Are all these scenes of team Spahaleb together to make us as viewers forgive Marlene for the ATROCITY THAT WAS SPALEB??? The whole situation wasn't fair on any of them. - Can we just talk about that Mona and Caleb scene for a second, it's like when they were talking over coffee that time and seemed very comfortable around each other. Well, in that scene or was almost as if Mona was expecting Caleb, as if he were the one she were meeting with. The way Caleb takes control and literally gives Mona a order as if being at an a team meeting. - wow there's a secret passageway between the three crows diner and where Charlotte was killed. Ironically, Caleb knows exactly where to look hmmm - Oh Ezra aren't you just the biggest hypocrite "I think they gave up the right to be your friends." Well Ezra Fitz, I think you gave up the right to roam freely after breaking the law and involving yourself with two minors, one of which you built a relationship with on lies, stalked, lied and manipulated whilst writing a book about the other. You my lovely predator can't say shit. - Ezra my masters degree In American literature will help me dispose of a body so that the police won't find it and trace it back to either of us Fitz. Can you please dispose of yourself in prison now thanks - THE BODY IS GONE???? WHAT A SURPRISE???? NONE OF US SAW THAT COMING... HUH EZRA..? - Wow what another disappointment. Honestly Marlene should get an award for the biggest disappointments. We all really wanted that kissing rock video to have some relevance but nope we can't have that - AD DOESNT GET MESSAGES, THEY SEND MESSAGES. IS CALEB HINTING AT HIM BEING INVOLVED. OMG OMG THERE ARE SO MANY EZRA AND CALEB CLUES ITS LIKE THEY COULD BE SECRETLY IN CAHHOOTS - Have I ever mentioned how much I love Troian the director, producer, writer and actress???!! Have I ever documented my love for her talents and screamed to the rooftops about how much this woman deserves the ultimate happiness in life and millions of Grammys?????? - ITS PROBABLY JUST TROIANS ABILITY TO AMAZE ME WITH HER ACTING SKILLS BUT THAT SPALEB SCENE WAS .. sweet - Alison apologising to Aria. CHARACTER DEVELOPMENT. QUEEN BITCH ACTUALLY APOLOGISED 👏 👏👏👏 - STOP. MAKING. MENTALLY. ILL. INDIVIDUALS. THE. VILLAIN. WE. WOULD. NEVER. HURT. ANYONE!!!!!! - UMMMM IM REALLY IMPRESSED WITH VANESSA RAY'S ACTING IN THE MONA VS CHARLOTTE CONFRONTATION SCENE. LIKE IM LIVING FOR IT. AND DID I MENTION HOW FABULOUS JANEL PERFORMED IN THAT SCENE TOO. ALSO MONA HAULED HER ASS OFF THAT ROOF LIKE MY GIRL IS STRONG. BUT WHY DIDNT WE GET TO SEE IT??? AND WHY IS THE BELL TOWER SIGNIFICANT TO THE SHOW I MEAN, CECE WAS LITERALLY SHOVED BY ARIA OFF IT AND IAN COMMITED SUICIDE THERE??? - Mona's the most intelligent person on this show. When the doctors and Alison were blinded by Charlotte and believed that she was getting better, Mona had doubts and she knew that Charlotte wasn't sorry, she knew that Charlotte was going to start the game again and I seriously don't believe that Mona had any intent on killing Charlotte, just wanted to scare her. - 'Not only did you lose the game, you lost the story' Why does this seem to me that Charlotte is low key hinting at stealing Charles's story thus not actually being Charles???? I hope. Please Marlene - Mona is so precious. I'm so in love with her. I want to protect her. - 'She went back to a safe place. Where she only had to worry about you being mean to her in the cafeteria.' - Spencer throwing shade at Alison again 2k17. I'm here for it. This also sticks out to me considering they have been shoving this kind version of Alison down our throats since she came back in season 4, and it could totally hint towards the whole Alison we seeing now isn't actually Alison, reminding us that the bitch still exists - EZRA MONA AND CALEB. THE A TEAM HMM - The relevance of the body being buried in the fake Charles one to me, emphasises Charles being alive and not CECE. Also lmao they go to leave and Tanner turns up. And then Mary drake makes the ultimate sacrifice and CONFESSED TO BOTH MURDERS BUT TANNER JUST FUCKING LETS THE GIRLS LEAVE EVEN THO SHE CAUGHT THEM WITH A SHOVEL LMAO WHAT - These bitches get away with everything and I'm so fucking done with it. Lock them up. Kill them. I'm done - SASHAS ACTING IN THE SCENE WHERE MARY CONFESSES TO KILLING JESSICA HAD ME CRYING LIKE SASHA IS SO GOOD AT PORTRAYING EMOTION - don't ever try to convince me that Mona vanderwaal doesn't love and care about Hanna Marin. Mona would sacrifice everything for Hanna, and although I love Haleb, IM HERE for Mona and Hanna running away together and having Vandermarin babies ❤️❤️❤️❤️❤️ - AS A MEDIA STUDENT I REALLY LOVED THE END SCENE WITH AD DRIVING OFF INTO THE SUNSET BUT WHAT BITCH WANTED TO LESVE ROSEWOOD THIS EPISODE??? EZRA PREDATORY RAPE FITZ THATS WHO