i should be posting on here more tbh. i'm gonna try and be more present over here again. i miss it

pov it’s the night of December 2nd 2013 and you’ve just burst into your grandsons room to pick him up so he’s not down there when you blow up the world the guy who ruined your life is from because you wouldn’t be able to live with yourself if you let him stay down there with everyone else which is Really fucking weird because you thought even coming back here in the first place meant giving up forever on anything for the rest of your life but this goddamn kid stops you from blowing up the planet and now you’re basically permanently fucked because now you’re just gonna have to keep on living and it’s because you love him. and tomorrow morning you will be running from alien police with him

hands . . .

Okay okay, I usually hate posting selfies, but then again, I also love a little mild attention. So, to strike a balance, here are 4 recent ones, but I’m posting them at 2am so I don’t have to worry about bothering too many people. Yeah? Ok thanks I love you

poäng appreciation post 💛

Randomly remembered the half-reason i call my oc-verse by the name it has while laying in bed. One-half of the reason i still knew, but I had forgotten what had truly, really cemented it jointly until now

(it was a song from my favourite band I haven't listened to in a while.)

(the song fit so well at the time, still does, that i needed to hold onto it for the main protagonists forever, by partially naming their story in reference.)

Does this explanation make any sense? Does anyone know why I'm tearing up remembering this. Aahh

hadn’t really regressed in a While and i didn’t realize how much i missed/dareisay needed it until i had the free time and ability to do so over the last few days and i have to say. i’m feeling a bit better

...

Unfortunately I am playing Skyrim again. So. Get ready for That Art

Hi all! It's the next update of the Chill Valicer Save, bringing us to Spring Sunday in the game and my birthday in real life! So everybody be nice and like this update. :p Today was another day spent largely at the store, so let's get straight into it --

-->Started with a few werewolf shenanigans from Alice -- thanks to her and Victor's amazing bed, she was full energy around 4:30 AM, and as she was already pretty Furious, I decided her task for the morning would be to knock herself over the edge so she could RAMPAGE and then immediately regain control with her Fury reset. She thus got sent outside to transform into her beast form and do werewolf stuff – marking her territory, howling, smelling and scavenging for treasures (nothing good though -- scavenging doesn't actually turn up stuff most of the time, I've noticed), things like that. *shrug* Sometimes, you just gotta indulge the beast!

-->While that was going on, Smiler finished off another computer chip and a mechanism on the robotics bench, then wandered into the living room to prune the regrown bonsai into a playful shape. I allowed this because I was curious as to what a "playful shape" was -- turns out it's a freezer bunny. XD I quite like that!

-->Victor woke up a little bit later with a talent point in hand – I had him spend it on “Charge Control” to reduce the amount of charge he builds up from casting spells (and as he does a LOT of that, it’s an important upgrade!), then head downstairs to do some laundry, which came with some free flirting from Smiler. :p Once everything was in the wash, he got dressed and headed into his greenhouse to check on all of his plants, and Smiler headed to the cow paddock to go refill Moory’s feed and check on the cow. Because we can't have this fussy cow deciding we don't love her, after all! After making sure she was good, I decided to have Smiler tip her (in Sims terms, this means “making it rain” simoleons in front of your cow) to get some enriched milk from the day's milking, then left them to it while I checked in on Alice! How was her proto-"rampage" going?

-->Well, uh, turns out she was rather more into cleaning up puddles and chatting with inanimate objects (like Victor's lettuce). Which, I couldn't object to the former, at least, even if it wasn't in my plan for her for the day. I was determined to knock her over the edge into a proper RAMPAGE, though, so after sending her to feed Toothy, I had her start going places FEROCIOUSLY and marking her territory to kick up the old Fury...

love my own like theatrical relationship to shakespeare which is a) being so slow to realize like "oh, i've loved theatre? everyone doesn't just feel this way & go 'of course acting onstage would fucking kick ass' & adore rehearsals and hanging around backstage and in greenrooms and changing and performing & etc?' never really occurred to me" and b) my response to most encounters w/shakespeare being "wha" when it comes to anything granular yet the relevance still in the spirit of things lol

namely one prominent example being i was an on campus college student where said campus has a shakespearean theater literally three blocks away, and we had like a freshmen orientation weekly class there doing shit with actors and checking out the theater, not to mention like punchcards to see four shows free (to write up about afterwards but yeah sure whatever) and this wherein also you always got student discount tickets And there were pwyw performances....kicked ass. i went there for shows so many times. i have never fucking known what tf is going on in any of the like dozen shows i saw there when a) audio processing can be tricky enough for real life modern vernacular parsing and b) sure am not used to ye old very stylized language nor any other qualities of shakespearean material so lots of times when i finally started to kind of acclimate to the language it would be like "oh wait that was the conclusion? ok. hoorayyyyy" like also c) You Have A Great Time Seeing Shakespeare Productions Anyways like again i loved going anytime. it's Theatrical and if people are just putting their damn backs into delivering and performing the material it's An Experience even if you're really not following lmfao. and i suppose one can read the text / familiarize oneself beforehand

also like my first and really one of my only like regular theatre performing experiences was my literature class in fourth grade doing a few scenes from julius caesar. i was so hype for getting cassius like one of the most prominent roles? a guy? an antagonist if you're caesar or dante??? oh Fuck yes. b/c of technical difficulties we got to perform it twice in a row when we did a field trip to some other school to perform our respective [scenes from various shakespeare plays] altogether. even back then i was way into it and cared about stuff like "we have like no Effects to make it that dramatic when we kill caesar. or like, non silent. bit awkward" and "also i like, don't know how to act and am just winging it. and of course, i'm also like 9" like in theory i do like to know How to do something vs trying to make it up myself. somewhat lol. a balance, who can argue w/that

beyond that there's also lots of things i just didn't quite realize "counted" lmfao like, when you're a theatre gay with a parent req'ing you go to church every week but you have a good time being in the choir....i was sure on those tenor harmonies & singing loud. and going relatively often to various live theatrical events, having an engaging enough time there, but also would've assumed anyone would be into it And that that's not really the same as actually being in them, of course. but that most of my firsthand experience was just sticking w/ballet for like a decade, and kind of live theatrical performance adjacency there. don't say shit, for years was effectively just like, an ensemble for the occasional performances, but even then it's like hoorayyy i Love rehearsing and being onstage and backstage and dealing w/costumes and coordination behind the scenes and shit. and eventually being like, a distinct individual character in shows, so despite again nobody saying shit you're still somewhat interpreting and doing whatever character work while also enjoying the bennies of [it's dance, so also it's choreographed]....even more clear like oh i love backstage and rehearsing and behind the scenes and onstage and putting together stage character makeup, and i don't mind tackling technical difficulties, and etc etc. didn't even necessarily have the reference like, idk, wouldn't / doesn't everyone feel similarly. classic ye old memory of like being idfk 7 or some shit simply getting to walk with classmates behind a backdrop to the opposite wing of a stage, and loving that lmao. combines a love for [backstage] and [secret passages] type deal lol, big fan of these elements

also in 7th grade doing a theatre/drama class for a few months and we couldn't really get like all this in depth extensive stuff b/c you know, intro course for like 8 weeks for rando middle schoolers, but idk it was just illustrative lmao like after julius caesar, us slapping together some kind of script and my getting to be this fun little theatrical(tm) antagonist guy again? feedback was "what was supposed to be happening" but could've stood to have learned that the enthusiasm and affinity i felt for acting onstage was perhaps indicative of enthusiasm and affinity for acting onstage rather than just, idk, the exact kind of baseline experience any & everyone would have lol. not that i would've necessarily had the chance to really do anything with that knowledge, but even now, ofc i don't particularly anticipate getting to use it, but it's great having that knowledge like ohhh i see. the entire time i've been huge into doing theatre with all these kind of adjacent & gently overlapping brushes with it. gotcha

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You're more amazing than theories

Made a TON of monster hunter cards and now every melee weapon has a decent amount of representation in the card pool. I have not made a single gunner weapon card.

i like when im back home and the waiter is gay and they spend the entire dinner trying to subtly communicate that they're also gay to me without outing either of us. the funniest instance of this was this guy that kept doing this weird winky face kind of thing at me every time he passed our table and i didn't realize he was trying to signal or perhaps flirt until he'd done it maybe six times. Ngl he was so bad at it I thought maybe it was some kind of tic. No judgment though I also don't know how to make subtle facial expressions

i cannot stress this enough: if your reasoning for clowning on the mcu is "they overwork their cg artists and animators" i 1000% guarantee that a show or movie you have been stanning for years also abused their artists and you just haven't heard about it because the production companies aren't in the spotlight like mcu productions are. that cartoon for kids? that incredibly animated movie? that non-marvel superhero movie? i've seen people declare their hatred for the way the mcu treats their workers and then turn around and gush about a show that i know for a fact was hell for the artists attached

and no this is NOT me saying "this means you should stop hating on the mcu uwu" it's me saying you gotta be aware that this shit is an INDUSTRY WIDE PROBLEM. you CANNOT "fix" it by refusing to watch mcu movies and feeling good about it. you have to be aware that it's EVERYWHERE. why do you think so many animation and vfx productions are sourced in canada? in india and the phillipines? we are not unionized.

i know it's hard to face the idea that your favourite show might have been made unethically especially when you've spent so much time hating the mcu for doing the same thing. you don't have to start hating your favourite show. just like...be aware. don't be smarmy about it. don't claim without research that a beautifully animated movie Must mean the animators were not working 16 hour days and weekends. i do think we can fix this 👍 but we can't fix it if 90% of us don't even realize what the problem really is

toji x crybaby reader <3

content: hurt/comfort, fluff, angst, smut under the cut !

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toji is a flawed man. 

short-tempered, married to his money, slow to show affection. but the one thing he does excel at is comforting you.

he knows you’re a sensitive girl, knows just how easy it is for you to get teary-eyed and red in the face over comments that otherwise seem like nothing to the untrained ear. 

you have a kind heart is all, too giving to a world that only knows how to take. he tells you that every time you break down in his arms, thick hands rubbing circles into the small of your back.

his father would have slapped him across the face for crying. called him soft, whiney like a girl. put him to work for the rest of the day to shape him into a man.

he wasn’t his father though, and you weren’t a zenin.

you were soft in the best way, tender-hearted and too trusting. a daisy among weeds, swaying idly in the too-strong wind. nothing like a zenin, nothing like him. 

he hadn’t the faintest clue what to do the first time he’d seen you get upset, standing there in the kitchen like a fool while you babbled on the phone with his bank.

it was a fraudulent charge, small, maybe only 10 dollars. probably dropped his card while paying for gas again, not the end of the world. the customer service rep assured you that much.

it was the principal, you sobbed. you’d lost his card and hadn’t even noticed. why wasn’t he upset with you?

he doesn’t know why he didn’t just tell you it was okay. that he didn’t have it in him to ever be cross with you, be it a ten-dollar charge or a thousand-dollar charge. 

instead he wrapped his arms around you from behind, pulling your body flush with his to press soft kisses to the crown of your head.

you were warm there, warm everywhere really. the thrum of your blood heating your skin from the inside out. toji liked that about you, how you offset the perpetual cold of his much larger hands. 

physical touch was something he knew well. toji wasn’t—still isn’t good with words, opting to stay silent and just hold you while you sniffled into the receiver. he got the message across, he always does.

his methods are unorthodox for that very reason. he doesn’t comfort you with his tone, he does it with his body. whether it be thick arms squeezing you until you get your breathing under control, large hands tracing shapes into your tummy until you stop spluttering, or toned legs splaying wide to let you crawl into his lap, resting on him until your bodies reach the same temperature.

toji fucks you on your good days, likes to tease you, get you squirming. the key difference is that he makes sweet love to you on your bad ones. holding you flush to his chest while he rocks into you under the safety of your shared blankets.

you feel like a furnace under him every time, heat radiating off your body and into the deeper parts of his soul. 

he gets mouthy once the feeling of you wrapped around him flicks that little switch in his brain. turning off the mental barrier between him and his inability to use his words. 

“sweet girl,” is what he calls you, eyes never leaving yours. 

“gotta stay close to me, gotta keep you safe, huh?”

and keep you safe he does, tucking your face into the curve of his neck so you don’t have to look anywhere but him. letting you moan, and pant, and sigh into his skin while he rocks against that special spot situated deep in your core.

he goes harder when you ask him to. not faster, but harder—he knows the difference, letting the resistance in his hips subside so he can sink to the hilt over and over. 

the juxtaposition makes his head spin. how do you manage to sound so sweet while asking for something like that? able to melt his heart even on the brink of orgasm.

you kiss him when he fills you up, letting him sink on top of you with a huff and a shy laugh. he listens as you open up about the good parts of your day, his soft hums of agreement spurring you on.

toji wishes he was taught to articulate himself better. he’s trying, he really is. though the “i love you” he says into your skin seems like his best shot at a start.