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#but hey i'm a writer doing a writer ask so idk what you expected otherwise
thechaseofspades · 1 year
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✍️🐇💘
✍️ What’s your ideal writing setup?
(Got this question on another post but I'll answer differently on both because why not)
I always write on my chromebook. Tab 1 is the document with the story on it. Tab 2 is the document with my ideas and notes. Tab 3 is youtube playing the designated playlist or song for the fic/chapter. Tab 4 is typically on the Ducktales wiki. Tab 5 is a fresh tab for me to type words into the search bar to spell check them but not actually hit enter because I don't want my search history to just be a list of words I was not confident in my spelling of so I just have to trust that the autofill had my back on that one.
As for the music, I make playlists for my multi-chapter fics. And then obviously the OMAM one(s) I end up listening to the album(s) while writing. As for Dream(s), I think I literally did just listen to Dreams by Fleetwood Mac because I really like that song. I used to go to sleep to it.
🐇 Do you write for yourself, for others, or both?
I've never really thought about it as one or the other. I guess it's more writing for myself than not. I'm of the mindset that I'll just write what I want to write and if people like it and read it or maybe even don't then that's cool. Not that I'm immune to the almighty numbers of course, but I don't think I'll ever write a story without wanting to do it if that makes sense. Like I'm not writing Beneath the Skin just because My Head is an Animal was well-received. It's because I personally wanted to continue the story, and also it helps that it got good feedback.
And also it's probably a psychological fact or whatever that when people get good feedback, it makes them feel better about the work they did. And getting that validation is pretty neat. But that's what posting on tumblr is for. I like to think I hold the actual writing I do to a higher standard than my silly hellsite posts.
💘 Is it easier to write angst or fluff?
I have a love/hate relationship with angst. Or should I call it a hurt/comfort relationship? Idk, words are weird.
I'm a huge hypocrite when it comes to this kind of stuff. I'll look at an angsty story or post and think "gosh that's awfully angsty for a disney kids show about the funny ducks" and decide that's not what I'm into because I like seeing my favorite characters be happy all the time forever like they deserve.
But then when I go to write my own stuff, it does get pretty angsty. I don't even realize it when I write it, because that's just where it ends up naturally. So in that regard it really is easier to do angst just in the sense that the conflict/plot/themes/reasons-for-the-story-to-exist are easier to come by.
On the other hand I've struggled lately writing because I don't want to get too angsty. I've already written some pretty tough stuff in my opinion, but I just don't want it to get too wrapped up in that to where I miss the point of writing the funny ducks. It's weird, and I'm working through it so hopefully it won't be a huge issue.
Basically, an ideal world would let me write the fluffiest fluff ever. But my insistence on there being a compelling narrative and character exploration makes angst so much more natural to write in service of that. I think that was my point? Idk
Thanks for the ask!!
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illumoonated · 2 years
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Thoughts about Wednesday (the show)
I wished i liked the Wednesday show more. Truly. But...
...the writing felt half-assed. The characters felt lazy. The addams family felt not quite weird enough. It seemed to be a very safe (somewhat boring) reboot that ppl are groveling over simply bc they want winclair to be canon (which, fine do your thing -- but you're setting yourselves up for heartbreak bc these writers/showrunners give zero effs about making wednesday canonically queer). The love triangle was actually painful to watch.
There was throw-away "representation" with her being asked if she was into someone a "guy...or you know, a girl?" to get woke points. Someone else pointed it out too, but the black male mayor being told he doesn't "know what it's like to be not heard" was so incredibly tone deaf it threw me off. As well as the only real POCs having a personality being the actual Addams crew.
(The siren queen bee was cool but she like immediately became Wednesday's bestie after 2 minutes of a heart to heart at a dance? Idk she felt wasted/characterized too quickly to feel impactful when she helped in the last episode. There was no emotional "oomph" to her being on Wednesday's team.) ((Also there was the aapi vampire who smiled once and had a single line of dialogue or smth...? wish we got more from her bc that's a cool-ass concept of being stuck in a place like nevermore where ppl know you're an immortal--like I was waiting for a big reveal to be pulled from this vamp being like "hey I knew your parents when they went here, oh, that fancy book you need? I have read all the nevermore books so many times I can just rewrite it for you by memory, where's your typewriter?")) Basically none of the students "banded together" for Wednesday in a believable way. They just...did....?
And if the intent was to simply get a flavor of the month moody white boi as Wednesday's love interest -- fine, but you didn't even make them likeable (not the actors' faults, bc they were clearly given no direction other than "go and be in love w wednesday for no reason bc she's MC"). And Wednesday as a character would avoid the moody bois and possessive "nice guys" like the plague (pun not intended) and would find interest in a strange/true social outcast more. (If she's gotta be with a boy make sure it's like whatshisface in Addams Family Values who is nerdy and nervous and a true social outcast that Wednesday had a real banter/challenge with instead of gross obsession/ownership like fuccboi #1 and #2. Again, not the actors' faults.)
I am so torn as an ace person bc I want her to be aroace so badly (and I believe it would be an appropriate identity for her). I also don't want to be the ace person being like "no winclair shouldn't be canon" bc I want sapphic stories to be represented but I hate how any close platonic relationships are automatically romanticized/ran away with despite how the characters feel about the other person. Again, if this is a friends(roomates) to lovers story fine. But there's zero chance that'll happen with the writing where it's currently at (I mean, they can change this but rn I don't see it happening).
TL;DR 1. wednesday shows how thirsty we all are for true queer rep/romantic or otherwise
2. the love triangle trope (esp the cishet ones) have to be damn good in this day and age to be worthwhile (the triangles in 1899 come to mind as good, current examples involving fleshed out characters with chemistry)
3. the show is trying to earn woke points without committing,
4. the addams family is mischaracterized from the source material,
5. this reboot entry is safe, lazy, and predictable from a plot, character, and worldbuilding standpoint (I was expecting far out weird/spooky shit like the Sabrina netflix series tbh and was really disappointed in how safe this reboot played it)
6. I wish I wanted winclair to be canon but i don't and I wish I did so ppl don't think i'm being "too ace" or "anti-" bc anytime platonic relationships occur between two pretty ppl the internet loses its mind and disregards what the characters actually feel about each other (reinforcing that friendship < romance)
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waltwhitmansbeard · 1 year
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heyooo I just started writing fan fic and I really have no idea what I'm doing haha, can you explain how you draft and edit and write you long fics? i don't know what to do besides just starting at the beginning and writing to the end. (also sending this to multiple writiers so I can get lots of opinions)
hey! first of all, i wanna say i'm flattered that you ask, although i can claim no sense of credibility in the realm of writing anything, fanfic or otherwise. i'm just some guy, like everyone else on here, and i'm just doing my best with what i've got.
i don't believe that every writer will approach a longfic the same way, and i don't think a writer will approach each of their longfics in the same way, either. i know that the fic i'm hoping to write when gocmh is done is going to have a different process than mfl/gocmh did, because the stories are different and the needs are different. i can tell you how i approached mfl, and maybe you'll find that helpful, but if you don't, that's okay. your fic isn't gonna be mfl, it's gonna be yours, and ultimately you're the only one who is going to be able to figure out how to write it.
i'm gonna skip past all the general writing advice, which is read a lot and spend almost your entire childhood and adolescence meticulously picking apart all the stories you love to figure out how they work like they're clocks make of gears and springs. when it came to mfl, i wrote the first 5-8 chapters on pure vibes. every chapter's contents were just as big a mystery to me at the outset of writing them as they were to the readers when they sat down to read them. i was only ever thinking about the next step, the next sentence, the next tiny jump in the story. i was not thinking about where we'd end up, bc as far as i was concerned, that wasn't my business. my business was what happens next.
and in the process of writing that way, i was basically just improvising. it's a cliché, i know, but the first rule of improv is to yes, and, and i yes anded myself over and over and over. if i typed that the world of mfl was like x, then it was like x, and i had to just fucking deal with that. so much of early mfl (and truly all of that world) is just me making up rules and facts that later me would have to treat as sacred. is this the most efficient way to write? idk, and idc, either. this was the most fun, exciting way for me to write the story, and i don't regret it.
after a while though, my brain naturally started to stretch its legs (ew, terrible metaphor, abort, abort), and i started thinking ahead. not like terribly far ahead, but enough where i could say, "ok, if i'm at point a, and i know what point e i want to reach someday, i just gotta figure out points b through d." and sometimes that involved outlining the chapters that could get me from a to e, and sometimes i'd make it up as i went. it depended on the day and the points and what was going on in my life at the time. as i write this, i have the final ten-ish chapters of gocmh planned out, what's going to happen, who's pov it's gonna be in, etc. i actually planned out the last 15-ish chapters this way, and have written some, but even in the process of writing those chapters, shit has changed! something i thought was a good idea in the planning process didn't work out the way i'd hoped in execution, and i had to pivot. that's writing, baby.
now i know this isn't going to work for the the fic i have planned for after gocmh. i'm going to want that fic properly planned out, each chapter outlined and themes woven in carefully ahead of time, bc that's that story. i fully expect for shit to go haywire in the actual writing, of course, because in all my years of fic writing (and friends, there is so much more fic writing than y'all know about with this username), shit has never not gone haywire in the actual writing. but idk, that's the fun part. subverting your own expectations. cutting yourself off at the knees. kicking your own ass. it's fun!
i'll also talk a bit about how i wrote people and rhythm, the originals fic you can still find on my ao3 account. that fic took about six months to write, and to date i don't think i've ever had so much fun writing anything. imagine, if you will, two whiteboards, each divided vertically in half, covered in sticky notes. on each of those sticky notes is written a brief scene description, an event that Has to Happen. each of the four whiteboard halves represents an episode (that fic was organized by episodes, not chapters, bc i fancied myself an Auteur), and i would place and replace and replace those sticky notes until i had all the scenes i needed to make an episode in the order they needed to happen in. and then i would write! and bc i'd already done the organizational work to figure out the story beats, i could write the individual scenes in the order that struck my fancy, bc if i skipped a piece of the story that was important, it didn't matter. i knew where that sticky note went, and i could fill in the blank later. if this type of planning/writing appeals to you, i recommend the website/app trello, which is basically the digital version of whiteboards and sticky notes.
i wanna talk about something you said in your ask. "i don't know what to do besides just starting at the beginning and writing to the end." so, uhhhh, who says? who says you gotta start at the beginning and write to the end? start in the middle. start at the shit that makes you excited. write the scene that makes your mouth water and your hands turn into claws. write the good shit first, and then when you've got it, ask yourself, "ok, how do i earn this? i want my readers to get to here, bc it's good and juicy and so much fun, but i gotta work to get them here." start where you wanna start and work backwards from there if you must. asking "why" is so useful for this. oh, you're at point f? why did point f happen? that's point e. why did point e happen? that's point d. (then, you know, use the rest of the alphabet.) so much of life is just us reacting to shit, dealing with the onslaught of Life as best we know how, even if it fucks shit up for us in the future, so if you wanna write the reaction first, go for it! just remember that reactions stem from actions, so you gotta give us those, too.
(also, a story need not be told in order! flashbacks and the manipulation of time can be extremely fun and exciting! this is something that takes a lot of skill, though, not to say that you don't have that skill, but just be careful when doing this. you can still use the concepts of time jumps in your writing process, even if you don't present your story in a jumbled order.)
i don't know if i've said anything of value here. i can only talk about writing as i experience it, which is not, of course, how any other writer experiences it. i can't give you tips or actionable advice bc i, too, am making this shit up as i go. i write bc i like telling lil stories for my lil internet friends, and bc sometimes ppl say nice words, and i collect those nice words like a dragon hoarding its shinies in its lair. but don't write for the nice words, bc if they don't come as fast as you like or as much as you like, you'll get discouraged, and ultimately it's more important that the story be told than that it be praised.
(not to belabor the point, but there's a john green quote i love so much i have a poster of it hanging in my bedroom now, as an almost 30yo, that i've had since my college dorm room, and the quote is:
“Don’t make stuff because you want to make money — it will never make you enough money. And don’t make stuff because you want to get famous — because you will never feel famous enough. Make gifts for people — and work hard on making those gifts in the hope that those people will notice and like the gifts. Maybe they will notice how hard you worked, and maybe they won’t — and if they don’t notice, I know it’s frustrating. But, ultimately, that doesn't change anything — because your responsibility is not to the people you’re making the gift for, but to the gift itself.”
just something to keep in mind when writing. write for you, and write for the ppl you love, and write for the thing itself. the thing you create is a gift, and the gift deserves to exist for its own sake.)
so that was long! i hope it helps, and if it doesn't, sorry! i did try my best. i hope you find a method of writing that feels fun and natural and exciting to you, one that keeps you coming back for more. writing is the thing that keeps me going on days when i don't really want to keep going, and if it can become that thing for you (or hey, maybe it already is!) then i think is a gift, too.
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weebsinstash · 3 years
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have u considered doing commissions to get sum money? p sure ppl would be happy to throw $$$ at you for ur godtier writing
I'm gonna be honest and say that I'm really weak willed so there are some problems with that that I'm just gonna go ahead and list because I feel like unless I explain why I'm too nervous to do commissions people will
1) I have a hard time staying within character limits. I tried a "practice commission" once for someone that was supposed to be like 1.5k words and I wound up doing like 2.2k or so and just gave them the extra length for free (for multiple reasons including it was their birthday but, i could not get through the entire concept they wanted and make it interesting within the word count they wanted)
2) most people don't realize how like, word count directly translates to detail. I see so many people want really cheap commissions (1.5k words for $15 is the one I see the most) and the fact of the matter is like. It's hard to put a lot of detail into something and make it interesting and explore an entire concept or miniature plot and stay within that limit. Just things like introducing where you are or just describing little actions like tone and blinking and motion eventually all add up. But everyone wants to try and get the story they want as cheap as possible, point A to point B, and the fact of the matter is that I'm not a McDonald's and my works aren't impersonal pieces that I just crank out with no heart, cut and paste, likrngmgkgjf its not a cheap cheeseburger, they take time and thought and effort but people are just "i want exactly this for exactly this price and not a penny more"
I guess you could boil this point down to " sometimes certain ideas don't translate into the short stories that everyone wants and I don't trust people not to be mean to me if they don't get what they want"
3) I actually opened emergency commissions once in a friend group but no one wanted anything fnfjnfnffkd lol
4) there are better writers charging the same commission price I would :(
5) I'm just. Extremely overwhelmed right now. I dunno how I would handle another responsibility right now or if I would just completely crack under the pressure because I've been having to shut my brain off and ignore current situations just to be able to function and not be crying 24/7
It makes me happy people say they want to commission me and I get messages every so often (despite putting in my header that I don't do requests/commissions) but like. If I'm having trouble just writing the things I want to at my own pace, how can I expect to be good writing something for someone else that I'm not really emotionally invested in? It doesn't feel right to like, "take a job" im not confident i can do
Also ngl I don't want to wind up having to tell someone like "sorry I don't want to write that" and hurt their feelings 💀 I'm just a little creature and I cannot change this 💀I'm too much of a pussy to do commissions so I throw my work into the void and hope some good Samaritans read my shit lmao. It's why I don't ask for help very often because if I'm sincerely saying "hey we need help" it's an emergency. This is just a really bad spot, otherwise I would have just idk cried about it on my main or whatever 💀like seriously I just got the stitches taken out of my leg on Tuesday and im still adjusting to my surgery otherwise I would go back to work today 💀💀💀 even though this medical leave is spoiling me with having free time again... the moment I begin to enjoy it, it's time to return to the grind again...
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theklancecollection · 6 years
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I'm trying SO HARD to be positive about s7. There were a lot of genuinely good things (hunk, the first 3 episodes, the animation, hunk, seeing paladins' families, hunk, sam holt, hunk) but the bad things (most of the 2nd half, forced allurance, forced keith x acxa, killing off half of the lgbt rep after being promised more) is just SO BAD that they're hard to ignore. there's still 13 more episodes for lm and jds to turn things around, but idk, i'm just really conflicted rn :(
Hey there!
I completely agree with you. Hunk was undoubtedly the MVP of this season and that boy deserves it! It really sucks that a lot of people are calling the whole season bad and are advising others not to watch it. As a LGBTQ+ member, I completely understand the importance of having representation and why people are feeling so hurt by what the writers advocated they would show.
And that I believe is the whole problem. The creators of the show focused on the wrong elements when it came to promoting this season. If they had promoted Hunk, Earth and the other characters related to the Paladins, then I don’t think there would have been such a huge commotion. It’s the fact that they brought up Adam, revealed Shiro to be gay, and continuously bring Klance in all their promotional materials - they’re stringing us along and giving us false hopes.
This is something that I cannot forgive and it saddens me so much.
I don’t know how many of you know about Sterek (Stiles/Derek from Teen Wolf), but the creator and writers did the EXACT SAME thing where they pushed Sterek so hard in all their promotional materials and baited the fandom so hard only to neglect and insult us in the end. It was so horrible and it’s something that I can’t forget nor forgive. Sterek used to be one of my main ships but now I can’t even look at them because of how they were treated.
I really don’t want Klance to end up the same way because I love them way too much. I can understand if the creators don’t want Klance to be canon. But they should stop baiting us with them, or using paralleling scenes with them within the show. This season alone there were so many parallels to the first season and I can’t help but wonder what they were trying to get at.
If there’s anything that I want as of right now, then it’s for Klance to be friends / respectful teammates. I really don’t like Keith’s attitude towards Lance. I understand he’s been away for a long time, but this is not what I expected from. Just go back to Season 3 and look at how these two interacted. I would have thought those moments would at least mean something to them.
Which now I think about it, I think they do for Lance. Lance opened up to Keith about his insecurities. Out of everyone, he was pushing for Keith to take on the leadership role and not run away or lash out when things get hairy. But rather, own up to your mistakes and keep trying harder. And Keith listened to him and took up on those pieces of advice. He did do better and you know what? Given the way he used to behave in the past, Keith was making progress. He was learning how to do better and be better. He was learning that it takes more to save the universe than blasting away at some evil ships. You need to change mentalities for the better and that’s what Lance offered.
I’m getting carried away here but I guess the point I’m trying to make is that Klance’s canon history thus far have to mean something otherwise what was the point of showing it at all?
It’s like once Keith left, Klance sort of got lost... and now that he’s back it just doesn’t know how to work / move forward. Which to me, makes no sense at all since there is SO much that could have been done with them.
Season 3 = Lance was Keith’s right hand man and was constantly pushing him to do / be better.
Season 4 - 5 = Keith and Lance are on their own separate journeys. Keith is gaining a lot of answers and is shedding away a lot of his anger / insecurities. Lance on the other hand is falling into a pit of despair and his insecurities are stacking up.
Season 6 = Keith comes back, fully realized and ready to be the leader Voltron needs. Lance sees this is and is a) happy for Keith while also b) questioning his own progress.
Season 7 = They’re going back home. Keith has never seen Lance be more excited. They both share their stories and the new moves they have learned. They find out about Galra invading Earth and Lance feels even more shit because he thinks they were too late and is constantly questioning his spot as a defender. Keith gives him a pep talk like he did with Hunk. Lance is a little more optimized because hearing these words coming from Keith, a man whom he has learned to admire and respect so much means a lot.
Season 8 = TBA
Like honestly. I’m not asking for much. Just show Keith respecting Lance as a teammate and friend.
This already super long but I’m gonna roll with it.
I’m holding out on Allurance and Kacxa because to me there is no indication of them being canon.
The Allurance scene: Lance has always been there for Allura whenever it came to facing tough missions or emotional difficulties. To me, I see this as a really strong friendship. If I’m going on a mission that would possibly kill me, I too would take the opportunity to see a goodbye to my best friend. I know Lance has always liked Allura and it could be counted as being romantic but it’s not how I saw it when looking at it from Allura’s POV. If it turns out to be true... then well... that just sucks considering everything she has been through with Lotor. Now, I’m not equating Lance with Lotor but I think Allura needs some time to herself and process everything that has happened. Hell, I think EVERYONE needs some time to process their whole lives.
As for Keith & Axca, again I don’t see that as an indicator of them being canon. Axca has always tried to kill Keith and while I may be happy that she’s now against the Galran empire, it doesn’t mean I’m okay with her being with Keith. (And no I’m not saying this as a Klance shipper.) As for Keith going back for her, he has always been like this. Axca isn’t the first. He always goes back for people who have tried to help them out. I didn’t see this as being any different. As for Zethrid’s comment, I’m seeing it as a joke. Axca and Keith have faced off many times and Ezor/Zethrid could very well have teased her about this in the past. It doesn’t mean that they are canon. The graveyard scene again makes sense to me because that’s Axca’s connection to the team - Keith, and the fact she’s a Galra. I can easily see her becoming a part of the Blade and helping out in that faction.
Axca and Allura are amazing individuals in their own right. They shouldn’t be demonized or hated for expressing themselves just because we want Klance to be together. Klance don’t exist in a vacuum. The reason why they are such compelling and complex characters is because of their interactions with rest of the world.
I’m going to stop here because this has gotten REALLY long but I have a LOT of feelings about this show and today is actually the first real time that I’ve talked to anyone about it.
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