I think one thing that really sticks with me in interpreting how Dark Road shapes Xehanort is the fact that Xehanort truly was raised to believe himself to be the only one truly strong enough to do what needs to be done to save the world. An interesting thing I think is to look at the way Xehanort’s apparent perception of Baldr changes after his world tour...but not really the crux of his feelings about Baldr, which is that I truly think he sees Baldr as pathetic, in both senses of the word.
Before the tour, Baldr evokes pathos from Xehanort. He feels sorry for him; he takes the time to leave flowers on his grave, but crucially, does not actually express regret for killing him. What he expresses is that he thinks this is the best outcome for Baldr;
Xehanort: Baldr... Now you and your sister will always be together. You'll always have the light to share.
Killing Baldr was a mercy, from Xehanort’s perspective. Baldr wasn’t strong enough to handle the Darkness. He wasn’t strong enough to face a world of nuance alone. Not like Xehanort, who is determined to be strong enough. Who was born to be strong enough; who then decides to prove he’s strong enough by removing his armor in the space between worlds.
Then, there is the comparison between Baldr’s dying words, and what Master of Masters and Xehanort express before and after his world tour:
??????: Let me guess... You thought your heart was strong enough to withstand the darkness in there.
??????: Human emotions are complex. For example, what you feel toward someone you love isn't always good or well-meaning. It can be a false kind of light. Which begs the question: are these messy feelings that emerge from love still light? Or are they darkness?
Baldr’s love for Hoder was a false kind of light. It was one that smothered, one that made her responsible for his well-being. Baldr can’t separate his own feelings from other people’s; his worldview is completely self-absorbed. Other people are having feelings at him; Hoder is there to spread her light at him. He can’t see beyond his own pain and his own needs, and what love he has for Hoder is really about what she can do for him; a love that isn’t good, or well-meaning, but toxic for both of them until it kills them both.
Xehanort knows this. His experience, as Master of Masters asks about, tells him this; he saw first-hand how that false love destroyed both Hoder and Baldr, and their classmates as collateral damage.
Baldr’s last words have this to say:
Baldr: Xehanort... Do you see now? There's them...and there's us. When we find the strength to pursue our goals, they condemn us, insisting that our strength comes from darkness.
Then Xehanort goes on his world tour (and it seems strongly implied that he travels to the future during this time, experiences Dream Drop Distance and Kingdom Hearts 3, and comes back with those memories erased, but changed by the experience);
Xehanort: Those who are weak, and who desire greater power, simply strip the strong of their power, and convince themselves they've earned it. That's how people become tainted by darkness. They believe what they want to believe, using hollow reasons as justification. They repeat this cycle, and their darkness grows.
??????: So you're saying the weak feel the need to justify their actions to maintain a sense of self. Can't let that slide?
Xehanort: No, it's better they be ruled by darkness. People carry delusions of having power, but it's a lie.
Baldr is the sheep pretending to be a wolf, slaughtering their friends to build his own power through the act. Baldr no longer evokes ‘pathos;’ now, for Xehanort, he is the other definition of ‘pathetic;’ “miserably inadequate, of very low standard.” Xehanort’s opinion is now that Baldr was too weak to handle being weaker than Hoder, being weaker than his classmates, so he killed them all, and pretended that made him strong. He told himself lies about how they were feeling things at him, and how that justified what he chose to do.
Xehanort looks down on him. Xehanort will be better than him. Xehanort is truly strong, he believes; all his life, he’s been practicing control. Managing his own feelings. Keeping them separate from those of others, not allowing them to be tainted by the emotions around him. Being flawless, to be the change he was born to be. He will do what’s necessary to make sure nothing like Baldr can ever happen again, and he won’t let feelings get in the way. It’s the reason for his existence, after all.
What comes next is too important.
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Straight up had a dream last night that DC revealed that Bart and Kon were dating and it was in the WILDEST FUCKING WAY.
K, so picture this: Clark needs someone to fly around disguised as him for a plan. So Clark goes through the options in his head: Bruce can't fly, MM is off world, Jon is too much of a twink to be believable, Kara is blonde, Kon is.... Perfect! With a person in mind who would be perfect for his plan, Clark flies off to find Kon.
Cut to Judy Garrick zipping around the Garrick's house. Joan is quietly scrapbooking at the kitchen table and Judy is bored out of her mind. Judy asks Joan if there is anything she can do because she is so unbelievably bored.
Joan responds, very calmly, that she can hear "your brother's boyfriend touching down in the backyard, so why don't you go ask him?"
Judy's face jumps from emotion to emotion as three things are revealed at once. 1) Joan considers Bart to be a son and thus, Judy's brother, 2) Judy's new brother is not straight and 3) Bart has a boyfriend who is in the backyard.
So Judy immediately runs to the backyard and is stunned to bump into Clark (who was there looking for Kon) and then the dream continued on with the two of them hunting down Bart&Kon (who were just at school being normal goddammit!!!) but the entire time Judy is secretly out for blood because she thinks that Joan was referring to Clark and that this adult man is trying to date her new little brother and Judy keeps trying to kill him but it doesn't work because Clark is Kryptonian (and oblivious to the attempted homicides).
Anyway, wild dream all around.
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thinking about lucifer post-cage, in pieces from it because nothing could come out of that isolation whole, begging sam to let him in. and it doesn’t sound like a voice, obviously, it’s a whine of tv static and the creak of a window opening and crunching glass spilled on the floor and a knock on something hollow and the last echo in a cave before it’s all silent again. but sam hears him, and he hears him saying, help me help me help me. you spend a couple million years in a locked basement and remember more words than that, and then you can talk. day in, day out, everything sam hears is lucifer, all the rumbling, hissing, coughing, crackling noises of the world, lucifer’s in them. no vessel means that all he can do is surround sam (is it suffocating? yes. lucifer would like to be suffocated. he would like something, anything, to press itself so close to him that he can’t breathe, but nothing does, so he does it to sam instead.)
a wounded animal. and sam is so, so human. he can’t just leave lucifer like that, in pain, not after weeks trying to block him out. weeks where lucifer just got more desperate, louder, screaming at sam because he couldn’t tell if sam heard him at first (if sam was even real, if he was even free at all.)
he’s got to let him in. if he can’t do anything else right, maybe he can stop one being from suffering. just one.
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what is the CD pet? i remember it being mentioned, but is it a dog?
how very funny you ask, lovie! because...someone a while ago asked me about a cd pet and i said, something like of 'maybe, who knows?'
me. ;)
i know.
skdhslkds
and shortly, you all will too, my darlings! for the sake of surprise and spoilers, i was just keeping the identity of the cd pet in the shadows.
which, speaking of shadows, it is the very first time that the citizens of a now very flooded and fucked up blondie's apartment ( minus marj ) arrive in the foyer of the crimson dawn manwhoresion, which again is this MASSIVE very gloomy and ominous sick-torian mansion with lots of cool glass skull door handles, old creaky floors and creepy portraits on the wall -- art of the dearly, or not so dearly, departed...dep(art) if you will -- except the interior has new electrical running through it so that the boys can still make pizza bagels in the air fryer and play legendary smash tournaments on their uber lux, big bucks, emphasis on big 98" flat screen tv...8k, ofc. ;)
anyways, they make it inside with what little luggage/personal shit they could salvage out of the wreckage of their Literal falling apartment, regrettably like half of kyle's really cool clothes are missing...i wonder if someone has things he can borrow...but ANWAYS AGAIN! when they walk in, jersey kyle sets down curb's carrier and suzie on sort of side table and is like 'holy fuck, i do naught like the feel of this place at all. this shit feels like something out of a horror movie, like i swear to gahd if some shit attacks m--"
aND RIGHT AT THAT MOMENT SOMETHING BODY SLAMS KYLE. like this herculean mass of energy, this strong, dark force runs at him at light speed, and is all over him. kyle is freaking the fuck out like oh my god this is actually a horror movie i am going to die, he screaming very girlish screams smh and then right when he thinks this supernatural monster beast from hell is going to gut him, somewhere off to the side, out of sight, the most threatening, frightening, authoritative and booming voice commands...
"sparky, sientate."
...and who is it, ofc...
but raven of crimson freakin' dawn. <3
who rushes over -- also this is irrelevant but i think he is in this sick colorful emo boy sweater and some ripped skinny jeans, you know, whore couture winter addition, he can be modest, you guys! -- and at the sight of him, this very large dog is immediately placated and ravenstan drops the scary dog training voice and is like "helllooo, sweet boy, mwahmwahmwah. besito besito besiiiiitoooo~ <33 :*"
i love ravenstan so bad, he's litrally so cute and an emo disney prince.
so sparky is just licking stan's face and being so sweet and we realize that sparky did not attack jersey to be vicious he just literally upon first glance liked him so much he wanted to say hi ksadhlsakd. amazing. kyle, however, hates most animals and drool and is a cat person and is like wiping his face with a hankerchief like fml.
and after a second, ravenstan rememeber, oh fuck, Kyle!!! so he immediately looks very worried and is like "i am SO sorry, jersey. he is super sweet, he just gets a little excited, y'know? are you--are you hurt at all? </3 here, take my hand, i'll help you up." all wide eyed
and jersey kyle aka crush era jersey my favorite period of time, is just looking up at raven of crimson dawn like he is a beautiful fake blonde eyeliner wearing apple cinnamon scented angel of death and...do yo know how badly kyle wants to take his hand? literally SO BAD. gay! down horrendous!!! but you know, he is a cold unfeeling husk and he does not like raven of crimson dawn! no way! i'm not dropping my mask in front of all these people, i am a loaded gun, i'm a weapon.
so kyle lifts his hand up like he's gonna take raven's hand and then at the last second, flips him off, rolls his eyes and is like "i've got it, ayshole." to which stan is like visibly disappointed for a second before Switching and shrugging doing the raven voice like 'suit yourself. you know, i like a man that's independent and can take care of himself." ;)
smhhhhh stan stop FLIRTING WITH KYLE IN FRONT OF EVERYONE LITERALLY NOT JERSEY TRYING NOT TO BLUSH LIKE!!! FOULLL!!
so important side note is that sparky is wearing...a pink bandana, ofc. which ofc, also means that he came from big gay al's animal rescue where curb also came from. and...sigh...so this is a small continuity error because i had al pretend not to know who the three people who paid blondie's rent were, but really all he said was that they didn't leave their names and ravenstan's voice sounded like heaven, which doesn't imply he....Doesn't know who he is.
and idk, was perhaps just keeping a secret for him...because raven actually does a fuck ton of volunteer work over there! hot boy shit! he is ofc, dressed like busted ass stan, but alas still v beautiful indeed. i think as a toolshed reference maybe spark got struck or nearly struck by lightning, he also has all that energy haha. stan basically foster failed him and he is ravenstan's emotional support dog and cd house pet, we love you sparky. that also means...drum roll pleaaaasee...
ravenstan knows curb! which is why curb got extremely excited to see him because ravenstan used to take care of him when he was in the animal santuary and stuff. so he quite literally heard stan's voice and was like!!!! aaaa!!! i missed you!!!! so cute omg reunited.
but yeah, they talk about that for a little...small world you know even for a big celebrity...kyle has sort of cute down horrendous gay daydream-y thoughts about how often stan must have come and go unbeknownst to all of them
( which he thinks is impossible because raven of crimson dawn's outfits are so shiny and tiny and scandalous that he has no idea how he could walk down the street without being noticed...but then, he's never actually seen stan look Normal and also...yeah kyle i bet you would be able to spot ravenstan a mile away and not be able to look away you gay ass bitch Stand Up!!!! )
and how cute he probably looks feeding all the lil critters in the pink shirt and like introducing little kids to them...also whether or not he rolls his sleeves up and how good his arms look...GO TO JAAAAAAIL.
but yeah! sparky! <3333 in my unpublished first draft boards i actually made a little section just for sparky.
final note: curb and sparky do hate eachother. they have shelter beef.
enemies to lovers, anyone?
-uncle nina, instigator of drama
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Ok. First of all, I am obsessed with Lionheart. You are amazing and I could sing your praises for hours. However, I have a question regarding Wolfstar. Your fic was actually the first time I came across that ship. (I know now it's really popular). However, I would love to hear more about your thoughts on Remus and Sirius. Whether it's canon or your interpretation of them. I always found Tonks and Remus to be a strange couple in the HP books. Was that your impression as well? How do you think a romantic relationship between the two characters changes them, if it does at all? Thanks!
Totally! Thanks for the ask!
I think Remus and Tonks getting together suffers from the same thing that a lot of canon relationships do, i.e., that JKR doesn't really know how to write romantic chemistry. There are very few times in the books where it feels like there's genuine sexual or romantic tension happening on the page. So that's layer 1.
Layer two is that Remus and Tonks aren't themselves on the page for most of Books 5-7, so their "love story," as such, is 90% exposition. The only scenes we get of them as a couple are Tonks scolding Remus for not dating her and Remus guiltily shooting her down. It also seems out of character for Remus, who is defined in many ways by his attachment to the past and who has been living out of Sirius's pockets for two years, to show little or no apparent grief at the death of his best friend of twenty years, not to mention one of the last people alive who loved James Potter. Harry grieves Sirius more than Lupin seems to, and Harry knew Sirius for about five minutes compared to Lupin. That's not to say that grief always looks the same — it's different, and I'm sure Lupin compartmentalized it for the war effort — but it should, in theory, stop you from jumping into a high-intensity relationship with your dead best friend's niece. (If you look at the timeline on Tonks and Lupin's relationship vis-a-vis Sirius's death, it is absolutely wild.)
The Wolfstar in Lionheart is subtle, but as overt as I thought was realistic for two men who hadn't seen each other in years and are also, by necessity, only seen by the reader in the presence of their thirteen-year-old godson. I wanted to capture the energy of "closeted on-again off-again lovers in the 70s and 80s before having a VERY messy breakup" (which, believe it or not, is a broader demographic than you'd think), both because I think it's a fun way to write them (the vibes! the possessiveness! the old-married-couple meets shy-first-relationship of it all!) and because it explains why Lupin is totally alone before Prisoner of Azkaban — in particular, why he never made an effort to contact Harry. It's hard enough to be a closeted man in Britain in the 1980s; throw in a case of lycanthropy and an insane amount of personal trauma, and what you've got on your hands is the kind of guy who'd go totally radio silent on everyone he knows for 13 straight years.
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