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Dorothy Burlingham (deceased)

Gender: Female

Sexuality: Lesbian

DOB: 11 October 1891  

RIP: 19 November 1979

Ethnicity: White - American

Occupation: Psychoanalyst

Note: Longtime partner of Anna Freud (Sigmund Freud’s daughter)

Photography by Elliot Burlingham

- 1950s

Bridget Riley Drawings: From the Artist's Studio, Edited by by Cynthia Burlingham, Jay Clarke, and Rachel Federman, Modern Art Press, London, 2022 [Exhibitions: The Art Institute of Chicago, Chicago, IL, September 17, 2022 – January 16, 2023; Hammer Museum, Los Angeles, CA, February 4 – May 28, 2023; The Morgan Library & Museum, New York, NY, June 16 – October 22, 2023]

📅   ‘We are told that Freud’s Last Session movie will be released around December’

“We are told that Freud’s Last Session movie will be released around December” 2023!!! according to Lisa Adair, General Manager, The Railway Preservation Society of Ireland (RPSI) via Northern Ireland World News (April 26, 2023)

Rosalyn51 Note: A theatrical release by December 31, 2023 qualifies the film for 2024 Oscars nominations! Best Picture, Best Actor, Best Supporting Actor, Best Adapted Screenplay, etc. There is already incredible Oscars BuZZ (Variety)

Scenes from new movie starring Sir Anthony Hopkins shot in Whitehead

Filming has taken place in Whitehead for a new movie featuring acclaimed actors Sir Anthony Hopkins and Matthew GoodE.

Whitehead Railway Museum was the recent setting for scenes from ‘Freud’s Last Session’.

Set on the eve of World War Two in 1939, the film sees Sigmund Freud (Sir Anthony) invite Belfast-born Christian author CS Lewis for a debate on the existence of God. Having taken up the invite, CS Lewis, played by Goode, was present at Whitehead - suitably dressed as a rural Oxfordshire station - in order to catch the train to see Freud.

Also present were many extras, including a platoon of soldiers, a class of primary school children dressed for evacuation, and some of their ‘mothers’ to see them off.

100-year-old steam engine No. 461 was used in the Whitehead film shoot (archive image).

The station building, which normally houses Platform 3 restaurant, underwent a makeover so that it looked like a period 1930s English railway halt.

The Railway Preservation Society of Ireland (RPSI) laid on a train of 100-year-old steam engine No. 461, which is usually on display at the museum, plus three heritage carriages and a luggage van.

The locomotive was out of steam but fitted with a steam machine, while the RPSI’s train rides steam engine No. 3BG was on hand to shunt the train up and down the siding as required. The train had to be filmed in three main positions:

Sitting stationary at the platform whilst passengers / evacuees embarked and disembarked;

Departing with CS Lewis aboard (in daylight);

Arriving back with CS Lewis having met Freud (in the dark).

Photo: Freud’s Last Session producer, Meg Thomson IG

The weather was bright and sunny for the daylight shoots, and calm for the filming after darkness fell. The work was completed by 10.30pm [April 18, 2023] and a cheer went up from the cast and crew because this was the final sequence in the shoot.

Photo: Freud’s Last Session producer, Meg Thomson IG

Lisa Adair, RPSI general manager, said: “We are regularly in demand from film-makers because we can provide steam engines and vintage carriages. We are always pleased to be able to assist.

“We are told that Freud’s Last Session will be released around December, so we look forward to seeing the finished product in the cinema.”

______

Freud’s Last Session (2023)

SYNOPSIS:

On the eve of the Second World War, two of the greatest minds on the twentieth century, C.S. LEWIS and SIGMUND FREUD converge for their own personal battle over the existence of God. FREUD’S LAST SESSION interweaves the lives of Freud and Lewis, past, present, and through fantasy, bursting from the confines of Freud’s study on a dynamic journey.

DIRECTED BY: Matthew Brown

WRITTEN BY: Mark St. Germain

STARRING:

Anthony Hopkins (Sigmund Freud)

Matthew GoodE (C. S. "Jack" Lewis)

Liv Lisa Fries (Anna Freud)

Jodie Balfour (Dorothy Burlingham)

Jeremy Northam

Stephen Campbell Moore (? J. R. R. Tolkien ?)

Orla Bady (? Mrs. Janie Moore?)

Rhys Mannion (C. S. Lewis; WW! era)

Pádraic Delaney (Warren "Warnie" Lewis)

Tarek Bishara (? Ernest Freud ?)

George Clarke (Paddy Moore)

Oscar and Lucas Massey (twin boys of producer Meg Thomson who are playing the young Lewis brothers)

Photo collage: Originals Producer Meg Thompson, Mark Doyle, DigitalSpy, Patrick Redmond/ Westend Films

#FreudsLastSession #FLSLoc

The sister-in-laws getting along swimmingly.

Margerie (Villers Bretoneux) is William’s (Australia) wife

Oxana (Ukraine) is Norlan’s (Canada) fiancé

Asami (Japan) is Asrael’s (U.S) wife

Oxana (she's bending over so you can't see it) and Asami are significantly bigger than Margerie, as they have more land mass and population. Austrialia is a GIANT in comparison to his wife, and so are his brothers.

Daisy Cook (British, b.1965)

Untitled (Trees),  2022

oil on board, 40 x 30 cm

© Jenna Burlingham Gallery, UK

https://www.jennaburlingham.com/artists/281-daisy-cook/works/

Deposition of George Rheims

“while I was swimming I looked over my shoulder and saw the "Titanic" go down.”

Record Group 21: Records of District Courts of the United StatesSeries: Admiralty Case FilesFile Unit: In the Matter of the Petition of the Oceanic Steam Navigation Company, Limited, for Limitation of its Liability as owner of the steamship TITANIC

Received Copy UNITED STATES DISTRICT COURT SOUTHERN DISTRICT OF NEW YORK I n T h e M a t t e r of The Petition of the Oceanic Steam Navi- gation Company, Limited, for Limitation of its liability as owner of the S.S. "TITANIC" Original DEPOSITION OF GEORGE RHEIMS. HUNT, HILL & BETTS Proctors for Claimants Frederick K. Seward et al, 165 BROADWAY NEW YORK CITY Direct Cross Re-Direct Re-Cross GEORGE RHEIMS, 2 17 25, 27 27. Exhibits: Page Claimant's Exhibit A, (drawing of ice berg) 9 Petitioner's " " ( diagram ) 19 UNITED STATES DISTRICT COURT SOUTHERN DISTRICT OF NEW YORK, - - - - - - - - - - - - - - - - - - - - : I n T h e M a t t e r : of : The Petition of the Oceanic Steam Navi- : gation Company, Limited, for Limitation of its liability as owner of the S.S. : "TITANIC". : - - - - - - - - - - - - - - - - - - - - : Deposition of GEORGE RHEIMS, taken pursuant to notice before Robinson Leach, Esq., Notary Public, at No. 165 Broadway, New York, on November 14, 1913, at two o'clock P. M. Present: Hunt, Hill & Betts by Mr. Betts and Mr. Kinnicutt, for claimants, Frederick K. Seward, et al; Mr. Houston; Mr. F. R. Smythe; Mr. F. L. Robbins; Mr. Church; Mr. Hency C. Quinby; Mr. Frederick A. Stroh, for other claimants. Mr. Burlingham and Mr. Leach for the petitioner. IT IS STIPULATED that the deposition may be taken by a -2- stenographer, signing, filing and certification waived; steno- grapher's fees taxable in lieu of notary's fees; copy to be served on the petitioner's proctors. GEORGE RHEIMS, being duly sworn, testified as follows: DIRECT EXAMINATION BY MR. KINNICUTT: Q Will you give your full name? A George Lucia Rheims. Q And your residence? A Paris, France. Q Were you a passenger on board the "Titanic"? A Yes. Q Where did you embark? A Cherbourg. Q Where did you buy your ticket? A At Martin's in Paris. Q Was anything said to you by the person who sold you your ticket with regard to anything on the back of the ticket? MR. BURLINGHAM: Object to. A Nothing. Q On the night of the 14th of April, 1912, where were you at about 11:40 o'clock? A I was coming out of the bath- room. Q On what part of the ship? A On the forward part of the ship. Q What deck? A Deck A. Q Did anything peculiar happen about that time? A Just the time of the accident, the shock. Q Just state what your felt? A Why I was coming out of the bathroom and I felt a slight shock, and I turned to see what had happened and in looking to the right I saw through [full document and transcription at link]

Matthew Goode proves himself as a reliable character performer as Lewis. Squaring off against Hopkins is no easy feat, but the actor holds his own with quiet determinedness. Hopkins is at his most interesting when his character wrestles with his daughter’s lesbian relationship with fellow academic and future life partner, Dorothy Burlingham (Jodi Balfour). Holding on to the now-antiquated idea that her sexuality is due to a failing on his part, the veteran actor plays up the character’s struggle to balance his insecurities with his psychoanalytical knowledge.

While the debate about God’s existence has been made before, Freud’s Last Session intellectualizes it in an accessible that humanizes these looming figures. In an overcrowded Oscar race, it’s doubtful this British period drama will grab any of the nominations but for a contemplative, quiet, and thoughtful drama that’s perfect for the Christmas season. Freud’s Last Session is just what the doctor ordered.

BREAKING: ELEANORE AND IBRAHIM WED, MADE EARL AND COUNTESS OF HARVELLE

At last!

The Brindleton Royal Family today confirmed that Eleanore and her long-time love, former Crown Prince Ibrahim of Al-Simhara, are married!

The two tied the knot in a small and private ceremony at St. Matilda’s chapel, within the grounds of the Burlingham Castle, one of the Queen’s privately-owned estates. 

 The Family shared three new photos via their official social media accounts, along with the caption:

“Her Majesty The Queen and Prince Jacques are very pleased to announce the marriage of their daughter, Eleanore, and Mr. Ibrahim Fournierre. The couple wed in a private ceremony this morning, attended by their close family and friends at St. Matilda’s chapel in Burlingham. 

The Queen has bestowed upon the newlyweds, on the occasion of their marriage, the titles of Earl and Countess of Harvelle.”

Upon clarification, the Palace confirmed that the couple’s new titles are indeed, “honorary.” They are also to be referred to as “His and Her Highness.” Honorary titles are deemed only for ceremonial purposes, and holders of said titles do not engage in any official work for the Royal Family. 

One of the three photographs show the new Mr. and Mrs. posing with the family. Royal watchers, however, were quick to note that none of Ibrahim’s families seem to be in attendance. Also, another familiar face was glaringly missing: Crown Princess Anya. 

The royal sisters have been embroiled in what courtiers refer to as an ongoing “cold war.” And rumour has it that although Eleanore has made several attempts to reconcile with her big sister, Anya was not having any of it. The Crown Princess has reportedly completely obliterated Eleanore from her life for inflicting nothing but pain and problems through the years. 

Still, despite the coldness between the royal siblings, people were hoping to see a complete family photo for E’s wedding. But alas... Maybe Anya was busy?

However, despite the Crown Princess’ absence, the bride and the groom looked might happy, and we suppose that’s the most important part! The bride looked radiant in her short-sleeved dress, which she accessorised with a family heirloom - a pearl and diamond tiara. 

We expect more details about the wedding will be released soon, and we can’t wait!

Congratulations to the new Earl and Countess!

Deadass thought at work the receipt paperwork I was going through that had Burlingham was someone misspelling burlington or Birmingham before being thankfully humbled by Google and wikipedia telling me its a real city in California before i went to my coworkers lmaoo

COMPLEX CHARACTERS

Opening today:

Freud's Last Session--The "session" in question is fictional, or at best nervily speculative--a meeting of the titular psychoanalytic pioneer with the Christian apologist C. S. Lewis. It's September of 1939; England has just declared war on Hitler's Germany, and Freud, who has fled Austria for England with his obsessively devoted daughter Anna, is in the agonizing homestretch of terminal mouth cancer. Irked by Lewis' parody of him in The Pilgrim's Regress (1933), Freud has invited the young Oxford don to his house in London for a civil but contentious chat.

Freud is played by Anthony Hopkins; Lewis is played by Matthew Goode. The direction is by Matthew Brown from a script he co-wrote with the American playwright Mark St. Germain, based on St. Germain's play (which I saw well-produced by Arizona Theatre Company in 2013). The play is a two-hander, but this handsomely-produced movie expands on it with scenes involving Anna (Liv Lisa Fries) and her partner Dorothy Burlingham (Jodi Balfour), flashbacks to Freud's childhood traumas and to Lewis' PTSD from the trenches in the earlier war, his eyebrow-raising cohabitation with Janie Moore (Orla Brady), etc.

But the juice in the film is still in the theatrical sparring between the two leads, especially Hopkins as the chuckling, cheerfully furious Freud. He's as lovably cantankerous here as he was as Pope Benedict in 2019's The Two Popes. For his part, Goode is smart enough not to make Lewis saintly or jolly; he gives him an edge of defensive aloofness alongside a deep decency.

It's hard to say which, if either, of the two men's viewpoints St. Germain and Brown are most in symapthy with. Many of us are likely to feel ourselves somewhere between Freud's staunch and bitter rationalism and Lewis' somehow rather half-hearted pose of orthodoxy. But the point of the film seems to be that what underlies both is, at least partly, existential terror, of a sort to which intelligent, intensely imaginative people like these two are particularly subject. Neither strict nonbelief nor strict belief seems to offer much deliverance.

Mean Girls--"It's a cautionary tale..." So the Greek chorus characters Janis and Damian sing to us at the beginning of this musical remake of the well-loved 2004 teen comedy, pared down from the 2018 Broadway version. This may be the secret of Mean Girls, in each iteration: it really is a moral tale with a cautionary point, and the heroine really does go to the dark side.

As you'll recall, Cady Heron (Angourie Rice) is a smart kid who grew up in campsites in Africa; her mother (Jenna Fischer) is a researcher. When she lands at a suburban American high school for junior year, the divisions in cafeteria clique and caste strike her as similar to those in the animal kingdom. She gets sucked into spending lunches with "The Plastics," a circle of glamorous sycophants led by uber-mean girl Regina George (Renée Rapp). Cady agrees, initially, at the urging of artsy girl Janis (Auli'i Cravalho) and big gay Damian (Jaquel Spivey) to serve as a double agent in a revenge plot against Regina. But gradually, of course, the plastic begins to take over for real. 

Or maybe the secret is just that the film, scripted, like the original, by Tina Fey (freely adapting a book by Rosalind Wiseman), is funny and sweet, but not so sweet that it forgets to be, you know, mean. Or maybe it's that most of the songs, by Nell Benjamin and Jeff Richmond, are delightful, and buoyantly staged by directors Samantha Jayne and Arturo Perez, Jr.

Overall, these actors don't have the vibrancy or distinctive personalities of the original film's cast, but they make up for this with terrific musical performing. Rapp brings such a baleful moan to "Meet the Plastics" that she really is a little scary, and Rice shades herself from guileless to conniving very believably. A few vets are around; Fey and Tim Meadows reprise their roles from the first film, and Busy Phillips and Jon Hamm contribute funny bits. The standouts, however, are Cravalho as Janis and Spivey as Damian, both equipped with gorgeous voices and the ability to act while they're belting.

Fey's generous-hearted--and sensible--take on popularity and self-esteem has provided a solid and unsentimental piece of role modeling for teens (and the teens that endure within most adults) for twenty years now. Maybe this movie will extend it for another twenty.

Photography by Elliot Burlingham

- 1950s

Bridget Riley Drawings: From the Artist's Studio, Hammer Museum, Los Angeles, CA, February 4 – May 28, 2023; co-organized by the Hammer Museum, the Art Institute of Chicago, and the Morgan Library & Museum; curated by Cynthia Burlingham, Jay Clarke, and Rachel Federman [previous exhibition: The Art Institute of Chicago, Chicago, IL, September 17, 2022 – January 16, 2023; upcoming exhibition: The Morgan Library & Museum, New York, NY, June 16 – October 22, 2023]

(image: Bridget Riley at work in a studio, ca. 1964. Photo (probably): © Tony Evans or John Minshall)