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blkinfilm · 13 days

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Jason’s Lyric (1994)

Instagram: blkinfilm

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skeletonfumes · 1 year

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The Breed (2001) Michael Oblowitz

#the breed #michael oblowitz #bai ling #bokeem woodbine #mygifs #gifset #filmedit #fangs

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soupy-sez · 7 months

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Dead Presidents (1995)

#dead presidents #movies #my screenshots #screenshots #chris tucker #larenz tate #david barry gray #bokeem woodbine #90s #90s movies #soupy's #actors #b/w #dead presidents 1995 #the hughes brothers

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scenesandscreens · 21 days

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HALO, Season Two (2024)

Directed by Debs Paterson, Craig Zisk, Otto Bathurst & Dennie Gordon

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demifiendrsa · 4 months

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youtube

Halo The Series | Season 2 Official Trailer

Season 2 of Halo The Series will premiere on Paramount+ on February 8, 2024.

Posters

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tuppencetrinkets · 4 days

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Sorted caps from Halo, seasons 1 & 2.

Pablo Schreiber - Master Chief ~19,000

Shabana Azmi - Margaret Parangosky ~4,500

Natasha Culzac - Riz ~2,300

Olive Gray - Miranda Keyes ~6,000

Yerin Ha - Kwan Ha ~9,000

Natascha McElhone - Catherine Halsey ~12,000

Bentley Kalu - Vannak ~500

Kate Kennedy - Kai ~5,000

Charlie Murphy - Makee ~7,000

Danny Sapani - Jacob Keyes ~2,500

Cortana ~1,800

Bokeem Woodbine - Soren ~4,000

Fiona O'Shaughnessy - Laera ~2,500

Tylan Bailey - Kessler ~400

Joseph Morgan - James Ackerson ~5,000

Cristina Rodlo - Talia Perez ~2,500

Bronte Carmichael - Julia ~500

Ryan McParlan - Adun ~1,500

Burn Gorman - Vinsher Grath ~1,400

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moviemosaics · 8 months

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Earth Mama

directed by Savanah Leaf, 2023

#Earth Mama #Savanah Leaf #movie mosaics #Tia Nomore #Sharon Duncan-Brewster #Kamaya Jones #Bokeem Woodbine #Ca'Ron Coleman #Alexis Rivas #Keta Price #Doechii

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junior-stargazer-goke91 · 5 months

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Fargo (2014 — Present)

2x09: The Castle

#fargo fx #fargo s2 #bokeem woodbine #ted danson #patrick wilson

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itsmyfriendisaac · 4 months

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3000 Miles To Graceland: five crooks travel to Sin City during an International Elvis Convention to rob the Riviera Casino. After he's double crossed, Michael Zane manages to seize the money for himself & leaves Las Vegas with Cybil & her unruly son, Jesse!

#scenes #3000 miles to graceland #looks #elvis presley #kurt russell #versus #kevin costner #bokeem woodbine #christian slater #david arquette #courtney cox

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camyfilms · 10 months

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GHOSTBUSTERS: AFTERLIFE 2021

Hey, remember that summer when we all died under a table?

#ghostbusters #afterlife #2021 #mckenna grace #finn wolfhard #logan kim #celeste o'connor #carrie coon #paul rudd #bill murray #dan aykroyd #ernie hudson #annie potts #sigourney weaver #bokeem woodbine #marlon kazadi #sydney mae diaz

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denimbex1986 · 10 days

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'In Italy, according to American television, the sunlight is always golden, the seas are azure blue, the flora is every shade of green, and the marble statues scattered across city piazzas are always creamy white. Ripley rejects all that. With a chilly, textured black-and-white palette for the boot-shaped country in which con man Tom Ripley (Andrew Scott) reinvents himself, Netflix’s Patricia Highsmith adaptation becomes one of the most conceptual, visually uncompromising TV shows of the year. Steven Zaillian’s version of Ripley is fascinated with the 16th-century Italian Baroque painter Caravaggio, so famed for his use of contrasting light and dark that he spawned stylistic acolytes termed the Caravaggisti. Once the series establishes the comparisons between Tom and the Old Master, it becomes clear that Ripley itself is a kind of Caravaggisti, an experiment in black-and-white that relies on motifs to reflect its central character’s ominous alienation. That approach is thematically appropriate, sure, but it also absolutely rips.

Longtime collaborators Zaillian and cinematographer Robert Elswit engage the eye with reflections, shadows, and patterns, push the limits of the frame with ultrawide compositions and dueling foreground and background images, and go to bat for the discomfiting power of negative space. Every frame of Ripley deepens the series’ emotional disquiet and visual splendor, and Italy has rarely looked this beautiful or cruel. Here, a list of 37 setups, frames, and moments in Ripley that would blow Caravaggio’s mind (and already did mine).

Tom as abstraction, monster, creep? Yes to all! Look at how often Ripley presents him as the the outline of an intruder, dissolving others’ tranquility or secrecy before disappearing into the darkness from whence he came like a specter in the night. The shadows enveloping him as he enters Carlo’s lair of stolen goods is a personal favorite.

“It seemed like everywhere we went there were stairs,” Zaillian said of location-scouting and shooting Ripley. Those flights take on special meaning as Tom moves up and down and up and down in his chase for a comfortable life. The labyrinthine caves of steps he climbs in Atrani to find Dickie isn’t as starkly angular as the apartment staircase he later encounters, but the general idea of Tom needing to move through these spaces to literally and figuratively end up where he wants to be holds, his desire for upward mobility physically rendered over and over Ripley’s eight episodes. And for people who aren’t Tom, the pentagon-shaped stairs Inspector Ravini takes to the morgue for Freddie’s autopsy make it look like he’s descending into Hell.

M.C. Escher’s impact! Ripley’s repetition and refraction — the reality-challenging lines of train-station stairs and post-office boxes, Tom’s reflection in Dickie’s balcony glass doors, the misshapen edges of cobblestone streets — remind us that Tom, trapped within systems of order he’ll need to manipulate in his journey toward becoming a mid-century Narcissus, isn’t who he says he is. The series’ established visual language is so clean and rigid, it’s unsettling when Ripley breaks its own code, as it does when Tom tosses the scarf Marge knit for Dickie over an elevated walkway onto the disjointed stone pattern below. The scarf is an interruption that Tom, and Ripley itself, can’t abide.

Yes, Ripley is in black-and-white. But its gradients are so rich and deep, you can easily imagine the garnet-maroon-scarlet-sangria-rust shades of blood gushing out of Dickie’s and Freddie’s bodies, washed away by Tom in his sink or discarded in his bathtub, and — in the series’ most jarring shot, a rare instance of color — tracked around his apartment building by the cat who knows what Tom’s been up to. The series is also inundated with religious imagery, and there’s a delightfully macabre quality to how Freddie’s body falls with his arms outstretched as if he’s Christ on the cross, a sacrifice Tom has to make to become his desired self.

Italian architecture, it’s neat!

In a series where the main character experiences a sort of epiphany about art, creativity, beauty, and God when looking at the paintings of Caravaggio, the viewer will, of course, have to behold said Caravaggios. Ripley depicts the works, including The Seven Acts of Mercy (ca. 1607), The Martyrdom of Saint Matthew (ca. 1599–1600), David With the Head of Goliath (ca.1605–10), and a replica of 1609’s Nativity With St. Francis and St. Lawrence (the original was stolen in 1969), in a way that reinforces Tom’s own smallness against the large-scale paintings and ancient, holy buildings that house them. He’s a tiny figure absorbing it all, the spaces gigantic around him, the shadows dark and dense. The finale’s flashback to Rome, 1606, where police find Ranuccio Tomassoni’s body and pursue Caravaggio for his murder, is also unbelievably lush with its lighting, particularly in the flickering fire of lanterns and the blood oozing out of Tomassoni’s wounds.

Here’s Ripley taking Caravaggio’s lessons and applying them to itself. Look how the light seemingly appears and disappears out of nowhere, illuminating or darkening its subjects without announcing its source. Tom’s hand, now wearing Dickie’s ring, seemingly floats in shadow, and he glows from within when sitting on the ferry. The light in his imagined face-off against Bokeem Woodbine’s detective streams in from nowhere, an angle later mirrored when Tom hangs up the Picasso he stole from Dickie. An early shower scene in New York City, when Tom is still living at the crummy boardinghouse, gives us both extremes, with the light from the showerhead forming a kind of halo around Tom’s head and the churning water emerging from the shower drain an excess of murk. It’s striking and unnerving, which is basically Ripley’s whole thing.

Tom is always grasping, watching, reaching, his want communicated best in moments that maximize the rule of thirds. Ripley ends by asking us, “Who is Tom?”, and these images, with their visual emptiness and loaded yearning, are an unforgettable answer.'

#Ripley #Netflix #Caravaggio #Steven Zaillian #Robert Elswit #Freddie Miles #Bokeem Woodbine #The Talented Mr Ripley #Patricia Highsmith #Atrani #Inspector Ravini #Carlo #Dickie Greenleaf #Marge Sherwood #Andrew Scott

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blkinfilm · 13 days

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Jason’s Lyric (1994)

Instagram: blkinfilm

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gameofthunder66 · 19 days

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Fargo (2014- ) tv series

-(started) watchin' Season 2- 4/9/2024- on Hulu (FX)

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oceanusborealis · 1 month

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Halo: Halo and Season 2 – TV Review

TL;DR – It was a season of highs and lows, but it ended in a wave of potential. ⭐⭐⭐⭐ Rating: 3.5 out of 5. Disclosure – I paid for the Paramount+ service that viewed this episode. Halo Review – Well, we have reached the end of Halo’s sophomore season, and oh, do I have a lot to say. It was a wild swing from impressive to frustrating as we both rose above the mess of Season One while also…