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toyshrine · 2 years

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1970s Knickerbocker/Bobbs-Merrill Raggedy Ann and Andy Pop n Squeak

#70s #knickerbocker #Bobbs-Merrill Co #bobbs merrill #raggedy ann #raggedy andy #pop and squeak #rubber toys #vintage toys #antique toys #toywave #toycore #kidcore #toycommunity #etsy finds #uploads

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garadinervi · 2 years

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Howard Zinn, Postwar America: 1945-1971, The Bobbs-Merrill Company, 1973 [then South End Press, 2002; Haymarket Books, 2013]. Design: Starr Atkinson

#graphic design #history #book #cover #book cover #howard zinn #starr atkinson #bobbs merrill #south end press #haymarket books #1970s #2000s #2010s

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basicallyanotherwitchesthing · 13 days

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Arlene Dahl's Lovescopes - Bobbs-Merrill - 1983 (design by Harry Chester Associates)

#witches #lovescopes #occult #vintage #astrology #astrological key #more exciting #more fulfilling #love life #love #horoscope #bobbs - merrill #arlene dahl #1983 #harry chester associates

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fitsofgloom · 6 months

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Would You Paint A Pumpkin Smile On My Face, And Call Me A Happy Disgrace?: I still love this Halloween special with its unclaimed Jack-o'-Lantern weeping forlorn tear-seeds atop the hill overlooking town, the kindly trio of rag dolls taking it upon themselves to deliver him from his plight and into the hands of an equally-despondent boy. This arrived two years after the dolls' wonderfully trippy musical feature film, debuting in prime time on Halloween night of 1979 and airing regularly thereafter into the early '90s, the special and the film having since descended into the video vortex, The Raggedies becoming more akin to collectible antiques than popular toys.

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#raggedy ann and andy and the pumpkin who couldn't smile #halloween special #bobbs-merrill company #tv guide #cbs #1979

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weirdlookindog · 1 year

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Gaston Leroux - The Phantom of the Opera (The Bobbs-Merrill Company, 1911).

Illustrated by Andre Castaigne.

#gaston leroux #andre castaigne #the phantom of the opera #horror books #mystery books #illustrations #horror art

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balladofsallyrose · 5 months

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Dennis Hopper's collection of owned and gifted books (a few are listed under the cut)

Islands in the Stream (Charles Scribner's Sons, 1970)

Magic (Delacorte Press, 1976)

Sneaky People (Simon and Schuster, 1975)

Strange Peaches (Harper's Magazine Press, 1972)

I Didn't Know I Would Live So Long (Charles Scribner's Sons, 1973)

Baby Breakdown (The Bobbs-Merrill Company, Inc., 1970)

37 (Holt, Rinehart and Winston, 1970)

Presences: A Text for Marisol (Charles Scribner's Sons, 1970)

Little Prayers for Little Lips, The Book of Tao, The Bhagavadgita or The Song Divine, and Gems and Their Occult Power.

Lolita (G.P. Putnam's Sons, 1955)

The Dramas of Kansas (John F. Higgins, 1915)

Joy of Cooking (The Bobbs-Merrill Company, 1974)

The Neurotic: His Inner and Outer Worlds (First edition, Citadel Press, 1954)

Out of My Mind: An Autobiography (Harry N. Abrams, Inc., 1997)

The Savage Mind (University of Chicago Press, 1966)

Alive: The Story of the Andes Survivors (J.B. Lippincott Company, 1974)

The Documents of 20th Century Art: Dialogues with Marcel Duchamp (Viking Press, 1971)

The Portable Dorothy Parker, A Portrait of the Artist as a Young Man, I Ching, and How to Make Love to a Man.

John Steinbeck's East of Eden (Bantam, 1962)

James Dean: The Mutant King (Straight Arrow Books, 1974) by David Dalton

The Moviegoer (The Noonday Press, 1971)

Erections, Ejaculations, Exhibitions and General Tales of Ordinary Madness (City Light Books, 1974)

Narcotics Nature's Dangerous Gifts (A Delta Book, 1973)

The Egyptian Book of the Dead (Dover Publications, 1967)

Tibetan Yoga and Secret Doctrines (Oxford University Press, 1969)

Junky (Penguin Books, 1977) by William S. Burroughs

Weed: Adventures of a Dope Smuggler (Harper & Row, 1974)

Alcoholics Anonymous (Alcoholics Anonymous World Services, 1976)

Skrebneski Portraits - A Matter of Record, Sketchbooks of Paolo Soleri, and High Tide.

Raw Notes (The Press of the Nova Scotia College of Art and Design, 2005)

Le Corbusier (Heidi Weber, 1965)

Henry Moore in America (Praeger Publishers, 1973)

Claes Oldenburg (MIT Press, 2012)

Notebooks 1959 1971 (MIT Press, 1972)

A Day in the Country (Los Angeles County Museum of Art, 1985)

Album Celine (Gallimard, 1977)

A Selection of Fifity Works From the Collection of Robert C. Scull (Sotheby Parke Bernet, Inc. 1973)

Collage A Complete Guide for Artists (Watsun-Guptill Publications, 1970)

The Fifties Aspects of Painting in New York (Smithsonian Institution Press, 1980)

A Bottle of Notes and Some Voyages (Rizzoli International Publications, 1988)

All Color Book of Art Nouveau (Octopus Books, 1974)

A Colorslide Tour of The Louvre Paris (Panorama, 1960)

Dear Dead Days (G. P. Putnam's Sons, 1959)

Woman (Aidan Ellis Publishing Limited, 1972)

The Arts and Man ( UNESCO, 1969)

Murals From the Han to the Tang (Foreign Languages Press, 1974)

A (Grove Press Inc., 1968)

Andy Warhol's Index Book (Random House, 1967)

Voices (A Big Table Book, 1969)

Another Country (A Dell Book, circa 1960s)

On The Road (Signet, circa 1980s)

#dennis hopper

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thebeautifulbook · 3 months

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THE PORT OF MISSING MEN by Meredith Nicholson (Indianapolis: Bobbs Merrill, 1907) Illustrated by Clarence F. Underwood.

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#beautiful books #book blog #books books books #book cover #books #vintage books #illustrated book #book design #edwardian

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undergroundbillions · 5 months

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Goodmorning everyone! Have I got a treat for you today:

Some Raggedy Ann licensing material! Post 1/2 (second half here) Source: ebay

Fig 1: Character Merchandise Directory & Letter from The Bobbs-Merrill Company Inc. - Director of Character Licensing

Fig 2: Raggedy Ann & Andy a Musical Adventure lineart & Call Us promotional flyer

Fig 3: Raggedy Arthur & Raggedy Ann Black & White Licensing Slicks

Fig 4: Raggedy Ann & Andy Color Licensing Slicks

#raggedy ann #raggedy andy #chuck jones #raggedy ann and andy in the great santa claus caper #raggedy ann and andy a musical adventure #raggedy ann and andy #raggedy ann & andy #raggedy ann wiki

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cosplayinamerica · 7 months

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Anime conventions and their Yamato roots

by Dave Merrill

“Conventional” (ha ha) wisdom says that the first American convention devoted to Japanese animation was Project A-Kon 1990 in Dallas, Texas. This prototypical event was instigated by a group of Texas anime fans gathered under the banner of Star Blazers’“Earth Defense Command,” a Space Battleship Yamato fan club that grew to embrace all of Japanese animation. As of this writing, Project A-Kon is preparing for its 20th show.

But was A-Kon the first anime convention in North America? No. Not even close. For years, we’d seen references and offhand comments about a “YamatoCon” that was held in the Dallas area years earlier. Were these references true? Our crack team of researchers donned their explorer togs, dusted off their pith helmets, and began the harrowing search for enlightenment. Well, to be honest we sent some emails. Here’s what we found…

The first YamatoCon – that is to say, the first American fan convention devoted to Japanese animation – was held on August 13, 1983 at the Harvey Hotel in Dallas Texas. This one-day affair was the brainchild of Mark Hernandez, Don Magness, and Bobb Waller, each of whom had experience in the Dallas comics/SF fandom community and each of whom put up their own hard-earned cash to make YamatoConhappen. Scheduled the next-to-last weekend before school started, Mark Hernandez remembers the planning being as simple as getting commitments from dealers, finding a venue, and setting a date. Yes, it really is that easy to start a convention.

Programming consisted of the first 26 episodes of Star Blazersrecorded off TV, shown in continuous order (minus commercials, of course) and a bonus Yamato film. This 13-hour Journey to Iscandar (“It was a long day,” says Mark) was a primary attraction at YamatoCon, 1983 being a time when VCRs and blank VHS tape were expensive, collections of Star Blazers on video were hard to come by, and the experience of watching Star Blazers outside the morning or afternoon UHF timeslot was a draw in and of itself.

Star Blazers on video wasn’t the only activity, of course. Like other conventions past and future, YamatoCon had a dealers room consisting of 22 tables of for-sale memorabilia. It might sound small by the standards of 25 years later, but we must remember that anime merchandise of the day – what was available in the States, anyway – hadn’t achieved the tidal wave proportions it would reach in the wake of Robotech, to say nothing of the total saturation of the post-Pokemon, post-Sailor Moon years. Anime merchandise in 1983 consisted chiefly of books and model kits. Roman Albums, Anime Comics, black and white manga volumes, the occasional manga weekly, and other publications streaming from Japan in the wake of the Yamato Boom battled for the anime fan dollar alongside model kits from Yamato, Crusher Joe and My Youth In Arcadia…not to mention the endless ranks of giant robot kits from unseen shows like Mobile Suit Gundam, Dougram, Ideon, and something called Macross.Along with the remnants of late 70s super-robot merchandise sold here as Shogun Warriors, the anime con dealers room in the early 1980s was far from barren. In fact, I still waste my money on that sort of stuff.

Also available at YamatoCon were copies of Mark Hernandez and Don Magness’s Star Blazers fanzine Argo Notes. Future EDC officer/contributor, fan artist and “Between Galaxies” author Logan Darklighter won the model contest with, naturally, a Yamatomodel. It proved to be a pivotal day in Texas anime fandom. Approximately 100 attendees and 8 dealers made the show an unqualified success. Don remembers it this way: “I remember we got to the hotel early and set up the rooms, then went out to breakfast. When we got back, there were 3 young men sitting on the front steps, one of them had a convention flyer. Mark asked if they were there for the con, and they said they were. We went inside and out of their hearing range and had a little celebration. 3 people had come! We had no idea that the place would soon be packed.”

A showing of 100 might not sound like a lot in today’s numbers (“that was about 100 more than we expected,” said Don). However, when considered against the attendance at general SF conventions in 1983 – a time when your absolute largest cons MIGHT draw five or six thousand attendees and your typical Dallas or Atlanta comic book show maxed out at three – YamatoCon‘s ability to nail down that many dealers and customers is commendable.

The show’s importance went beyond the one day; people across Texas and indeed, across fandom as a whole, who were unable to attend or who heard about it after the fact were spurred into action by the mere fact of YamatoCon‘s existence. That such a thing could happen – that Americans could organize and hold a successful anime convention – was both revelation and reassurance. Anime fandom was going to be more than just a video room grudgingly tacked onto the local Star Trek show or a half-page of merchandise in the back of the latest issue of Fangoria.

READ THE REST HERE https://ourstarblazers.com/vault/317/

#Fandom history #anime fandom history #convention history #con history #anime cons #Yamato Con

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sassafrasmoonshine · 5 months

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Ethel Franklin Betts (American,1880–1956) • Little Johnts's Christmas • Illustration to While the Heart Beats Young by James Whitcomb Riley • Bobbs Merril Co. • 1906

#illustration #art #illustrator #ethel franklin betts #botany book illustration #early 20th century illustration #golden age of illustration #american illustrator #kid lit #children's literature #children's illustration #children's books #sassafras & moonshine blog #illustration blog #art blog

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eve-pie · 1 month

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They're just ragdollys happy and smiling all day!

Raggedy ann and Patches Bashful!? i didn't know the playfellow workshop and the Bobbs-Merrill Company (owners of the musical) would collab like this!

#raggedy ann #patches bashful #welcome home puppet show #raggedy ann and andy #welcome home oc #welcome home #digital illustration

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toyshrine · 2 years

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1944 First Date Paper Dolls

#40s #Bobbs-Merrill Co #merrill #paper dolls #vintage toys #antique toys #toywave #toycore #kidcore #toycommunity #etsy finds #uploads

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garadinervi · 1 year

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Black Nationalism in America, Edited by John H. Bracey, Jr., August Meier and Elliott Rudwick, «The American Heritage», The Bobbs-Merrill Company, Indianapolis, IN and New York, NY, 1970. Cover design by Andrew Kner

#graphic design #history #historiography #book #cover #book cover #john h. bracey #august meier #elliott rudwick #andrew kner #bobbs merrill company #1970s

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alphaman99 · 9 months

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Guy C Stevenson

(Search> JUST THIRD WAY or the CAPITAL HOMESTEAD ACT)

OWN or be OWNED

“The advantages of this system are many. It would make class struggle which communism tries to incite, irrelevant. A man is willing to sit down on someone else's tools, but he is not willing to sit down on his own. Labor will be interested in capital when individual workers have a capital estate to defend.

Secondly, there would be a greater abundance of the fruits of the earth. Men work harder and more readily when they labor on that which is their OWN. Thirdly, it would make men less susceptible to foreign ideologies and the wild promises of revolutionaries, for no man would exchange his country for a foreign land if his own land afforded him the means of living a tolerable and happy life. Fourth, it is the intelligent answer to Socialists who want to break up capitalism: this solution is in favor of breaking it down.

Instead of concentrating wealth in the hands of a state administered by a few bureaucrats, the humane way is to distribute that wealth to those who created it. Communism advocates giving all productive property to a dictator; Christians advocate sharing it with the workers.

The capitalist solution is to allow one man to own most of the hens and turn to distribute eggs to workers who prepare the nests for him. The Communist solution is putting all the eggs into the hands of the dictator cook, who makes an omelet which is bound to be unsatisfying because not all the people like omelets, and some do not like the way the dictator cook prepares them anyway. The Christian solution is to distribute the hens so that every man can cook his eggs the way he likes them, and even eat them raw if that is his definition of freedom.

By distributing a wide mass of property owners throughout a country with their scattered powers, privileges and responsibilities, one creates the greatest resistance in the world to tyranny either political or economic, for just as a man is free on the inside because he can call his soul his own, so he begins to be free on the outside, because he can call things his OWN. Then property becomes what it was always intended to be -- the economic guarantee of human liberty. Deprive a man of his right to fashion things according to his own will, and you deprive him of the social basis of his freedom.

The Church is asking only that men begin to think of property as they might of love, in the sense that to possess means also to be possessed. One is not possible without the other”

~ Fulton J. Sheen; COMMUNISM and the CONSICENCE of the WEST, 1948. The Bobbs-Merrill Co., (PAGE 129 -130).

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rhianna · 1 year

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