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#beyond evil kdrama
asoftepiloguemylove · 4 months
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LET'S PROVE THERE'S A RELIGION IN OUR LOVE // DEVOTION IN BEYOND EVIL
Leah Horlick For Your Own Good (via @geryone) // 괴물 Beyond Evil (2021) dir. Shim Nayeon // Fleurie Love and War // Sean Glatch "Caffine, Pt. 1," 4:41 // 괴물 Beyond Evil (2021) dir. Shim Nayeon // Madeline Miller The Song of Achilles // pinterest // Fall Out Boy Hum Hallelujah // 괴물 Beyond Evil (2021) dir. Shim Nayeon // Maggie Stiefvater Call Down the Hawk // 괴물 Beyond Evil (2021) dir. Shim Nayeon // Alexander Blok "I Leave the Tiresome Noise and Clamor," The Selected Poems of Alexander Blok // Mitski I Don't Smoke // 괴물 Beyond Evil (2021) dir. Shim Nayeon // pinterst // Taylor Swift marjorie
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justsmth2 · 1 year
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my eyes can't cry anymore bc I cried everything watching this show
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dearblvecat · 7 months
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greatdisaster · 1 year
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i love my 6'2" baby boy oh ji hoon
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alisonlynnart · 2 years
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Returning home after a long day
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last-of-the-jaded · 1 year
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Foolhardy recklessness to kickstart change, just the way Hyung taught him
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riverspond · 11 months
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the flashback scene when dongsik realizes minjeong is fully dead ohh theyre sick
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daphnedelightedsblog · 5 months
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film-in-my-soul · 2 years
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Slightly stupid Beyond Evil JWDS AU
Basically, it's a Beyond Evil/Hotel Del Luna crossover. Joo-won is Chan-seong's grandson (or great-grandson) and is now also the Human manager for Hotel Blue Moon and somehow Dong-sik finds the place. Either because he's looking for it or because he got into an accident and was guided there, though he's not dead. When he realizes what the place is he immediately thinks he can finally get answers for Yu-yeon's death.
Obviously, Joo-won is not only suspicious of how Dong-sik keeps coming back to the hotel when he isn't dead, but also because some of the ghosts seem scared by him. This leads Joo-won to think Dong-sik might have had a hand in their deaths and of course, he's not getting any answers because it's Dong-sik.
The new hotel ower is basically like "you deal with it" and Mago is no help either, having a hand in it all.
IDK. Just food for thought.
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teafiend · 1 year
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I came to Beyond Evil with biased eyes, and surprisingly, despite how amazing the show was, from the cast/performances, characters, writing, plot/twists, cinematography/visuals and a few of its OST tracks, those biases were still at work, and the show did not manage to engage my tears and/emotions as anticipated. Besides my personal biases at work, I think the intense plot/twists were quite a bit of a distraction in terms of emotional investment (for me). I was on my metaphorical toes in terms of who could be involved, and was hesitant to pick favourites until at least more than halfway through the show. While the first half was fantastic in its twists, I could enjoy the second half more, when it was much clearer what’s up and it was more about the journey towards the ending.
(A rewatch would likely result in more emotional investment in the characters and show, but am mostly interested in my rare pair fanvids from the show at the moment).
I was watching the final leg of “Nobody Knows” while marathoning BE, and while BE is undoubtedly the superior production and show, I find myself “liking” Nobody more than BE at times. (NK is a great show too but from more “objective lenses”, BE is certainly on a “higher level”). Just goes to show that being able to invest in a favourite character(s) made for a very different viewing experience. And I prefer that NK had more slow, quiet character moments which were not upended by another twist, unlike BE. The pacing for the plot twists in both shows were solid but the turns in BE had more urgency, which made for better suspense and thrills, locking in interest for more. As a thriller/mystery, BE truly aced in the writing and direction, but I simply preferred NK for its periodic small, calm moments.
In a way, I would say BE is similar to “Nirvana in Fire” for me. A magnificent story/production/show with memorable characters, performances and writing, but could only at most engage my mind and a minor part of my heart, not consume it.
Perhaps I felt some of the dramatic scenes in BE were made for the shock/twisty factor, so the “melodrama” felt more forced to me. I know these type of scenes and effect work with many people, just unfortunate that I don’t often derive much emotional poignancy from them. Often, they just felt cheesy. This is less a criticism of the choices taken by the show than an indictment of my own preferences. (Or maybe I just have less tears for shows like these nowadays).
Shows like “Signal” and “When the Camellia Blooms” were major tearjerkers (heavy blues for a period too) for me, while “Missing”, “Nobody Knows” and “Beyond Evil” were quite mid. I expect the shows were also written and produced/shot with certain desirable emotional effects in mind, and certain elements resonated more with me than others, through no fault of the writing, characters and/or performances.
Despite my own feelings - or lack thereof - for these particular shows, there are no doubts that all are fantastic productions worthy of the time spent on them. With regards to BE, while I didn’t “feel” the hype, I certainly did get why it received the praises it did. The storyline, performances/characters etc were quite mind-blowing, and the twist and turns kept me glued to the screen even when I found some of the interactions between the characters a tiny tad tedious.
As for the finale, I definitely enjoyed Nobody’s more than BE because NK gave more time for a satisfactory peace at the end for its main protagonist (and side characters). BE did show a satisfactory “epilogue” of sorts too, but I wished it was a bit longer.
Could not deny that “climatic scenes” don’t work their magic all that much on me nowadays either, but that’s really a me problem. After all, even the much touted climax for “The Guest” (a favourite) did not resonate with me as much as the small, mundane character moments did (which I have rewatched numerous times vs the ending). Most significantly, I suppose, is the much more pronounced bias I have with shows nowadays. Men-fest, their pain/conflicts and “bromance” bore me to no end, unfortunately, and I would venture to say that that was likely the biggest problem with NiF and BE for me, in terms of emotional receptivity. Without that few outstanding - and beloved female characters - in both shows, i.e. Consort Jing and Yoo Jae Yi (and the few others), they would not have managed to engage a part of my heart.
Hence the reason for my “preference” for Nobody Knows. Cha Young Jin has all my love and following her journey of justice and “healing” was satisfying. Yoo Jae Yi (and a lesser extent Oh Ji Hwa) captured my attention and emotions in BE, but they are not the main characters, resulting in little emotional engagement. All the characters in both shows were memorable and fascinating, but you simply love who you love.
All said, Nobody Knows and Beyond Evil were both amazing shows deserving of their accolades, and I was very glad to have completed both (in time to welcome 2023).
(Looking forward to a few days of fangirling and simping over Cha Young Jin and Yoo Jae Yi ❤️‍🔥⭐️)
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justsmth2 · 1 year
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not acab ;)
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greatdisaster · 1 year
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officer fox and inspector rabbit 🦊🐰
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alisonlynnart · 2 years
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I keep drawing jwds studies to try and get better at understanding their features. Also they’re so much fun to draw, so :’)
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last-of-the-jaded · 1 year
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To become a monster
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guemul · 2 months
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#proud bi icon
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daphnedelightedsblog · 5 months
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