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#becoming elizabeth 2022
agrippinaes · 2 months
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I know you like to think yourself a victim. I know you like to think that I am raised up, while you are trodden down. But you could choose a quiet life, and you do not. You choose this. You are no victim. No. I am a Tudor. ALICIA VON RITTBERG as Elizabeth I in BECOMING ELIZABETH
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cesareeborgia · 2 years
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↳ elizabeth tudor in ‘becoming elizabeth’ trailer (2022)
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thetudorslovers · 2 years
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After her return to Hatfield, Elizabeth maintained a dutiful correspondence with her brother. Edward asked to have a portrait of her, and complying with this request she wrote somewhat sententiously: "For the face, I grant, I might well blush to offer; but the mind I shall never be ashamed to present. For though from the grace of the picture the colours may fade by time, may give by weather, may be spotted by chance; yet the other nor time with her swift wings shall overtake, nor the misty clouds with their lowerings may darken, nor chance with her slippery foot may overthrow. Of this, although yet the proof could not be great, because the occasions hath been but small; notwithstanding, as a dog hath a day, so may I perchance have a time to declare it in deeds, where now I do write them but in words. And further I shall most humbly beseech your Majesty, that when you shall look on my picture you will witsafe to think, that as you have but the outward show of the body afore you, so my inward mind wisheth, that the body itself were oftener in your presence."
In spite of her bodily absence, Elizabeth kept a close watch on her interests. During the first half of 1550, possibly as a result of her Christmas visit, her financial position was put on a firmer footing when the King, in fulfilment of Henry VIII’s Will, formally granted his sister lands to the value of £3000 a year. But when Elizabeth discovered that Hatfield was to be given to the Earl of Warwick she protested vigorously. The old palace, once the property of the Bishops of Ely, pleasantly situated on a wooded hill with the River Lea winding through its grounds, is traditionally associated with Elizabeth’s girlhood, and, although until now she does not appear to have spent more time there than at the other royal manors in the Home Counties, she seems to have had a special affection for it. At any rate, she was not prepared to give it up without a struggle. On 22 June it was recorded in the minutes of the Privy Council that: ‘Where the Lady Elizabeth’s Grace desired to have the house, parks and lands of Hatfield of the Earl of Warwick she to have the same in exchange for as much lands of hers in value again to the said Earl.’ The princess relinquished a manor in Lincolnshire and everyone, presumably, was satisfied.
Source: 'The Young Elizabeth', Alison Plowden, History Press, 2011.
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dresshistorynerd · 3 months
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Ranking Men's Costumes in Renaissance Period Dramas - Part I: The Bad
Part II: The Good
I have a bone to pick with Renaissance costuming of male characters. Films and TV never seem to understand French hoods or the concept of tied up hair but the crimes committed with female characters costuming seem to pale in comparison with those committed with male characters costuming. It would be easy to find some atrocities that should be brought in front of the Hague from the bottom of the barrel shows like Da Vinci's Demons and Reign, both of which costuming is basically black leather jackets, pants and boots. If we're lucky, they have some vaguely Renaissance details imitating doublet or jerkin. But these shows make absolutely no effort, even the women's costumes are straight from modern fast fashion shelves (often literally). But I have noticed that even costuming that has some effort otherwise put behind it, still costumes male characters with the most boring costumes and minimal effort. The Tudors didn't have good costumes, but there's some effort towards historical immersion, even if quite lackluster, but the men's costumes are still so sloppy.
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My theory is that they think men's Renaissance fashion was too goofy and embarrassing to fit their cool and sexy main male characters. Also men dressing up and taking care of their appearance? That's obviously homosexual behavior, and these hot men who the main female characters are fawning over are Manly and Heterosexual. So they don't dress up in fancy clothing or colour!
To give a fair change to the costuming, I will be selecting only shows and movies which have good costuming for the female characters. If they are not even trying, it feels kinda pointless to point that out. I have selected 10 period dramas. I haven't seen all of them so I'm not going to analyse the costuming any deeper than how good and well made they look and how well they evoke the historical setting. I don't demand historical accuracy, but I will be more harsh on that front if the women's costumes are succeeding in that. But one of the point of period dramas is to immerse into a historical setting, so if the costumes can't evoke that feeling, I think they have failed. Obviously this is not some objective ranking, but my opinions. This is in two parts (because of Tumblr image limits), so I'll start with the five worst costumes in order of best to worst.
5. Ever After (1998)
Ever After is supposedly set in Renaissance France, but the costuming resembles late 15th century and early 16th century Italy much more. It's not very historical, and clearly not really trying to be, going for more of a fantastical style. It works, I think because they make it cohesive and very pretty.
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Men's costumes resemble also resemble Italian styles. The Lombardian style sleeves, short doublets and tight pants land it right there. The men's costumes are much more boring than the fun and fantastical women's costumes, but they got the least worse spot in this worst costumes list for several reasons. The pants are actually tight and they have codpieces. The sleeves are actually really great I love them. And there's no leather pants or doublets.
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And look at this, at least one doublet is closed with lacing!! (I apologize for the very low image quality, it was the only picture I found of that costume.)
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The biggest gripe I have with the costumes are the boots. Just let these male characters show of their calves. At least not everything is black but the lack of colour is still disappointing too.
4. Becoming Elizabeth (2022)
The female characters have quite excellent costuming. The fabrics are rich and gorgeous, the bodices are extremely smooth and crisp, some of the best I've seen, partlets are on point and correctly used. My only complained is the occasional open hair and yet another case of the weird upward pointing crown-like French hoods.
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French hood didn't have any crown shaped thing, it was a hood and the headpiece is actually several headpieces made to reveal the lining of the hood in a crescent shape. So it is very much flat against the head. (I've written about French hood's construction before.) And sure they look more early Tudor fashion, the sleeves should be much more dramatic and the bodice elongated. Like here's a portrait of the actual young Elizabeth. But I think the detailing, great construction and good looking materials make the costuming beautiful and feeling enough like Tudor era.
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So how does the men's costuming hold up? Pretty okay, which is why this show is so high up in the list. I haven't seen any leather pants on anyone. Leather jerkins were an actual thing, they just weren't black, and though the leather jerkin in the show was dark brown and not smooth hide, it was not black so that's something. Edward VI does have actual stockings and Renaissance shoes, which is great, but he is a kid and I didn't see any grown man rocking that style which is very cowardly behavior imo. There's some colourful silk jerkins in there too. And they even could get away with all black since that was very fashionable at the time. They are all wearing slashed trunk hose. AND! They have actual accurate codpieces sticking up! That is so rare especially in this period when the codpiece was not just a flat piece of fabric.
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Unfortunately this is where the good things I have to say end. All of these court people are for some reason wearing riding boots inside and everywhere all the time. The hose are way too long and the jerkins are way too short. The hose should be just peaking under the hem of the jerkin. Obviously none except the kid uses thigh high stockings. One of the worst things though imo is the lack of structuring in the men's costumes. The women's costumes are so well structured, but the men's costumes are just wet rags hanging on them? The doublets were heavily structured to create a pigeon chest and hourglass effect.
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In conclusion, there's clearly some effort made, some very nice historical details, but the overall look is very costumy and sloppy because of the lack of structuring and lacks the historical silhouette.
3. Mad Love (2001)
The movie is set around 1500 Neatherlands (and Spain). I think many of the costumes are gorgeous (like the examples below), though overall the costuming is quite inconsistent. Most of it fits at least okay to the time period and setting, though the red dress here is more along Italian styles, but not entirely off either for early 1500s Low Countries. Some costumes though are 50 years from future. Of the women's costumes alone, this would probably be the worst costuming on this list, though I think better than most Renaissance costuming, which is why it still ended up on this list.
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The men's costumes resemble more early 16th century German fashion than Low Countries fashion, which was more similar to French fashion than German. In the red ensemble there's some weird jerkin looking overgarment, but jerkins were not a thing yet and they were never in this style. I will excuse the lack of codpiece since in Low Countries' fashion it was hidden under longer overgarments, even though in this more German style it would have been left in view. The hose are no where near fitted enough, and the boots should not be here at all. Overall this is kind of a mess, but it is better than the last two. We have skirt, we have weird sleeves, open neckline and most importantly, we have colour. Also while this shoulder-length curly hair wasn't in fashion outside Italy at the time, I still appreciate the sluttiness of it.
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2. The Borgias (2011-2013)
Now we are getting to the territory, where the lack of effort is starting to be very obvious. Like the costumes till now were not particularly good, but clearly they at least attempted, even if not very hard. So, The Borgias. The show is set in the early 1500s Italy. The women's costumes are gorgeous. Not always the most historically accurate, but at least close enough and very pretty.
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The men's costumes however... a deep sigh. Some of them are not that bad, like this first one has kinda Lombardian sleeves and a too small doublet showing off the lacing (in Italy the lacing was almost always ladder-lacing though regardless of gender, but it's something I guess). Most of it though, especially of the leading men, who are supposed to be cool and hot, is absolutely garbage. The same black leather jackets and pants seen in the bottom of the barrel shows. Like the costumes of the female characters and some of the male characters feel like they are from two completely different shows. Like sure they have codpieces, but their pants are so loosely fitted they wouldn't even need the codpieces. (I explain the use of codpieces in this post). And of course they have boots. Of course. In Italy it was even common to not wear shoes at all, they just sewed leather soles at the bottom of the hose. And even the men's costume that have tiniest bit of effort, are so dark and lacking in colour, when the most fashionable young men at the time wore these wildly multicoloured hose and doublets. The feeling I get the showrunners were so god damn afraid of giving the cool male characters any elements or details that could in anyway seen as feminine today, they stripped all the historical elements away. Like they couldn't even give Cesare lacing, they had to make it Manly Buckles?? It's such an insecure performance of masculinity. I admit the last image here is the worst offending example and there were some with a bit of color even, but in other ways most of it is exactly this bad. I will have to hand one thing to them though. They did manage to get the slutty shoulder-length hair right.
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If this man is supposed to be sexy, prove it to me by showing his ass with lovingly fitted hose.
1. Rosaline (2022)
This is roughly set in the same time in Italy too as The Borgias, based on women's costumes, I'd say at the very end of 15th century. And those women's costumes are honestly great. They even have hand-sewn eyelets, ladder-lacing and cartridge pleats. Even some of the most high effort costumes don't get these details right. Honestly I only have issue with the hair, the hair goes from okay or outright terrible. They even made this super historically accurate Renaissance apron for a maid.
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This got the lowest ranking so you know what comes next. The men's costuming is absolutely unacceptable. I feel like it would be excessive to even describe all the ways these costumes fail since to me they are so obviously bad. The difference between these women's dresses with such gorgeously crafted details and these men's costumes that give absolutely nothing is so stark and gives such a massive dissonance. They are just wearing modern skinny-ish pants, all the colors are so muted and dark, there's no shape, no structure, no codpieces, just sloppy bland jackets and pants. Even less effort than men's costumes in The Borgias have. Except one thing they have over The Borgias, they were able to ladder-lace that doublet. Otherwise these are just bland, boring and actively ugly. And it's so weird that they took this "gritty gruff "realistic"" route, when it's a comedy about Romeo and Juliet? You afford to be a little goofy with a comedy and yet you did this.
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Extreme disappointment, do better.
Part II: The Good
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fictionadventurer · 3 months
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Elizabeth Gaskell has the kind of brilliance that makes you forget how brilliant she is until you come back to her work after reading inferior authors. Her type of talent is understated skill that does everything so well that it looks easy.
She has prose that's descriptive without being flowery. Plots that take their time but also keep pulling you along. She writes about everyday life in a way that makes it enthralling without over-romanticizing it. She can take what would be stock characters in the hands of other writers and explore their upbringing and history so thoroughly that they become real, nuanced individuals. And she does it all so simply that you barely even notice how much talent it takes to write like that.
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anatomicalmartyr · 2 years
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we love to see it
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tudorcostume · 2 years
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Elizabeth's Green Riding Gown (Becoming Elizabeth, 2022)
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mustlovemustypages · 2 years
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Yuletide 2022 Letter
Dear potential writer,
I hope this letter finds you well, but if not, then I hope this year’s Yuletide gives you an extra dose of happiness to diffuse these chaotic times. A great story can be the simplest way to turn around someone’s day and make life just a little bit brighter.
Thank you so much in advance for even taking the time to read this and consider writing for me. Due to the new requirement this year of opting in with treats, know that I am open and grateful for any that you may choose to write.
Below are my desired fandoms/pairings and story ideas, but please don’t feel stifled by the prompts. I’ve also listed my general likes and dislikes at the very bottom if you decide to go a different route.
Alpha and Omega by Patricia Briggs:
Characters: Leah Cornick and Bran Cornick
The world Patricia Briggs has created with Mercy Thompson and Alpha and Omega is ever-growing and continues to astound me with its complexity. It feels so real and has such a lush history that every surprise revelation is both shocking and simultaneously feels very organic to the story. I think the urban fantasy/paranormal aspects are handled very well, especially the werewolf dynamics and rules that Briggs has created.
One of the biggest shocks to me from the Alpha and Omega companion series is how much I’ve come to love Leah. I, like most readers, absolutely hated her when she was introduced in the Mercy Thompson books. But as we’ve come to learn more about her backstory and her relationship with Bran, I have a new level of understanding of why she is the way she is. She is so much stronger and more nuanced than I would have ever believed her capable. And while I still like Bran, he’s also a much more flawed person than I'd originally thought. I realize there are a lot of books in this world, so don’t worry about spoiling anything with your potential story. You can include as much or as little of the newer books as you’d like. I’m also going to keep my prompts relatively simple for this pairing. I only ask that Leah and Bran are not broken up. If you’d like to just write them in an adventure story without any romantic elements, that’s totally fine. I would like them to remain together, though.
Story ideas:
What are the dynamics like between Bran and Leah now that he knows more about her past? How has his understanding of her personality and actions changed with these revelations
For a long time, Bran and Leah were together without really being “together” in the emotional sense. I’d love to see them learning more about each other and falling in love all over again.
Leah is constantly full of surprises. What is something that she does that surprises Bran and/or the pack (preferably for the better), and how do they react?
While some of the more recent books have focused more strongly on Leah and Bran than in the beginning, I’d still not consider them the main characters so we don’t always get to see the full fallout of all their storylines. Taking any of the major plots involving them and giving their perspective or showing what happens later would be wonderful.
Becoming Elizabeth (TV 2022):
Characters: Elizabeth I of England and Robert Dudley 1st Earl of Leicester
There is so much that we don’t know about the inner workings of the Tudors. What we do know, though, is absolutely riveting. Who doesn’t love stories of royalty and betrayals and struggles for power? In a world that was dominated by men, Elizabeth I being a queen in her own right is part of what makes her so fascinating. Her refusal to marry just adds to the intrigue of what was going on in her mind during all of these important historical events that we only get glimpses of in books.
Becoming Elizabeth is the first show I’ve seen that dedicates so much story to the early years before Elizabeth even takes the throne. From feeling estranged from her only remaining family to being emotionally manipulated by a man twice her age, she is portrayed as such a flawed yet sympathetic character. The only ocassions where we see her actually act her age and be herself are when she’s with her friend, Robert Dudley, the only one who was truly on her side. We don’t know exactly what happened between the real life Elizabeth and Robert, but with the fictional show versions I wish circumstances were different and they could have found a way to be together. If you prefer them as just very supportive friends, most of the below prompts should still work, I would just ask little or no focus be placed on Robert's two marriages.
Story ideas:
I'm crushed we won't be getting future seasons to see Elizabeth take the throne. I'd love to see a story exploring the progression through her brother's death and sister's ascension to her finally becoming queen. How does Robert support her during any/all of these moments?
Even though I knew she was going to decline him, I still wanted to reach through the screen and shake some sense into our future queen when she turned down Robert's proposal. We know from history that Queen Elizabeth was plenty successful without a man at her side. But it doesn't make someone weak to want to be loved. What could have happened if the proposal was accepted?
I found the scene in episode 8 where Edward Seymour apologizes to Elizabeth for not stopping his brother's inappropriate actions very refreshing as we so rarely see in historical dramas any acknowledgment that these predatory behaviors are wrong. We even got an indirect acknowledgment from John Dudley when he was reading Kat's account of Elizabeth's treatment. It would be interesting to see how Elizabeth's perspective of Thomas Seymour and what he did shifts over time. We can assume that Robert knows some of what happened, but his realization that he may have gotten some of it wrong, reaction to the truth, and support to Elizabeth's emotional recovery would be a nice addition as well.
Political machinations and all of the scheming are part of what make these dramas so fun to watch! Departing from some of my more serious story ideas, I want to throw in a suggestion of just something bantery and tropey. Fake dating for political gain with ultimately friends to lovers! Throw in humorous exasperation from Edward Seymour and John Dudley who don't know how Elizabeth and Robert are so oblivious.
Fate: The Winx Saga (TV):
Characters: Riven and Musa
Despite this show’s flaws, I became instantly enamored with it. Season 2 was an improvement over season 1 in some ways, and a regression in others. One of the main positives that came out of the second season was more interactions between Musa and Riven. I was sold on them from their single (I think?) scene in the first season, and even though they still didn’t have a lot more screen time together, what they did have was *chef’s kiss*.
These two are so natural together and you can see that they genuinely enjoy being in each other’s presence. In season 1, they gave off more enemies-to-lovers vibes and I expected more of the same this season, which we got with their banter and butting heads over Musa’s specialist training. However, I was shocked by how soft Riven could also be with Musa from their discussion of Musa’s lost powers to the image of Riven carrying her prone form after battle. I’m so hopeful for another installment so we can get more relationship development and more of their insane chemistry!
Story ideas:
Episode 5 was a gift sent straight down from heaven. From Riven's pleased expression when we "saves" Musa from Terra's ministrations, to him trying to figure out what's bothering her when they're fighting, to him sitting down with Musa when she's stuck on the track and having a heart-to-heart... I want more soft Riven protecting Musa from her well-intentioned friends and having the serious conversations that need to be had. Whether it's about her not wanting her powers back in season 2 or her learning to cope with them next seadon (or something else entirely!).
It was no mistake the way the ending scenes of the second season were set up, with each fairy being comforted by a loved one. And of course Musa's comforter was in the form of Riven bring her the magic-supressing bracelets and them practicing together. We see you writers... Training sessions are practically their love language at this point. As they start to recognize their feelings for each other, what sorts of conversations do they have and what issues do they work out in the middle of a session?
I like to imagine Riven being the proud boyfriend when he hears of Musa's fighting skills coming in handy when reacuing Flora, while simultaneously being angry that she didn't have any back-up in a dangerous situation. Except, maybe as Sky has to remind him, Riven isn't Musa's boyfriend and perhaps he needs to stop being scared and avoiding the inevitable. This could even be set past season 2 when the gang getting Bloom back. There are a lot of opportunities for Riven to be the doting and overprotective not-quite-a-boyfriend.
Any type of enemies-to-lovers story you want to write would be welcome. There is so much potential here for some wonderfully angst-filled scenes! It could be reluctant allies as they work toward a common cause, fake dating to get information on someone, their friends trying to pair them up despite their protests, etc.
The Lord of the Rings: Rings of Power (TV 2022):
Characters: Elrond Peredhel and Durin IV
To get this out of the way first, no, the first season was not perfect, nor was it even "good" at some points. There were many missteps with pacing and characterization. Still, I found myself sitting down each week to watch the newest episode, and I did become increasingly invested in the characters. In particular, I loved when the episodes focused on the dwarves. Durin was an immediate favorite of mine as I found him to have one of the most compelling storylines.
One thing I did appreciate with the direction the show took was the focus placed on Durin and Elrond's friendship. The actors were absolutely convincing in their portrayls of best friends that had been apart for years and were seeing each other again with a lot of history behind them. They were simultaneously heartwearming and hilarious together. Almost all of my laughs and cries were during their scenes, and each week my main wish was just to see more of their interactions and to hope they didn't become estranged. Durin and Elrond have so much going against them, but I think their bond of friendship is strong enough to prevail. I personally only see Durin and Elrond as friends so would prefer nothing overtly romantic between them. If you want to include a romance, I like all of the canon relationships (both within the show and in general Tolkien lore). I just ask that the main focus is on Durin and Elrond's friendship.
Story ideas:
All the backstory! How did their first meeting really go? It seems that Elrond was actually the one to save Durin, but the tale of the trolls sounds like a wild and hilarious time.
Durin was a better friend than I with how quickly he forgave Elrond for missing his wedding and the births of his children. I would have required a lot more groveling. Show me a Durin that is a little slower to forgive and makes Elrond do some crazy things to earn that forgiveness. Or if you want to go really off path here, change up history and have Elrond and Durin reconnect much sooner than two decades (late to the wedding perhaps?).
I truly have no predictions of how closely the show is going to follow canon given the contents of season 1. That being said, I think it would be interesting to see Durin's reaction to the rings being created, his conversations with Elrond about the rings (and perhaps Sauron), or just in general a scene(s) of Durin and Elrond conversing about the events that just took place. If you are familiar with the Tolkien canon and where the story may go, feel free to include pieces as you see fit without fear of spoiling.
All the times Durin and Elrond have supported each other over the years and have been more like brothers than just friends. Could be funny, serious, or both!
Things I don’t like:
Non-Con/Rape/BDSM/Sexual Violence/Graphic Sex – I like my characters to be happy and everything within ships to be 100% consensual, no question about it (mentions of non-con if it occurred in canon is fine). I also prefer plot over porn, especially with one-shots.
OT3s – Two people per romantic relationship, please. Any more than that makes me uncomfortable.
Character Bashing - Unless a character is a bad guy in canon, I don’t want to read hundreds of words about how awful they are, especially if they are one of the characters that I requested. Don’t take it out on the characters. If you hate my pairings, just write gen.
Things I love:
Hurt/Comfort – There is nothing I love more than one character comforting another. The hurt can be physical, psychological, or both.
Happy Endings – I’m all for the realistic endings… but if they could be plausible AND at least happy-ish, that would be amazing.
Expanded Scenes/Contorting Canon – Feel free to expand scenes and change up the canon to your heart’s content as long as it makes logical sense.
Humor/Banter/Snark – I thrive on this stuff.
Bonding/Building Relationships – Whether it be a friendship or a romantic relationship, I adore reading about two people growing closer together. When characters know each other so well that they can have conversations with just their eyes or anticipate the person’s next move (especially if it’s to the surprise/confusion of everyone around them), my shipper heart is thrilled.
Dark to Light - Seeing a character come out of a bad mindset or situation and get better is so satisfying.
Happy writing and I hope you get the Yuletide gift of your dreams!
- Maddy @mustlovemustypages (on Tumblr, Ao3, and FF.net)
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chibigrimmreaper · 1 year
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me? deciding to try watching eight full episodes of a discontinued series released months ago with trite plot and characters just for the costuming? its more likely than you think!
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inllustria · 1 year
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I kind of want to watch Sense and Sensibility or Jane Eyre or Wuthering Heights but then I’ll switch into my 18th to 19th Century Literature Heroine personality and I’m not feeling that right now
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agrippinaes · 1 year
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alicia von rittberg as elizabeth i in becoming elizabeth (2022), episode 4, lighten our darkness
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foryorkandforstark · 1 year
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Worst 2022 series (Top 3)
- Raised by wolves
- Becoming Elizabeth
- Ms marvel
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anealasaid · 2 years
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Pinked
Rating: E Pairing: You/John Dudley WC: ~2400 Tags: Bodice-ripper, reader insert, blatant excuse to thirst over Jamie Parker’s Dad!Dudleyness, sex Summary: You are a noblewoman in service to Queen Margaret de Guise who both made the foolhardy decision to approach the battle at Pinkie Cleugh for a closer perspective and who was promptly snatched up "to be ransomed."   Pity Lord John Dudley finds you rather fetching . . .
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ktheland · 2 years
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i wish I had an inkling of the road they were gonna take for Catherine Parr. Would have saved me an hour of my life.
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glorianas · 5 months
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ALICIA VON RITTBERG as ELIZABETH TUDOR
BECOMING ELIZABETH (2022)
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eobard-thawne · 9 months
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"My heart and my mind and my God and my country all disagree with one another. The story for me here is already writ. I knew it long ago. I always have. And I know the end." MARY TUDOR IN BECOMING ELIZABETH (2022)
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