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#art nouveau painting
the-cricket-chirps · 3 months
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Alphonse Mucha, Waterlily, 1898
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mote-historie · 9 months
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Gustav Klimt, The Dancer, 1916-17 (unfinished), oil on canvas.
Private Collection
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thepaintedroom · 2 months
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Gustave Klimt (Austrian, 1862-1918) • The Old Burgtheater, Vienna • 1888-89• Vienna Museum, Vienna, Austria
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pagansphinx · 4 months
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Gerda Wegener (Danish, 1889-1940) • Femme a la rose rouge • 1928 • Watercolor on paper
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bonehildart · 5 months
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@outlying-hyppocrate sorry I turned you into the piano man. It will happen again.
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Fir Forest by Gustav Klimt (1862 - 1918)
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the-evil-clergyman · 6 months
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The Flower Vendor by Victor Prouvé (1882)
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holmes-ja · 7 months
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The birth flowers of August are Gladiolus and Poppy, symbolising... well, depends who you ask. I'll pick perseverence and imagination.
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kuronekoartsblog · 5 months
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Ineffable Husbands
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shisasan · 1 month
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Medicine, Gustav Klimt, 1907
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vincentbriggs · 6 months
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And another pair of gloves. I'm quite pleased with these ones.
Back to the 1760's Diderot pattern cuff shape this time, and I wanted to try adding some decoration, so I painted art nouveau swirlies around the cuffs using leather dye. (Which is of course not historically accurate, but art nouveau and mid 18th century menswear go together so, so well.) My inspiration was a motif from an 1898 book, which I found on pinterest, and I re-drew it a few times until I had a version that I liked and that fit the glove.
I wasn't sure how to go about transferring the design accurately to the leather, so I ended up making a stencil and tracing it using a very fine tipped pen, then colouring it in with the dye. The dye was very easy to paint with, but putting it in a little dish made it dry out and thicken extremely fast, which was not so good. For the second glove I put the dye in a porcelain thimble, which was better, but next time I'll try to find something even smaller with even less exposed surface area to put the dye in. Or I could perhaps try leather paint instead. I'll have to hold off on wearing these until I've gotten some sort of finishing coating to protect the dye, because it's unfortunately smudged a bit from handling. I did do a sample specifically to test for this and it didn't smudge, but in the sewing up process the gloves got touched quite a bit more than the sample, alas. And it may be partly due to the aforementioned drying out and thickening, which left more dye on the surface.
The leather is lambskin from ItalianSkins on etsy, and they're sewn up using silk yarn that my mother gave me. (With a regular needle again, because the only leather needles I have are too big.)
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the-cricket-chirps · 3 months
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Alphonse Mucha, Au Quartier Latin, 1898
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mote-historie · 1 year
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1902 Henri Gervex (French, 1852-1929), Portrait de Madame de Lorgeril. 
Musée Carnavalet.
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constanzarte · 2 months
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Ferederic Leighton - Crenaia, the nymph of the Dargle; 1880
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pagansphinx · 4 months
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Gerda Wegener (Danish, 1886-1940) • Lili with a Feather Fan
“Once one has found Paris, one cannot imagine living anywhere else. Although I love Italy, when I return and smell Paris, then I am happy.” – Gerda Wegener, 1924
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lindsayvanekart · 1 year
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“Our Lady of New Frontiers, Nichelle Nichols”
My last painting of 2022, and I wanted it to be a painting carrying me into the new year, a tribute to an amazing and inspirational woman.
Star Trek has been a show I have watched since I was a wee one. I started with TNG as a child, but when I finally watched TOS in college, its impact was undeniable, both today and especially during the time it aired.
Although the famous speech says “final frontier”, Nichelle Nichols was a woman leading the way onto new frontiers, a beacon of hope, resilience and possibility. So that is what I wish to carry with me into the new year.
prints can be found through my site: www.lindsayvanek.com
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