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janeofcakes · 4 years

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Keep Your Friends Close and Your Enemies Ten Feet from the Pack: Chapter 3

Hi, Everyone! I hope you’re all still out there and are staying healthy. Hopefully, this will give a little distraction if only for a few minutes. I love you all!!

***

So while you sit back and wonder why, I got this fuckin’ thorn in my side. Oh my god, it’s a mirage. I’m tellin’ y’all, it’s sabotage. --The Beastie Boys, Sabotage

John Watson stands in front of a quaint house wondering what the fuck he’s doing there. It’s been two weeks since his first day in the stadium. Fourteen days since he spoke with Molly Hooper about her suspicions. It has been in the back of his mind ever since as he has read medical records in his office, spoken to the skaters in the exam and training rooms, and even while making dinner or reading a book in his flat. It is especially on his mind while he watches the ladies practice and god, he cannot believe how hard they hit on the track. He has seen hockey players crumple under hits like these and they are covered with pads. Frankly, John is surprised there are not more injuries throughout the year, especially since these are only the practices.

He blows out a breath and takes his hands out of his pockets. John had plenty of chances to change his mind when he looked up the retired doctor’s address and while driving the hour and a half to the cheerful little neighborhood. He is here now. He might as well get on with it.

Striding up to the house, he takes in its white siding and dark green shutters. Many of the windows have boxes containing bright red poppies and small daisies. It’s like it was pulled right from Wizard of Oz and deposited in a Detroit suburb. John steps onto the porch where there is a single wicker chair sitting just to the left of the door and suddenly visions of the stereotypical old man perched on his porch with a shotgun, yelling at children to get the fuck off his lawn pop into his mind. A small smile teases at the corners of his mouth as he directs his attention to the door again and hesitates before knocking. He has no idea what to expect from this man. John glances at the chair again and then knocks firmly. The door opens almost immediately to reveal a man with greying hair and a smile that lights up his whole face. He looks almost joyful. And the epitome of Mr. Rogers, tan cardigan and all.

“I wondered if you’d get up the nerve to knock,” he remarks in a friendly tone. “I saw you drive up from the kitchen window.”

“Um...sorry,” he huffs an embarrassed laugh. “My name is John Watson. I’m looking for Dr. William Wiggins.”

“You found him, and it’s Billy,” the man answers warmly. “What can I do for you, John Watson?”

“Uh...well, I’m not exactly sure,” he cringes, lifting a hand and cupping the back of his neck. “You see, I’m the new doctor for the Detroit Rock City Rollers.”

“Ah, and you want to pick my brain, eh? Some of the ladies are probably different now, you know.”

“Yes, probably, but that’s not what I had in mind, actually,” John bites his lip and wonders how the hell he is going to explain this without sounding insane. He clears his throat and knows exactly how Molly felt. God, what is he even doing here? “I’ve only been here a couple of weeks and I… Molly Hooper...”

“Ahh,” Billy breathes, stepping back from the doorway. “Molly sent you. Come in, John Watson. Come in.”

Moments later, the two men are seated in the living room. John is on the couch and Billy sits in the recliner just opposite. John purses his lips with no idea how to start. To his surprise, the older man beats him to it and cuts right to the chase while he’s at it.

“She shared her suspicions with you.”

“Yes,” John breathes. He swallows and leans forward, sitting on the edge of the couch. “She told me about the accidents.”

“They weren’t accidents, Dr. Watson,” Billy’s voice is stern and his eyes are so intense a pang of discomfort jets down John’s spine. “Every one of those incidents was sabotage.”

“Can you prove that?”

“No,” Billy sighs. John feels himself deflating and he cannot hide his disappointment. Billy shakes his head. “I could easily see there were more injuries than usual. It was as plain as the nose on your face. Didn’t really occur to me that it could be anything other than a series of unfortunate accidents until Molly brought it up.”

John’s eyes are glued to the elderly man and he waits quietly for him to go on. Billy picks up a glass of lemonade from the side table and takes a drink. He had offered John a glass before they sat, but John had respectfully declined. Billy holds the glass in both hands and shakes his head once.

“I was taking a look at her knee. It was a follow-up visit weeks after to make sure it had healed well. She went very quiet when I asked her how it felt. I knew there was something on her mind, but I didn’t say anything,” he shrugs. ”I knew she would tell me when she was ready.”

“She told you it wasn’t an accident.”

“She checked all of her equipment a few hours before the bout. It was all fine, but a bearing came loose and the wheel flew right off,” Billy’s voice is very grave. “Even that could have been coincidence, but her knee pad blew out as soon as she hit the ground. There’s no way. No way in hell.”

“Who were you playing?” John asks.

“The Detroit Demons.”

“There are two teams in Detroit?”

“It’s a big city,” Billy replies. “They are Rock City’s biggest rival. Bouts with them are always the worst and hardest hitting.”

“Were they always playing them when it happened?” John is intrigued.

“No,” Billy places the glass on the coffee table between them. “It didn’t seem to matter who the ladies were playing and that made it harder to find a pattern.”

“Did you consider the possibility that it might be someone skating with Rock City?” John all but whispers. It is a huge gamble. The man might clam up and throw him out at just the suggestion. He had worked with Rock City a long time. He is sure to have plenty of pull with Mrs. Hudson and the staff. One angry phone call about paranoid and insulting accusations could get John fired before he has even started. John waits and watches the doctor for signs of anger that do not come.

“No,” Billy shakes his head. “I can’t believe it of them. Any of them.”

“Did you notice it happening more or less during a certain part of the season? Or in certain places?”

“Not really. It happened every few bouts. Sometimes five in between, sometimes ten. Derby is like hockey, Dr. Watson. There are a lot of bouts.”

“Tell me about it. I saw the schedule for the first time this morning,” John furrows his brow. Attacks on the team with no discernible rhyme or reason leave little room to find the answer to the mystery. How could John find clues where there aren’t any and without Velma Dinkley declaring ‘jinkies’ when one does present itself?

Staring at the lemonade glass on the table, deep in thought, John does not notice Billy studying him closely. The older man wears a thoughtful expression. He is learning as much from and about John as the doctor is from him.

“I’m sorry. I wish I could be of more help,” he says finally.

“I think you can,” John replies, meeting the man’s eyes again. Billy tilts his head curiously. When John speaks, his voice is low and deadly serious. “Molly mentioned poison. She said you were poisoned.”

Billy’s expression darkens and he nods slowly.

“She really has put her trust in you,” he says quietly. “Yes, I was poisoned. I made sure everyone was told it was a bad case of food poisoning to avoid panic, but a couple of them knew what really happened. They could tell.”

“Molly was one of them.”

“Yes.”

“And you didn’t tell anyone else?”

“No,” he answers plainly, averting his eyes to the table for a moment. “I retired and moved on. That’s what whoever did it wanted and I’m too old to deal with that shit.”

“So they still don’t know?” John asks, incredulous. “Didn’t you think one of them might be next?”

Billy leans close and stares into John’s eyes. John follows suit, anxious to hear Billy’s next words. Knowing the risks, how could this man keep such a secret?

“Someone wanted me out, Dr. Watson. I was the clear target and there was no sense worrying the team. Yes, there were accidents, but only with minor injuries. I had no reason to believe anyone was in mortal danger.”

“Does Greg know at least?”

“Molly knows.”

“Jesus,” John runs a hand through his hair and lets out a long breath, “someone else should know. Greg or Mrs. Hudson. Someone should be watching out for more accidents. Molly can’t do it while she’s on the track.”

“You know now,” his words silencing John. “Now you can help Molly find out who’s doing it and then prove it. I have the tox report, but it isn’t much good without a suspect and proof.”

“What was it?” John asks after puffing out an almost flustered breath. “What did they use?”

“Cyanide.”

John’s brows raise as he blinks in disbelief. He leans back on the couch for the first time since he sat. He turns everything around and around in his mind, trying to put it all together in a way that makes sense. Who would target the Rock City players and their doctor, especially their doctor? Another team? Why? The answer is obvious. To be on top. To win the championship. But why Billy? Why not Sherlock? He rebuilt the team from the ground up.

The answer hits John like a slap in the face.

“They wanted to get rid of you and bring Anderson in,” he says as a piece clicks into place.

“Maybe,” Billy replies thoughtfully. He gives John a look and narrows his eyes. “You have met Sherlock?”

“Yes,” John answers with a short laugh. Billy raises his brows. John presses his lips together and looks at the old man. He has an almost mischievous glint in his eye. Should John tell him what he really thinks?

“And?”

“Honestly?” John sighs when the man nods. “I don’t know what to think. He’s so easy to talk to and it makes me feel like I’ve known him my whole life. Then he’s cold and distant and would rather do anything but talk to me. He avoids me at practices and basically ignores me at meetings. He’s a fantastic coach though and boy, can he skate. He’s amazing.”

John looks back at Billy to see a smile growing on his face. He looks down at the floor and corrects himself.

“It’s amazing. And the team is phenomenal. I’ve only seen scrimmages so far, and I’m just learning the rules, but they are really good. They communicate so well with all these signals that look like they’re just shaking out a kink or something.”

“That’s pure Sherlock,” Billy grins openly now. “He’s very clever.”

“Yeah, well, he’s certainly good at avoiding what he doesn’t want to deal with,” John grumbles.

“He is very opinionated,” Billy laughs, “and has one hell of a stubborn streak. He can be a handful.”

He pauses and looks at John with a wisdom John has not seen since his mother closed her eyes for the final time. He sighs deeply and his expression softens.

“He gets his signals crossed when it comes to sentiment. He’s been burned before.”

“Sentiment?” John furrows his brow.

“He’s a good ally to have, Watson,” Billy says instead of answering. He leans forward again and looks at John intently. “After what you’ve told me, I can see now that whatever was going on is more serious than I thought. I was a fool for not seeing it then.”

He shakes his head, his face now full of regret and urgency.

“I may not have been the only target after all. You and Molly have to stop it before something terrible happens. Get Sherlock to help. He will face the devil himself for the ladies. He’ll listen to the two of you. Don’t dismiss him as a lost cause.”

“No offense, Billy, you know him better than I, but why would he believe me? He doesn’t believe Molly.”

“Strength in numbers, Watson. He trusts Molly and she trusts you.”

“She says he trusts me,” John gives a half laugh and turns his head away from the older man. He can feel an unexpected low burning anger in his gut, though it is not directed toward Billy. He continues, suspicious and spiteful. “I suppose I should believe her since they’re thick as thieves. There’s something going on between them.”

“Careful, Watson,” Billy says in a quiet, warning tone. “There are some things one should stay away from. Leave it be.”

John looks back at him and then shakes his head.

“He’ll listen to you and Molly, John,” Billy says in a voice of absolute certainty.

John looks up in surprise at the sound of his first name. Billy is wearing a decisive expression and nodding his head slowly.

“Trust me.”

***

There you go! The plot thickens. Anyone surprised and pleased to see Billy in an extremely different role? Haha! Tickles me pink! I can’t wait for y’all to see what’s coming up next. I’ll just say one thing...dinner?

@zentris @toooldforthissh-stuff @shana-movershaker @melmey-fanfics @louise175dk @221b-carefulwhatyouwishfor @technicallywiseoncns @underestimatemethatwillbefun @jhamishw @weirdlittlegoofball @superwholockpotterincamelot @superwholocklmt @ladidragonuniverse @kittenmadnessandtea @srebrnafh @welcometomyharddrive @annecumberbatch @kingdomofbrokenhearts @philliphooper @whodwantmeasaflatmate @gloriascott93 @vvaticancameoss @cow-mow @echosilverwolf @spazzz32 @absentmindedstuff @swissmissing @shuukichan @maeliandmyself @wtgilsa @thetranslucentwallaby @red-pen-revolution @britishaccentfan @dischorde @plasticstrawsmuggler

#Sherlock Holmes #Sherlock #sherlockholmes #sherlock fanfic #john watson #johnwatson #johnlock #Johnlock fanfic #sherlock roller derby

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andymull · 5 years

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WWE SummerSlam 2019 - Preview & Predictions

Brock Lesnar (c) vs Seth Rollins – Universal Championship Match

Again, yeah. If its not Lesnar/Reigns then its this and it will continue to be this as they thinks it’s the best way to put Rollins over but don’t realise its their actual booking that’s the main problem.

Seth gives Brock the opportunity to have a really fun match with a guy that can go who will sell great for him too, but, the storyline we’ve been given here is that Rollins took a hell of a beating the other week and isn’t 100% going into the match so he’s going to be badly selling for a lot of this match then ignoring the injury to hit all his moves.

It will still be an ok match but could be more, as I imagine this to be more of a storyline match rather than a full on normal match if you get what I mean. In terms of the winner I was pretty set on Lesnar keeping the title but with Seth giving that weirdly poor promo on Raw had him pretty much guarantee the win, so who knows. My ultimate dream here is Rollins being too injured to fight and Riddle debuts to brawl with Lesnar after being backstage for Watch Along, its Riddle’s hope to retire Lesnar at some point and I need that to happen as it will be such a hard hitting bout with tons of technical moves along the way - ROLLINS

Becky Lynch (c) vs Natalya – Raw Women’s Championship Submission Match

With the Toronto crowd I expect to see an Austin level reaction in Canada from them towards Becky which she will love, it’s a shame she’s facing Nattie here as I feel she isn’t at the tip top level anymore but can still go and should be fine here.

I see the finish to the match being Becky working over the arm of Nattie but Nattie gaining the advantage, she goes for the sharpshooter but cant apply it properly as her arm hurts and as she is pausing Becky reverses it into a dis-armer for the submission victory - LYNCH

Kofi Kingston (c) vs Randy Orton – WWE Championship Match

A match next where the title change should have happened what 11 years ago? Now though this match really doesn’t do much for me at all. Orton majorly feels in cruise control the past few years and truthfully would do wonders leaving the company for alittle while for something new and fresh if he still has the desire. But remember, he hasn’t been around properly for weeks for this, a title feud, as he’s been on holiday so……

Still not feeling the Kofi title run sadly, and its gone from me thinking they may change the belt quickly to then have him chase it back to gain some momentum back to him being someone’s pet project backstage and they will keep on trying to make him seem/feel a top guy until the fans really get bored of it – KINGSTON

Bayley (c) vs Ember Moon – Smackdown Women’s Championship Match

Another women’s match with no real excitement behind it, which sucks as Ember getting her first big singles match on the main roster should be a lot more important. But the way she’s been handled since debuting has made it so hard for fans to take her serious as a deadly threat, she should be handled the same as an Undertaker or Aleister Black in making her seem mysterious and special, not having her backstage joking with others, maybe when she’s accepted as one of the main women in the company but definitely not before that.

Honestly outside of like the top 5 women on the main roster a lot of the others haven’t been made to feel special at all, then when they get an opportunity the crowd isn’t fully with them and management lose faith in the woman when really it’s the overall presentation of the character that’s sorely missing. And the reason I say this is because Bayley’s title reign has mostly been against women of this level to keep her away from the Charlotte feud to run that later in the year, so its really harming Bayley as well as the others looking to get their chance. I know most people were in favour of the women getting their own tag team belts but honestly when there isn’t much depth in the singles division this NEEDS to be the focus, just having Asuka and Kairi Sane as singles competitors booked as a threat would make the whole scene feel better but instead they are a bit of a joke team around to give Paige something to do. Lets get Asuka/Moon running again on Smackdown and really show some competition in going for Bayley and her belt to make her feel more important too – BAYLEY

Kevin Owens vs Shane McMahon

If Owens loses he will be forced to quit……..I hate these match stipulations I really do, I fully imagine they may go the route earlier in the show of having pressure put on Shane to put his role on the line too. Otherwise whats to stop someone like Elias coming in and punching Shane for Shane to then win instantly by DQ and have Owens fired? That’s why these match stips are awful lol

The talk of Shane going for the title have thankfully died down as of late so hopefully someone important has reconsidered that idea, don’t be surprised if it returns though……

Owens should be doing something a lot better than this, no offense to Shane but his deal was a fairly big one and they feel the need to use him a lot to make the most out of their money - OWENS

Trish Stratus vs Charlotte

Now this could be a very interesting match, the last it seems of Trish’s career and also the way they came up with to not have Charlotte miss out on the show and payoff. Not that im cycnical here or anything but this feels like something Charlotte asked for knowing she wasn’t in the title picture but knowing this match would feel a lot more important than the actual title matches on this show…..

Hopefully there wasn’t anything to it on Raw with Trish being in the tag match and never tagging in, felt alittle suspicious at the time but also could just be their way of putting it off till the actual show (no idea why they felt the need to have in the tag match though?).

I imagine the finish here being really hot with the Canadian crowd but with Charlotte taking the victory then having Trish either shake her hand or raise her hand, to point out who the real star of the women’s division is in managements eyes….. - CHARLOTTE

Goldberg vs Dolph Ziggler

The booking of this has been weird and full of strange decisions, but ultimately to me this is a favour to Goldberg after his awful match with Undertaker the company has quickly given both guys the chance to get back out there and show that isn’t the condition they currently are in and can do a lot better still. Taker teamed with Reigns to pick his spots and Bill here fights Ziggler to steamroll through and hit all of his spots without being knocked funny beforehand.

Expect Ziggler to go straight back to the Miz feud on Raw and never mention Goldberg again after this weeks tv, honestly, I fully expect this to have been forgotten VERY SOON - GOLDBERG

AJ Styles (c) vs Ricochet

At last we reach what should be the match of the show, interference aside, both guys will be looking to make a big impact to be seen as the best and also help get Ricochet over huge. Ricochet seems to be one the projects that Heyman is taking on in his new role on Raw, getting big wins and good angles as well as being on screen around the likes of Lesnar so that it doesn’t feel weird when he finally earns the chance to step in there for a title match down the road.

Its an interesting time for AJ and the OC, Gallows and Anderson are finally getting the tv time and attention they deserve after signing new deals but Styles needs to be around the world title picture and feels alittle stagnant around the secondary title scene. Hopefully they continue to get good spots and move up the card, ideally for me we see Balor join them after his break and come back as a heel to see a four man group just destroy people on both shows to really get the club noticed big time. Then after a year you can go the route of Styles and Balor arguing over the leader role and who sides with whom which should be great – RICOCHET

Finn Balor vs ‘The Fiend’ Bray Wyatt

So, no demon means no win for Balor, The Fiend makes his debut and has to win simple right?

From what we hear Finn is taking some time out after the show so a win really is vital tonight, Wyatt taking the win is vital and also lets them set up a rematch down the road with Balor back as the demon - FIEND

Drew Gulak (c) vs Oney Lorcan – Cruiserweight Championship Match

And finally, the cruiserweight title match, featuring Oney after winning a six pack challenge match on 205 Live. Should be a fun, fast paced match with Lorcan looking to push the pacing while Drew tries his best to slow it down to his pace and submission style. Would be fun for Lorcan to get the title but doesn’t feel time yet as he still is more of a tag guy on NXT than a singles guy on 205 Live for me – GULAK

Just added to the pre show:

Alexa Bliss & Nikki Cross vs The IIconics

Apollo Crews vs Buddy Murphy

Both matches should be fun, l love Billie :), and that second match should be real fast paced and great to get both guys a showcase of what they can do.

Should be a good show and hopefully not too many more matches/angles get added as these PPV’s really are too long lately, to the point that a number of matches in the middle of shows are facing quiet crowds who are dead. It used to be that match before the main event was the tough spot to be in as everyone was there to see what happens when your match ends, but now its exhaustion from 5 hour shows upto 7 hours sometimes with pre-shows.

The main thing I expect is something added for Reigns, there are so many other guys in this company that dont have a match its dreadful when you think about it

Im not sure we will see many surprise tonight, both from the matches or from debuts or run-ins, as this feels like it may close out afew feuds with the build to Survivor Series starting over this weeks tv. Hopefully im wrong as everyone loves a good surprise or two on a big show to get everyone talking and speculating.

Enjoy the show

Bye for now

Andy

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ink-logging · 5 years

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More Superhero Comics, Revealing My Reactionary and Facile Engagement with Art as Little More Than the Accrual of Social Capital, Benefiting Nobody But Myself, 4/7/19

The League of Extraordinary Gentlemen Vol. 4: The Tempest #5 (of 6), Alan Moore, Kevin O’Neill, Ben Dimagmaliw, Todd Klein: This is an often very funny issue, set up like a pasted-together UK edition of old US pre-Code horror and crime comics, which, in addition to being funny, plumps up the page count as the plot moves maybe two or three tics forward in advance of the very-last-issue-of-LoEG-ever. The conservative in me wonders why we’re being this digressive in the penultimate number of the entire saga, but then -- at least since “The Black Dossier” -- this project has been more about positioning various strands of fiction and their accrued cultural baggage against one another than telling a propulsive adventure story. Anyway: the realm of Faerie, having easily survived an attempted nuclear strike on the collective imagination by a military-corporate black ops fiction squad comprised entirely of various revamps of James Bond, has brought in every character from every game, comic, cartoon, TV show, movie and book reality with everything for a HUGE apocalypse!

Scenes of bedlam involve: the life story of Victorian painter and murderer Richard Dadd; cameos by Stardust the Super Wizard and David Britton’s Lord Horror; the oeuvre of musician Warren Zevon, brought to terrifying life; a Corbenesque image of a nude muscleman’s massive dick flapping into battle in 3-D; Mick Anglo’s Captain Universe, presented by Moore in unmistakable evocation of his own Marvelman/Miracleman stories of decades ago; a ghost wearing the word CRIME on his head a la Charles Biro’s Mr. Crime, the greatest American comic book horror host; at least one figure from the annals of racist caricature firing powerful sound waves from his mouth; a monster named Demogorgon, the leviathan of Populism, which the heroes allegorically cross as a footbridge en route to a safehouse named the Character Ark; a page-long parody of Batman (via the forgotten UK superhero playboy character the Flash Avenger), describing his origin as motivated entirely by hatred of the poor; a text feature telling of UK comics artist Denis McLoughlin, who worked consistently since the end of WWII, never made enough money to retire, and spent decades as an elderly man drawing for survival on titles he hated, eventually taking his own life in his 80s; and the secret of what happened to all the British superhero characters after the midcentury, which is that they were all eaten by Capitalism, pretty much. I laughed a bunch, but if you think LoEG is tedious shit, this probably won’t turn you around.

Savage Dragon #242, Erik Larsen, Ferran Delgado, Nikos Koutsis, Mike Toris: The latest installment of the longest-running Image comic written and drawn by one of the Image founders, now deeply dove into problematic network tv drama stuff. The Dragon’s relationship with his partner Maxine is still strained in the wake of her sexual assault, a video of which the Dragon viewed in the police archives; meanwhile, the mother of one of the Dragon’s young children has been telling them all the truth about their parentage, further disrupting the peace of the household. Also, a formerly aggressive sex robot has joined the gang, dressed as an anime maid. And, the Dragon reluctantly teams up with the mid-’00s-vintage sexy heroine character Ant (which Larsen purchased from creator Mario Gully a few years ago) to foil a scheme by elderly elites to project themselves into the bodies of mythic gods in order to provoke the Rapture. Most interesting to me, however, is a bonus segment in which Larsen presents newly-lettered pages of his preliminary solo work on “Spawn” #266 (Oct. 2016), which would later be filled out by contributions from Todd McFarlane, colorist FCO Plascenscia, and letterer Tom Orzechowski.

As usual, I prefer the ‘unfinished’ version (top) to the official release product (bottom).

Superman Giant #9, Erika Rothberg, ed.

Batman Giant #9, Robin Wildman, ed.

These are two of those 100-page DC superhero packages they sell for five bucks exclusively at Walmart (for now; later this year they’re gonna have them in comic book stores too), which marry one new 12-page story per issue with three full-length reprint comic books from elsewhere in the 21st century. I just wanted to know what was inside them. Here is what I found:

-The new Batman comic is written by Brian Michael Bendis as a very conspicuously all-ages prospect, where the story is about nothing more than what it’s about, and the title character is presented as a serious-minded but inquisitive and compassionate man of adventure. This issue -- just in time for the remix of “Old Town Road” featuring Billy Ray Cyrus -- Batman and Green Lantern travel back to the Old West, trade in their superhero outfits for cowboy clothes, and meet up with Jonah Hex. Nick Derington draws the heroes smooth and squinting with Swanian sincerity, and Dave Stewart colors it all bright and sunny. This is not my thing at all, but it’s confident to the point of acting like almost a rebuke to the rest of the book, where literally everything else is chapter whatever of a nighttime doom ballad drawn by either Jim Lee or something trying very hard to look like him.

-Like:

I can spot the differences, sure - if nothing else, reading superhero comics trains you to spot differences in otherwise similar things. But, there is absolutely an aesthetic at work. The top page is from an issue of “Nightwing” that tied into the 2012 “Night of the Owls” crossover in the Batman titles, produced by a seven-person drawing and coloring team fronted by pencillers Eddy Barrows & Andres Guinaldo. The writer, Kyle Higgins, has Dick Grayson fight his semi-immortal great-grandfather, who is an assassin for the Court of Owls: one of the more popular recent Batman organizations of villainy, presented here as a fascist group mediating society’s function through murder from the gray space between social classes. The Graysons, therefore, are the Gray Sons, but Nightwing resists the pull of destiny by winning a big fight, slinging the villain over his shoulder, and walking away toward a better future of just beating the shit out of bad people instead of killing them, I think. The Batgirl story -- from 2011, written by Gail Simone -- is comparatively orthodox, finding the character gripped with uncertainty about the superhero life and going about some downtime character-building activities, though most of it’s a big fight with a villain with a tragic past. The penciller, Ardian Syaf, kind of has trouble blocking the action so that characters’ movements are clear; I think Syaf is best known for having his contract with Marvel terminated in 2017 for slipping what were widely interpreted as anti-Christian and antisemitic references to Indonesian politics into an X-Men comic.

-There is a whole lot of Jeph Loeb among the reprints. He is not a writer who has been in critical fashion for much the past two decades, but he has undoubtedly sold a lot of comics for DC, and they probably feel he can do it again. The Batman book is serializing (deep breath) “Hush”, a 2002-03 storyline notable for its extraordinarily easy-to-solve central mystery, and generally being a taped-together excuse for Jim Lee to draw as many popular Batman characters as possible across 12 issues; it sold like hot cakes. The highlight of chapter 9 is probably a bit where a three person fight ends in one panel, and then one of the characters leaves, and then a second character wakes up from unconsciousness and also leaves, and then the first character comes back and nurses the third (also unconscious) character back to health, and then Batman arrives, all in the transition between the aforementioned panel and the next, which takes place in the same room; such is the befuddling desire to race ahead to more spectacle. Jim Lee (with Scott Williams and Alex Sinclair) is indeed Jim Lee (et al.) throughout, though at one point the team drops a howler of a swordfighting panel where Batman’s blade appears to grows to JRPG length due to what I think is the colorist filling two whoosh lines with the same hue as the swords.

Meanwhile, the Superman book is serializing a 2004 storyline from “Superman/Batman” -- the series where Loeb has Superman describe the action on the page with his own Superman-branded captions, and Batman does the same with Bat-captions, and Superman says tomayto and Batman says tomahto -- in which the late Michael Turner, one of the rock star 2nd generation Image artists, illustrates a new introduction for Supergirl. But this isn’t quite the same comic that was originally published... can YOU spot the difference?

Is this like how Walmart won’t sell CDs that have an explicit content sticker, but with teen superhero g-strings? It’s hard to explain to younger readers how the low-rise/thong panties combo forever sealed the horniness of a generation of het male superhero artists into the late 1990s, and maybe DC doesn’t want to face that. Or, they’re just leery of how Turner slipping some peekaboo glimpse of Supergirl’s underpants or bare thighs into virtually every panel in which she is depicted below the waist might affect the marketability of the comic in 2019 - although I guess it could have happened in an earlier reprint somewhere too.

-The new Superman comic is a series of 12 splash pages depicting a race between Superman and the Flash. There is very little sense of speed, because Andy Kubert (inked by Sandra Hope, colored by Brad Anderson) draws the characters as frozen in time in a way that prioritizes muscular tension in the manner of contemporary superhero cover art; at one point the two characters part the sea with the force of their bodies, and it looks to me like they’re gesticulating in front of a theatrical backdrop. And, anyway, the story pulls back almost every other page to depict Batman standing on a ledge, or Lex Luthor in a sinister chair -- or some birds flying next to a building, or the Earth as viewed from space with streaks on it -- as the race occurs deep in the background or off to one side. The point is not excitement, but reflection, as imposed upon us by the between 13 and 21 narrative captions and/or dialogue balloons pasted atop all but the first page.

The writer is Tom King, whose “Mister Miracle” (with artist Mitch Gerads) gets a double-page advertisement later in the book, festooned with breathless blurbs from major media outlets. His narrator here is a little girl who is literally chained in captivity, clutching a Superman doll, and delivering her soliloquy in a manner of a superhero-themed TED talk with handclap repetitions on the nature of contradiction. Being faster than a speeding bullet is a CONTRADICTION. Being as strong as a locomotive is a CONTRADICTION. Leaping tall buildings in a single bound is a CONTRADICTION. Superman is about to lose the race, but then he wins, because to beat the Fastest Man Alive is... a contradiction. No wonder the GQ entertainment desk was blown away. DC comics do this kind of thing a lot, where they just have the writer tell you how great the characters are, and since you’re still reading superhero comics in the 21st century, you’re expected to pump your fists in recognition, because you and the writer and everyone at DC are just big ol’ fans... but I am not, because I am Jesus Christ, the only son of God.

-Elsewhere in the Superman book is an issue of “Green Lantern” from 2006, drawn by Ethan Van Sciver (inked with Prentis Rollins, colored by Moose Baumann), who is known today mostly as a conservative ‘personality’ online. He also netted more than half a million dollars last July in a crowdfunding campaign to make a 48-page comic book which he has not yet finished; funny to see an American right-winger on the French schedule. Funnier still to see the kind of people (mostly guys of a certain age) who mill around such personalities croaking about how diversity is ruining comics, because ALMOST EVERY FUCKING STORY IN BOTH OF THESE 100-PAGE BOOKS IS DRAWN BY EITHER SOME DUDE FROM THE 1990s OR SOMEBODY WORKING EXPLICITLY IN THAT STYLE, but - I guess when you’ve been pampered for so long, every paper cut feels like a ripped limb. Speaking of dismemberment, the writer here is Geoff Johns, who is often pegged as a superhero traditionalist, though he also has a grasp of gory pomp which occasionally pushes the comics he writes into a Venn diagram set with loud youth manga... at least in terms of how the action plays out, all broad and pained. So, needless to say, he’s currently writing “Doomsday Clock”, which is DC’s present attempt to extend the publication life of the valuable “Watchmen” property, so that they needn’t return it to the original creators, per the original writer, Alan Moore.

-To hear Alan Moore say it, the America’s Best Comics line was done on a work-for-hire basis as a means of ensuring prompt payment of the various creators from Jim Lee’s WildStorm, the original publisher. WildStorm was then acquired by DC (Jim Lee is now their co-publisher and chief creative officer), and Moore -- who has been (fairly) criticized in the past for taking ethical stances that cause financial harm to his artistic collaborators, who are in a less economically flexible position than writers in the comic book field -- allowed the line to continue under DC’s ownership, as to cancel everything would disadvantage everyone working on the titles. One of those titles, “Tom Strong”, was written by Moore and pencilled by Chris Sprouse for a while, and then there was a long line of guest creators, and then Moore and Sprouse came back when the ABC line wrapped, so that the concept could reach its logical termination point in an apocalyptic manner... Moore does love an apocalypse. The final story in the Superman book is a very recent, late 2018 issue of “The Terrifics”, in which we find an attempt to revive the DC-owned Tom Strong characters as players in broader DC stories. Jeff Lemire & José Luís are the primary creators. Jack Cole’s Plastic Man is there, as well as the John Ostrander/Tom Mandrake version of Mister Terrific. It’s a lot of offbeat characters; we even see Moore’s own parody of Hoppy the Marvel Bunny, because, I mean, Alan Moore does a lot of riffs on preexisting characters too, right? It’s a big blob of cartoon whimsy, filled with available characters running around. If they’re available, you might as well roll ‘em out, off the new releases rack and into a supermarket reprint package stacked in a box next to squeeze toys and discount Pokémon merchandise, which I bought, because it was really cheap.

-Jog

#JogList

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dustedmagazine · 5 years

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“1, 2, 3, 4!”: Jennifer Kelly’s 2018 review

Jennifer Kelly is a frantic romantic.

Rock and roll forever, sure, but it’s hard to avoid the fact that the guitar/bass/drum idiom has been pushed way off to the side in the cultural conversation. Mainstream sites list “best rock records” as a weird, subcultural genre, with a slightly bigger audience, perhaps, than best cumbia records or top Hawaiian slack key recordings (but not much). Worse, to come up with a reasonable size list they include all kinds of things that don’t belong. I mean, really, is Mount Eerie rock by any definition?

Rock isn’t dead, but it’s been made to sit in the corner. The only time in 2018 when everybody thought at once about a guitar band was when Pitchfork’s Jeremy Larson dropped his scathing, hilarious review of the Greta Van Fleet. For a moment, we all snickered as one.

Big rock was terrible in 2018. It almost always is. Yet there’s something disingenuous about the genre of year-end write-ups that laser in on the absolute worst and most bloated of rock bands to make a point about the art-form as a whole. Sure, Imagine Dragons suck. Yes, “Africa” is a soul-destroyingly awful song no matter who sings it. No, I’m not wading into the whole 1975 thing. Who has time? Who has the heart for it?

Because this year, against a tide of commercially viable horse shit, against a backdrop of monolithic indifference, rock bands of all configurations, from all countries (but really especially Australia), continued to make great punk and rock records. And, I, for whatever reason, heard more of them than usual, and it made me happy. And maybe that’s the secret to being happy in music, in any year…find your niche, listen to the best in it, forget about what the mega-corporations are trying to sell.

Also see it live. My big highlight this year was seeing the Scientists in October (with Negative Approach, too!), but it was a pretty great 12 months for live music. It started with a fantastic show comprised of Mike Donovan, the Long Hots, J. Mascis and his Stooges cover band and Purling Hiss (with J on board for one song) at the Root Cellar, a venue I’d never heard of before that show, and that ended up putting on a string of great events. I saw Marisa Anderson, Paul Metzger, Speedy Ortiz, Howling Rain, Trad Gras Och Stenar with Endless Boogie, that Scientists show and Gary Higgins at the Root Cellar this year, and I missed a lot of shows I would have liked to see. Other great shows happened outside the Root Cellar – The Thing in the Spring in Peterborough with William Parker, Bonnie Prince Billy and others, Amy Rigby and Wreckless Eric at the Parlour Room, Messthetics at the Flywheel. Western Massachusetts has been in a commercial chokehold for years, with one organization controlling most of the venues, but there were a lot of options this year.

So, here’s to the drummers with their sticks in the air, counting off the four. Here’s to the guitar player wrecking his knees jumping up and down as he/she furiously slashes away. Here’s to the sweat and muck and black humor of $10 shows with four bands on them, two of them still in high school. And here’s to the people (me at least and possibly you) who like these things. Eddie Argos of Art Brut, who used to top these lists and now merits a footnote, spoke for this tiny, beleaguered sub-cult when he urged “Wham! Bang! Pow! Let’s rock out.”

Indeed. Let’s.

Amy Rigby—The Old Guys (Southern Domestic)

The Old Guys by Amy Rigby

Let’s just set aside the fact that the first and best song on this album is an imagined email exchange between Philip Roth and Bob Dylan on the eve of the Nobel ceremony or that Rigby namechecks three of my favorite ever TV characters in “New Sheriff.” Let’s forget, too, how rare it is for a woman of roughly my age to be making her own music and controlling her own destiny even now in 2018. No, let’s focus on the songs which are sharp, smart and full of hooks, the clean, romantic chime of Rigby’s electric 12-string, the viscous pleasure of the arrangements. This is the very best kind of rock record, one that doesn’t attempt to remake the genre but somehow makes it bigger, brighter and more necessary. The songs sounded great, live, too, with the great Wreckless Eric in tow, and the two of them bickering like old married couples do, and Rigby glowing with triumph by the end of the show.

Shopping—The Official Body (Fat Cat)

The Official Body by Shopping

Bubbly in a hard way, strict and minimal in a manner requires body movement, this album arrived early and stayed on my go-to list all year. For Dusted, I wrote, “You could bounce a quarter off the bass lines in this third Shopping full-length. They’re pulled hard and tight against minimalist syncopated drums, the leaning, waiting, anticipating space between the thwacks as important a character as the beats themselves. The London-based trio harks back to the funky, stripped down post-punk of bands like ESG and Delta 5, with hints of the boy-girl bubble and pop of the B-52s and Pylon.

Salad Boys—This Is Glue (Trouble in Mind)

This Is Glue by Salad Boys

Always weak for NZ lo-fi and equally a fan of the early R.E.M., so of course I fell for this buzzy daydream of a record. “Psych Slasher” bursts with immoderate, glorious joy in the chorus, then cuts back to uncertainty in the verse, the ideal blend of rambunctious rock and wistful pop. “Exaltation” is a gentler sort of classic, just as radiant but moodier, its murmur-y vocals disappearing into cloud banks of fuzzed guitar tone. The whole record sits on the knife edge of rock and indie pop, leaning one way and the other, but never falling over.

Patois Counselors—Proper Release (Ever/Never)

Proper Release by Patois Counselors

I went all in for “So Many Digits” in my Dusted review this year, but the two great punk songs on Proper Release are “The Modern Station” and, especially, “Target Not a Comrade.” This latter song chugs and lurches on guitar and bass, trembles with wheedly keyboards and crests in a massive, hummable refrain. It’s a catchy, twitchy punk tune that’ll hit you in the part of your brain where you keep Wire and the Buzzcocks, hooky as hell in a weird, distorted way.

Bodega—Endless Scroll (What’s Your Rupture)

Endless Scroll by BODEGA

Flipping the gender cliché, Bodega is an all-woman band with a male singer. Its tight, nervy, jangles wrap around themes of internet-age dislocation and movie references. Smart, sarcastic, ironic, sharp, Bodega bristles with what you want from a garage punk band but reveals a surprisingly soft heart uncovered round about “Charlie,” a wistful song about a boy who died too soon.

Bardo Pond—Volume 8 (Three-Lobed)

Volume 8 by Bardo Pond

The eighth in a series of improvised albums, this year’s Bardo Pond record towers and surges with monumental heaviness. I wrote at Dusted that, “The sound, vast and muscularly monolithic as ever, seems more like a demon summoned periodically from a ring of fire, than the product of any sort of linear development.”

Meg Baird and Mary Lattimore—Ghost Forests (Three Lobed)

Ghost Forests by Meg Baird and Mary Lattimore

This year’s most beautiful album, Ghost Forests undergirds lyric folk melodies and angelic pizzicato harp plucks with roiling, violent darkness. My Dusted review observed “The best and most interesting [tracks] juxtapose the muted violence of electric guitar with a harp’s serenity. A guitar howls from a distance throughout “In Cedars,” pushing a simmering turbulence up under sun-dappled lattices of harp picking. Later “Painter of Tygers” does the same trick of joining muscle to fairy dust, the electric guitar raging from far away, while harp and voice spread delicate magic over the tumult.”

Seun Kuti & Egypt 80—Black Times (Strut)

Black Times by Seun Kuti & Egypt 80

Fela Kuti’s youngest son inherited his dad’s fierce political commitment, his rhythmically unstoppable Afrobeat style and a few of his band members, but this wonderful album is more alive and present than a tribute. “Struggle Sounds, “ with its hard-bounce of a beat, its blurting sax, its ecstatic backing chorus, its swagger of horns and fever-dreamed keyboards dances through history right up to the modern day. “Last Revolutionary” enumerates past African heroes and connects them to the now. I wrote, “Kuti extends his father’s legacy, its tight rhythmic interplay, its fervent political engagement, its relentless exhilarating uplift, while bringing it a bit further into the present.”

Ovlov—Tru (Exploding in Sound)

TRU by Ovlov

I first noticed Ovlov at the Thing in the Spring Festival, on an eclectic Thursday night in a book store, where the sweet surge of guitar sound felt solid enough to body surf on. Later, for Dusted, I said of Tru that “Ovlov churns a monumental fuzz, a wave of surging, undulating, feedback-altered sound …. You can almost poke it with your finger, this onslaught is so palpable. It stirs your hair like an oncoming breeze.”

Speedy Ortiz—Twerp Verse (Carpark)

Twerp Verse by Speedy Ortiz

There’s something so bendy and unpredictable about Sadie Dupuis tunes. They hare off in unexpected ways. They stop and start. They interpose weird little intervals of pop and noise. They refuse to behave, and end up exactly as they should be, though never what you’d expect. Twerp Verse takes more pop turns than other Speedy joints, but in the tipsiest, most eccentric way, with acerbic asides in the lyrics that catch like fishhooks and stay with you. “Speedy Ortiz offers a serrated sort of pop pleasure, full of rhythmic complexity and gender confrontation,” I observed in my Dusted review.

Had enough rock? Me neither

Here are some more punk rock and garage records that I couldn’t squeeze into the top ten overall, mostly in the order that I thought of them, but Constant Mongrel and Richard Papiercuts are pretty great and that’s probably why I thought of them first.

Constant Mongrel—Living in Excellence (La Vida Es Un Mus)

Richard Papiercuts— Twisting the Night (Ever/Never)

GOGGs—Prestrike Sweep (In the Red)

Hank Wood & the Hammerheads—S-T (Toxic State)

Obnox—Bang Messiah (Smog Veil)

Zerodent—Landscapes of Merriment (Alien Snatch!)

Sleaford Mods—Stick in a Five and Go (Domino)

Ethers—S-T (Trouble in Mind)

IDLES—Joy as an Act of Resistance (Partisan)

Bad Sports—Constant Stimulation (Dirtnap)

Lithics—Mating Surfaces (Kill Rock Stars)

Art Brut—Wham! Bang! Pow! (Alcopop)

Whoa, slow down!

Also a shout to the musicians who made more than one really excellent album this year. Ty Segall made five, I think, but I didn’t love all of them as much as Freedom Goblin and Prestrike Sweep.

Obnox—Sonido del Templo/Bang Messiah (Astral Spirits)/(Smog Veil)

Mount Eerie—Now Only/(After) (Elverum & Sons)

Ty Segall—Freedom Goblin (Drag City)/GOGGs—Prestrike Sweep (In the Red)

Ryley Walker—Deafman Glance/The Lillywhite Sessions (Dead Oceans)

Nevertheless, they persisted

And finally, hats off to the bands and artists that have been going forever and continued this year to produce great music.

Kinski—Accustomed to Your Face (Kill Rock Stars)

Low—Double Negative (Sub Pop)

Loma—S-T (Sub Pop) (Shearwater’s Jonathan Meiburg plus Cross Record)

Oneida—Romance (Joyful Noise)

Wreckless Eric—Construction Time and Demolition (Southern Domestic)

Messthetics—S-T (Discord) (The great Fugazi rhythm section plus a young guitar ripper—one of the best live shows of the year for me.)

Charnel Ground—S-T (12XU) (This is Kid Millions from Oneida, Chris Brokaw and James McNew from Yo La Tengo, and as you’d expect, it’s really good.)

#dusted magazine #yearend 2018 #jennifer kelly #amy rigby #shopping #salad boys #patois counselors #bodega #bardo pond #meg baird #mary lattimore #seun kuti #ovlov #speedy ortiz #scientists

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amandajoyce118 · 5 years

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The Punisher Season 2 Easter Eggs And References

Yes, I know. You don’t have to tell me that the second season of The Punisher dropped on Netflix a month ago. Surprisingly, this last month has been extremely busy for me. Birthdays, family stuff, changes in management at my day job, changes in editors (thrice!) at my freelance job, plus prepping my tax stuff has left me with very little free time. I finally managed to finish the second season this weekend (and I started Umbrella Academy, which is really interesting, but something I’m not familiar with, so no Easter Eggs on that one, sorry!) and finish writing up Easter eggs as well.

As usual, there are spoilers, but I went episode by episode with the Easter eggs. Anybody worried about spoilers has probably already watched the show at this point. I feel like I was probably the last one out there who hadn’t watched. Despite it taking me forever and a day to watch the show, there’s still a chance I didn’t catch everything, especially since the Punisher doesn’t seem like a show with a lot of in-universe Easter eggs.

Happy reading!

S2E01 “Roadhouse Blues”

The Van

Oh, look. Pete AKA Frank is using a van full time. In the comics, the van houses a wide variety of weapons and surveillance equipment, but Frank isn’t quite that high tech without the help of someone like Micro around. He also calls it the Battle Van.

Lola’s Roadhouse

It’s probably just a coincidence, because Lola is just one of those names that pop culture junkies seem to love, but… who else thinks it might be a nod to Coulson’s favorite car in Agents of SHIELD?

Fiona

Some people will try to find the Marvel character that is “Fiona,” but again, I think this one is a coincidence. Why? Fiona is a weirdly popular name in comics. There’s a Fiona who is an Inhuman who can fly. There’s a Fiona who founds the sisterhood and hates men. There are also Fionas who are artists/writers/pencilers/etc in real life. I think this is just a case of them picking a pretty name.

Michigan

It’s the last place anyone would look, you say? Kind of like how it’s the last place anyone seems to care about because Flint still doesn’t have clean water? Yep.

S2E02 “Fight Or Flight”

Pete and Rachel

I like that Frank is still using the name Pete, but can we all laugh for a second about how these two are Pete and Rachel? It makes me laugh because these are two characters in friends. Pete only asks Monica out because he overhears Monica and Rachel talking about their love lives (or lack of them). Pete, funnily enough is like a Tony Stark character here: wealthy, throwing money around to get what he wants, buying women buildings, etc. He’s also played by Jon Favreau AKA Happy Hogan in the Iron Man movies. It’s one of those things that’s not meant to be a connection, but proves you can find “Easter eggs” in anything.

Rachel AKA Amy

Amy is based on a comic book character, but she’s been completely changed for the show. In the comics, she was a little girl who saw Frank escape a crime scene and promised him she wouldn’t tell anyone. He helped her out a few times as well. But, like I said, completely different. (Of course, the use of the name Rachel, and some of her later story gives a nod to another comic book character as well. We’ll talk about that later.)

Larkville, Ohio

Clearly based on Clarkville, Ohio. They thought leaving off one letter would make it less obvious? Anyway, here are some fun facts about Ohio in the MCU. It’s where there was a secret wing of a prison for powered people (thanks, Agents of SHIELD). It’s also where Coulson and company went to get information about CENTIPEDE (again, thanks Agents of SHIELD). Lincoln Campbell tried to escape Inhuman life as a doctor there (again, Agents of SHIELD). It’s also where Bucky sarcastically remarked Steve Rogers was from for one of his many fake ID’s to get in the army (Captain America: The First Avenger). And, it’s also where Helmut Zemo tracked down a super soldier in hiding (Captain America: Civil War). So, what I’m saying is, if you’re interested in lying low in the MCU, you don’t go to Ohio. Someone will find you.

Billy’s Memory

Billy Russo’s memory being jumbled, or having gaps, provides a nice storytelling device, but it’s also a nice nod to the comics. His memory was manipulated, or he was brainwashed, a few times. The only thing that restored his memory those times? Fighting the Punisher, of course.

A Jigsaw Puzzle

Lots of puzzle references to Billy, and with good reason. In the comics, he’s Jigsaw. The guy gets thrown through a plate glass window and his face is put back together like a jigsaw by a surgeon. He takes on the name and vows revenge.

Billy’s Mask

His mask is more than just to build suspense by covering up his face. You’ll see there are red and blue colors on the sides? It’s meant to be a nod to an art therapy practice that’s become helpful in treating soldiers with PTSD as a result of their work. Soldiers are instructed to create a mask to show people what they’re feeling on the inside, even if they can’t say it. National Geographic did a whole piece on how the work has been helping people. I wrote about it in my Jigsaw list, briefly.

S2E03 “Trouble The Water”

129

The door number that is clearly visible when Billy breaks out of the hospital with his therapist’s help is 129. To be fair, most house numbers, door numbers, and phone numbers are completely random. This one might be a coincidence. But… Amazing Spider-Man issue 129 was the very first appearance of the Punisher. Jigsaw AKA Billy Russo appeared over 30 issues later in the same series. It seems purposeful.

Mahoney

Look at Mahoney, making the rounds still. He started as a character on Daredevil and has worked his way through the Netflix shows.

The Pilgrim

That’s the name given in press releases to the religious villain who has some, uh, questionable tattoos removed once upon a time. He’s not a specific comic book character, but a lot of people have compared him to the Mennonite from the old Punisher comics.

S2E04 “Scar Tissue”

WHiH

The world news station of choice in the MCU, this one gets more attention in the movies. It’s covering news from every corner of the globe. Recently, it’s made its way into the Netflix shows, Agents of SHIELD, and Runaways as well.

WJBP TV

Another station in the MCU, this one is local. It’s typically only seen in the Netflix corner of the universe, so it’s usually covering New York news.

The Kitten Hanging On The Branch

I’m sorry, but did anyone not see one of these posters if they grew up in the United States? Nice nod to the inspirational poster schtick the public school system has. I think I saw it in guidance counselor offices at every school I went to.

New York Bulletin

Yes, the Bulletin is still going strong despite losing a lot of its staff in the second season of Daredevil.

Amy AKA Rachel

Okay, so despite looking like a nod to the little kid who keeps Frank’s secret in the comics, this character also appears to be a nod to Rachel Cole. She ended up in the middle of a gang war and became a vigilante, falling in with Frank.

Baseball

So, Billy had a thing for baseball? You know who else had a thing for baseball? Dex AKA Bullseye in Daredevil season two. Nice job keeping your sociopaths on theme, Netflix MCU.

S2E05 “One-Eyed Jacks”

Three Card Monte

I have a hard time believing that Frank Castle, marine, killer, and all around street savvy dude, doesn’t understand how Three Card Monte works. Then again, maybe no one has tried to swindle him with cards because they value their life. Who knows? Anyway, I found this version interesting because most people who hustle with it want you to “find the lady” as the queen of hearts. Here, it’s the queen of diamonds. I’m not sure what that says, but it’s interesting. (Also, I feel like Amy AKA Rachel and Skye AKA Daisy would get along. It reminded me of the sugar packets and Mike’s ID in the Agents of SHIELD pilot).

Turk Barrett

At this point, if you don’t know who Turk is, I’m just going to assume you haven’t seen any of the Netflix shows before. In which case, why are you reading these Easter eggs? Go start watching from the beginning, and then come back.

Oh, sh1t!

I think it’s cute that for all her life as a hustler, she doesn’t use actual curse words, but instead, speaks the way teens might curse via text.

S2E06 “Nakazal”

“You could always burn the place down.”

I feel like this is a nod to how arson tends to be a last resort for Frank in the comics. He prefers to go in, guns blazing, and just take people out. There are a few stories where he’s torched whole buildings, but they usually are just a minor thing in a major story arc.

Anderson And Eliza Schultz

Not comic book characters, but they do share their surname with Herman Schultz AKA the Shocker. I think that’s probably not a big connection. Instead, it’s more likely that the writers liked the name, and as a bonus, it gives them a nod to comic creators Charles Schultz (Peanuts) and Mark Schultz (art for DC, but also really big in indie comics).

I’m not going to list all of the political commentary in this episode, but whew. They really went for it.

S2E07 “One Bad Day”

The Title

“All it takes is one bad day to reduce the sanest man to lunacy.” Or at least, that’s what the Joker believes in Batman’s The Killing Joke. It’s one of the biggest Batman stories ever, so I’m thinking the title is no coincidence. I also think a few staff members are Batman fans since the kid in the first episode also had a Batman backpack.

Fragmentation Grenade

An interesting choice for a weapon since in the comics, Jigsaw gets healed a few times, only to have his face ruined again by the Punisher. One of those times is the result of a fragmentation grenade.

S2E08 “My Brother’s Keeper”

The Fatal Shore By Robert Hughes

The book Amy reads when she’s bored in the trailer is actually about the founding of Australia. History teaches us it was a penal colony - the place where criminals were shipped to start over - but there were already Aboriginals there, which made for quite the conflict. Someone like Amy probably would have found the crime, the hustle of the whole thing, interesting, but she doesn’t strike me as someone who would be into history, so it’s no wonder she put it down.

“He did everything he could to you to make sure you suffered for the rest of your life.”

Yes. This is exactly why Frank leaves Billy alive in the comics. He kills everyone who had a hand in the deaths of his family - all but Billy, even though they weren’t as close as brothers in the comics. He leaves Billy alive so that the guy can suffer, but also to serve as a warning to anyone who comes after him. Billy spends a lot of his story arcs either trying to get revenge, or trying to get his “pretty boy” looks back.

S2E09 “Flustercluck”

Valhalla

Do we say this is a nod to the Thor franchise, or do we just accept that the world at large has the idea of Valhalla as paradise? Your call.

“I’m not the one that dies…”

I’ll confess Punisher is not my comic book cup of tea, but I feel like he said this line in a comic once. I could be wrong.

S2E10 “The Dark Hearts Of Men”

The Title

Pretty sure this is a nod to a Bible verse about humanity. But I’m not up on my Bible knowledge and a google search just gives me a bunch of reviews of this episode, so I’m sorry this isn’t more specific?

“Drunkards Prayer”

This is the song that plays when the Pilgrim is both fighting and recovering from his fight. It’s a song about wanting to be pious, but knowing you’re an addict. And it fits with his character pretty well. AJ McLean (of the Backstreet Boys) covered it once, if you’re interested. I think you could also apply it to just about any character in Castle’s world - people wanting to be better, but unable to leave the bad things in their life behind. And no, I won’t dissect every song choice for the season, but this one stuck with me.

Making Castle Believe The Worst

Making the Punisher believe he killed innocent people is straight out of the comics. It’s one trick a villain uses to bring him down, though ultimately, he figures out he wasn’t the one responsible. That looks like the same thing here with Castle believing he killed the women and the therapist’s “I know how to break Castle” thing.

S2E11 “The Abyss”

Queens

I find it interesting that the Punisher is frequenting Queens a lot in this season. (The warehouse where he gets arrested, as noted in the radio broadcast, is in Queens.) Why? Because he was introduced in a Spider-Man comic and frequently crossed paths with the web crawler. Where is Peter Parker from? Queens.

Karen Page

Karen’s appearance as Frank’s “lawyer” here muddles the timeline a bit. We’ve all been thinking this occurs after season three of Daredevil. That season ended with Matt and Foggy reforming Nelson and Murdock, but with making Karen a partner as well. Never mind that she doesn’t have a law degree or anything like that. But, Karen introduces herself as representing Nelson and Murdock. Maybe her name isn’t in the business because she’s not a lawyer? Or maybe this is actually set before that? Who knows? It’s all very ambiguous.

Sacred Saints Hospital

While this hospital didn’t appear in another episode, the Sacred Saints Cemetery did, and I wonder if they’re connected to one another? Sacred Saints is where Elektra was supposedly buried, which gives us a lot of Daredevil connections in this episode, huh?

Matt Murdock

Frank mentions the man himself while talking with Karen. I feel like this is more of a reminder that Frank knows Matt is Daredevil than it is a legit comment on the state of Matt and Karen’s relationship.

Karen’s Shoes

Not an Easter egg, but I like that the payment to the morgue tech/assistant medical examiner was her very expensive shoes, not something tropey like drinks with him. Thank you, writers. This was cute. Also, it gave Karen the means to run around the hotel easier and not be held back by her heels.

S2E12 “Collision Course”

Mr. Blue

The only thing I noticed in this episode was the nickname given to Billy by the florist. It’s actually the alias Betty Ross used in the comments when Bruce Banner was a fugitive and she tried to stay in contact with him. Probably not intentional, but you never know.

S2E13 “The Whirlwind”

“...pull your spine out of your throat…”

In the “Space” stories for the Punisher, he does something like this to Ultron, funnily enough. He reaches into Ultron’s mouth and pulls his core out, not his spine, through his throat.

Dive School In Florida

Okay, I couldn’t find any characters associated with the Punisher who spend a lot of time in Florida, but I can tell you Florida made its first appearance for Marve in Marvel Comics #1, that Man-Thing is from there, and that Captain Marvel spent time there working for NASA. Florida has also popped up in a few episodes of Agents of SHIELD. It’s where Joey (former SHIELD ally and Inhuman teammate) lives, where Elena has friends, and where May and Coulson pretended to be married to steal a painting.

The Final Shot

That final image of Castle in his Punisher vest opening fire has been in several comics. It’s clear it’s intentional.

Stan Lee

The final episode closes with an “in loving memory.” Not really an Easter egg, but worth a mention. While Stan Lee did not create the Punisher, he had a hand in his name. Originally, Frank Castle was going to be called the Assassin. Lee thought they should go for something a little less on the nose, and coined the Punisher.

A few notes for the season:

Castle never purposely uses lethal force against law enforcement. I guess that’s supposed to make us believe that his killing of all the bad guys is acceptable.

The support group that Curtis leads? One of my favorite things is that there are a lot of flyers on the bulletin boards behind them for things like free puppies. A lot of these guys would do better (not suddenly be whole again, but maybe do a little bit better) with an emotional support animal. It’s proven that having an animal to come home to can actually help you live longer. It’s one of the reasons there are groups that take animals into children’s hospitals and retirement homes for people to play with.

The season finale actually feels very final to me. I think this might have been the only one of the MCU Netflix shows where the writers thought they might not come back? Because it seems like they closed everything up nicely instead of teasing something else down the line.

That’s all I’ve got this time around. The next Easter egg list on the horizon for me is, I believe, Captain Marvel, which should be up the same weekend it releases since I’m seeing that one opening night.

#punisher #punisher season 2 #punisher easter eggs #marvel easter eggs #easter eggs

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doomedandstoned · 6 years

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Papa Paul’s Groovy Reviews!

Our resident retroist is back to finish the year with a hot handful of hits for the tune toking delight of Doomers and Stoners alike! Give ear...

PAGAN ALTAR

The Room of Shadows by Pagan Altar (Official)

One of the many surprises wrought by the year 2017 was a new album from legendary English doomers PAGAN ALTAR, who fittingly saved their best for last. You may ask why I say "their last"? Well, sadly, their vocalist Terry Jones has passed away since recording this album. I say "fittingly," because everything the band had done to this day has been outstanding. The abstruse history of the band is a story in and of itself. I don't fully understand it, so I won't go too far down that rabbit trail. Suffice it to say, I've been following Pagan Altar from the moment their first album was pirated by an infamous bootlegger. I heard it was from the '70s, I heard it was from 1982. I always struggled with what to believe. One thing for sure, their official releases on shadow Kingdom Records are top notch and I recommend them to you highly, along with the rest of their catalog, which has (as the band's clippings rightly proclaim) influenced "a whole generation of doom-obsessed fanatics."

Pagan Altar are considered both a doom and NWOBHM band. I won't argue with either, as elements of both are surely alive in their music. What interests me most are the ever present elements of progressive hard rock strongly rooted in the band's genesis, circa 1978. Pagan Altar is often compared to Jethro Tull, owing to Terry's vocals sounding eerily similar at times to Ian Anderson and also to the boundary-pushing complexity of their songs. It is here, in 'The Room of Shadows' (2017 - Temple of Mystery Records), that those seeds of Jethro Tull sprout to life in a series of seven weird and wonderful creations. Truth be told, this is the kind of album I wished Jethro Tull recorded. I always wanted the band to be a mite heavier, overall (don't get me wrong, I loved them as they were). As I listen to The Room of Shadows, I can almost see Ian Anderson dancing around, flute in hand and posing on one leg, his knee held high. The only thing lacking is the flute! Pagan Altar achieve their progressive majesty with a happy marriage of guitar, bass, and drum.

Photo by Temple of Mystery

Apart from Jethro Tull, it's hard to find an apt comparison. At times, I hear hints of Tales of Creation era Candlemass, elements of Cirith Ungol in some of the heavier riffs, and plenty of Celtic folk music and poetry throughout, transporting the listener clear back to the early Renaissance. Such is the depth of writing and musicianship on display. If you only give this a casual listen, you will miss most of the album. The Room of Shadows should be -- nay, must be -- savored like a fine wine or, in my case, a deftly crafted beer. Let me tell you, friends, there are some meaty rifts just waiting for you to sink your teeth into (or your ears, as it were), but the riffs rightfully serve as foundation for the band's tell-tale melodies and harmonies, which are, as always, haunting.

Fans of newer bands like Beelzefuzz and Blues Funeral need to give Pagan Altar a spin. Maybe it's because the new Blues Funeral album was released just a day before this that I'm thinking of them. Though the two albums are separated by a span of 13 years, both conjure a similar vibe. You might say that Blues Funeral is America's belated answer to Britain's Pagan Altar. All comparisons aside, Pagan Altar's last record is a masterpiece, crowned with cover art that in a single frame so aptly pictures the artistic mood of the album and the band. I thought it might have been a repurposed painting from some classic English painting. No, this, as it so happens, is another stunning masterwork by Portland artist and doom metal musician Adam Burke.

One last note: the album was once slated for release under the title Never Quite Dead. Indeed, Pagan Altar's sound and legacy lives on, loud and proud, in The Room Full of Shadows.

Get It.

PANTANUM

Purple Blaze by Pantanum

Anyone in the mood for some Italian doom by way of South America? That's what we have with 'Purple Blaze' (2017), the latest EP from Curitiba, Brazil trio PANTANUM. Old farts like me will recognize this right away. The artwork confirms that this is, indeed, a tribute to legendary Italian doomer Paul Chain -- more specifically, a nod to his great album, 'Violet Art of Improvisation' (1989). Pantanum make a play on "violet" with the word "purple" and use a similar layout for the album art. It's a great to see a young band paying tribute to an old school legend, one that I'm sure is a new name for fans of doom who came here by way of bands like Sleep or Electric Wizard.

The two songs on the 7" are from the horror-style doom playbook the Italians were so famous for in the ‘80s and ‘90s. In fact, the 8-minute bonus track sounds like something you’d hear on a horror movie soundtrack, which is also the mood lit by Violet Art of Improvisation. If Pantanum got my attention with their first album, ‘Volume 1’ (2015), their follow-up EP has me all ears!

Get It.

THE SHELTER PEOPLE

The Shelter People -EP by The Shelter People

Fans of '70s acid rock are in for a real treat with this release. I give this a confidence rating of 100% on the authenticity scale for sounding like something from a lost FM radio transmission. THE SHELTER PEOPLE are from Tulsa, Oklahoma, but do a fine job of channeling the vibe of legendary blues-soaked acid rock bands from Japan, like Flower Travellin' Band, Blues Creation, Chinki Chen, Too Much, etc. I'm sure a good number of our readers don't know these bands I've mentioned, so a more accessible description of The Shelter People would be Black Sabbath meets Jimi Hendrix, heavy on the Jimi. This band is, in a word, tight -- excellent guitar work, riffs that are downright funky, and passionate vocals. This is the trip you're searching for.

Get It.

THE SONIC DAWN

Into the Long Night by The Sonic Dawn

I have to thank Billy for his allowing me to stretch what used to be normal strictly a stoner-doom webzine. I appreciate his wisdom and ability to see the correlation between the retro scene that was emerging a few years ago and that of the still evolving stoner-doom scene. I recognized this movement early on and have been feverishly documenting this return to roots movement ever since.

Fast-forward to present day and the retro sound is as fresh and vibrant as ever, with bands like Denmark's SONIC DAWN now carrying the baton. Their beauty of a record, 'Into The Long Night' (2017), landed #16 on the Doom Charts in April. I can't tell you how happy this made me. In all actuality, this isn't doom at all. No resemblance to Black Sabbath, no downtuned guitars, no thundering pounding of the drums. No, this is laid back, seventies-style psychedelic rock. The look, the feel, the attitude -- it's all there. Make no mistake, Sonic Dawn have captured something very special here, capturing the essence of the scene in psychedelic rhythms, swirling leads, and ethereal vocals. I personally find this music enjoyable in the early morning or late at night. If laid back psychedelia is normally your thing, consider that. This has probably been my most played album since its release.

Get It.

WATCHER'S GUARD

Watcher's Guard by Watcher's Guard

Riding over the hills of Glasgow, comes WATCHER'S GUARD armed with a doom-laden three song battering ram of a debut. I was blown away at first listen, so you can imagine there's some retro, old school, traditional doom action to be had here, with a slight touch of NWOBHM for good measure. Watcher's Guard are the doom masters. This EP covers just about every early subgenre of doom you can think of: biker doom, epic doom, slow doom, you name it. If you pinned me down to one band it most sounds like, I would have to say Revelation from Baltimore. But Watcher's guard is a bit more uptempo over all. The clear standout for me is track two, "The Ruiner." An epic just shy of 12 minutes long, this one is destined to be crowned a classic. It's easy to make the Candlemass comparison, but Watcher's Guard bring so much more to the table. The complexity of their songcraft, with psychedelic twists and turns, take you along for an heroic journey that runs you through the gauntlet of emotions. What will these four dark knights have instore for us in the future? Time and fate will tell. For now, the path to oblivion has been lit. Let's follow and enjoy the apocalyptic fireworks.

Get It.

WITCHERS CREED

Depths of the black void... by Witchers Creed

Earlier in the year, I introduced you to WITCHERS CREED, a doom-touched acid rock band from Katrineholm. We've been audience to the band's creative output with a pair two-trackers released months apart. With four superbly recorded songs to their name, I think have a pretty good read on the band now and have this suspicious feeling that they are trying to become my favorite band! That's no small statement, as you know how many killer bands I've reviewed and raved about in these pages over the years. Regulars know I am vigilantly scouring the globe in search of that authentic psychedelic sound that stole away my heart as a teenager and reporting on the unfolding saga of the retro revival in these pages. Witchers Creed are have been apparently drinking freely of the magical stream flowing through Sweden, from which springs one magical musical act after another. Nay, they are baptizing themselves in it. Even their instruments and gear bear the vintage stamp of the glory days.

I have been told I nailed down the Witchers Creed sound my review of their March release when I said they sounded like Mountain meets Sabbath meets your favorite underground seventies band. You can pick the loudest and heaviest of them, Witchers Creed is right up there with the best. They have perfected their craft with a powerful rhythm section, notable for its thundering basslines. The guitar leads are no less mind-blowing -- more than just short bursts, this soloing goes on and on, soaked with fuzz and venturing into Dave Chandler territory. You know, the master of feedback from Saint Vitus. These demented leads are brought sailing over the top by one groovy rhythm machine, accompanied by dual harmonized vocals. Imagine Leslie West of Mountain harmonizing with Gregg Allman of the Allman Brothers with wild occult lyrics, when suddenly the music stops and you hear the words: "You're all doomed!" Now that you have a visual idea of this band's irresistible charm, it's time for you to get plugged in yourself and give it a listen.

Get It.

ZEREMONY

Soul of the Zeremony by Zeremony

We're down to the last lap of 2017 and, suitably, also at the last letter of the alphabet. I think I can count just about all the "Z" bands I know on two hands. To call ZEREMONY a grower is not quite adequate, more like instantly addictive. 'Soul of the Zeremony' (2017) blew me away first listen. Yet it keeps growing on me every listen .

Photo Credit: Umsonst-und-Draussen Festival/Würzburg

You may remember hearing them as the captsone to That Seventies Compilation, which I organized last year. I heaped high praise on the the authenticity of their sound when they released that wonderful organ-driven demo that same year. Two of those three songs were deemed worthy of joining the fold of seven in this album of obscure, dark, and heavy organ-driven rock. Zeremony fit right in with my treasured favs.

Hailing from Würzburg, Zeremony seem to bear the influence of the Krautrock scene, which was erupted in the late '60s and early '70s and remains a stylistic pillar to this day. One band I hear as I listen to Zeremony is a band called Irish Coffee, just a few doors down from Germany in Belgium. They are similar in the heavy use of organ and gruff vocals. For modern comparison, try Golden Grass or Siena Root.

Listen for "She Sang a Song To Me." It is gloomy, yet earnest number with a sing-along chorus that would have all the makings of a hit single in the seventies. I've been raving about authenticity a lot in this piece and bands like Zeremony are setting a very high bar.

Get It.

#D&S Reviews #Papa Paul's Groovy Reviews #Doom #Metal #Stoner Rock #Pagan Altar #Pantanum #Siena Root #The Shelter People #The Sonic Dawn #Watcher's Guard #Witchers Creed #Zeremony #Doomed & Stoned

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marcusssanderson · 5 years

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120 Break up Quotes to Help you Heal and Move on

Looking for feel good break up quotes that will help you overcome the pain of separation? Below you’ll find our collection of break up quotes to help and inspire you.

We’ve all been through the pain of a break up and subsequent heartache.

Sometimes, we can’t put the words to what we are feeling, or we are convinced that no one has ever felt the way we are feeling before.

We can lose perspective, optimism, and a belief that things will work out in the future for us.

It is at times like these when I think the words, songs, and break-up quotes of others touch a note with us to let us know that they have been through the same ordeal before – and survived it.

It also lets us know that we are not alone, and that we are understood.

Most importantly, they give us hope that this will pass, and that this was for the better.

To help and inspire you, below is our collection of inspirational, wise, and uplifting break up quotes, break up sayings, and break up proverbs, collected from a variety of sources over the years.

Best Break Up Quotes and Sayings Ever

1.) “Sometimes good things fall apart so better things can fall together.” – Marilyn Monroe

2.) “Life always waits for some crisis to occur before revealing itself at its most brilliant.” – Paulo Coelho

3.) “When I get sad, I stop being sad and be awesome instead.” – Barney Stinson

4.) “Bad things do happen; how I respond to them defines my character and the quality of my life. I can choose to sit in perpetual sadness, immobilized by the gravity of my loss, or I can choose to rise from the pain and treasure the most precious gift I have – life itself.” – Walter Anderson

5.) “Passivity means death, activity is living. If you are passive, you allow negative things to come into your life.”

6.) “Nothing in the universe can stop you from letting go and starting over.” – Guy Finley

7.) “One day they’ll realize they lost a diamond while playing with worthless stones.” – Turcois Ominek

8.) “Never love anybody that treats you like you’re ordinary.” – Oscar Wilde

9.) “We must be willing to let go of the life we’ve planned, so as to have the life that is waiting for us.” – Joseph Campbell

Quotes about breakups and heartaches

10.) “It’s much more interesting to try and understand what binds two people together. Why we stay with each other is much more of a mystery than why we don’t.” – Jane Stanton Hitchcock

11.) “I’m thankful for my struggle because without it I wouldn’t have stumbled across my strength.” – Alex Elle

12.) “Letting go doesn’t mean that you don’t care about someone anymore. It’s just realizing that the only person you really have control over is yourself.” – Deborah Reber

13.) “Every single day, do something that makes your heart sing.” – Marcia Wieder

14.) “Get up, dress up, show up, and never give up.” – Genevieve Rhode

15.) “Watching you walk out of my life does not make me bitter or cynical about love. But rather makes me realize that if I wanted so much to be with the wrong person how beautiful it will be when the right one comes along.” –Anonymous

16.) “I don’t know where I’m going, but I’m on my way.” – Carl Sagan

17.) “It is in your moments of decision that your destiny is shaped.” – Anthony Robbins

18.) “Be in love with your life. Every minute of it.” – Jack Kerouac

19.) “When one door closes, another opens; but we often look so long and so regretfully upon the closed door that we do not see the one which has opened for us” – Alexander Graham Bell

20.) “Moving on, is a simple thing, what it leaves behind is hard.” – Dave Mustaine

21.) “Life is like riding a bicycle. To keep your balance you must keep moving.” – Albert Einstein

Break Up Quotes for moving on

22.) “In order to grow and to experience, one must leave his comfort zone. Very often this means that you have to do what you are afraid of in order to find what you didn’t know you were looking for. This takes a lot of courage.”

23.) “Ask yourself, who would Columbus be today if he hadn’t had the courage to lose sight of the shore back then?”

24.) “Love is never lost. If not reciprocated, it will flow back and soften and purify the heart.” – Washington Irving

25.) “I was never one to patiently pick up broken fragments and glue them together again and tell myself that the mended whole was as good as new. What is broken is broken, and I’d rather remember it as it was at its best, than mend it and see the broken pieces as long as I lived.” – Margaret Mitchell

26.) “What is broken is broken.”

27.) “The brightest future will always be based on a forgotten past, you can’t go on well in life until you let go of your past failures and heartaches.” – Anonymous

28.) “We must be willing to let go of the life we have planned, so as to have the life that is waiting for us.” – E.M. Forster

29.) “Letting go has never been easy, but holding on can be as difficult. Yet strength is measured not by holding on, but by letting go.” – Len Santos

30.) “You gain strength, courage and confidence by every experience in which you really stop to look fear in the face. You are able to say to yourself ‘I have lived through this horror. I can take the next thing that comes along.’ You must do the thing you think you cannot do.” – Eleanor Roosevelt

31.) “The the dreams break into a million tiny pieces. The dream dies. Which leaves you with a choice: you can settle for reality, or you can go off, like a fool, and dream another dream.” – Nora Ephron

32.) “Was I bitter? Absolutely. Hurt? You bet your sweet ass I was hurt. Who doesn’t feel a part of their heart break at rejection. You ask yourself every question you can think of, what, why, how come, and then your sadness turns to anger. That’s my favorite part. It drives me, feeds me, and makes one hell of a story.” – Jennifer Salaiz

33.) “Only time can heal his heart, just as only time can heal his broken arms and legs.” – Miss Piggy

34.) “It hurts to let go. Sometimes it seems the harder you try to hold on to something or someone the more it wants to get away. You feel like some kind of criminal for having felt, for having wanted. For having wanted to be wanted. It confuses you, because you think that your feelings were wrong and it makes you feel so small because it’s so hard to keep it inside when you let it out and it doesn’t come back. You’re left so alone that you can’t explain. Damn, there’s nothing like that, is there? I’ve been there and you have, too. You’re nodding your head.” – Henry Rollins

35.) “Maybe our girlfriends are our soulmates and guys are just people to have fun with.” – Candace Bushnell

36.) “Don’t allow someone not worth it to have the power to occupy your thoughts. If they don’t find you worth the effort or the time, why should you waste yours?” – Donna Lynn Hope

37.) “I tell you the past is a bucket of ashes, so live not in your yesterdays, no just for tomorrow, but in the here and now. Keep moving and forget the post mortems; and remember, no one can get the jump on the future.” – Carl Sandburg

38.) “One makes mistakes; that is life. But it is never a mistake to have loved.” – Romain Rolland

39.) “Recovery is something that you have to work on every single day and it’s something that it doesn’t get a day off.” – Demi Lovato

Inspirational break up quotes about staying strong

40.) “Some think that holding on makes us strong, but sometimes it’s letting go.” – Herman Hesse

41.) “I’m pretty horrible at relationships and haven’t been in many long-term ones. Leaving and moving on – returning to a familiar sense of self-reliance and autonomy – is what I know; that feeling is as comfortable and comforting as it might be for a different kind of person to stay.” – Carrie Brownstein

42.) “Don’t dwell on what went wrong. Instead, focus on what to do next. Spend your energies on moving forward toward finding the answer.” – Denis Waitley

43.) “Being divorced is like being hit by a Mack truck. If you live through it, you start looking very carefully to the right and to the left.” – Jean Kerr

44.) “I love to shop after a bad relationship. I don’t know. I buy a new outfit and it makes me feel better. It just does. Sometimes I see a really great outfit, I’ll break up with someone on purpose.” – Rita Rudner

45.) “Bad days call for foods that are bad for your butt.” – H.M Ward

46.) “I think a spiritual journey is not so much a journey of discovery. It’s a journey of recovery. It’s a journey of uncovering your own inner nature. It’s already there.” – Billy Corgan

47.) “Ever has it been that love knows not its own depth until the hour of separation.” – Khalil Gibran

48.) “Hearts live by being wounded.” – Oscar Wilde

Inspirational Quotes about breaking up

49.) “When we’re incomplete, we’re always searching for somebody to complete us. When, after a few years or a few months of a relationship, we find that we’re still unfulfilled, we blame our partners and take up with somebody more promising. This can go on and on — series polygamy — until we admit that while a partner can add sweet dimensions to our lives, we, each of us, are responsible for our own fulfillment. Nobody else can provide it for us, and to believe otherwise is to delude ourselves dangerously and to program for eventual failure every relationship we enter.” – Tom Robbins

50.) “Those who do not know how to weep with their whole heart do not know how to laugh either.” – Golda Meir

51.) “It’s no good pretending that any relationship has a future if your record collections disagree violently or if your favorite films wouldn’t even speak to each other if they met at a party.” – Nick Hornby

52.) “I’ve always believed that if you don’t stay moving, they will throw dirt on you.” – Paul Anka

53.) “When you break up with someone, and I’m not talking casual breakups here, it’s hard to take the sudden absence of such an important person in your life. It reminded me of when I’d stopped going to school and the weird uneasy feeling I’d gotten afterward, like I was forgetting to do something. My life until that point had pivoted around some form of education, and all of a sudden, it was gone. Homework, classes, running around, and then –bam – nothing but a life of work stretching out before you. No one prepares you for that feeling or even mentions it. You just suddenly have a gap and have to decide how to fill it. A break-up is like that gap, only much, much more painful. One day the person you talked to constantly or did stuff with is just absent. Gone. Poof. And even though I’m not one of those people who has to be in a relationship all the time, I was feeling at a loss.” – Lish McBride

54.) “You may have a fresh start any moment you choose, for this thing that we call ‘failure’ is not the falling down, but the staying down.” – Mary Pickford

55.) “When someone leaves you, apart from missing them, apart from the fact that the whole little world you’ve created together collapses, and that everything you see or do reminds you of them, the worst is the thought that they tried you out and, in the end, the whole sum of parts adds up to you got stamped REJECT by the one you love. How can you not be left with the personal confidence of a passed over British Rail sandwich?” – Helen Fielding

56.) “What’s that line from T.S. Eliot? To arrive at the place where you started, but to know it for the first time. I’m able to write about a breakup from a different place. Same brokenness. Same rock-bottom. But a little more informed, now I’m older. Thank God for growing up.” – Alanis Morrisette

57.) “The moving finger writes, and having written moves on. Nor all thy piety nor all thy wit, can cancel half a line of it.” – Omar Khayyam

58.) “I mean, if the relationship can’t survive the long term, why on earth would it be worth my time and energy for the short term?” – Nicholas Sparks

59.) “Healing yourself is connected with healing others.” – Yoko Ono

60.) “For a long time, the fact that I was divorced was the most important thing about me. And now it’s not. Now the most important thing about me is that I’m old.” – Nora Ephron

61.) “To love and win is the best thing. To love and lose is the next best.” – William Makepeace Thackeray

62.) “Sometimes we must undergo hardships, breakups, and narcissistic wounds, which shatter the flattering image that we had of ourselves, in order to discover two truths: that we are not who we thought we were; and that the loss of a cherished pleasure is not necessarily the loss of true happiness and well-being.” – Jean-Yves Leloup

63.) “You can love someone so much…But you can never love people as much as you can miss them.” ― John Green

64.) “Lots of things can be fixed. Things can be fixed. But many times, relationships between people cannot be fixed, because they should not be fixed. You’re aboard a ship setting sail, and the other person has joined the inland circus, or is boarding a different ship, and you just can’t be with each other anymore. Because you shouldn’t be.” ― C. JoyBell C.

65.) “Moving on is easy. It’s staying moved on that’s trickier.” ― Katerina Stoykova Klemer

Inspirational relationship break up quotes about moving on

66.) “And that’s when I know it’s over. As soon as you start thinking about the beginning, it’s the end.” ― Junot Díaz

67.) “Even on my weakest days, I get a little bit stronger” ― Sara Evans

68.) “Every woman that finally figured out her worth, has picked up her suitcases of pride and boarded a flight to freedom, which landed in the valley of change.” ― Shannon L. Alder

69.) “Two words. Three vowels. Four constenants. Seven letters. It can either cut you open to the core and leave you in ungodly pain or it can free your soul and lift a tremendous weight off you shoulders. The phrase is: It’s over.” ― Maggi Richard

70.) “We ruined each other by being together. We destroyed each other’s dreams.” ― Kate Chisman

71.) “One of the best times for figuring out who you are and what you really want out of life? Right after a break-up.” ― Mandy Hale

72.) “I wore your promise on my finger for one year, I’ll wear your name on my heart ‘till I die. Because you were my boy, you were my only boy forever.” ― Coco J. Ginger

73.) “You go to work the next day pretending nothing happened. Your co-workers ask if everything’s okay and you tell them you’re just tired. And you’re trying to smile. And they’re trying to smile.” ― Richard Siken

74.) “The quickest way to rectify that mistake (choosing the wrong person) is by learning from that, moving on, and choosing much more wisely in the future.” ― Greg Behrendt

75.) “You don’t make me feel like you used to. That’s why I’m leaving. That’s why people leave each other. They come to their senses and get selfish again.” ― Henry Rollins

More Break Up Quotes To Help You Move On

76.) “When we are in love, we are convinced nobody else will do. But as time goes, others do do, and often do do, much much better.”― Coco J. Ginger

77.) “I cannot compromise my respect for your

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flauntpage · 7 years

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The Outlet Pass: Philly's Big Boys, Slow Food Melo, and the Return of Good Blake

I watch a lot of basketball. And when I'm not doing that (or eating, sleeping, reading, sitting in front of an unintentionally funny horror movie, etc.), there's a good chance I've fallen into something NBA-related on my laptop, whether it be a beautifully-written profile, stretch of game film, or a statistical database.

It is virtually impossible to absorb all the NBA has to offer, but digestible morsels of information usually find their way into a notebook that migrates between my coffee table and nightstand. (I have two shoeboxes under my bed that are literally overflowing with random thoughts on the NBA extracted over hundreds of hours spent in front of my TV/iPad/cell phone.) Some of it is complete nonsense ("Why did Frank Vogel grow a beard?"). Some of it is useful.

This column is born from my notebook. Every week, I'll try to unwrap some unique angles from around the league. So, anyways, welcome! I hope after reading this you have just a little bit more insight into (and interest in) the NBA than you did before hopping over.

1. Introducing Philly's Giant Trio of Death

This was already mentioned in my preview piece about Dario Saric and the Philadelphia 76ers, but one of the most critical questions for Philly is whether Ben Simmons, Joel Embiid, and Saric can share the floor. All three are taller than 6'10", with a rare combination of intelligence and technical skill that should theoretically allow them to thrive beside one another.

If they can space the floor (more on Simmons's ability to do that without a jump shot later), maintain some defensive versatility, and move the ball, there's no way to stop them. Size has long been the sport's most valuable element, and folding it into a group that's also able to adopt modern principles (quality three-point shooting, a modifiable pick-and-roll defense, etc.) would eventually give Philly an advantage over everybody else.

They've only shared the floor for 23 minutes in four games, but in that time the Sixers have outscored opponents by 27 points per 100 possessions while assisting two-thirds of their made baskets. They're zipping up the court, running offense through whoever has a mismatch, and, as expected, gobbling up all the rebounds in sight.

27 minutes of basketball hardly provides enough data to confirm that these three will one day take over the universe, but Sixers coach Brett Brown swapped Saric in for Jerryd Bayless at the start of the second half of their Monday night win over the Detroit Pistons. Obvious translation: This is the beginning of something very special.

2. Minnesota's Glaring Weakness

Between Karl-Anthony Towns dissecting defenses from any square foot of the court he pleases, Andrew Wiggins gliding like a condor, and Jamal Crawford momentarily propping up a lethargic offense like the ageless highlight reel he is, it's still hard to ignore Minnesota's obvious hole: the desperate need for another wing defender. Maybe two.

At the start of their thrilling victory against the Oklahoma City Thunder on Sunday night, the Timberwolves started with Jimmy Butler on Russell Westbrook while Wiggins defended Paul George and Jeff Teague hid out on Andre Roberson. Taj Gibson—better suited as a backup center at this stage in his career—glued himself to Carmelo Anthony as best he could.

When Wiggins took a seat later in the game, Butler was forced to pick up George. Not all teams are able to deploy as many offensive weapons as the Thunder, but these assignments are still way too taxing for Butler all year long, and don't allow him to wreak havoc off the ball on offense as much as he could if the Timberwolves avoided a crossmatch by putting Teague on Westbrook and Butler on Roberson.

Minnesota showed some interest in P.J. Tucker over the summer, but didn't make a serious offer to acquire him. That's unfortunate. They're distinctly thin at arguably the most critical position in the league, and it's showing. When Butler missed Tuesday night's game against the Indiana Pacers, his teammates put up one of the weaker defensive performances any team has had all season.

Games against the Pacers and Thunder are a small sample size, but we already knew that Crawford and Shabazz Muhammad aren't answers on the defensive end, while the Timberwolves' assembly of bigs aren't flexible enough to switch on the perimeter or even directly line up against teams that go small.

Minnesota's offense should still be good enough for a playoff berth, but unless they address their most glaring weakness before the trade deadline, winning a series will be an uphill battle. Including the two games Butler's missed, Minnesota's defensive rating is an atrocious 117.5 when he's not on the floor.

3. The Phoenix Suns!

Many accurate words have been written about the amusingly dysfunctional Phoenix Suns since the season started last Tuesday. It's fair to say they've momentarily snatched the Torch of Negligence from organizations that have proudly held it (the New York Knicks, Chicago Bulls, Sacramento Kings, and Los Angeles Lakers immediately spring to mind).

A couple nights before Eric Bledsoe submitted an early frontrunner for this season's most legendary tweet, I was in bed watching a game on my iPad when a random, half-serious thought popped into my head. I rolled over, opened my notebook, and scribbled down the following sentence: "Indirect way to gauge how hard a team is playing: Watch with sound off. That way you don't know if players are reacting to a ref's whistle or not."

I was watching the Suns.

4. Carmelo Anthony is a Walking "STOP THE PRESSES" Button

After their game against the Pacers on Wednesday night, Oklahoma City's pace registered at 104.2 with Russell Westbrook on the floor this season. Given their success in transition and all the long-armed, turnover-cobbling athleticism they possess on the defensive end, that number is right in line with how the Thunder should try and play for the rest of the reigning MVP's prime.

"Hijack" is too strong a descriptor for what Carmelo Anthony has done to his new team's rhythm, but when he's in the game their pace drops to 100.7. Related to last year's numbers, the gap between Westbrook and Melo's individual pace represents the league's fastest and 10th fastest teams.

When Anthony has been off the floor this season, Oklahoma City transforms into a jumbo jet. Its pace shoots up to a whopping 105.6. When Westbrook sits, things molder at 96.1. The differential grows more stark when you look at how the NBA's Triple-Double King performs without Anthony on the court. His True Shooting percentage increases 16.4 percent despite his usage rising by 10 points. (The pace gap also dramatically widens, as one might assume.)

This is the fundamental struggle Oklahoma City needs to work through as they digest life with two score-first options who're more comfortable at different tempos. Anthony's usage is right in line with where it was the past two seasons, but his True Shooting is down, thanks to a dramatic dip in trips to the free-throw line and a whole bunch of misfires beyond the arc. Only four players in the entire league are averaging more shots per game.

Billy Donovan has more than enough talent to go around, but ensuring comfort for all three of his stars will take some time.

5. LaMarcus Aldridge: Still Good!

The general reaction after the San Antonio Spurs gave LaMarcus Aldridge a three-year contract extension was bemused fascination. Aldridge will be 33 next season, was not an All-Star last year, and is coming off a playoff run that saw his True Shooting percentage dip below .500. But the Spurs aren't dumb. They know this. They also probably realize that acquiring someone who can mimic his impact at a lower cost is going to be all but impossible during Kawhi Leonard's prime.

It turns out Aldridge is still a very good player, and while Leonard nurses a nagging quadricep injury, the five-time All-Star has quietly kicked off his 12th season looking like one of the league's 15 best players. The undefeated Spurs have turned to mush on both ends when he's on the bench, getting outscored by a team-low 21.6 points per 100 possessions. (They're +19.3 when he plays.)

According to Synergy Sports, just over a third of Aldridge's possessions have been post-ups, where he already ranks in the 96th percentile. The left block is his happy place, and all who've defended him see nothing but his picture-perfect turnaround jump shot whenever their eyes close. (Especially Miami Heat rookie Bam Adebayo, who was absolutely tortured on national television Wednesday night.)

It's unlikely Aldridge averages 26 points, nine rebounds, and three assists per game for the entire year, but it's a promising start for a player who badly needed to reassert himself among the league's elite frontcourt weapons. The Spurs have been especially dominant with Aldridge at the five, in lineups that feature Rudy Gay or Kyle Anderson at the four. Just imagine how scary those lineups will be when Leonard—the freaking frontrunner for MVP—returns.

6. Bebe Nogueira...

...has multiple tattoos on his face and is a legend. This—more than the Raptors' modernized shot profile—is clearly the most important recent happening that's taken place in the general Toronto area.

Photo by John E. Sokolowski - USA TODAY Sports

7. The Dreaded Hot Seat

Earlier this week, the Suns fired Earl Watson, demonstrating it's never too early to toss your head coach into a guillotine. Comparing that situation with any other in the league is tough, though. There's only one Robert Sarver, and the stakes for Watson's dismissal were pretty low, given how unpleasant the team's roster is.

Firing a coach before Thanksgiving is never a good look, but it still got me thinking about whether any other coaches (beside the two most obvious candidates: Jeff Hornacek and Alvin Gentry) might have a single burner under their chair. It would surprise me if the coach I'm about to mention doesn't keep his job for the foreseeable future, but literally nothing can be ruled out in today's NBA.

The Denver Nuggets are 1-3 with their lone win coming against the Sacramento Kings. Nothing about this is notably problematic, but expectations are a tidal wave that cease for no man, and with a cupcake road trip sitting on the horizon and a tricky home stand right after that, Mike Malone may find himself in hot water.

If Denver struggles against the Atlanta Hawks, Brooklyn Nets, and New York Knicks before the Miami Heat, Toronto, Golden State Warriors, and Oklahoma City Thunder invade the Pepsi Center, will he have an opportunity to turn things around? Probably, yes. He should. Denver is the fifth-youngest team in the league, with a pair of inexperienced point guards (Jamal Murray and Emmanuel Mudiay) who are seriously struggling. Their offense is unexpectedly impotent.

It's way, way, way too early to point fingers or even be concerned about Denver's play (their defense is keeping opponents away from the rim and forcing a ton of mid-range shots!), but Malone may be on thinner ice than we think.

8. Centers are Officially Married to the Three-Point Line

Here's a list of centers who've already launched at least one three this year: Dewayne Dedmon (six), Jonas Valanciunas (one), Hassan Whiteside (one), Willie Cauley-Stein (two), Gorgui Dieng (four), Robin Lopez (five), Nikola Vucevic (19), Dwight Powell (12), Timofey Mozgov (three), Jusuf Nurkic (two), Jeff Withey (two), Al Jefferson (one), Derrick Favors (five), and a whole bunch who aren't listed primarily because they aren't that surprising.

Joel Embiid is 2-for-13 from beyond the arc and DeMarcus Cousins is averaging more threes per game than all but five players in the entire league. Attempts aren't a sole indicator of any uptick when most of these players have only appeared in a few games, but three-point rates at the center position are skyrocketing across the board.

This is one of the most evolutionary subplots in the NBA right now, even if we all saw it coming.

9. When Spacing Doesn't Matter

Speaking of evolution and the three-point line, two of the NBA's most unique talents, Ben Simmons and Giannis Antetokounmpo, are a couple earthquakes who can't really shoot. So far, Antetokounmpo's three-point rate is about half what it was last season (he's 1-for-6 in 154 minutes) while Simmons is 0-for-3 in his career.

But both have remained effective even when the ball isn't in their hands, and their respective coaching staffs have done a good job figuring out different ways to get them going from the weakside. It's only natural to sag off someone who isn't a threat beyond the arc, and that's exactly what teams do whenever Simmons and Antetokounmpo aren't dribbling around with transfixing dexterity.

To neutralize this defense, both teams have instituted quick hit actions that allow their freakish "guards" to get a running head start towards the basket against a perimeter defender who isn't in their path. For example, the Bucks will run a side pick-and-roll towards the middle of the floor with the sole intention of swinging it to Antetokounmpo on the opposite wing. He'll catch it in mid-stride towards the paint, and from that point your best defense is physical assault.

This catch-and-go action makes defenders think twice about helping at the nail, and instead forces them to clog up an open runway towards the rim.

10. Andre Drummond is Wiping Dirt Off His Shoulders

Not only is he shooting 72.2 percent from the free-throw line, but, more importantly, the 24-year-old appears to have shaved/waxed/lasered away his scraggly shoulder hair. Speaking as someone who's long been afflicted with this cosmetic impediment, shout out to Drummond for overcoming what was once an unscalable obstacle.

11. Blake Griffin is a Top-10 Player Once More

Remember Blake Griffin? He's hitting threes, demanding double teams on the block (if you cut he will find you), and can still Mount Olympus poor shot blockers who think they stand a chance. Rudy Gobert didn't even jump when he saw Griffin rumbling down the paint for a teeth-rattling facial earlier this week.

His offensive game is as complete and diversified as there is, averaging a cool 27, 10, and four while launching six threes per game. If (if!) he stays healthy, the Clippers may find themselves with the five seed, and Griffin may find himself returning to an All-NBA team.

12. John Wall Equals Mini Mutombo

John Wall is on pace to have one of the most impressive shot-blocking seasons a guard has ever had, per Basketball-Reference. Through his first four games, the 27-year-old blur has five blocks and six personal fouls. Solid. His block rate is the exact same as Dwyane Wade's during his age-27 season, too.

He was a demon in Washington's season opener against the Philadelphia 76ers, welcoming Markelle Fultz to the league by smudging his layup off the glass. But then he also showed how useful he can be later on against the Detroit Pistons, switching onto Tobias Harris, guarding him in isolation, then swatting his floater away while squared up in the paint.

So much is made about Wall's inability to knock down threes and space the floor. But it's his inconsistency on the defensive end that bars him from MVP conversations. If he excels on that end all year, and rolls his unparalleled combination of speed, strength, and length into one package at the point guard position, Washington's ceiling will rise a considerable degree.

13. The Ed Davisaissance!

Ed Davis's tenure with the Portland Trail Blazers hasn't been great. Often injured, out of shape, or deemed ineffective in a league that has little use for big men who can't shoot, the guy looked spry on Tuesday against DeMarcus Cousins and the New Orleans Pelicans, recording his first double-double since last February.

Photo by Jaime Valdez - USA TODAY Sports

Davis is slowly re-emerging as one of the NBA's top putback artists and has flashed vibrance as a roll man, putting the ball on the ground with one dribble and then going up strong at the rim. Noah Vonleh's looming return from a shoulder injury (he could be back as early as November 1st) may throw a wrench in Davis's minutes. But Terry Stotts will have a hard time keeping the 28-year-old out of his rotation.

14. The Spurs are Spursing

The Spurs have logged six minutes of crunch time so far this season (defined as when the scoring margin is five or below, with five or fewer minutes left in the game). They've yet to allow a single point in that time. Defensive rating: zero point zero, and it's way too early to call it unsustainable.

15. How Many Nets can be Helpful Players on a Good Team?

Last year, the answer to this question was between zero and two, depending on what you think of Jeremy Lin and Brook Lopez. That number is slightly higher today, but a key difference is a serious downshift in age.

DeMarre Carroll stands out as the only legitimate late-prime candidate (though Trevor Booker is averaging 20.7 points and 12.5 rebounds per 36 minutes), with D'Angelo Russell, Jarrett Allen, and maybe even Caris LeVert—who plays basketball like a bold character actor who isn't sure/doesn't care about the established tone in his scene—rounding out the list.

It's too early to say this with too much confidence, but if the Lakers don't land LeBron James or Paul George this summer, dumping Russell for Lopez and cap space will be viewed as a humongous mistake. He looks fantastic in Brooklyn, strutting through half-court sets with 9,000 percent more confidence than he had in his first two years.

He's getting to, and finishing at, the rim in ways that should quell some concern over whether or not he'd ever be able to test defenses in the paint, all while knocking down threes and conducting open-floor surges with a comfort previously unseen in his career. His pick-and-rolls are unhurried, and he's already picked up the nuance that is holding off a trailing defender while putting pressure on the sagging big.

Turnovers are high but that's fine. He keeps his head up, looks for cutters, and is still only 21 years old!

Meanwhile, Allen looks like his ceiling could be as one of the 15 most useful defenders in the league. He has a 7'6" wingspan, unteachable instincts on the perimeter, and a touch around the basket that, speaking as someone who doesn't watch college basketball and didn't get to see him at Las Vegas Summer League, is quite the pleasant surprise. The Nets may have at least two cornerstones already onboard.

16. Are LeBron's Minutes Already Cause for Concern?

He leads the league at 188 overall and is third with 37.6 per game.

17. Your Weekly Reminder that the Golden State Warriors are Unfair

Coming out of a time-out during Wednesday night's win over the Toronto Raptors, Warriors play-by-play announcer Bob Fitzgerald looked at a Shaun Livingston, David West, Kevin Durant, Klay Thompson, and Andre Iguodala quintet as they strode onto the floor and said "No team in the league can match this five."

Even though only three of Golden State's units played more than this exact one last season—they outscored opponents by 13.3 points per 100 possessions in 167 minutes—my immediate reaction was still to scoff.

Yes, this unit boasts a top-two player, extremely high intelligence across the board, like-sized defenders, and one of the greatest spot-up shooters who ever lived, but it doesn't have Steph Curry or Draymond Green, two transcendent figures who are most responsible for Golden State's unprecedented dominance.

It took me about five seconds to realize Fitzgerald was right. It's obvious and inconceivable at the same time: Golden State's eighth or ninth best five-man unit will blow your very best one out of the water. Welcome back, NBA!

The Outlet Pass: Philly's Big Boys, Slow Food Melo, and the Return of Good Blake published first on http://ift.tt/2pLTmlv

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The Outlet Pass: Philly’s Big Boys, Slow Food Melo, and the Return of Good Blake

I watch a lot of basketball. And when I’m not doing that (or eating, sleeping, reading, sitting in front of an unintentionally funny horror movie, etc.), there’s a good chance I’ve fallen into something NBA-related on my laptop, whether it be a beautifully-written profile, stretch of game film, or a statistical database.

It is virtually impossible to absorb all the NBA has to offer, but digestible morsels of information usually find their way into a notebook that migrates between my coffee table and nightstand. (I have two shoeboxes under my bed that are literally overflowing with random thoughts on the NBA extracted over hundreds of hours spent in front of my TV/iPad/cell phone.) Some of it is complete nonsense (“Why did Frank Vogel grow a beard?”). Some of it is useful.

This column is born from my notebook. Every week, I’ll try to unwrap some unique angles from around the league. So, anyways, welcome! I hope rafter reading this you have just a little bit more insight into (and interest in) the NBA than you did hopping over.

1. Introducing Philly’s Giant Trio of Death

This was already mentioned in my preview piece about Dario Saric and the Philadelphia 76ers, but one of the most critical questions for Philly is whether Ben Simmons, Joel Embiid, and Saric can share the floor. All three are taller than 6’10”, with a rare combination of intelligence and technical skill that should theoretically allow them to thrive beside one another.

If they can space the floor (more on Simmons’s ability to do that without a jump shot later), maintain some defensive versatility, and move the ball, there’s no way to stop them. Size has long been the sport’s most valuable element, and folding it into a group that’s also able to adopt modern principles (quality three-point shooting, a modifiable pick-and-roll defense, etc.) would eventually give Philly an advantage over everybody else.

They’ve only shared the floor for 23 minutes in four games, but in that time the Sixers have outscored opponents by 27 points per 100 possessions while assisting two-thirds of their made baskets. They’re zipping up the court, running offense through whoever has a mismatch, and, as expected, gobbling up all the rebounds in sight.

2. Minnesota’s Glaring Weakness

Between Karl-Anthony Towns dissecting defenses from any square foot of the court he pleases, Andrew Wiggins gliding like a condor, and Jamal Crawford momentarily propping up a lethargic offense like the ageless highlight reel he is, it’s still hard to ignore Minnesota’s obvious hole: the desperate need for another wing defender. Maybe two.

When Wiggins took a seat later in the game, Butler was forced to pick up George. Not all teams are able to deploy as many offensive weapons as the Thunder, but these assignments are still way too taxing for Butler all year long, and don’t allow him to wreak havoc off the ball on offense as much as he could if the Timberwolves avoided a crossmatch by putting Teague on Westbrook and Butler on Roberson.

Minnesota showed some interest in P.J. Tucker over the summer, but didn’t make a serious offer to acquire him. That’s unfortunate. They’re distinctly thin at arguably the most critical position in the league, and it’s showing. When Butler missed Tuesday night’s game against the Indiana Pacers, his teammates put up one of the weaker defensive performances any team has had all season.

Games against the Pacers and Thunder are a small sample size, but we already knew that Crawford and Shabazz Muhammad aren’t answers on the defensive end, while the Timberwolves’ assembly of bigs aren’t flexible enough to switch on the perimeter or even directly line up against teams that go small.

Minnesota’s offense should still be good enough for a playoff berth, but unless they address their most glaring weakness before the trade deadline, winning a series will be an uphill battle. Including the two games Butler’s missed, Minnesota’s defensive rating is an atrocious 117.5 when he’s not on the floor.

3. The Phoenix Suns!

Many accurate words have been written about the amusingly dysfunctional Phoenix Suns since the season started last Tuesday. It’s fair to say they’ve momentarily snatched the Torch of Negligence from organizations that have proudly held it (the New York Knicks, Chicago Bulls, Sacramento Kings, and Los Angeles Lakers immediately spring to mind).

A couple nights before Eric Bledsoe submitted an early frontrunner for this season’s most legendary tweet, I was in bed watching a game on my iPad when a random, half-serious thought popped into my head. I rolled over, opened my notebook, and scribbled down the following sentence: “Indirect way to gauge how hard a team is playing: Watch with sound off. That way you don’t know if players are reacting to a ref’s whistle or not.”

I was watching the Suns.

4. Carmelo Anthony is a Walking “STOP THE PRESSES” Button

After their game against the Pacers on Wednesday night, Oklahoma City’s pace registered at 104.2 with Russell Westbrook on the floor this season. Given their success in transition and all the long-armed, turnover-cobbling athleticism they possess on the defensive end, that number is right in line with how the Thunder should try and play for the rest of the reigning MVP’s prime.

“Hijack” is too strong a descriptor for what Carmelo Anthony has done to his new team’s rhythm, but when he’s in the game their pace drops to 100.7. Related to last year’s numbers, the gap between Westbrook and Melo’s individual pace represents the league’s fastest and 10th fastest teams.

When Anthony has been off the floor this season, Oklahoma City transforms into a jumbo jet. Its pace shoots up to a whopping 105.6. When Westbrook sits, things molder at 96.1. The differential grows more stark when you look at how the NBA’s Triple-Double King performs without Anthony on the court. His True Shooting percentage increases 16.4 percent despite his usage rising by 10 points. (The pace gap also dramatically widens, as one might assume.)

This is the fundamental struggle Oklahoma City needs to work through as they digest life with two score-first options who’re more comfortable at different tempos. Anthony’s usage is right in line with where it was the past two seasons, but his True Shooting is down, thanks to a dramatic dip in trips to the free-throw line and a whole bunch of misfires beyond the arc. Only four players in the entire league are averaging more shots per game.

Billy Donovan has more than enough talent to go around, but ensuring comfort for all three of his stars will take some time.

5. LaMarcus Aldridge: Still Good!

The general reaction after the San Antonio Spurs gave LaMarcus Aldridge a three-year contract extension was bemused fascination. Aldridge will be 33 next season, was not an All-Star last year, and is coming off a playoff run that saw his True Shooting percentage dip below .500. But the Spurs aren’t dumb. They know this. They also probably realize that acquiring someone who can mimic his impact at a lower cost is going to be all but impossible during Kawhi Leonard’s prime.

It turns out Aldridge is still a very good player, and while Leonard nurses a nagging quadricep injury, the five-time All-Star has quietly kicked off his 12th season looking like one of the league’s 15 best players. The undefeated Spurs have turned to mush on both ends when he’s on the bench, getting outscored by a team-low 21.6 points per 100 possessions. (They’re +19.3 when he plays.)

According to Synergy Sports, just over a third of Aldridge’s possessions have been post-ups, where he already ranks in the 96th percentile. The left block is his happy place, and all who’ve defended him see nothing but his picture-perfect turnaround jump shot whenever their eyes close. (Especially Miami Heat rookie Bam Adebayo, who was absolutely tortured on national television Wednesday night.)

It’s unlikely Aldridge averages 26 points, nine rebounds, and three assists per game for the entire year, but it’s a promising start for a player who badly needed to reassert himself among the league’s elite frontcourt weapons. The Spurs have been especially dominant with Aldridge at the five, in lineups that feature Rudy Gay or Kyle Anderson at the four. Just imagine how scary those lineups will be when Leonard—the freaking frontrunner for MVP—returns.

6. Bebe Nogueira…

…has multiple tattoos on his face and is a legend. This—more than the Raptors’ modernized shot profile—is clearly the most important recent happening that’s taken place in the general Toronto area.

Photo by John E. Sokolowski – USA TODAY Sports

7. The Dreaded Hot Seat

Earlier this week, the Suns fired Earl Watson, demonstrating it’s never too early to toss your head coach into a guillotine. Comparing that situation with any other in the league is tough, though. There’s only one Robert Sarver, and the stakes for Watson’s dismissal were pretty low, given how unpleasant the team’s roster is.

Firing a coach before Thanksgiving is never a good look, but it still got me thinking about whether any other coaches (beside the two most obvious candidates: Jeff Hornacek and Alvin Gentry) might have a single burner under their chair. It would surprise me if the coach I’m about to mention doesn’t keep his job for the foreseeable future, but literally nothing can be ruled out in today’s NBA.

It’s way, way, way too early to point fingers or even be concerned about Denver’s play (their defense is keeping opponents away from the rim and forcing a ton of mid-range shots!), but Malone may be on thinner ice than we think.

8. Centers are Officially Married to the Three-Point Line

Here’s a list of centers who’ve already launched at least one three this year: Dewayne Dedmon (six), Jonas Valanciunas (one), Hassan Whiteside (one), Willie Cauley-Stein (two), Gorgui Dieng (four), Robin Lopez (five), Nikola Vucevic (19), Dwight Powell (12), Timofey Mozgov (three), Jusuf Nurkic (two), Jeff Withey (two), Al Jefferson (one), Derrick Favors (five), and a whole bunch who aren’t listed primarily because they aren’t that surprising.

Joel Embiid is 2-for-13 from beyond the arc and DeMarcus Cousins is averaging more threes per game than all but five players in the entire league. Attempts aren’t a sole indicator of any uptick when most of these players have only appeared in a few games, but three-point rates at the center position are skyrocketing across the board.

This is one of the most evolutionary subplots in the NBA right now, even if we all saw it coming.

9. When Spacing Doesn’t Matter

Speaking of evolution and the three-point line, two of the NBA’s most unique talents, Ben Simmons and Giannis Antetokounmpo, are a couple earthquakes who can’t really shoot. So far, Antetokounmpo’s three-point rate is about half what it was last season (he’s 1-for-6 in 154 minutes) while Simmons is 0-for-3 in his career.

But both have remained effective even when the ball isn’t in their hands, and their respective coaching staffs have done a good job figuring out different ways to get them going from the weakside. It’s only natural to sag off someone who isn’t a threat beyond the arc, and that’s exactly what teams do whenever Simmons and Antetokounmpo aren’t dribbling around with transfixing dexterity.

To neutralize this defense, both teams have instituted quick hit actions that allow their freakish “guards” to get a running head start towards the basket against a perimeter defender who isn’t in their path. For example, the Bucks will run a side pick-and-roll towards the middle of the floor with the sole intention of swinging it to Antetokounmpo on the opposite wing. He’ll catch it in mid-stride towards the paint, and from that point your best defense is physical assault.

This catch-and-go action makes defenders think twice about helping at the nail, and instead forces them to clog up an open runway towards the rim.

10. Andre Drummond is Wiping Dirt Off His Shoulders

Not only is he shooting 72.2 percent from the free-throw line, but, more importantly, the 24-year-old appears to have shaved/waxed/lasered away his scraggly shoulder hair. Speaking as someone who’s long been afflicted with this cosmetic impediment, shout out to Drummond for overcoming what was once an unscalable obstacle.

11. Blake Griffin is a Top-10 Player Once More

Remember Blake Griffin? He’s hitting threes, demanding double teams on the block (if you cut he will find you), and can still Mount Olympus poor shot blockers who think they stand a chance. Rudy Gobert didn’t even jump when he saw Griffin rumbling down the paint for a teeth-rattling facial earlier this week.

12. John Wall Equals Mini Mutombo

He was a demon in Washington’s season opener against the Philadelphia 76ers, welcoming Markelle Fultz to the league by smudging his layup off the glass. But then he also showed how useful he can be later on against the Detroit Pistons, switching onto Tobias Harris, guarding him in isolation, then swatting his floater away while squared up in the paint.

So much is made about Wall’s inability to knock down threes and space the floor. But it’s his inconsistency on the defensive end that bars him from MVP conversations. If he excels on that end all year, and rolls his unparalleled combination of speed, strength, and length into one package at the point guard position, Washington’s ceiling will rise a considerable degree.

13. The Ed Davisaissance!

Ed Davis’s tenure with the Portland Trail Blazers hasn’t been great. Often injured, out of shape, or deemed ineffective in a league that has little use for big men who can’t shoot, the guy looked spry on Tuesday against DeMarcus Cousins and the New Orleans Pelicans, recording his first double-double since last February.

Photo by Jaime Valdez – USA TODAY Sports

Davis is slowly re-emerging as one of the NBA’s top putback artists and has flashed vibrance as a roll man, putting the ball on the ground with one dribble and then going up strong at the rim. Noah Vonleh’s looming return from a shoulder injury (he could be back as early as November 1st) may throw a wrench in Davis’s minutes. But Terry Stotts will have a hard time keeping the 28-year-old out of his rotation.

14. The Spurs are Spursing

The Spurs have logged six minutes of crunch time so far this season (defined as when the scoring margin is five or below, with five or fewer minutes left in the game). They’ve yet to allow a single point in that time. Defensive rating: zero point zero, and it’s way too early to call it unsustainable.

15. How Many Nets can be Helpful Players on a Good Team?

DeMarre Carroll stands out as the only legitimate late-prime candidate (though Trevor Booker is averaging 20.7 points and 12.5 rebounds per 36 minutes), with D’Angelo Russell, Jarrett Allen, and maybe even Caris LeVert—who plays basketball like a bold character actor who isn’t sure/doesn’t care about the established tone in his scene—rounding out the list.

It’s too early to say this with too much confidence, but if the Lakers don’t land LeBron James or Paul George this summer, dumping Russell for Lopez and cap space will be viewed as a humongous mistake. He looks fantastic in Brooklyn, strutting through half-court sets with 9,000 percent more confidence than he had in his first two years.

He’s getting to, and finishing at, the rim in ways that should quell some concern over whether or not he’d ever be able to test defenses in the paint, all while knocking down threes and conducting open-floor surges with a comfort previously unseen in his career. His pick-and-rolls are unhurried, and he’s already picked up the nuance that is holding off a trailing defender while putting pressure on the sagging big.

Turnovers are high but that’s fine. He keeps his head up, looks for cutters, and is still only 21 years old!

Meanwhile, Allen looks like his ceiling could be as one of the 15 most useful defenders in the league. He has a 7’6″ wingspan, unteachable instincts on the perimeter, and a touch around the basket that, speaking as someone who doesn’t watch college basketball and didn’t get to see him at Las Vegas Summer League, is quite the pleasant surprise. The Nets may have at least two cornerstones already onboard.

16. Are LeBron’s Minutes Already Cause for Concern?

He leads the league at 188 overall and is third with 37.6 per game.

17. Your Weekly Reminder that the Golden State Warriors are Unfair

Coming out of a time-out during Wednesday night’s win over the Toronto Raptors, Warriors play-by-play announcer Bob Fitzgerald looked at a Shaun Livingston, David West, Kevin Durant, Klay Thompson, and Andre Iguodala quintet as they strode onto the floor and said “No team in the league can match this five.”

Even though only three of Golden State’s units played more than this exact one last season—they outscored opponents by 13.3 points per 100 possessions in 167 minutes—my immediate reaction was still to scoff.

Yes, this unit boasts a top-two player, extremely high intelligence across the board, like-sized defenders, and one of the greatest spot-up shooters who ever lived, but it doesn’t have Steph Curry or Draymond Green, two transcendent figures who are most responsible for Golden State’s unprecedented dominance.

It took me about five seconds to realize Fitzgerald was right. It’s obvious and inconceivable at the same time: Golden State’s eighth or ninth best five-man unit will blow your very best one out of the water. Welcome back, NBA!

The Outlet Pass: Philly’s Big Boys, Slow Food Melo, and the Return of Good Blake syndicated from http://ift.tt/2ug2Ns6

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marcusssanderson · 5 years

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120 Break up Quotes to Help you Heal and Move on

We’ve all been through the pain of a break up and subsequent heartache.

Sometimes, we can’t put the words to what we are feeling, or we are convinced that no one has ever felt the way we are feeling before.

We can lose perspective, optimism, and a belief that things will work out in the future for us.

It is at times like these when I think the words, songs, and break-up quotes of others touch a note with us to let us know that they have been through the same ordeal before – and survived it.

It also lets us know that we are not alone, and that we are understood.

Most importantly, they give us hope that this will pass, and that this was for the better.

Here are some words that will hopefully help and inspire you.

Looking for feel good break up quotes?