New Goth: Chapter 4, Part 12
The week wraps up!
James: How did it go
Ariadne: *sighs* not great. The principal made me feel small, the teacher sprung exams on me and some girl made fun of my hair
Milton: I think your hair is pretty
James: I taught a lot of teens. Often they will pick something random to make fun of, something that isn’t actually bad, they just make you think it is. Did you do your hair yourself
Ariadne: *quietly* Just the colour. I went to a proper place to get it cut
James: We can get you a salon appointment to maintain the colour if you like but do it for you, not because some girl had an issue. If you like to dye it yourself, keep doing it
Ariadne: Thanks James. Oh and I met Carson, he seemed nice
James: Harvey’s youngest? I haven’t met him myself but I’ve met the next oldest. The brothers don’t get along from what I hear but the family are nature loving so he could be a good friend option
Ariadne: I hope you don’t mind but I invited some kids over after dinner. Hopefully they can be friend options to
James: This is your home, invite over all the friend options you want
Milton: Good thing you didn’t invite them before dinner
Ariadne: Why
Alexander: I’m home! Did you tell her?
James: Ah. Well we want to properly welcome you so Alexander’s sister and her family will be coming for dinner
Ariadne: For me?
Alexander: Of course, you’re important
After a quick small family photo the Chopra’s arrive and Ariadne has a chance to meet them all.
Cassandra: And my youngest is Viola, she’s still learning to talk
Ariadne: Hi there
Viola: *shyly* hi
Alexander: Care to help me cook Rahul
Rahul: Of course, I brought some herbs I think would be good in the pasta
Viola: Ari… up?
Cassandra: Don’t feel like you have to play with her, she’s a bit wild
Ariadne: I don’t mind. Come on Viola, let’s have fun
Savannah: See Milton, you’re meant to treat us like that
Milton: You’re meant to treat Viola like that
Mercedes: *sighs* shut up
James: Do you think it’s twins again
Cassandra: I don’t know, I’m definitely getting stronger symptoms than the last pregnancy
Ariadne: Are you excited for another sibling Viola
Viola: Ye ye
Cassandra: She’s always- ohhhh
Alexander: Are you okay sis? Is it the pregnancy
Cassandra: Kind of…
Rahul: *chuckles* I know that kind of
Alexander: What does it mean
Rahul: Do you feel too nauseous to have the pasta sauce darling?
Cassandra: *sighs* Sorry
Rahul assures her it's fine and talk turns to an alternative dinner plan.
Ariadne: The spice festival is on, do you think you could eat something from there
James: Good idea. How about we go out instead?
Twins: YES
Everyone manages to find something they can swallow at the festival even if the lighting is being stupid! Looks like Devin is gracing us with her presence and a performance!!! No one tell her my lighting is this bad. The lack of proper light does send us home pretty quickly though. Ariadne has invited some kids from school after all and Joey is going to come for a game or two.
Scarlett: Damn girl your house is massive
Ariadne: What can I say? Rich parent perks
Rodger: My household is the same size as yours, cats included, and we live in a relative shoebox
Ariadne: Oh, I’m sorry. I didn’t mean to come across as-
Rodger: It’s fine. Everywhere is a shoebox compared to this place
Ariadne: You’re not utterly disappointed in me?
Scarlett: *laughs* Nope. Girl I'd brag about it to
Rodger: What can I say? You give us something to aspire to
The trio burst out laughing and Ariadne feels like she could finally be making some friends.
Joey: Zooming by on your left
Alexander: Hey that was an illegal driving move
Milton: Alexander, there’s no illegal driving moves in this game
James: Hurry up love, I’m going to lap you soon
Alexander: I don’t get how you’re all so good at this
Joey: Practice and technical know how. Hey, who threw that banana?
James: It was Milton
Milton: It was not me, Uncle James is lying
Joey: It’s okay Milton, I believe you
James and Milton leave once the game is over and Alexander takes the opportunity to talk to Joey.
Alexander: You know how James and I have adopted Ariadne?
Joey: I haven’t got a proper introduction but yeah
Alexander: I need to know you won’t sleep with her
Joey: Dude! She’s a teenager. I like to screw but I don’t have a screw loose
Alexander: I know but she won’t always be 13 and I don’t need you laying on your charm and breaking her heart, ever. No matter how hot she may grow up to be, don’t sleep with my daughter
Joey: What if she makes a move on me once she ages up? You know boobs distract me
Alexander: You drag your eyes up and say, no thank you, your dad is one of my best friends and I will not cross that line
Joey: Agreed, I’m never going to sleep with any kid of yours... I did want to woohoo your mum though
Alexander: *laughs* I knew it!
With Joey heading home Alexander goes and makes sure Milton is heading to bed. Milton is actually busy talking to his friends online though…
Alexander: Come on, bedtime. How are you getting on with Mum’s journals
Milton: *sighs* fine. I wish she was here to tell me abut her life instead of me needing to read it
Alexander: I miss her to Milton, every day
Milton: You don’t think she’d be mad I’m reading them do you?
Alexander does his best to assure Milton it’s fine and get the boy to sleep. In her room Ariadne has said goodbye to her visitors and is trying her luck at the flower arranging table. She planted some but has quite a few left over to play around with.
Alexander: So Mr Dad how are you doing
James: *chuckling* I’m good, really good. Ariadne seems to be settling in although she had a rough day at school
Alexander: She told you that? That's not great but I guess that’s better than lying to our faces. We should do something this weekend to cheer her up
James: Did you have something in mind
Alexander: She’s a teen girl so… shopping?
James: Do you just want to go shopping
Alexander: *laughs* Maybe, but her being honest with us should be rewarded right?
James: You are going to be a much better dad than you think love
The household falls into slumber and we leave them for now.
Previous ... Next (Villareal)
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it’s so bizarre to me that you never, EVER reblog or post anything about transmisogyny or the transfem experience. like, can you even recommend any transfem-centric blogs for me to follow? for someone so into “solidarity” your trans activism seems pretty focused on trans men only
So there are multiple things going on with this ask.
As I've explained several times before - I don't necessarily blame you for not seeing it, but I have - most social issues give me panic attacks to contemplate. The thing I mentioned triggered me so badly yesterday was something in the transmisogyny tag that wasn't tagged with anything I had blacklisted (not that OP's fault, I added more variations of transphobia warnings so it hopefully won't happen again).
Intercommunity issues are less existential. Things like hate crimes and legislative assaults on queer people freak me out and leave me a shaking, crying, doomscrolling mess. I don't even follow like, literally any of the people who followed me for transandrophobia advocacy because they reblog other things that gives me heart palpitations.
That limits my exposure to intercommunity issues facing transfems specifically as well, the vast majority of people I follow don't put any discourse on my dash at all. However, I have in fact reblogged posts purely about transmisogyny (other than the kind transandrophobes throw at me lol) only to immediately delete them when I see the OP is vile towards transmascs in other posts, completely spoling the message. At least one was even specifically about ways transmascs can be transmisogynistic, which I thought was a fair enough criticism before realizing it was at best one good point in a sea of bullshit directed at our trans brothers. Another time I specifically asked someone how they felt about trasnmascs before I reblogged their very good post about transmisogyny and was delighted when they gave a fantastic response.
Furthermore, I do actually just speak on pure transmisogyny myself sometimes! I talked at length about the immense pain it caused me realizing Alison Bechdel was TERFier than I thought in a way that completely contradicts the strip that made me cry out of appreciation for her. Recently, I've also been talking a lot about the ways butch transfems are treated for not looking cis.
Do I mention these things less than transandrophobia and other issues that affect people other than transfems? Sure. But like...so what? I like doing things for other people.
I don't mean to act like I'm some kinna savior or anything, but as I said just yesterday, helping people outside of your own issues is something I'm kinna obsessed with not just in myself but others too. I'm constantly stressing how cis allies should be appreciated e.g. my previous feelings about Bechdel, and despite how she turned out I still firmly believe that cis allies should be treasured. I've donated money to multiple cis allies to say thanks for their statements.
It's not like I'm just so saintly selfless or anything like that, I'm very self-centered, it's just that being an ally to [x], [x] being allies to me, and [x] being allies to [y] who have nothing to do with me is not only a rare area of activism I can function in, it's one that actively brings me joy. This includes having sent multiple messages to transmascs thanking them when they speak up about transmisogyny, because I want to show them the love so many of them have shown me for the same thing.
Finally, you say my trans activism is focused on trans men. Maybe so, by volume. But, and I've mentioned this before, I've been wanting to do more for everyone else as well, literally everyone. I've asked a bit about intersex issues and am trying to learn more about what non-binary people who don't lean to one end or the other deal with as well, and I also want all my cis followers to feel just as comfortable and supported by me as well - and, of course, that all goes for other transfems as well, whose pain cuts me to the bone.
I'm radically pro-everyone, anon, and I want to help uplift them all without exception. I understand focusing on one's own lane, and I neither judge that nor am attempting to portray myself as a uniquely noble white knight. That's just what I personally choose to put my efforts towards.
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An email has been sent in relation to the brownie challenge. Inside is a link to a video.
Baking Mama: KillerCook Baking Challenge!
Hey It's me! Mama Sheath! I'm here today with IRL Blorbo (depicted as Kaku as per his request to keep his image off the internet). Today we are participating in Killer's Secret Brownie Baking Challenge! For those who don't know the rules, the challenge is to make brownies with a secret ingredient—not THAT kind of ingredient—and describe them for others to guess what your secret ingredient is.
I'll be honest, I went SUPER unconventional for these with a lot of the ingredients, but the one in particular I will not mention is the aim. My inspiration came from my nephew being a fussy eater, and things that can be done to make even desserts more healthy while still being delicious!
So for the process of this recipe, some items got blended together to make it easier to combine, mostly all of the wet ingredients. Chocolate chips were added and blended as well. I was not surprised by the color given the secret ingredient. IRL Blorbo wasn't either, but he expected it to be darker.
I used greek yogurt, maple syrup and honey (I ran out of maple syrup and needed it to be a little sweeter and straight sugar would have been too much), vanilla bean paste, eggs, and the secret ingredient.
Once it was mixed in with the dry ingredients, though, most of the color went to what you would expect brownies to be.
The dry ingredients included oat flour, cocoa powder, Semi sweet chocolate chips, baking powder and a little salt. Everything was then poured into some baking pans and baked 350°F for 40 minutes.
YAY! IT'S READY!
I was was not all that surprised with how dense and moist they came out, and they are very much on the rich side. The texture is almost a cross between a souffle and a brownie. I was surprised there was no earthiness to it, and it just tastes like the most decedent brownie you've ever had in your life!
So of course I made ice cream to go with it.
May or may not still be in a food coma.
When I asked IRL Blorbo his thoughts, he was not helpful as he answered with full cheeks: "Tastes like brownie." I then asked him what the texture was like, and he answered, again, with "Brownie"
It's a damn good thing he's cute, because he was NO HELP!
I do feel once baked, the color was a little almost purpley looking, which surprised me, and it really does just taste like brownie, so I can't be that mad at IRL Blorbo.
Well with that, I wish you luck on guessing my ingredient. I will leave a hint as I play myself out!
"Shout Your Lungs Out"
(Will redirect to Spotify)
Thank you to Mama and Kaku for the submission. Loved the detail for plating, and your story! I was stumped on this one for DAYS. My final guess, is BEETS. If that's the case, I'm simply amazed at how you took so many routes to make a truly authentic, and overall healthier, dessert for your nephew!
Also, is your blorbo just Kid? Because he is just as unhelpful!! jkjk...but also 🔪 as a warning
@yamiyamiart for the Gordon Ramsay slay
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Stuck in the middle of a forest made of
Flesh and bones and they're all scared of
A lost little boy who has lost his heart
Fear's not enough, they have to
Tear him apart
—-------
There are two things Daniel Fenton knows that his family knows as well:
He’s adopted.
He can’t remember anything else before that.
‘Adoption’ is a loose term, implying that they went through the official legal processes and troubles of adopting a child into their home willingly, and with the full intention of doing so going into it. That is not what happened. What happened is that Jasmine Fenton found a half-dead child, in strange clothing, in the middle of the woods at her Aunt Alicia’s cabin, and then she went and got her parents.
What happened is that a twelve year old Danny woke up in the same cabin, wearing clothes much too big on him that didn’t belong to him, and with very little memory of before that moment. He wakes up like a spring being set loose, sitting up so fast he scares the daylights out of Jasmine Fenton sitting next to him. He wakes up, reaching for his sleeve for something that isn’t there, and when it isn’t his mind stutters, like he’s tripped at the top of a steep hill.
When they ask him for his name, he tells them, clearing muddled thoughts from his mind; Danny. He’s twelve.
(He thinks that’s his name, at least. It sounds right; it feels right. If he thinks really hard about it, he thinks he can remember someone calling him that, utter adoration in their voice. So it must be his name.)
The Jasmine girl convinces her parents to take him home with them, and they give him the spare guest room upstairs. He has nothing to fill it with.
It’s… a strange experience, to go to a ‘new’ home when he doesn’t even remember his old one.
The official adoption process… happens. He can’t say it’s easy, or difficult. He’s oblivious for the most of it, Jasmine intends on helping him settle in and Danny can’t say he enjoys the smothering. He learns that he is stubbornly self-independent, that’s one new thing he knows about himself.
His adoption papers say ‘Daniel J. Fenton’. Danny remembers staring at the name ‘Daniel’ for a long, long moment, something curdling sour in his sternum. His name is Danny, that he knows. But it’s not Daniel. But he doesn’t know any other way of saying it, so he keeps his complaints to himself.
(Jack Fenton boisterously claps his hand on Danny’s shoulder and jerks him around, grinning wide as he welcomes him into the Fenton Family. Danny’s mind blanches at the touch on his shoulder, an instinct snapping like the maw of a snake, telling him to cut off the man’s fingers for daring to touch him.)
(He keeps the thought to himself, tension rising up his shoulders the longer Jack Fenton’s heavy hand stays on him.)
They found Danny in the summer. It’s a perfect coincidence, Maddie Fenton says before she goes back into her lab with Jack Fenton. She says it’s enough time to allow Danny to adjust; that they’ll enroll him into the school year in the fall. Then she stuffs a canister of ectoplasm onto the top shelf, and disappears like the ghosts she studies back down the stairs.
(There’s something eerily familiar about the ectoplasm sitting in the fridge, something unsettlingly so. Danny knows what that stuff is, but he doesn’t know where. When the house is empty, he takes a can from the fridge and inspects it.)
Jazz wants him to leave the house. Danny doesn’t want to step foot outside of the FentonWorks building until he has something that quells the feeling of vulnerability he gets whenever he does. He tried to once, and he felt exposed. Unsafe.
He turned back around and went inside.
—-------
Where do we go
When the river's running slow
Where do we run
When the cats kill one by one
—------
One day, when the house is empty — or, as empty as it can be; the Fenton parents down in the lab, and jazz out with friends. Danny is making a sandwich, and he caves into the urge to flip the knife in his hands between his fingers. A childish impulse, but one he falls for nonetheless. It comes to him easily, like second nature, in fact. The slip of the blade between his fingers is seamless, flowing with an ease like water running down the wall.
He’s almost startled by it; his body holds memories that his mind does not. Muscles that know which way to move and twist, limbs that know how to hold and how to throw. He continues twirling it, fascinated, as if he were a scientist discovering a new species of animal.
It’s not for a handful of minutes when a new thought hits him; an impulsive thought that pops in the back of his mind like a firecracker; Danny moves without thinking.
He turns, and throws the knife. The pull of his shoulder, the flick of his elbow, is familiar like a hug. He knows when to let go, and the blade flies through the air in impressive speed, embedding itself into the wall with a hearty, loud thunk. Sinking into the drywall like butter.
Danny stares at it in shock, he feels relieved — about what? — before he feels the guilt. He scrambles across the kitchen to pull it out, heart racing in his chest at being caught, and prays no one notices the hole it left behind.
(He runs up the stairs before anyone can find him, food forgotten, and hides the knife beneath his mattress like a guilty murder weapon.)
After that, he leaves the house more. It’s more out of fear of being caught than the desire to leave. But Danny is quickly learning that among all things, he is someone who was dangerous, before he lost his memory. Even with his mind in fractures, he is still dangerous.
He’s not sure how to feel about that — he thinks he should be scared. He feels a little proud, instead.
—------
Hazel beneath our claws
While we wait for cerulean to cry
Unsettled ticks run through time
Enough for the hunt to go awry
—-----
There’s another thing he learns about himself. That he knows about since he woke up. He knows that he left someone behind. He doesn’t know who, but he knows they must have been close; he’s always looking down and finding himself surprised when the only shadow he sees is his own.
He thinks that he must have sung to them a lot; he finds himself humming familiar melodies when he’s lost in thought. Lullabies lingering at the tip of his tongue, an instinct to turn and sing them to someone beside him. He can’t remember the lyrics, but his mouth does, it tries to get him to say them when he’s not thinking. He can’t.
Danny’s found himself humming under his breath more times than he can count, trying to recall whatever it is his mind is trying to claw forward.
(“That’s a pretty song, Danny.” Jazz tells him at breakfast one day, Danny screws his mouth shut. He hadn’t realized he was humming. “What is it?”)
(Something mean and possessive rears its head on instinct, uncoiling like a snake from its ball. His shoulders hunch defensively, he bites his cheek to prevent himself from baring his teeth. He doesn’t know what song it is, but it’s not for her. “I don’t know.”)
He misses his person. Dearly. He knows, the longer he is without them, that they must have been close. Otherwise, he wouldn’t feel like he’s missing a chunk from himself. He wouldn’t be turning to someone who's not there; reaching for a hand that’s missing, birdsong on his tongue, a story to tell.
A dream haunts him one night. Warm and familiar, he’s holding onto someone smaller than him, they’re tucked into his side like a puzzle piece. He’s humming one of his songs that is always playing in the back of his mind, an unfinished tale of a harpy and a hare. Danny can’t remember their face, not all of it. He remembers green eyes, hair dark like his own, skin brown like his.
He loves them more than anything else in the world, a fact he knows down to his soul. He loves them so much it fills his heart with sunlight. Danny squeezes them tight, nuzzling into their hair; he makes them laugh. Then, he proudly boasts something. That when he takes something of their father’s, that his person — a sibling? That feels right — will be… the word fades from Danny’s mind before he can make sense of it.
His person hugs him tight, his… brother? And their mother — a woman whose face he can’t remember either, but who he loves like a limb nonetheless — appears, smiling. Her hands reach for them both, voice calling them, ‘her sons’. There’s ticking in the distance, it sounds like the fastening of chains.
Danny wakes up cold, tears streaming down his face. The details of the dream already fading from his mind like the cold pull of a corpse.
—-------
Harpy hare
Where have you buried all your children?
Tell me so I say
—-------
When school starts that Fall, Danny joins the sixth grade class, and quickly learns more things about himself. One of those things being that he’s smarter than the rest of his grade, whatever education he had before, it was better than the one he’s getting now.
Everyone knows he’s adopted right off the bat. He tells them when the teacher forces himself to introduce himself, but it’s not like they needed him to tell them for them to know; he never existed in their little world before now, and the Fentons are pale as they come. Danny is not.
He befriends Sam Manson and Tucker Foley; they ask him about the scars fading up and down his arms, they ask him about the scar carved diagonal across his face.
Danny, as politely as he can, tells them he doesn’t remember. He thought kindness would come second nature to him, his dream burned into his mind where he hugged his brother so sweetly. Apparently, his sweetness is only second nature to people he considers his own.
(It becomes even more apparent when Dash Baxter tries to bully him later that day, and Danny ruffles like an eagle threatened. His mind whispers, hissy and agitated, sinking like a shadow at his shoulder, several different ways Danny could kill him for talking to him like that, and fifteen more ways he could cripple him.)
(Danny ignores those thoughts, up until Dash Baxter tries to grab him. Then he breaks his nose on the wood of his desk. It’s easy how quickly the rest of his grade sinks him down to the status of social pariah.)
(At least Sam and Tucker still talk to him after that. When Danny goes to the principal’s office later, he wisely doesn’t mention the worse things he could’ve done than break Dash Baxter’s nose.)
—--------------
It clicks and it clatters in corners and borders
And they will never
Hear me here listen to croons and a calling
I'll tell them all the
Story, the sun, and the swallow, her sorrow
Singing me the tale of the Harpy and the Hare
—-------
More dreams come, of course they do. Each one halfway to forgotten whenever he wakes up, ticking faint in his ears. He is many different ages. He is young, shorter than a table. He is older, holding onto his little brother. He is singing in almost every single one. He is singing to his brother.
Danny can barely remember the lyrics, he’s begun leaving a journal by his bedside so that it’s the first thing he can write down when he wakes up. He’s a storyteller, he learns. He feels like a historian, trying to piece together a culture long dead and forgotten.
His most vivid dream-like memory is not a happy one, and for once he’s almost relieved he barely recalls it. He is somewhere that isn’t home, but his mother and brother are there. He is dressed in black, blades keen in his hands.
They are atop a moving train. They are fleeing something. His brother is struggling to keep up, he is small, and young. It’s beautifully sunny, they are somewhere green and lovely.
It is a fast dream.
His brother stumbles on something, and Danny, fast as a whip, snatches him by the back of his shirt and hoists him up to his feet before he can fall. “Watch your feet, habibi.” He murmurs low, a hand on his back. It’s hard to hear, there is wind in their ears.
His brother, face obscured in all but his eyes, which are green as emeralds, nods.
The dream blurs, but Danny falls behind. His foot catches on air — impossible, it should’ve been, at least. He never trips. — and he lands against the roof with a thud and a grunt. His mother and brother stop, and turn for him.
The train hits a turn before Danny can get up, and he shouldn’t have, something pulls on him, he swears, but he slips. He can’t find the purchase to pull himself up, cold fear hits him as his nails scrape against the metal.
His mother and brother’s horrified faces are the last thing he sees before he disappears off the side of the train.
(The ticking is at its loudest when he wakes up, pounding against his inner skull. He only manages to write down ‘train fall’ in his journal, before he’s flipping over to press his head into his pillow to get the pain to stop.)
—---
She can't keep them all safe
They will die and be afraid
Mother, tell me so I say
(Mother, tell me so I say)
—-------
When Danny is fourteen he is still humming songs he can’t remember, his mind still in a broken puzzle. But his room is now decorated with stars and plants in every corner. He has a guitar he keeps in the corner of his room, and he plays the lullabies in his head on the strings over and over again.
The ectoplasm in the fridge still unsettles him, still reminds him of a past he can’t recall. The knife beneath his mattress has returned to the kitchen — he doesn’t need it. He found a box in the attic last year, it had his name on it, and inside he found familiar, strange clothes, and more weapons than he thought was possible to carry on one person.
(Even without knowing that the Fentons prefer guns to blades, Danny knows, instinctively, that they were his weapons. He was — was? Is — a dangerous person. He takes the box down to his room to sort through. The weapons all fit into his callused hands almost perfectly — the grooves worn to fit his palm. They’re just a little small.)
(He tentatively takes a small blade with him to school one day, and feels much more comfortable with it sheathed beneath his shirt. He’s kept it on him ever since, like he’s reunited a lost limb to himself.)
Danny doesn’t have a name for his person, his little brother, nor does he have a name for his beloved mother. He’s haunted by dreams every few weeks, many of them repeating. He’s ingrained the words he can remember to memory, and the ones he doesn’t, he writes down in his journal. His little brother; Danny calls him a bird, he can’t figure out what kind. His little bird of some kind; when Danny takes something from their father — what, he can’t remember what — then his little brother will be a little bird.
(He doesn’t have a name for his brother, yet, but he’s calling his birdie in his head. It’s better than nothing.)
—------
Seeker, do you ever come to wonder
If what you're looking for is within where you hold
Will you leave a trail for them to follow a path
You'll soon forget
Home
—---------
When he’s fourteen, Danny dies. It does nothing to fix his fractured memories, much to his consternation. It just confirms something he already knows; that he was someone dangerous, and that he still is.
When the shock of death has worn off, Danny inspects his ghost in the metal reflection of the closest table. It’s blurry, hard to see, but shock green eyes pierce back at him, green like the portal. Lazarus, Danny’s mind whispers, and he blinks rapidly.
‘Lazarus,’ he mouths to himself. It’s familiar. Sam shows him with her phone what he looks like, joking that he looks like an assassin. Danny doesn’t think she’s that too far off.
He doesn’t tell her that. He tucks the thought away with the rest of his secrets, and fiddles with the hood gathering at his neck, attached to a cape with torn edges swinging down to his ankles. He pulls it over his shock white hair. It shadows over his face impossibly so, until all you can see are his green-green eyes peering out like a wolf hiding in the brush.
He ends up calling himself Phantom.
(Maybe now he can start putting lyrics to his lullabies; his memories may not have returned, locked away with the sound of a clock, but the dead can talk. One of them may just have answers.)
----------
Home is where we are
Home is where you are
Home is where I am
-----------------
Dedicated to @gascansposts for being the one who introduced me to the band Yaelokre, and thus being the whole reason I was inspired to write this in the first place >:] Those lyrics at the line breaks are all from their album Hayfields.
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