Nooo Ienzo don't feel guilty about things your dads did when you were a kid that you had no control over!!! Noooo he can't hear me he has gummi airpods in!!!

So I finally watched The Owl House

I wish I’d do this with every show I watch but it seems like only a lucky few get the She-Ra style rant of love treatment. Well, I finally watched The Owl House after my dash having been flooded for the past couple of weeks and I have some thoughts. Slight spoilers below.

First off, I love the whole vibe. I had a faint idea that this show would be about magic but I didn’t know much before watching - except for one thing, we’ll get back to that. The way it builds its world and deals with magic, though, is so refreshing. And I just have to mention here that I laughed out loud at all the Harry Potter jabs, they were hilarious. I expect we’ll learn much more about magic and its users as the show goes on but as far as the first season goes the introduction was really solid. It strikes the right balance between leaving things to the imagination but being more than “wave wand and magic happens”. It’s colourful, it’s creative, and I even like the ovens and school tracks, despite knowing that the story is about not conforming to those. It makes the Boiling Isles unique and make me want to learn more about the world even beyond the characters and the main plot.

TOH also presents a world that’s much more macabre than I was expecting from the Disney Channel, not that that’s a bad thing. I found myself thinking of Adventure Time at certain points and pondering, at scary moments, how kids would react. I think kids love this, though, and besides, nothing can be more scarring than Courage the Cowardly Dog was. It’s not that terrifying, of course, just daring enough to stand out. Overall the show has what I would classify as more of a Cartoon Network vibe than a Disney Channel one, but I admittedly haven’t really been following many Disney shows. In any case, I dig it. I dig the weird creatures and the beautiful backgrounds and I appreciate how alive the Boiling Isles feel. It doesn’t take long for TOH to immerse you in its world so I’m for one am hooked.

I make a big deal of loving the world itself because rarely does it happen that world-building stands out to me so soon in a series. I do love carefully constructed fantasy worlds but for the most part I’m more interested in the characters themselves. Here, I’d say it’s close to being a 50-50, which is something that even Avatar can’t say with its elemental masterclass in world-building (which is mostly because the character depth there is unrivaled but still). So yeah, kudos to The Owl House for achieving this. From Luz’s glyph magic to the covens and the titans, I’m excited to explore this world more.

Now, the characters. The real meat of any story. Starting with Luz, I have seen some criticism that she’s a generic hero so far, the “I’m a weirdo”, heart of gold, upbeat variety. I don’t think this makes her bland, though I do admit that being told over and over again that she’s weird makes me less engaged, even she’s also shown to be weird. I like the message of her arc and that the chosen one trope was deconstructed almost right away. I like that she’s relentlessly enthusiastic and kind to people and I like that she doesn’t have to get more bitter in order to get development. Instead, she learns from her mistakes but keeps being herself and brings her unique spirit to the Boiling Isles. We need protagonists like Luz, not just because she’s latina and bisexual but because her learning process doesn’t involve cynicism. Sure, there is a lot she needs to learn but her heart is presented as an asset and a sort of source of magic. I’m excited to see where her story goes, for sure.

I’m gonna write briefly about the other characters before I get to my favourite one. Eda is super cool and I quickly got over the fact that she’s not Beatrice Horseman, lol. She embodies such a youthful energy but the show also allows her to be a middle-aged woman comfortable in her own body - well, owl curse notwithstanding. Also, her relationship with Lilith is one of my favourite parts of the whole show. Eda subverts so many of the mentor’s traditional tropes and I’m here for it. I kinda thought she was the villain based on her design and when I didn’t know anything about the show but hey, happy she’s not.

I don’t think I’d even seen a picture of King before starting to watch the series and at first I thought I’d get tired of him real quick. He’s the type of character who can get really annoying instead of endearing really fast if he’s not given any depth or charm, both by way of writing and voice acting. Luckily, I ended up liking King and his antics. His design is indeed adorable and Alex Hirsch is a genius. The only time I felt like he went too far was, perhaps surprisingly, in the book writing episode, “Sense and Insensitivity”, but even there going too far was the point. So yeah, King’s also great, there’s much potential in his backstory and general character.

Alright so really quickly, other characters: Willow and Gus are generic best friend characters and though they already have other things going on, I expect more development as the series progresses. I like that Willow is actually super powerful, just not in the way people expected her to and Gus is clearly also talented despite being younger. I’d be happy to see more of the other kids, get more familiar with Hexside. Edric and Emira are fun characters but they were really shitty in their first episode so I was kind of surprised they weren’t more of a nuisance to Amity later on. I’m all for supportive siblings so I wouldn’t mind a good relationship between the three but I feel like it’s more complicated than that with the Blights.

Finally, I also have to mention that Hooty is... well, quite something, isn’t he. Much like with King, I thought he’d be much more annoying but somehow the show is self-aware enough that it makes Hooty tolerable. I’m almost always torn between feeling sorry for him and being thoroughly weirded out, and I think that’s the intention? It’s fitting that he’s the titular character as he embodies the tone of The Owl House well in my eyes. He’s there for the comedy but there’s just enough there to hint at something more. Very bizarre, strong CN vibes, here for it.

Now that I’ve written a paragraph more about Hooty than I expected to, let’s talk about Amity. Listen, no other character stood a chance to be my favourite as soon as I learned Mae Whitman voiced Amity. That woman gave me Katara so now I have a quasi Pavlovian response to her voice. I’d also say that I knew more about Amity going into the show than I did about any other aspect of TOH. I heard somewhere that she started out as an antagonist, I knew her parents were abusive, and the reason the show blew up on my dash and my general online bubble is the Grom episode. Lucikly I only saw stills of Lumity beneath the crescent moon but the pure Sapphic energy of that was enough to gay migrate me to this show. I’d like to note it here though that The Owl House is a good show in and of itself, the queer rep is just a nice extra. I’m gonna spend the next couple hundred words going on about Amity and her crush on Luz but I don’t value only that. The Gay Migration is great and rep is great but I’m also grateful to have a solid show behind it. That being said.

I’m a total dyke for Amity Blight. I was very biased before even being introduced to her character but I genuinely find her to be fascinating and she has great potential. She’s developing quite quickly, like much of The Owl House, but an arc not being stretched out for several seasons before getting a rushed conclusion is refreshing. The progress hits all the beats and the only note I have is that I want more. She starts out as a generic bully but the opportunity to be more is there from the beginning. We find out early on that she used to be friends with Willow, we see that she works hard and values honest work. When she becomes Luz’s rival, it doesn’t last long before Amity shows that she’s open to new perspectives. That’s not to defend or even justify her earlier and nastier moments, Amity was rude to both Luz and Willow. But through all that, she becomes a complex character who does bad things but isn’t a bad person and grows when she gets the space to. I think that’s neat.

Luz’s decision to befriend her might be cartoon logic but as someone who subscribes to the “kill them with kindness” ideology, I can totally relate. Amity’s softer side doesn’t take long to show and “Lost in Language” is such a great episode to show how complex people can be. Again, I was already biased when it came to Amity but she’s consistently shown to be capable of self-reflection and growth when others give her the chance. I think her past and potential future friendship with Willow is a great way to explore many different topics and I’m trusting the show to do it justice. I also can’t wait to meet the rest of the Blights, if only to get me some angst and further develop Amity. I half expected Grom to take the form of her parents. Too dark for Disney? Well, we don’t know Amity’s dynamic with her parents, exactly, but there’s so much subtext and potential. I love what we’ve already seen from her but I’d also say that she has one of the greatest potentials in the show.

Another way in which this potential manifests is Lumity, of course. Again, they’re developing quite quickly but that doesn’t mean it’s rushed. I’d love to explore Amity’s crush more and what Luz means to her. The Grom episode surpassed all expectations, still and gifs don’t do the stunning dance sequence justice. The animation is so smooth, the colours are amazing, the music is on point and the Sapphic vibes complete the picture. Poetic cinema, truly. Molly Ostertag and Noelle Stevenson are really out there giving wlw animation fans everything we ever wanted, huh. It also warms my heart that the crush is made very clear, not just by Luz’s name being on the note but by the delightful gay disaster that is Amity in “Wing It Like Witches”. I never thought I’d ever see such a relatable useless lesbian in animation so kudos to Dana Terrace and the whole crew. Wow, how far we’ve come.

So yeah, Amity is a funky little lesbian and I’m a 100% here for her gay disaster moments, but I also love where Lumity is going thematically. They’re great as foils and I’m hoping that they won’t get together at the very end. Look, I love me some Bubbline, Korrasami and Catradora, but it’s time a wlw relationship had the chance to exist onscreen and not only in the last episode. The Owl House has a great chance to do that. I know the creators don’t want romance to be the main focus and I respect that, I think the world they created deserves to showcased and explored to its full potential. Lumity could be a great subplot though, as representation on the one hand and as a thematically interesting dynamic on the other. Plus, Luz and Amity are just cute and sometimes, it’s as simple as that. Oh, and also the whole Little Miss Perfect thing? One of the best fandom discoveries I’ve made in a long while. Not only is the song truly perfect for Amity, I love that Joriah Kwamé went on to write Ordinary as well. This right here is why fandom is beautiful.

I think that’s about it for season 1 initial thoughts. The moral can be a bit on the nose at times, especially in the early episodes but the show is ultimately for kids and I appreciate its message. Interesting world and magic system, good characters, great potential for later seasons, just a well put together show that I’m really glad I started watching. I’m kind of sorry I didn’t keep up with season 1 as it was coming out but I would not have been able to wait between episodes. The pacing is good overall, deffo moves fast but I wouldn’t call it rushed, and the “filler” episodes still add something to the story. I’m not sure if I would still feel like the show moves at a fast pace if I hadn’t binged it but in any case it isn’t rushed, the necessary beats are all there and have time to sit. I’m going to watch as it comes out from now on so hopefully season 2 will arrive early next year.

Oh, and: I’m very new to the fandom, barely just found out about Little Miss Perfect, so any and all tidbits, fun facts, and fic recommendations are welcome. Also if you just want to chat my inbox is always open!

Hi! What are your thoughts about OUAT.

That’s a complex, layered answer because my feelings for OUaT are very complex. The short of it is that, obsession and love level wise, this was my Shadowhunters before Shadowhunters existed as a show. I completely loved and adored this show, I watched every episode as soon as it came out, with a single-minded focus (as in: normally, when watching TV, I use the show as a background noise to my writing. There is only a select handful of TV shows that ever managed to get my full, undivided attention of me turning all else off to only focus on the show).

I love OUaT to bits and pieces. However, much like Shadowhunters, it was far from a flawless show. Very, very, very far. Seriously, it’s an absolute mess in many aspects but damn do I love it.

It appeals to many of the things I love. For one, classic Disney movies. For another, fairy tales - but the very specific niche genre of fairy tale crossovers, which is just... my biggest weakness, possibly. Thirdly, characters you can get invested in and love to bits and pieces.And fourth, shipping.

This is one of the incredibly small, tiny pool of shows where I absolutely adore the canon ships, not just in a “daw it’s cute enough” way that makes me accept that it is The Canon Ship That’s Happening, but in a way that has me actively invested in and rooting for those absolute dumbasses. And. Not just one ship, usually it’s like “huh I am surprisingly invested in this one ship”, but - Rumpel/Belle, Hook/Emma, David/Snow?? Yes, please, inject it into my veins.

Though also just as attached to my non-canon ships - REGINA/EMMA FOR LIFE, Ruby/Snow, Hook/David. And that duality of being really invested in the non-canon ships but still absolutely loving the canon ships? That is... completely and entirely unique to OUaT for me. Never happened outside this show.

I adore that this show did one of the things that I complained Descendants didn’t - it respects Snow White, the very first Disney princess, and puts her front and center. Never-ever made sense to me that Descendants just went “uuuh we at random picked Belle to rule all the kingdoms because I dunno the head writer loves Beauty and the Beast the most”... Snow White was Disney’s very first and I do think she deserves more respect.

The things they did with her! They made her an actual active heroine. Not a little girl hiding out in the woods. They explored possibilities and turned her into a total badass, who never lost the main qualities of Disney’s Snow White though. Her nurturing, loving, gentle soul. That is what I adore about her, because very often when trying to portray strong female characters, media removes their softness, makes them hardened to make them a badass.

Regina and Emma have such a brilliant canon dynamic - even beyond the fanon ship. The way they mended and grew together and became friends. The growth, the softness, the shared custody. I love them.

And with both Regina and Rumpel, I love the day they gradually progressed from “main antagonist from season 1″ to “part of the family”. This show is a found family feast.

It wasn’t flawless. It had some pacing issues, in my opinion. Like the Peter Pan arc was too long. They went hiking for like 12 episodes. That one still sticks with me as having bored me. And I also do think it was a huge mistake to make Peter Pan, one of Disney’s heroes a villain. He was a great villain and his actor absolutely killed it, don’t get me wrong, but in the context of Disney canon, it was a bit jarring.

The same is to be said about Arthur. Don’t take King Arthur, of all people, and turn him into a jackass. That didn’t sit right with me and I think that could, and should, have been handled differently.

As a huge fan of Wizard of Oz canon, I have mixed feelings about Zelina. She was kind of a joke most of the time, her raping Robin was not good at all (beeecause that’s what it is when you shapeshift into the person the other one loves and then have sex with them under pretense to get yourself pregnant), but in the end it - and her - fit relatively well into all of this.

Was completely wasted for the entire Frozen arc, but even I, someone who loathes that movie with a burning passion, genuinely enjoyed the way the show was trying to fix it? Answer all the unanswered question the movie left and actually tie it into the Snow Queen fairy tale? Like, that was a feast and I love that they did that. Also Ingrid was hot and checked all my boxes so there’s that.

In the same way, I adore what they did with Ursula. That they took the scraped canon of Ursula being Triton’s sister and worked with that and that they in the end decided to redeem her too - though I am still very disappointed that we never got to see Ursula actually interact with Ariel at all. That’d have been so interesting. (Also, I admit, they went really overkill with having three Ursulas. Regina pretending to be Ursula, Ursula the ancient golden statue goddess and the actual Ursula, daughter of Poseidon).

I love Hades. I love Greg Germann’s take on Hades. He absolutely killed it. The whole underworld story was incredibly awesome to me personally - though I know others didn’t like that half-season as much. But I really dug that.

I think that it started to fizz out after that though and that after the underworld storyline, they probably should have drawn it to a close, because... after everything, after five whole seasons of watching redemption and working hard to make up for the things you did in the past, they really just decided “and now Regina is gonna physically split off her Evil Queen”... and made that Evil Queen the villain. That felt insanely repetitive of season 1 and like a set-back for Regina.

(The second half of that season didn’t go better because honestly that whole nonsense with “not only is Rumpel the son of Peter Pan, nope, now we bring in his mom the Evil Fairy”, featuring the very overused trope of “baby is magically aged up to be a character who can contribute to the plot”... Not the best.)

Also I refuse to acknowledge the existence of that reboot season. It’s bullshit is what it is. The show had the perfect ending. And then they immediately slapped a reboot onto it... why? If they had taken their time, wait ten years until nostalgia for the show kicks in and the actors all need work again, and do a proper “now Henry goes through shit”, that’d have actually been interesting, but... the moment I saw “so... we keep half the main cast, break up some OTPs, don’t age the adults up but age Henry up and also there is now a second Cinderella”, I knew that’s not gonna be good.

Seriously, the second Cinderella is what really fucked it over for me. What I loved about OUaT was that it gave very specific rules to its universe.

The Author documents the tales. The Author gives them their spin. But they are still the same tale. Be that the Brothers Grimm, who documented Cinderella, or then Walt Disney, it was still Cinderella, from the Enchanted Forest. Their stories were simply written down.

That they then, in the reboot season, went “well, actually There Are Many Cinderellas!!” completely contradicts the previously established rules of this world? Because yes, the concept very similar to Cinderella actually exists in many cultures - and that was the cool thing of OUaT’s take, because pressumably that is because the Author was in said culture at said time and documented the tale, as is the Author’s job.

Especially since it was so... unnecessary? I mean, they gave Rapunzel one half-assed episode in the past, they never tackled Gold Mary, they could have shown what became of Hänsel and Gretel now also grown up, etc. There were other unused characters that could have been brought in instead of throwing the rules out of the window.

But moving on from that; I love that they didn’t limit themselves to Disney movies - that they did prominently put Red Riding Hood (my favorite fairy tale character) in there, that they worked with mythology as well as books.

One thing they absolutely fucked up was their spin-off though. Once Upon a Time in Wonderland. They made that. They decided that, out of everything touched upon in the series, Alice’s tale should get a spin-off... and then they didn’t use any of the actual characters?

Alice herself never got an appearance in OUaT, not prior or after the spin-off (only very much later in the reboot season, with a different Alice)

They had the Queen of Hearts on OUaT, but they didn’t use her as the main antagonist, or at least a huge deal, on Wonderland

They had the freaking Mad Hatter on OUaT, but he doesn’t even have a single cameo on Wonderland

And don’t give me “Seb Stan was too busy!”, because... even then, they could have recast. The Mad Hatter is kind of a big part of Alice in Wonderland, but... they ignored the majority of what is important in AiW in general, so there is that

They named the Red Queen Anastasia and very heavily implied that yes, the Anastasia who was the stepsister of Cinderella - but when OUaT’s original Cinderella got her stepsisters introduced, they suddenly had entirely different names than the Disney stepsisters and of course it wasn’t the same actress either

They introduced Jafar (for some reason) in Wonderland. And then recast him when Aladdin was tackled on OUaT and never addressed any of the things that happened on Wonderland, especially not how Jafar was the son of the sultan which would technically make him Jasmine’s brother

It was nearly dumb to move Will Scarlet to OUaT after the spin-off was axed, because at that point they legit just ignored Wonderland as a whole so this acknowledgment felt very off. But then it’s Michael Socha and I love him so I ain’t gonna complain about that.

So yes, I have mild issues with how they made a spin-off that had basically no inpact on the show, despite many elements that should have crossed over and carried significance in both shows.

Lastly, because we’re on the topic of spin-offs, I still would absolutely kill for a spin-off about Mulan, Merida and Ruby. Those three, exploring the Enchanting Forest together, training together, being gay together, it was the best thing. Which does force me to mention the gay. Because... Mulan was canonically in love with Aurora and when they set her up to find Ruby and journey with her, it came really off as them trying to make Mulan/Ruby happen. Then they introduce Merida, a very famously single princess, and you start to wonder. But in the end, it’s Ruby who ends up with Dorothy, aka two characters not associated with Disney. And it makes you wonder. (It doesn’t. We all know Disney is hugely homophobic. We all know OUaT most likely had some Disney executive yelling at them for even implying one of their characters may be gay. So they backtracked to give the wlw storyline to two characters that weren’t Disney property.)

Ah, I don’t like ending things on a negative note so one last positive - as weirdly as the Dark Swan arc was handled at parts, I absolutely love that Emma’s name being Swan really did pay off in making her the Swan Princess in the end and giving a nudge to Swan Lake with the Dark Swan. That was such a cool pay-off of something as small as a last name.

So, to sum it up, there’s some flaws in the writing, some things I wish would have been explored more, but overall good gods do I love and adore this TV show.

[Where My Twin Watches]: Full Metal Alchemist Brotherhood Episode 1

All right, time for a new show! Tephi’s been pushing me to watch Fullmetal Alchemist for a while now, and now that I’ve finally moved into my apartment I can sit down and watch this show. I understand that there are two versions, one original that outpaced the manga and another that was made after, and based on recommendations I’m going with the second, Brotherhood. For those following along at home I’m going with the iTunes version of Brotherhood, as this lets me watch on my phone and type at the same time, and frankly at my pace of reviewing any subscription way of watching Brotherhood would probably be more expensive than just getting the series. Here’s what I know starting out: -The main characters are Edward and his brother. -Due to Reasons, Bad Things happened which resulted in Edward getting a robot arm and his brother(‘s soul?) getting put in a giant suit of armor. -The magic of this setting is Alchemy, with all sorts of rules and laws. -The phrase “Equivalent Exchange” is something that comes up a lot, and whenever I say those words where Tephi can hear she starts cackling. And that’s it! So Tephi’s highly recommended this show, I’ve got the first episode downloaded, and some spare time this afternoon. Let’s do this!

Familiar little Aniplex jingle… Funimation logo… Overhead shot of a city at night. Interesting layout, what looks like a castle in the center, with brightly lit lines tracing away from it. And a hexagon street layout? Suddenly I’m getting the biggest Lumiose City vibe right now. But the screen fades to someone drawing a circly-chalk thing, while a bunch of string instruments make it clear that This Is Not A Good Thing. The amateur artist is some dude with dark hair and stubble, looking grim as the camera pans out of the dark alley to the brightly-lit castle. “The Freezing Alchemist?” says someone who the subtitles have helpfully named Roy. Another guy, apparently Bradley shows a file with a picture of yup that’s the guy trying to set up hopscotch. Seems he snuck into ‘Central’ a few days ago, and now Bradley (who has an awesome eyepatch, and I will now call Fury) is making it Roy’s problem. Wait wait wait, “Mustang”? This character is named Colonel ‘Roy Mustang’? Damn but that’s a manly name. Mustang’s ready to go catch Mr. Freeze, but it seems Bradley has one last thing: a certain ‘rising star’ is here as well. Hmmmm, my Protagonist senses are tingling. And Fuhrer Bradley- Wait. What? ‘Fuhrer’? Um. I am torn between the unfortunate connotations, and glee that I get to call this character Fuhrer Fury. But no time to think about that, because Fuhrer Fury confirms that he’s talking about The Fullmetal Alchemist. Edward Elric. “Aw damnit. The colonel’s never gonna let us get outta here, is he?” What’s this? Anyways, I can recognize this guy as Edward, our special little star. Wonder what this is about. “We already got our tickets to Liore, too. Does this mean we’re not going?” And this is…Alphonse? Not gonna lie, a little thrown by the voice here. I look at this metal helmet, with glowing eyes and stylized fangs, and it just seems… young… oooh, I just realized. Whatever caused Alphonse to end up in that suit, if it’s just his soul he wouldn’t technically age, would he? How young was he when whatever happened? And holy crap that’s a really big suit of armor, like Edward looks tiny next to it. What’s the story with this armor anyway, how did all this stuff happen? Eh, maybe I should stop wondering and just keep watching. Intro! Edward with a ponytail and ragged shirt? And I thought he had a robot arm? Lady smiling with leaves blowing around, then AAAAAWWWWW lookit the widdle babies, widdle Edward and Al ooooh so cute wait why do you look scared and the door’s closing? Sudden Shiny Glasses on frowning man with strands of blond hair. Explosion! Edward and Al facing a wall of fire as the title comes up. Burning tree/house? Shot of Determined Edward scowling at wind that’s mussing up his hair before throwing his hands out. Casting? Shot of what I believe to be the Shiny Glasses man from before, has a ponytail and epic beard along with those unruly hair strands. And the glasses are remaining Shiny. Is he their dad? Guessing at family connection here. Turns away. Absent dad? Back to cute widdle kids taking a nap, along with a blonde girl. Sibling? Now they’re walking along a country road. Al’s armor? Running through a field. Shot of Colonel Roy Mustang (so manly!) also with the Shiny Glasses until they fade so he can glare directly at us. Then another black-haired man? Wait, was the second one Mustang, because I don’t remember seeing him wearing glasses. Who was the first person? Then someone singing? Then what the heck Kid Edward just lost an arm and a leg. And then Kid Al completely vanishes. And Kid Blond Girl looking shocked and stumbling. Flashes of people dressed in black against a red background, I have the sneaking suspicion that they are Not Good People. Shots of scowling people in blue uniforms like Fuhrer Fury and Colonel Mustang, the good guys? Smug looking guy with sunglasses and a fur coat, who just turned into a Terminator? Shot of Terminator running towards the Castle, where a Disapproving Fuhrer Fury is glaring. Lots of glaring in this intro. Edward running along a vent of some sort, fighting people in black clothes before EXPLOSION. Guy in white jacket sitting in the rain until it passes and he rushes off, white hair and some sort of facial tattoo? Small smoking lady with a barking dog. Edward running along and Earthbending to fight the Goth Villains. Then another shot of someone singing, I think this might be the Blond Girl grown up. Edward dressed in a black uniform (noo, don’t join the Goths! ) and a metal arm breaking. Foreshadowing? Final shot of two people standing against a setting sun. So… fairly standard anime intro. Granted, after PMMM’s Intro of LIES I will take all of this with a grain of salt. Back to the dark alleys of the city, what sounds like a cop’s whistle. Seems the police are trying to catch Mr. Freeze, but yup he’s a Waterbender and is knocks them aside with some painful-looking ice spikes. Two more cops try to stop him but...oh. Oh my. “Water freezes, water boils. Either way you’re just as dead.” Um. Wow, ok. That’s legitimately terrifying. Sudden spear from the sky, Mr. Freeze remarks that it was Alchemy before oh ew ew ew they showed the hand of the guy who got boiled please don’t show that again. Newcomer (probably our Protagonist) remarks that it was a nasty thing to do, but Mr. Freeze spouts out about great deeds requiring sacrifice. “Isn’t that the Law of Equivalent Exchange?” Oh hey, there’s that phrase. You know, I feel like this deserves some recognition, and Tephi finds it quite funny. So I’ve decided I’ll keep track of each time this phrase is said. Equivalent Exchange Count: 1 Regardless of whatever the rules of Alchemy are (and believe me, I wanna know these rules soon so I can try and figure out ways to minmax them), Edward says they don’t justify killing people. Edward grabs the spear and electricity sparks as he reforms it as a spiky club- pffffahahaha! That- that face! He put his freaking face on the tip! He put his freaking hair! Mr. Freeze’s all shocked about “no transmutation circle” but come on! That face! Sudden attack from behind by a surprisingly stealthy giant suit of armor, but Mr. Freeze dodges that and blocks the Face Mace, before shocking Edward and throwing Al. But he’s surprised? Oh, I get it. He tried to one-hit kill Edward like the cops, but grabbed his metal arm instead. Edwards mostly ticked that his coat got ruined. “An automail arm…” Dramatic cloak swoosh and oh good he just wears dark clothes below the red coat, he didn’t turn to the Goths in the intro. That’s a relief. Young talented alchemist, who doesn’t use transmutation circles (is that like HP wandless magic?) and who has an automail right arm. The Fullmetal Alchemist: Edward Elric! Episode 01 - “Fullmetal Alchemist” Now Mr. Freeze is pointing at Al?... Ah! Ha! Mr. Freeze is confused by the giant suit of armor being the younger brother of the “runt”. Edward take offense to that. Caught in an Earthbending prison, Mr. Freeze mumbles about the Fullmetal Alchemist being just a kid, and *wham*. Yeah, I’m guessing Edward being called little is a peeve of his. But come on, man. You travel with a giant suit of armor, you really do look tiny compared to that. Well, regardless of height complexes, Edward has caught the guy, and the NPC cops are suitably grateful… to the giant suit of armor. Yyyyep, I think this’ll be a running gag. Oh hey, so Alchemy can fix clothes too! That’s handy. Edwards all set to catch their train, now the cops have Mr. Freeze cuffed. They should be able to handle- nnnope. Just a few seconds out of their sight, and Mr. Freeze has split the scene. Colonel Roy Mustang’s snarking at Edward now. I like this guy! And looks like we’re starting with the Overconfident Non-Team Player Protagonist Model #17 with this show, looking foward to his character arc. Ooh, who’s that blonde officer standing next to Roy? The third of the Blonde Kid Trio? To recap the ignored briefing: Mr. Freeze is Isaac McDougal, aka “Isacc the Freezer.” Former State Alchemist (like these guys in blue? Government mages?), served in the ‘Ishvalan War’, never gave any signs of turning, but resigned immediately afterwards and has been working with the “antiestablishment movement” ever since. Capturing him is top priority… dead or alive. Hmmm. Ok, so I gotta be blunt. I’m obviously not going to cut slack on the whole ‘boiling a person alive’ thing, but… State Magicians? Their leader is ‘Fuhrer’? Pursuing a Rebel with little concern about their vital status? Maybe I’m still in a mindset after seeing the movie, but I could see this being replaced with ‘Sith’, ‘Emperor’, and… well, ‘Rebel’ can stay… and we’ve got The Empire. Maybe I’m reading too much into this? Anyways, back to hunting the Rebels. Edward resolutely states that he’s not going to kill for them, and Roy seems to respect that. Edward just has orders to help them contain Mr. Freeze. “Off topic…” Roy asks if they’ve got any leads for getting their bodies back to normal. Ah, so they’re trying to fix their bodies? ...why? I mean, if my guess about Al being soulbound to the armor is right that’s probably something you’d want to fix. Although, maybe the process can be used for older people? Like, immortal bodies and all that? Sorry sorry, off topic and way too early in the series for big transhumanist discussions. But, does Edward want to get a flesh-and-blood arm back, presumably a leg too based on the intro? Why? You have a robot arm, dude. I want a robot arm, and you want to get rid of yours? Heck, it saved your life just a few minutes ago! If you had a flesh-and-blood arm, then when Mr. Freeze grabbed you we’d get a Boiled Protagonist and an exceedingly short show. Anyways, Edward goes into yelling mode about ‘if they ever gave them time to look’. Sorry Ed, them’s the breaks of being the Protagonist. Every NPC’s got a quest for you to do, not much time to study. Door bursts open and a guy with square glasses and a cheerful greeting bursts through… with an upraised arm (damnit show, stop making me draw parallels). Roy… does not seem pleased with the interruption. “Here comes that pest.” I like this guy! And yup, Lieutenant Colonel Maes Hughes immediately goes to the Giant Suit of Armor to introduce himself. “What?!.. You’re the Fullmetal Alchemist?” What’s up with that name, anyway? Totally misleading, Edward’s only about ¼ metal with the arm and presumably leg. Anyone hearing ‘Fullmetal’ would obviously assume that the guy who’s, y’know, made entirely of metal would be the Fullmetal Alchemist. But Hughes isn’t just fanboying, he’s here on Official Business. Since the Elric’s don’t have a place to stay, they’ll *Sudden Shiny Glasses* have to go with him. He pulls out… a picture of his wife and daughter. Nevermind, let the fanboying continue. Pffft, I’m loving these subtitles. [Wholesome Laughing Continues] as Hughes hugs his daughter. The daughter points… “Big Brother! Little Brother!” Ok, do I need to start keeping a count for this too? Off to supper they go, and man am I glad I made my own food before watching this, it all looks delicious. Hughes is smiling at his guests, and then… uh oh. He asks why Al’s wearing all the armor at the dinner table, suggests he take it off and relax. Um. Awkward. Edward starts claiming that he’s not “allowed” to take it off, says it’s part of his training. What, is it a secret that he’s soulbound? Later that night… [Evil Laughter] at “Central Prison”. Somebody named Kimblee is laughing that the Freezing Alchemist wants him to play sidekick. But the Crimson Alchemist works Alone! Mr. Freeze appeals to Kimblee, mentions the horrors of the Ishvalan War, the things that Bradley ordered them to do… coming from the guy who BOILED SOMEBODY (I am still not over that), my concerns about this government continue to grow. But Kimblee just laughs, says he killed people not because of “honor” or “revenge”, or anything like that. “The reason I killed all those men, was because I could. It’s that simple.” Damn, but this show’s proving great for the villain lines. Mr. Freeze leaves in disappointment… pushing over a frozen guard with the sound effect [crash and shatter]. Guh. Back at Hughes’ place, he’s having a Late Night Thought in the living room when his wife Gracie comes to ask what’s wrong. She says he’s worrying about the Elric brothers. Hughes talks about how State Alchemists are called “the dogs of the military”, not exactly popular. Being referred to like that at their young age… what made them take that path? Edward’s lying in bed staring at the camera- I mean, ceiling, when Al asks if he’s awake. He asks about Mrs. Gracie’s quiche, how it looked like their Mom’s… aw damnit, they’re orphans, aren’t they? What the heck is with anime and killing off mothers?! Heh! Hearing it was almost as good as their mother’s, Al immediately adds it to his Book Of Things To Eat Once I Get My Body Back. And then… hurk! Nope! Nopenopenope, I do not need to hear that young voice quietly say “I sure would like to get our old bodies back soon…” Right in the feels! I’ve known this kid for all of ten minutes, and already I wanna punch whoever stuck him in that armor. And aaargh Mr. Freeze is back at it, setting up hopscotch. What’s with the Transmutation Circle? I’ve gathered that (most) alchemists need one to do their stuff, but the powers I’ve seen worked from emblems on their armor or skin. What does drawing the Circle on the ground do? “One more… one more and ‘Fuhrer’ Bradley’s on his way to hell.” Yeah, I get it orchestra, probably not a Good Thing that Mr. Freeze is doing whatever this is. Intermission! Cards of Edward and Alphonse Elric. The next day, Roy’s reporting that Mr. Freeze broke into Central Prison. He orders all roads be closed, the city searched. “When you find him, shoot on sight. That is an order from the Fuhrer himself.” So much for ‘Alive or Dead’. Yes, I know he’s killed quite a few people already, but still, you’re Alchemists, right? Can’t you Alchemy some way to catch him without killing? Edward did it quickly enough… Man down! With a lot of steam coming off him, guh… and another soldier reporting five men dead. Edward remarks how it looks like a steam blast, how if water’s heated fast enough it explodes, and the human body’s 70% water… guh guh guh, Mr. Freeze is freaky. Mr. Freeze is in yet another alley, says he’s finished, when there’s a spark on the wall… he leaps back to avoid a burst of spikes. Somebody named Armstrong sounds amused that he dodged? Did… did this guy just punch through a wall? Caption [Adventure Strings]? “It is I! The Strong Arm Alchemist… Alex Louis Armstrong, in the flesh!” ...I am in love. This guy just punched through a wall, he’s got [Adventure Strings] as his theme music, the screen is shaking as he walks, and dat mustache. And… that tiny little spring of blonde hair… All Hail Armstrong! Mr. Freeze DARES to attack The Mighty Alex Louis Armstrong?! But The Mighty Armstrong dodges your feeble attack! And such a feeble foe will need far more than water to quench his fists! *EXPLOSIONS* Ohmygod there are busts of The Mighty Armstrong’s head flying out from the explosion. Yessss. Edward and Al arrive, but Mr. Freeze explodes his canteen and makes a break for it in the steamcloud. The Elrics follow The Mighty Armstrong in pursuit. Wait, it’s night now? How did Mr. Freeze manage to avoid them for so long? Anyways, he’s standing on a building, when… “It’s been a long time, Freezer.” Roy has arrived! And the Flame Alchemist has brought a bunch of guns with him. He tries to appeal to Mr. Freeze about being old ‘war buddies’, but Mr. Freeze takes offense to that, blocks a burst of flame, and then drenches the State Alchemist and soldiers before making yet another escape. Getting back to the alleyway where the last circle was made, he… … … Ok, that settles it. This is the best show ever, if only for the subtitles alone. The alleyway where The Mighty Armstrong confronted him? With lots of busts of his head still lying around, and scattered stones on the circle? Mr. Freeze started moving all of this, and the subtitle is, I kid you not, [Moving Stones and Happiness]. 10/10. Well, after that, Mr. Freeze is happy to see the circle is still intact… why is it still intact? Like, if you know that a Bad Guy is Up To Something, and is sulking around alleyways, wouldn’t you want to look for whatever they’ve been doing? And a white chalk Alchemy Circle isn’t exactly hard to spot. And seeing something used for Alchemy created by a rogue Alchemist, why would you not get rid of it? Anyways, Edward appears in the alley, and Al blocks the other end. Nowhere left for Mr. Freeze to run! “Clearly… but who’s running?” Um, what’s with the Red Glow of Evil? All the Alchemy Circles appear to have activated all over the city. Edward and Al are shocked at the scale of it, impossible unless he- “A Philosopher’s Stone!” Wait, what? Like, the Philosopher’s Stone of historical alchemy? The rock that turns base metals to gold and grant immortality? Interesting! With Alchemy being general magic in this setting, what’s their version of the Philosopher’s Stone capable of? Amplification of Alchemy to cover a city? Regardless, probably not the best idea to let him keep doing whatever he’s doing. But Mr. Freeze starts monologuing about how Edward’s a Dog of the Military, how his bosses have Sinister Plans- Edward cuts him off, says he doesn’t care and it’s Not His Problem. Um. What? Do… do you really not care if you’re actually working for Bad Guys? Al jumps in and kicks Mr. Freeze to the railing, says that they still need to stop the Alchemy. Edward asks where the Philosopher’s Stone is that’s powering it all. But… yup, they went and knocked the Waterbender right next to a canal. Brace for [wrathful water]! And Mr. Freeze rises up on the frozen wave with a [bad guy laugh]. I kid you not, these are actual captions. Things look grim… but lo! He has arrived! “Stand back and prepare for a display of Armstrong alchemy! Witness the alchemic arts passed down the Armstrong line for generations!” And then he punched the frozen wave… and redirected it into a nearby building. Um. Sorry, innocent bystanders! Whoops. Now the Ice Walls are merging on Central Command! Mr. Freeze is gonna freeze it over! The Mighty Armstrong, redeem yourself! Target the transmutation circles while the Elrics slow him down! “Fuhrer King Bradley…! For your cold-blooded (boo, that’s a terrible pun) crimes in Ishval, I condemn you to a frozen hell!” But not so fast! To [fightin’ strings music], Edward and Elric (ah, so Elcric can do Alchemy too, he’s not just muscle) jump to the frozen wave Mr. Freeze is riding. They trade blows for a bit, and then… no! Alphonse got grabbed by the helmet! And… confirmed for being soulbound, as he’s back up and fighting. Mr. Freeze is shocked- “You fools committed the ultimate taboo!” Wait what. “You attempted human transmutation, didn’t you?!” Wait WHAT. You mean to say that the Elrics are the way they are because of something they did? I was thinking they got attacked by an Alchemist or something, but it’s because they tried ‘human transmutation’?... What did they do? “Alchemy’s one and only unforgivable sin!” Flashback? A scream of “Al!”. Edward yelling and gah yup he lost a leg. A suit of armor falling over and Edward drawing a sigil in blood. Crying that his little brother was all he had left… Back to present, Edward looking down, background chanting starts up. “You know… there are some lines you really shouldn’t cross.” *braces for asskicking* Edward and Al lay the smackdown, knock Mr. Freeze to the ground. Says there’s no water for him to use… while standing maybe ten feet away from a giant iceberg, but whatever… 70% of Mr. Freeze’s body will be enough! And oh god he’s bloodbending now. “Why can’t you fools understand? I’m trying to save this country!” Dude, you’ve attacking the main keep of the city to the caption of [mad laughter]. Maybe if you stopped acting so Evil I might have more sympathy for you. NPC Soldiers are trying to blast the ice, but it keeps reforming. But here comes a drenched and ticked-off Roy! Down goes the ice, as Roy rants. Blonde lady with a case of alchemy-circle gloves complains that he’s bad enough on rainy days… so what, Colonel Roy Mustang is dead weight in a drizzle, always needs dry gloves to do his Alchemy? Interesting weakness. Mr. Freeze is stumbling through an alley, when… Fuhrer Fury. Not looking too happy. Screens gone black and white with Mr. Freeze’s blood standing out as a bright red, he laughs and transmutes a Blood Spear and charges… and Fuhrer Fury isn’t moving? Still not moving. Still not moving… he drew his sword and sidestepped? Oh. Damn. Note to self: don’t piss off <<The Flash>> Fuhrer Fury. Roy’s keeping up the blasting of the ice walls, calls out for the Major wHO BURSTS OUT OF HIS UNIFORM WITH A GLARE AND EYEBEAMS OF DETERMINATION YES. “Leave it to me! The Armstrong fists will not fail!” MANLY GLEAM, AND PUNCH THE GROUND. TAKE THAT, CHALK CIRCLE! Image of white-haired person looking down? Who dis? Edward and Al arrive in the aftermath, see Fuhrer Fury looking down at the covered form of Mr. Freeze. And back to the cheerful attitude from his talking to Roy, complimenting Fullmetal. He came out to “see if I could lend a hand”... sure, ok. Makes sense that the boss of a bunch of reality warpers would be fairly strong. He just seems happy that he’ll have an exciting story for his son. He has a son? Have we met him yet? Next day, the ever-cheerful Hughes jokes about Roy having a cold, and congratulates him for taking down Mr. Freeze. Apparently Fuhrer Fury is going around saying it was Roy who beat him? “Oh, it’s like that, huh? Suit yourself. But some friendly advice- next time a superior tells you to take credit for something you didn’t do, you might try it for once.” In the hospital, Edward and Al are talking about how they never found out about the Philosopher’s Stone. Maybe in the official report- what, flowers? WHAT. “Greetings, Edward Elric.” ARMSTRONG WHAT. “When I heard you were here in the hospital…” WHAT ARE YOU OH MY GOD DETERMINED EYES. “I DASHED RIGHT OVER!” *Edward and Al sharing my reaction* “And as I suspected, you are in desperate need of my assistance!” WHY DID YOU TAKE OFF YOUR SHIRT. “You need the example of a perfect physical specimen to inspire your recovery! You see? You’re looking livelier already! Hahaha!” “Will you get out!” Scene transition to a lady in a red light, talking on a phone? “Ah… I see, so Isaac’s dead, is he? That’s a shame, I had such high hopes for him, too… But- the Philosopher’s Stone? Heh. Sounds like he overused it.” What the heck what’s with this pudgy guy with red eyes eating something, [disgusting chewing]. Wait, I recognize you from the intro. It’s the Goths! Lady tells Gluttony to eat quietly, she’s on the phone. Ah, so they’re naming themselves after the Seven Deadly Sins? Lady (who I’m making a wild guess and naming Lust) says that things are going well in Liore (hey, isn’t that where the Elrics were going to go before Mr. Freeze delayed them?), ominously says it all beings very soon as the string orchestra once again tell us that Bad Things are going down. End credits! Crayonish, drawing of Edward and Elric, taking a nap under a tree, blonde girl playing with a dog, the Elrics sparing, Edward flying past the State Alchemists until he bumps into The Mighty Armstrong, who throws him back and proves his Manly Spirit is bound by no medium. Shots of Edward talking with the blonde girl… and running off a cliff? Story? Workshop at night, blonde chick who I will now call Mechanic petting her dog and thinking. Al sitting in a dark room, Edward resting on a bed, then Earthbending and running along the pilliars with Al past the Goths (only three?), then closing a pocketwatch and the Elrics walking along a train track… and camera pans to show the Elric Kids were drawing all of this. After credits: Shot of the Blonde Kids, before the apparent botched Human Transmuation. Backstory episode? “Resembool. A quiet town.” The Elric Kids talking to a brownhaired woman in an apron. Their mother? Did… did she get caught in the Human Transmutation botch? “The place where Edward and Alphonse were born. The home they once shared with their mother.” Wait no, there’s both boys sitting at a grave. Wait. Um. Oh dear, I think I just realized. “In the hopes of returning to happier times, the boys commit the ultimate taboo, and are forced to confront the truth. Next time, on Fullmetal Alchemist: Brotherhood- ” Episode 2: The First Day “The day they resolved their hearts to begin their journey.” Well. Initial thoughts are I am very impressed with what I’ve seen so far. Animation is smooth, humor is topnotch, and my compliments on making this setting so that I can see the episode’s Bad Guy literally boil a person, but still be very uneasy about the System that the Protagonists are working for. Definitely going to get some mileage out of this.

BTVS Season Three: Overview

As far as seasons go, my ranks are three, two, one right now. But that nice little pattern isn’t going to continue. I loved this season for the Big Bad, the inclusion of Faith, and the theme of community.

Character Arcs:

Buffy Summers: This season saw Buffy further exploring her role as the slayer (though this is the final one in which she holds onto hope she can give it up altogether). Faith briefly caused her to push her limits and power and was able to show her how to love the job. But Faith’s darkness warned Buffy of the dangers of loving it too much and scared her away from her own inner darkness. By giving up the Council and accepting that Faith was a no go Buffy further claimed her identity as the Slayer. This is her gig. By season’s end she is confidently making all the calls and knows she’s the leader. She also sadly learned that Angel turning into Angelus wasn’t the only reason they don’t work as a couple and let him go.

Willow Rosenberg: Willow is still struggling with feeling secure within the group. Buffy disappearing without a word for the summer and her growing relationship with Faith had Willow questioning if she was important. She began to use magic as a way to secure her spot (even sneaking into Giles’ office to read the “bad” books) and by the end of the season everyone turned to her for magic issues as well as computer ones. Willow also got the opportunity to date Xander and realize he wasn’t what she wanted. By the end of s3 Willow has realized her growing importance in the Scooby group is more important to her than a fancy college. She’s sticking around and sticking with magic. 

Xander Harris: Xander struggled with feeling like the useless one in the Scooby gang. Interestingly, he begins to learn what Willow still hasn’t truly learned by series end: he’s useful just for being himself. He has his own strengths and a unique perspective that offers things to the group even if they themselves don’t see it. He explored a relationship with Willow (something that had probably been in the back of his mind since childhood) and realized it wasn’t what he wanted. He lost his first real girlfriend.

Rupert Giles: This season has Giles moving completely away from the Council. Though he has his doubts he is still playing along when the season begins. But after the disaster in Helpless he’s fired and questioning all he’s been told to believe. The new Watcher further shows him the failings of the Council. He has accepted his role as a member of Team Buffy, not Watcher to the Slayer. He is taking direction from her by the end.

Angel: Angel returned from a hell dimension and learned to acclimate to life again. Coming back from hell and an encounter with the First made him begin to question what his purpose was. Was he just supposed to be the slayer’s boyfriend? And was that even a good cause? Angel started to think about his value on the earth and realized he wasn’t doing any good by remaining with Buffy.

Cordelia Chase: Cordelia started the season as a firm member of the Scooby group. She was truly beginning to fall for Xander when he cheated on her. She worked through her emotions by returning to popular status and bullying the group again. But going broke derailed her again and she was forced to get a job. Eventually she returned to help fight the Mayor and left Sunnydale in peace with Xander, Willow, and Buffy.

Daniel Osbourne: Oz spent most of the season as a background character, supporting Willow from the shadows. But we saw glimpses of his wrestling with the werewolf within and he was devastated when Willow slept with Xander. He decided to take her back and they eventually slept together.

Faith Lehane: Faith rolled in to town full of confidence while secretly fresh off a traumatic experience that cost her her Watcher. Though Faith tried to fit into the group and, especially, with Buffy, her inner darkness raised some alarm. A new Watcher came to town and it seemed for a moment that all was well: sure, the Scoobies weren’t fully accepting her into the group, but here was her very own Watcher to worry about only her. But Ms. Post was evil and Faith was lost again. She turned to trying to pull Buffy to her side of things rather than work her way into the Scoobies. Progress was made until the murder, which sent Faith over the edge. Being a part of the Sunnydale crowd seemed entirely hopeless so she got a new one. Her path to evil was gleeful and dark. She was no longer wrestling with her dark side; she embraced it fully. The Mayor was finally a mentor that cared deeply for her and gave her the affection she craved. Too bad she ended up in a coma.

Wesley Wyndam-Pryce: It didn’t take long to realize Wesley’s authority was merely smoke and mirrors. He had no concept of how to truly control Buffy and was terrified in any fight. He was revealed to be pragmatic and distant, not unlike Giles pre Prophecy Girl. But he truly cared about the fight against evil and was willing to set aside his pride to help.

Joyce Summers: Joyce continued to wrestle with Buffy’s destiny this season. She got her daughter back but was furious with her and terrified she was going to take off again. For the first time she was pulled into the madness of Sunnydale--first by turning into a teen and sleeping with Giles, then being manipulated by a demon, and then by being kidnapped. Her brief attempt to take control of Sunnydale failed and she decided to remain on the sidelines of the fight.

Jonathan Levinson: Jonathan continued to be bullied and remained a suspect when things went wrong at Sunnydale High. He was stopped from committing suicide by Buffy and seemed truly grateful to her...maybe even a little too grateful. He did manage to get a date for prom and relished taking part of the big battle at season’s end.

The Big Bad:

The Mayor: Richard Wilkins III. One of my favorite Big Bads of the Buffyverse! I loved that he was pulling so many strings behind the scenes and he seemed so much more human than the Master. A trip to Wiki lead me to some interesting background information on this guy. He founded Sunnydale and made a pact with demons to avoid being killed. Then he sold his soul and began planning his ascension (I can’t wait to read the comics, people!). The Mayor plays into a larger theme in Buffy of questionable authority. Despite seeming like the perfect Mayor (and even, in some respects, being a good one) he was only out for his own power and control. I loved the two faces of the Mayor (one an overly cheerful family man, one a power-hungry man with no compassion). His relationship with Faith also made for some great scenes. In the end his human weakness, which seemed not to exist at first, was his downfall.

Faith Lehane: I’m not going to write a whole meta on Faith here because she’s too complex and deserves her own post. But the rogue slayer was such an awesome idea.

Themes:

Belonging: This was more of a background theme but it was prevalent in almost every storyline. Buffy returns from Los Angelus and feels like she doesn’t fit anymore. She grows jealous of Faith, who feels the exact same way. Willow and Xander both struggle with this feeling. Giles feels it as he’s outed from the ‘Watcher’s retreat’ and the Council. Even Jonathan deals with it. Not feeling like they have a place leads the characters to some not-so-wise choices. Surprisingly, Xander had the best outcome as he realized even if other people didn’t see that he had value or belonged he knew he did and that’s all that matters.

Responsibility: There was a running theme of the question of personal responsibility. Is Faith responsible for her issues even though it’s not her fault she has them? Is Buffy responsible for all the people that die when she makes the wrong choice? Is Angel responsible for all he did as Angelus?

Community: When the Big Bad is the Mayor the theme of community is bound to come up. The Mayor fancied himself the leader of the community and thought he could do whatever he wanted. But the real power was the small members banding together and they used it to take him out. Buffy also learned, to her surprise, that her community actually did appreciate all she did for them. But we also saw a dark side as the community banded together in Gingerbread for a witch hunt.

The Abuse of Power: A running theme in Buffy, this time represented by Snyder and the Mayor. And even Joyce in Gingerbread.

The Best Episodes:

Faith, Hope, and Trick

Lover’s Walk

The Wish

The Zeppo

Bad Girls

Doppelgangland

Enemies

The Prom

Graduation Day (Part 1)

Graduation Day (Part 2)

The Worst Episodes:

Anne

Band Candy

SUPERVERSIVE: Four More Anime Reviews

Hinamatsuri, our first anime

Four Anime Reviews is one of the most popular posts I’ve ever done on the site. Since then I have watched a lot – and I do mean a LOT – more anime, and enjoyed almost all of it (I will only actually watch something to the end that I enjoy).

In light of that, I have thought carefully and decided on four more anime to review. The rules: They must be an anime I have not written a review or article on already…and that’s it. This means nothing on Mob Psycho 100 or One Punch Man, even though Mob Psycho especially is probably my second favorite anime that I’ve watched since that original article.

I’ll also be sort of kind of breaking that rule for the final review, but that show NEEDS to be talked about.

The 10 star rating system is gone. I realized I would have to rank too many shows I really liked below 5 of 10 if I wanted to be consistent. So now it’s just thumbs down and thumbs up.

(I wrote a couple short articles on already airing anime, so my short conclusions on them: Cells at Work improved as the season went on, added real character development and intelligent world building, and ended on a high note. It is my easy winner for anime of the summer 2018 season. Steins;Gate 0 spun its wheels a bit in the middle and had some hilariously bad action scenes but the last four or so episodes were fantastic and it too ended on a REALLY high note.)

And without further ado:

1) Hinamatsuri – Yoshifumi Nitta is a high-ranking member of the Yakuza whose life is turned upside down the day a young, probably autistic girl named Hina with psychic powers inexplicably shows up in his apartment. Nitta pretty much has no choice but to adopt the little girl and wacky hijinx, as well as moving familial bonding, ensues.

Review – This was another show from the summer 2018 season, but I didn’t watch it until much later. It really took me by surprise how much I liked it. The characters are lovable, the jokes are consistently on point, and they do an excellent job juggling their surprisingly large cast of characters.

While the jokes are great, and the show really is very funny, where it truly shines is in its serious moments. The bonds formed between the characters – not just Hina and Nitta but several side characters as well – are consistently touching, and even some of the gags have a sweet edge to them that just makes you smile, like when Hina decides to throw a party celebrating Nitta’s promotion but somehow gets the idea that parties are supposed to look like funerals. It’s a great gag but it’s still touching that Hina makes the effort to go that extra mile, as well as an excellent character moment – the first time in the series Hina decides to do something nice with no ulterior benefit to herself.

Best girl is Hitomi.

Is it superversive? – Very! Not just in its main plot, but throughout its several subplots as well the story is consistently uplifting.

Recommendation – Two thumbs up. It isn’t a must-watch classic, but it is a lot of fun.

2) Last Exile – Claus Valca and Lavie Head are sky couriers on the planet of Prester, a steampunk style world where two nations are in perpetual war and flying machines known as vanships rule the skies. One day a dying courier asks them to complete a dangerous mission: deliver a little girl named Alvis to a flying battleship known as the Silvana. And our adventure begins!

Review – This is one of the classic anime of the early 2000s that helped anime boom in the U.S. Like Trigun before it Last Exile was more of a hit overseas than in Japan, perhaps due to the heavily eurocentric atmosphere, though the split was not nearly as extreme (you can go so far as to call Trigun a bomb in its home country).

The reputation is deserved. Last Exile is a fantastic show. The visual style and tone are reminiscent of Miyazaki’s Castle in the Sky, though with a more adult edge to it. The plot is intricate and complex but well written, and all secrets are revealed in the end.

The characters can sometimes come across as a bit two dimensional with one exception: Dio (no, not that one). Dio is probably the series’ biggest achievement, along with its revolutionary integration of CGI into the airship scenes. Introduced originally as a mysterious, androgynous, and rather creepy figure, he becomes almost a metaphor for the show as a whole as it progresses, as solving the mystery of who and what Dio also solves the mystery of what is really going on in the plot. He is by far the most memorable part of the story, which is a real compliment as the story itself is also engrossing.

Is it superversive? – Extremely so. Like Pazu before them Claus and Lavie are the sort of people to selflessly commit themselves wholeheartedly to a stranger – Alvis – despite barely knowing her, and this is presented as the correct and moral thing to do. Characters who start off looking like they’ll be threats become allies and the story ends on a high note.

Recommendation – This one IS ammust-watch classic. Two thumbs up.

3) Yu Yu Hakusho – Yusuke Yuremeshi is a young punk who spends all of his time fighting and going to the arcade. One day he knocks a boy out of the way of a car, getting hit himself and dying as a result. Then a cheerful young woman with a flying…paddle…informs him that she’s the grim reaper and that due to his selfless act, if he wants it, spirit world is willing to give him a second chance at life. After seeing the reactions of his sort-of-girlfriend, principal, and mother he agrees. On his return Yusuke is made the Spirit Detective of Earth, hunting down demons and punching out bad guys to save the world.

Review – One of the more influential shonen anime, this early 90’s show shows its age occasionally but for the most part holds up exceptionally well. In contrast to Togashi’s later and far inferior anime Hunter x Hunter (maybe the most overrated anime of all time), Yu Yu Hakusho is fast paced (almost no fight goes longer than two episodes, a trick My Hero Academia stole) and always fun. Togashi’s real strength, however, is in his exceptionally well realized characters. The main group of Yusuke, Kuwabara, Kurama, and Hei is one of the most memorable and entertaining in all of anime. Not only are their personalities distinct and memorable, but each of them has an interesting backstory and goes through a TON of character development as the series progresses.

The Dark Tournmanet arc is, rightly, considered one of the greatest arcs in anime history. It goes on a little long but the high points of that story are so high who really cares? But the show isn’t perfect. The arc following Dark Tournament noticeably drops in quality and Togashi has a really, really big problem with killing off major characters even when it makes sense both narratively and metatextually – to spoil a scene, the revival of Genki was particularly egregious. This problem gets even more ridiculous in Hunter x Hunter, with the utterly absurd revival of Kite. Still, back to Yu Yu Hakusho, the show picks up again by the Three Kings saga and while I’m still five or so episodes away from finishing it completely it’s hard for me to think I won’t be satisfied by the time it all ends.

Is it superversive? – Yes. Just listen to the OP. How can it not be?

Recommendation – If you’re a fan of any modern shonen you really should see Yu Yu Hakusho and get a look at a lot of classic tropes used when they were still fresh. Two thumbs up.

Actually, you can see a lot of its DNA in My Hero Academia, leading to…

4) My Hero Academia – Young Izuku Medoriya is born quirkless – powerless – in a world where the vast majority of society possesses some sort of superpower. When Medoriya gets a chance to meet his favorite hero, the legendary Symbol of Peace, All Might, he convinces him he has what it takes to be a hero. Seeing his potential, All Might gifts him a special quirk that can be passed down generation to generation: One for All, a quirk that stockpiles power. But in order to harness this power, Medoriya, who takes the hero name Deku, needs to train at the prestigious superhero academy UA High, where he begins his journey to become the world’s greatest hero.

Review – This is the one I’m sort of almost cheating on, since I did write a review of the movie. Rawle already talked about season 1 and Nathan gave it a rec last year, but hoooooooly crap. We need to talk about how exponentially this show improved.

Season 1 was…okay. It was good. I liked it. I decided to keep going with the show on the basis of strong recommendations and the excellent final fight scene that ended season one. And then season 2 happened. And it started with a tournament arc.

And suddenly, the show was amazing.

Previously the show had focused on Deku, leaving the rest of its colorful cast in the background. Season 2 shifted focus, turning into a true ensemble show, with side characters – even side characters who weren’t the center of any stories – getting their own arcs and backstories. The sports festival reaches its climax in a fantastic battle with Deku and the fire-and-ice powered Todoroki, and this is the moment the show passed “really good” and became exceptional. The interweaving of Todoroki’s backstory in the middle of the exceptionally well choreographed fight, combined with the strong narrative being told by the fight itself, really cemented the series identity as a vehicle for both stellar action AND compelling drama without losing its optimistic, can-do spirit.

It is also not the best fight in the series.

The show isn’t perfect. Season 3 was arguably both the show’s best and worst season. The first half of the season, the training camp arc up to the unbelievable battle between All Might and All for One – one of the greatest fight scenes of all time – was clearly the highlight of the entire show to date, but the preliminary exam arc in the second half fell a little flat. The stakes in the prelim exams weren’t high enough to make the stories compelling by themselves and it lacked the strong interpersonal drama that drove the sports festival of season 2, though the arc did end on a high note.

Even so, how does anyone not love My Hero Academia? Literally every single person I know who gave the show a shot is now a huge fan. It is brilliant.

Is it superversive? – Oh, HELL yes. It’s probably the most superversive show on TV right now. Deku is seriously inspiring.

Two last things about the show:

The soundtrack KICKS ASS. Each OP gets progressively better. Make My Story is an earworm. You Say Run goes with anything.

UNIIIIIIIIIIITEEEEEEED STAAAAAAAATES OOOOOOOF SMAAAAAAAAAAASH

Postscript: There are two honorable mention anime I really wanted to talk about but didn’t quite make it onto the list this time. Robotics;Notes came out of nowhere to surprise me with a well-written slice of life story about a school robotics club in an alternate history where robots are a much larger part of daily life. It takes place in the Steins;Gate universe but aside from a couple of Easter eggs this is incidental.

And Magi: The Labyrinth of Magic is absolutely fantastic and maybe my second favorite shonen anime to HeroAca. They’ll both be on next list.

SUPERVERSIVE: Four More Anime Reviews published first on https://medium.com/@ReloadedPCGames