thinking about the OXENFREE II concept where Riley saves Alex from the loop
it would take a crowbar to pry Alex away from Riley because i feel like Alex would hold on So Tight the moment she makes contact with her. with someone real for the first time in five years. Alex refuses to let go because she’s terrified that, if she does, she’ll be forced back into the loop. Riley lets herself be an anchor for the terrified girl, just to make her feel safer, more stable in reality.
also you can’t tell me that all of Alex’s senses wouldn’t be absolutely assaulted by Everything once she gets back to the real world. i mean, she’s been stuck reliving the same night over and over and over again for five years—she’s probably used to the darkness. and even when on the ferry during her false escape, that light is nowhere near as bright as the light in reality. also, there’s so much new stimulation. forgetting about the light, there’s the sounds, the smells, the sensations. the clamor of other people is deafening to someone who has interacted with the same voices for so long, the smell of gasoline would probably choke her, and the sensation of hot sun on her skin would be like throwing her directly into an open fire. the poor kid is absolutely overwhelmed, and probably starts to teeter into a full-blown sensory overload.
Jacob then proposes an idea: they wrap her eyes with something! since eyelids can only do so much, they wrap her eyes with some cloth to block off as much light as possible. if they have something to plug her ears, they use those, too. anything to make her more comfortable.
and then Riley and Jacob come to one big problem: Alex’s identity. this girl probably had missing posters or at least missing reports about her. it’s been five years, but surely people would have remembered a kid who disappeared under such mysterious circumstances. if they want to get her off Edwards Island, they need a way to hide her appearance, at least until they can get some hair dye to change her hair color from its very distinct shade of blue (“technically, it’s teal,” Riley says over and over again) (Jacob keeps saying orange, which Riley shuts down right away because orange is a hideous color and they shouldn’t subject the poor girl to that torture; “she’s already gone through enough!”).
so, to solve this issue, they have Alex swap her jacket with Riley’s. Alex seems extremely distressed to part with the piece of clothing that has quite literally gone through hell and back with her, but Riley swears up and down that she’ll return it to her once they’re somewhere out of eyesight of other people (and once she washes the thing. it reeks of sweat and saltwater and blood).
they also have Alex wear Jacob’s hat. they tie her hair up into a messy bun and tuck it underneath the hat, thinking that’ll be good enough to hide it from people.
Jacob carries Alex to the ferry, then to the car. she keeps her face buried in his neck the entire time, which is good. if her face matching the face of a missing teenager from five years ago doesn’t draw stares, then the fact that she’s essentially blindfolded certainly would. but she keeps her head down the whole time. she also has her nails dug into Jacob’s shoulders for grounding, and if this hurts him, he doesn’t say anything.
in the car, Alex falls asleep in the backseat while Riley and Jacob discuss what they’re going to do. they decide the best course of action is taking Alex to Riley’s house and waiting for her to recover enough to explain everything thoroughly to them. she can then tell them what she wants to do. if she wants to return to her actual family, then they’ll help her find them (though, Riley mentions that she’ll take Alex under her wing if Alex doesn’t want to go back to her home) (Jacob is curious about this, but he doesn’t say anything about it).
Jacob then asks the big question: “do you think Alex would rather have tacos or McDonald’s for breakfast?”
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Danny's found a way to dodge GIW trackers, as well as his parents.
Their equipment hunts ghosts, ghosts run on emotion; so as long as he keeps his under a tight lid and doesn't feel anything ever, they won't be able to track him.
It works!
He's able to run from them, and goes as far as New Jersey. The plan was to stow away on a ship, and go to literally any country that wasn't America. He goes to Gotham, which hosts the one harbor he knows where no one will ask any questions.
But because of how weird he acted (completely emotionless during a Joker attack), he was fingered by police immediately.
He's handed over to CPP. CPP doesn't know what to do with a teen literally so traumatized that they don't show any emotion at all, ever. He keeps just...walking out of his placements. Just leaves without a sound.
Luckily, he's always caught, due to those placement houses having quiet alarms and him refusing to run.
They call the one foster parent they know who does.
Bruce Wayne takes in the strange, nameless kid who refuses to talk.
On paper, they gave him the filler name of 'John Doe', for lack of anything better to do.
Bruce does everything he can to make the newest arrival feel at home. Damian, for as territorial as he is, actually breaks out of his shell sooner than expected just to try to get the new kid to speak. To emote. To do something. Duke tries the open approach, then tries the 'no one will ever know, everyone thinks I'm an innocent goody-two-shoes' approach. Nada.
Tim even tries to trick him into talking, but nothing works.
Enter Dick; Dick heard about Bruce's new ward, about the situation, and decided to see if he could get the kid to open up.
Danny though. Danny's in trouble.
The Wayne Manor is weirdly secure, and he can't just walk away like he did his other placements. He can't use ghost powers or the GIW and his parents will immediately know where he is.
He really, really wants to take Bruce up on his offer and just spend the day relaxing. Respond to Damian's attempts to provoke him. Overshare about space facts with Tim.
But most of all, he really, desperately wants to get in a Pun Competition with Dick. He wants to laugh at Dick's jokes, and learn coolass gymnastic tricks!
But he can't!
If he relaxes with Bruce, he'll be content, which is an emotion. If he argues with Damian, he'll get annoyed, which is an emotion. If he sneaks out with Duke and breaks the rules, he'll get happy, which, again, emotion. If he overshares with Tim, he'll get excited, which is, yet again, an emotion!
The worst sin of all, he can't even show proper appreciation of the food the Butler keeps making him!
And now there's even more people coming over!
There's a quiet girl who keeps reading his body language and trying to get him to dance ballet, a blonde girl who keeps trying to kidnap him to take him to BatBurger, a guy with a stripe of white who wants to take him to a shooting range, and it just...he really, really wants to!
He wants to do all these cool things with them!
But he fucking can't!
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