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#an old drawing i figured i'd post :)
mizukkay · 4 months
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ch1zzie · 29 days
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The original in the bottom
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Plus the picture I mainly drew but decided to draw the rest for funny
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#thats not my neighbor#milk man#just tried to draw something in my mind to post along with saying some updates#monday the people are gonna give my grandma the keys to the house! while i have to stay at my aunts place for wifi for school#(online school)#my moms gonna be moving things out of storage into the house! AAAA I CANT WAIT#also little welcome home update#im not sure if i said here? wait nevermind i just remembered while typing (it was that i got barnaby and the pins) AAA silly me#also im making a little julie out of clay (if i wake up and their messed up i am NOT redoing that😭)#the legs are a little messed up because julie was gonna be the size of an hatsune miku figure on accident so i chose to shorten her a bit#only because im not sure if im gonna make the others too AND because theres no way hes gonna be THAT tall😭#also! im making easter art#yes its barnaby and wally again just for fun! but a few changes like keeping their regular outfits because i cant think of anything else!!!#why not the ones in the old easter drawing? welllll a follower said that wallys outfit looked a bit familiar to another not so good thing#it wasnt on purpose just an accident because i hadn't notice BUT im glad i know now so i can be more careful!#im not sureeee if im gonna finish the easter art OR the julie clay thingy but I'd love too! and honestly HOPE to#high chance i will (well maybe the easter art could be late or not)#maaaaaaaaaaaAAAAAA trying to think if theres anything else but cant! ill try posting this hoping my wifi wont hate me...#also i know i said this account was for welcome home posting but i didnt have any cool welcome homey things to put here gahhhhh#ehehehhe once i get my new room and its allllll just me#imma post like crazy (wellll that IS the plan so i hope)#even if its little dumb posts#by the way this post was gonna say on top “i know i said this account is for welcome home posting but TAKE THIS FOR LITTLE UPDATES”#just removed it because i dunnooooo just didded#hehe didded
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bitternace · 4 months
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Any number? 23 and saïx :)
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couldn't count all the ways that i've died for you
[ID: a digital drawing of saix from kingdom hearts. He is shown from the hip up, his body in 3/4's and his face in profile. He is shadowed in warm tones. He has a neutral expression, and he's standing straight.
The background is transparent except for a circle that lays from the middle of his shoulders and upwards, with three sections that have a slightly bigger circumference where one to three, seven to eight, and eight to nine would be on a clock. All scenes are blue tones with a noise overlay. these three are all from saix's perspective.
In the first, there is a cloaked figure shown from the waist down, the tip end of young xehanort's keyblade leans forward and some of it goes out of bound, tiled floor as a background. The second one is saix's hand reaching for kingdom hearts. The third is his hand reaching towards Lea, who lies on the floor of radiant garden's lab.
The rest of the circumference is a labyrinth wall in keyblade's graveyard, with a harsh diagonal line of light on the upper half. Most of the circumference is lined black, except from nine to one o'clock, lined white. /End ID.]
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scrimple · 4 months
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sundial-bee-scribbles · 9 months
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redraw of this thing
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shanghuuo · 1 year
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longwei does not celebrate christmas, at least not in an official sense, since he’s a pretty avid follower of confucianism and taoism. however!! i did make something in the spirit of the holidays and it only took me about a week and a half 🌞 i know i keep on brainrotting about this pair on main but yeah sorry i’m about to do it again lol anyway here’s a little something of anh / @xbasilrp​ and longwei, who have always and will continue to have me in a vice grip <3
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spotlightstudios · 2 years
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A lil buddy ♡
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The thing with the Mari Lwyd, though, is that it's being... I don't know, 'appropriated' is the wrong word, but certainly turned into something it isn't.
Thing is, this is a folk tradition in the Welsh language, and that's the most important aspect of it. I feel partly responsible for this, because I accidentally became a bit of an expert on the topic of the Mari Lwyd in a post that escaped Tumblr containment, and I clearly didn't stress it strongly enough there (in my defence, I wrote that post for ten likes and some attention); but this is a Welsh language tradition, conducted in Welsh, using Welsh language poetic forms that are older than the entire English language, and also a very specific sung melody (with a very specific first verse; that's Cân y Fari). It is not actually a 'rap battle'. It's not a recited poem. It is not any old rhyme scheme however you want.
It is not in English.
Given the extensive and frankly ongoing attempts by England to wipe out Welsh, and its attendant cultural traditions, the Mari is being revived across Wales as an act of linguistic-cultural defiance. She's a symbol of Welsh language culture, specifically; an icon to remind that we are a distinct people, with our own culture and traditions, and in spite of everyone and everything, we're still here. Separating her from that by removing the Welsh is, to put it mildly, wildly disrespectful.
...but it IS what I'm increasingly seeing, both online and in real world Mari Lwyd festivals. She's gained enormous pop-culture popularity in recent years, which is fantastic; but she's also been reduced from the tradition to just an aesthetic now.
So many people are talking/drawing about her as though she's a cryptid or a mythological figure, rather than the folk practice of shoving a skull on a stick and pretending to be a naughty horse for cheese and drunken larks. And I get it! It's an intriguing visual! Some of the artwork is great! But this is not what she is. She's not a Krampus equivalent for your Dark Christmas aesthetic.
I see people writing their own version of the pwnco (though never called the pwnco; almost always called some variant on 'Mari Lwyd rap battle'), and as fun as these are, they are never even written in the meter and poetic rules of Cân y Fari, much less in Welsh, and they never conclude with the promise to behave before letting the Mari into the house. The pwnco is the central part to the tradition; this is the Welsh language part, the bit that's important and matters.
Mari Lwyd festivals are increasingly just English wassail festivals with a Mari or two present. The Swansea one last weekend didn't even include a Mari trying to break into a building (insert Shrek meme); there was no pwnco at all. Even in the Chepstow ones, they didn't do actual Cân y Fari; just a couple of recited verses. Instead, the Maris are just an aesthetic, a way to make it look a bit more Welsh, without having to commit to the unfashionable inconvenience of actually including Welsh.
And I don't really know what the answers are to these. I can tell you what I'd like - I'd like art to include the Welsh somewhere, maybe incorporating the first line of Cân y Fari like this one did, to keep it connected to the actual Welsh tradition (or other Welsh, if other phrases are preferred). I'd like people who want to write their version of the pwnco to respect the actual tradition of it by using Cân y Fari's meter and rhyme scheme, finishing with the promise to behave, and actually calling it the pwnco rather than a rap battle (and preferably in Welsh, though I do understand that's not always possible lol). I'd like to see the festivals actually observe the tradition, and include a link on the booking website to an audio clip of Cân y Fari and the words to the first verse, so attendees who want to can learn it ahead of time. I don't know how feasible any of that is, of course! But that's what I'd like to see.
I don't know. This is rambly. But it's something I've been thinking about - and increasingly nettled by - for a while. There's was something so affirming and wonderful at first about seeing the Mari's climb into international recognition, but it's very much turned to dismay by now, because she's important to my endangered culture and yet that's the part that everyone apparently wants to drop for being too awkward and ruining the aesthetic. It's very frustrating.
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mushroom-for-art · 1 year
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Fakemon from ages ago using a random animal generator and random type generator then drawing what I vibed with. I don't think I'll ever do these digitally but you guys can enjoy the sketches and like if you see any of these designs and vibe with them and the typing or think hey I could do that better with x typing instead go ahead fam I hope it inspires you! (and drop me an @ as I'd love to see it if my sketches inspired art). Under a readmore so you can skip this post easily if you're not interested.
Up first was me just trying to do a fun bug type starting grub pokemon him face. With two potential evos a moth esq evo based off my mum calling moths "Teddy bear butterfly's" hence the teddy bear like appearance. I figured they evolve from max friendship they absolutely adore you. Alternatively the grub can become an unspecified beetle at lowest/no friendship that absolutely fucking hates you because we love the duality. Both evos having antenna bits and spots.
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Next Penguin I forget which kind specifically but for the prompt I got dragon poison so I figured dragon type penguin chick hence a horn and spikes and little claws that gains poison type upon evolution as it became an adult and swam in polluted oil slick waters gaining a poison oil black coat.
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I believe this animal was called a banjo? As I was absolutely perplexed at the suggestion as I knew banjo was an instrument but not of the animal and typing was Psychic. I don't think I can do any better than the baby banjo I turned the patterns it naturally had into stars due to their association with the psychic typing simple enough really. I don't so much like the evolution as I wasn't sure how to in a sense evolve the concept and design that's just a bigger banjo. I did imagine it's horns could channel psychic energy and it could foresee future events making it more skittish and paranoid compared to its prevo hence rearing up, making them more likely to lash out as I imagine having future vision and knowing something bad COULD happen would cause a lot of paranoia but other than that I wasn't sure what to do or add. Perhaps had I added another typing I could've come up with more.
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The animal prompt was Moray eel and the typing was flying type, so I turned their top fins into side fins that they use to glide and fly through the sky like gliding snakes. I imagine in the pokemon world they behave a lot more like kites, appearing on windy days to play around with the children. They're just silly lil guys.
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Moon jellyfish and I think the prompt was ice psychic but obviously psychic is a lot more obvious, I think I intended to have this be the first stage then make a bigger more aggressive ice psychic evolution but drawing a jellyfish pokemon I found was quite difficult and I think I channeled too much Jellymon into this design. Overall though she's a cute little psychic jellyfish.
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Lastly this design was actually based off of an ai generated image and then I tried to evolve that. The wings were added last minute and kind of suck! I'll admit that I think I should've had potential wings/limbs where a presumed shoulder would be so when they evolve they gained wyvern like wings or perhaps even some kind of arm like a scyther. The ai generated image was bug I'm pretty sure while I made the evolution bug dragon, the evolution line is a lot like nymph bugs that are just mini adults. Could've been better again but I wasn't clever enough to use the potential. Unfortunately I don't have the original ai image anymore for reference but I think it was green in color.
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colleendoran · 1 year
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How Do I Do Stuff
The question was phrased a little strangely, and I don't want to embarrass the person by posting exactly what was said, but I'll answer it and hope this clears everything up.
I do almost all of my drawing by hand. No, I don't trace in Photoshop. Not a judgment on those who do, but I come from a generation of artists who did not use Poser programs or other digital tools. We learned to draw using a technique called the Sight Size method. I know a lot of people assume everyone - including the old masters - traced everything using optical tools, but while it is true some people did, it is just as true that most didn't, and you can draw with great accuracy if you learned how to draw the old fashioned way.
Sight Size breaks everything down into its barest components of geometric shapes and you build from there. Once you learn it, you never forget, and it applies to everything you will ever draw.
I learned it using a set of Famous Artist Course books my mom had since she was a kid, and they are still the gold standard. They're often on ebay. If I were you, I'd buy them.
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I actually find using figure reference really annoying because I like exaggerations and modifications from reality in my final work.
This page from Neil Gaiman's Chivalry was drawn and painted without figure reference of any kind.
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I don't know why people assume I trace all the time. If you were to try to use photographs to replicate these figures, you would find they are slightly off. There is no tracing here.
This is not to say I never use reference. This page, for example, was referenced from a photo of my mother. Isn't she pretty.
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But this page of Sir Galaad was drawn and painted without reference.
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He's pretty, too.
If he were real, I'm sure a lot of people would be very happy about it. But he's not. And had I reference, the art would have gone a lot faster. I had a time trying to nail this face that is very alive in my head but doesn't really exist.
Back in the ancient days, all cartoonists had to learn to draw and paint extemporaneously because reference was limited and digital tools didn't exist. While some high end artists had photography studios and professional models with costume and sets on hand, small fry like me were limited to what was in the house or available at my small local library, which was no bigger than a few rooms of my current house.
Artists kept extensive "morgue files" or "swipe files" which were collected from magazine clippings and photographs so we would have as much of what we might need on hand for quick reference. These ephemera collections could get unwieldy. I have thousands of photographs I've simply never sorted. I finally dumped most of my files this past year.
Have I ever traced anything? Of course, especially if I have to re-use a shot or setting over and over. Making extra work for myself is just silly. It's my job to make pictures, not to perform magical feats, like copying one shot after another over and over without making a mistake.
However, for almost 15 years of my career, I refused to copy or trace anything, and did not even own a lightbox. On the one hand, that forced me to learn to carefully examine what I saw. On the other hand, it was a stupid hill on which many deadlines died.
Only after I realized many professional artists had lightboxes and overhead projectors did I finally break down and get one.
The one thing I use my lightbox for more than anything is for tracing my thumbnail sketches to the final drawing paper. Instead of trying to capture the liveliness of the original sketch by copying what I see - only bigger - I blow the thumbnail up to the size I want the final art to be, then I trace over the thumbnail using a lightbox onto the final drawing paper.
Here's a look at thumbnails from the graphic novel Neil Gaiman's Snow, Glass, Apples.
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I enlarged these on my computer to fit onto 11"x14" paper, and traced the thumbs before finishing the art which was drawn in pen and ink and colored in Photoshop.
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While I obviously made some changes, the essence of the thumbs is there in the final work. Tracing my thumbs retains some of the looseness of the original sketches, which is often lost otherwise.
So, there is a valid purpose to tracing at times, though in my opinion, too much tracing can weaken drawing ability, substitute for developing skills, and make the work kind of stiff.
If you want to, I'm not your judge. But it's weird to me that people think I must be faking my skills in some way.
Ironically, the word cartoon comes from the Italian word cartone, which is a large heavy sheet of paper - also, the origin of the word carton.
Preparatory sketches were made on this paper which was then transferred to the final work surface via either tracing or by stamping little holes in the paper through which dust was sprinkled, recreating the contours of the drawing for the artist to follow.
So the origin of the word cartoon comes from a process often used...for tracing.
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attleboy · 3 days
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okay so it's been a bit... sorry about that??? ^-^; here's a quick doodle dump to make up for it with a brief (for me) explanation of where i've been at the end <3
some things that were meant as ask responses but i never felt like posting
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scattered bits from a lore headcanon comic i have no plans of finishing... set when jax first joined and ragatha was still new, before shit happens (queenie abstracts) and things got worse for them...
idk i like thinking about the possibilities and i like it when characters start out hopeful and get it beaten out of them so i'm giving jax and ragatha that treatment in my head :)
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here's the "behind the scenes" stuff i mentioned in the second of my raggedy ann tadc crossover posts
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and here's me giving pomni varying levels of a hard time
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old aggie board stuff
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one of my first ragatha and pomni drawings on the left (nov 2023) and a lil redraw on the right.... (mar 2024) pls... don't mind my old ragatha design i didn't know what i was doing
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and for those who like my sona, doodles inspired by the mafia roleplay/au(?) that's been around... not actually part of it, but i was part of a mafia roleplay myself back in 2020 so idk, consider it an acknowledgement of my roots :D
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OKAY so where i've been... well at first it was a normal break, but then i figured i'd extend it until finals were over so i wouldn't get distracted! probably should've given some warning but ehhh i got busy fast and getting to go off grid for a bit was relaxing :)
anyway i'm all done so i'm back more or less??? still fatigued from studying for weeks straight so idk when i'll pick up the pen again but that'll be soon i hope... and bc i drafted this before it was posted YES i've seen the episode 2 trailer!!! very cool i'm very excited!! gonna try and get ep 2 hype art out before it drops!! :D
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cereovo · 8 months
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A set of very conceptual notes I drafted a while back for someone asking for advice on learning to draw humans. I'm entirely self-taught so this is less of a tutorial and more of a very rambling set of general principles I follow and ideas that helped while I was learning. I figured I'd post it in case anyone else could get use out of it!
I also recommend checking out:
Drawing East Asian Faces by Chuwenjie
How to Think When you Draw (lots of good tutorials in this series)
Pose reference sites such as Adorkastock
Transcript and some elaboration under the cut:
Img 1 - Drawing a face
The two most important elements (at least for me) when drawing a face are the outline of the cheek/jaw and the nose*. I often start with a circle to indicate the round part of the skull, then add a straight like and a 'V' to one side [to create the side of the face and the jaw]. The nose creates an easy template for the rest of the face's features to follow (eyebrows at the top of the nose bridge, eyes towards the center of the bridge, ear lines up to eye) and the placement/direction and overlap with other features is a very simple way to indicate dimension. [A sketch of a face that has been adjusted by moving its parts to create 3 different angles. The following text is underneath:] -Different 3/4th views can be created just by adjusting the position of and amount of overlap between the facial features. - The top of the ear usually lines up with the corner of the eye. Think of how glasses are designed [specifically, how the arms run from the eyeline to the ear] [I go on a tangent in these next few paragraphs] *One thing I see many artists do - not just beginners - is learn how to draw A Person. As in, one singular person with one set of bodily proportions and one set of facial features. It's an issue that runs a bit deeper than 'same face syndrome' because sometimes these artists can draw more than one face, they're just not very representative of [the diversity present across] real people. Part of the reason I'm talking more about how to think about approaches to drawing - rather than showing specific how-to's - is because there is no one correct or right way to draw a person. The sooner you allow yourself to explore variety - fat people, old people, people of color, people with [conventionally] 'unattractive' features - the easier it'll be! Artists often draw their own features honestly and without [harmful] caricature, so it's always a good idea to look at art made by the kinds of people you're trying to draw if you're ever unsure about how to handle something. In general, it's far more important to learn how to interpret a variety of forms than to learn how to replicate the Platonic Ideal of the Human Body.
Img 2 - Stuff that helped me
Jumping into drawing humans (faces or otherwise) straight from photo reference can be overwhelming. The trick is to simplify forms into shapes - but even this concept is sort of abstract and it may be hard to know where to begin. Good news - Thousands of other artists have already figured it out. [When starting out] I needed to learn from photo reference AND artists I admired in order to improve. [When looking at stylization you are inspired by] ask yourself: WHY does this simplification work? How can I translate it into a different pose? Instead of copying what you see in a photo reference exactly, try to focus on the general forms first. My two biggest style inspirations for humans while learning to draw them were Steven Universe and Sabrina Cotugno's art. SU gets a lot of hate [in this instance I was specifically referring to a time on tumblr when the art was knocked for 'losing quality'] but its style does a great job of simplifying anatomy in a way that still portrays a diversity of bodies + features. [Extremely simplified drawings of Lapis, Steven, and Amethyst] SU characters are still identifiable- and still read as 'human' - even when reduced to just a few lines!
Img 3 - Things I keep in mind while drawing side profiles
- Eyebrows + eyes close to the 'edge' of the face - Forehead needs enough room for a brain - Eye is > shaped from the sides - Mouth kinda halfway [between the nose and the chin] but closer to the nose - Skin/fat exists under the jaw [and connects to the neck] - neck is about one half the width of the whole head - the back of the skull always sticks out a bit further than you might expect - Sometimes less is more - contours exist on every face, but drawing them in may make your character seem much older than they're supposed to be. However, it's a good idea to use them when you *want* your character to look old! These are very general notes- every face is different and has different proportions [and playing around with them creates unique and interesting character designs]
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zoejayw · 8 months
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reupload - i noticed the original post of this one was from my old defunct account so i figured i'd put it here directly. this drawing is around five years old at this point, and there's a ton i'd do differently, but i still think it's cute and had a lot of fun drawing it.
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areallyyellowmango · 1 year
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An AU where Duck makes it to season 4 with Clem and becomes the annoying big brother she never had
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Hello whatever is left of the TWDG fandom in 2023, I missed y'all! Figured I'd post some new drawings I made for this old Duck survives AU of mine here as well because I'm back in my TWDG era. Been posting these on Reddit but I figured what the hell, might as well revive my years old Tumblr where this AU started after all.
Anyway, I just think it'd be neat to see him survive and how he'd turn out as an adult and seeing him and Clem co-parent AJ (but not in a mom and dad kinda way, more like mom and dumb-but-cool Florida man uncle way).
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schizoidcel · 6 months
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# JAX & GANGLE (SEPERATELY) x THEIR S/O IN THE REAL WORLD THAT ACCIDENTLY ENDED UP IN THE CIRCUS ☆
Ehmm so this is the req I accidently posted while I was like BARELY finished (awkward).
Anywho we don't care abt allat. Here it is 🙊 Srry for the wait anonsie !!
︶︶︶︶︶︶︶︶︶༉‧₊˚.
🤍 HEADCANONS !!
warnings :: Not proofread, and like. 0.1% angst on both of them
♪ JAX ..
Jax is one of the members that notices something is off
Your body language, the way you speak etc. is something that makes him think "Did I meet this person before entering this digital world or am I tweaking??"
He's curious on why he feels like this, so he hangs around you more
This includes you getting pranked more than the others, getting dragged with him to anywhere, and all that shit.
He usually sits next to you at the feast table aswell
But no matter what he does, he can't seem to figure out why you feel so familiar to him (And why your antics make him feel weird inside in a positive way but he pretends this isn't happening)
So the conclusion he just came up with was you being an old co worker, old friend, or anything like that in the real world
Once you two were walking around, trying to find some sort of item for the current in house adventure
Jax told you in that moment about how he felt like he met you before entering the digital circus, and if you ever knew someone who acted like him to confirm his theory
To his luck, you did!
What he didn't expect though was you saying he kind of acted like your S/O.
You kind of regretted saying that after in fear of things getting awkward between you two but Jax looked like he didn't give a single fuck
Infact, he looked like he was questioning everything right now while also not looking like he was questioning everything right now
Did this mean he had a S/O?? That is you???
Hes abit conflicted with that statement ofcourse, and thinks about it
It would make sense; The reason to why you make him feel weird would be answered too
Though even then I feel like he wouldn't be sure how to go on about this.
Give him some time, I'd say
♪ GANGLE ..
Gangle also notices something weird, like she met you once before
But she thinks it's just her overthinking
Though, she did find it abit odd aswell because both of you got along immediatly
Like something clicked between you two.
You also defended Gangle alot, which was kind of suprising to her
You were interested in what she was interested, and even if you werent, you didn't go out of your way to look at her weirdly or make fun of it
So ofcourse she'll get attached.
But she still tells herself she's probably overthinking about the whole "I met you before entering the digital circus" thing
It would make sense, but it seemed impossible for her
She basically thinks that someone like you (Boss and shit) wouldn't hangout with her (Girlfail and shit) if it was actually both of you in the real world, even though you two regularly hang out in the digital one (Ik she is one of those people that think like that I just KNOW)
I feel like Gangle is also one of the few people that forgot almost everything about the outside world, this includes ofcourse having a S/O
And therefore, like the others, she'll also get upset when you tell her while you two were having a drawing sesh that you got here while helping the police investigate your S/O's missing person case
Gangle planned on confessing to you before you told her this
She didn't feel nervous around you, so she felt like that even if you rejected her, you could still be friends
Ofcourse, now she won't confess anymore, since she knows you already have a partner, and she dosen't want to make you uncomfortable in any way, shape or form (Oh girl)
Let's hope that if you both get out, Gangle gets her faded memories back and you see that your partner was literally in the digital world with you the entire time
︶︶︶︶︶︶︶︶︶༉‧₊˚.
ׂૢ་༘࿐ Thank you for reading! ♡
This took longer than I wanted it to. I think imma quickly finish up some asks and then take a quick break lol
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runningwithscizzorz · 8 months
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Oki so uhh I don’t remember exactly when you posted this page (I think during February) it’s like the one where Mac was spotted staring at the tv when the two people found him. I was curious if they became friends in a comedic way
Like lilo and stitch idk 😂 I just thought it was funny of what could’ve happen afterwards
Definitely not, haha! I wrote this comic as a simple gag: The recently resurrected Macaque trashes two sisters shop in the early 80s in a search for food, until he becomes entranced with the TV. The young sister walks into the room from the noise, walks back out unoticed, then casually warns her sister to the untrusion.
I didn't write anything after that. Most likely, the older sister shoved him out of the house with a broom, Macaque not caring due to the fact he's still in shock from seeing his murderer as a tiny animated figure on a glowing box, before the young sister offers him a small yam as an offering before closing the door on him.
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This is the comic. It's very old artistically, and I'd draw a lot of it differently now, like not letting his tail wag and make him more horrified looking
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