part 3

continuation of this post:

magnus: prospero still gets fucked up which sucks to hell and back, but the situation resolves itself in a rather different fashion. namely the burning of prospero starts as an imperial injunction and eradication campaign against prospero and the thousand sons carried out by the space wolves and a fanon legion, devolves into a three way struggle between the thousand sons trying desperately to survive, the fanon legion falling headfirst into khorne worship and expression, and the space wolves trying desperately to fend off and bring down both other legions. finally at the height of the battle magnus and leman put aside their differences in an 'enemy of my enemy is my friend' kinda deal to survive and defeat the fanon primarch going khorne bananas berserker on everyone. russ gets his heart punched out, magnus gets his back broken, but they succeed in the sense that magnus stops time on prospero using himself as the nexus trapping him and russ on the planet well letting a pittance of their own forces gtfo. later at the 'emperors' request as relayed through malcador [so it may or may not actually be the emperors request], mortarion and jaghatai mount a rescue operation and after some techno, psycho, blanko shenaniganary they make it to the heart of the time stop nexus and get in contact with thought projection magnus who explains wtf happened and who they have to convince onto their side. well this happens however another fanon traitor primarch busts in to exploit the situation for their own benefit and one fight across a frozen in time world later magnus is forced to unfreeze time to let russ [who due to primarch bs was able to listen in on the whole exchange] save jaghatai and morty from the traitor fanon primarch [who was able to surmount two of the better primarch fighters using a custom built primarch mech suit] and use the resulting chaos to get everyone the fuck out of there.

My Top 100 Favorite Albums of All Time (Part 5: 20 - 11)

20. Hand. Cannot. Erase. – Steven Wilson (2015)

For his fourth solo release, Steven Wilson took inspiration from the real-life story of Joyce Carol Vincent, a young woman who passed away in her London flat in December 2003 and remained undiscovered for more than two years, even despite having family and friends, and having left her television on at the time of her passing. The album follows the story of a fictional woman heavily based on Vincent, ending with her abrupt disappearance. With a stylistic nod to prog pioneers like Rush and Yes, as well as the powerful guest vocals of Israeli singer Ninet Tayeb, Hand. Cannot. Erase. serves as a poignant examination of the isolation and alienation of modern urban life.

Prime cuts: "Home Invasion / Regret #9", "Routine"

  19. Absolution – Muse (2003)

Bolstered by the success of the lead single "Time Is Running Out", Absolution is the album that first gained Muse major mainstream recognition as a band to watch. There aren't many hints of their later excessive, over-the-top tendencies here— though "Butterflies & Hurricanes" does contain a piano section which aptly demonstrates Muse's appreciation of classical music. Instead, this is one of Muse's more low-key and easy-to-listen efforts, demonstrating the prowess of a band that could be content with crafting hauntingly beautiful melodies ("Sing for Absolution", "Blackout", or "Ruled by Secrecy" all come to mind), or simply shredding (as on "Stockholm Syndrome"). Sometimes, less is more, and simplicity is just better.

Prime cuts: "Stockholm Syndrome", "Butterflies & Hurricanes"

  18. Core – Stone Temple Pilots (1992)

At the beginning of their musical career, Stone Temple Pilots was another in a lengthy list of bands that benefitted from the exposure afforded them by the Seattle grunge explosion in the early 1990s. They spent years dogged by accusations of sounding a bit too much like Pearl Jam, before they eventually managed to develop a more distinctive voice that distanced themselves from anyone else. That isn't to say that their early material is bad, though; on the contrary, their first album, Core, is hands down my favorite of theirs. I don't think of it as derivative, either; rather, I appreciate it for what it is. Like most of the alt-rock at the time, there is a dim, dingy feeling about it— but it's all channeled through a sunny production, reflective of their San Diego roots. There's more California here than Washington. That makes for an album which is oddly upbeat about being grungy, which I find rather appealing.

Prime cuts: "Plush", "Wicked Garden"

  17. The Downward Spiral – Nine Inch Nails (1994)

There is no album that encapsulates my high school years quite like The Downward Spiral. Which probably says something terrible about me, because— with all due respect to Trent Reznor, but let's be honest here— this is a seriously fucked up album. This album is what it sounds like to slowly be driven into the ground, day by day, until you are ground down into little more than a cold, numb machine made of rotting meat, just begging for the sweet release of death. This album is how it sounds to gradually become an automaton, going through all the motions, but truthfully no longer giving a fuck. This is nihilism incarnate. And I've been on that brink myself, more times than I can count, driven by a sense of alienation from the hostile outside world, and it never gets any easier. But at least through the rough patches, I've had The Downward Spiral to reflect my turmoil. When I first encountered this album, I immediately adopted "Heresy" as my personal anthem— a song that expressed perfectly to my repressive Bible Belt surroundings just how I felt about their precious 'Good Book'. I buried all my vulnerabilities and my pain beneath a mechanical visage, as modeled in "The Becoming", and I grew a thicker skin. I gravitated to this album, and (at least in my head) eventually embodied this album, specifically out of spite; I recognized it as everything the religious conservatives hate about our culture, and I had no greater desire at the time than to piss off a world that had rejected me. I'm happy to report growing out of that phase of my life, for the most part. I still have occasional episodes where I stare longingly into the abyss, and ponder jumping in. But the power this album has had, to take the chaotic tempest of negative emotions inside of me and give them form, is awesome. Ironically, I think this album has actually prevented me from following through on several occasions, just by allowing me to work through my angst and get all of that built-up poison out of my system in a constructive way. Now that's power.

Prime cuts: "Closer", "Hurt"

  16. Altered State – Tesseract (2013)

Following the departure of lead singer Dan Tompkins, Tesseract went through a period of searching for the right person to replace him, beginning with Elliot Coleman's short-lived turn at the microphone, but ultimately settling on Ashe O'Hara. Perhaps it was kismet that it was during O'Hara's time in Tesseract that Altered State was recorded, as the new voice also heralded a new direction. O'Hara's silken voice was obviously best suited for clean vocals; all of Tompkins' guttural screaming went right out the window. That made emulating peers like Periphery essentially impossible, which also provided the band with an opportunity to reinvent themselves, tighten their sound, and be more adventurous (such as on the track "Of Reality: Calabi-Yau", where they underscore their blend of palm-muted heavy metal with the extremely unexpected wail of a saxophone, and actually pull it off). Consisting of four multi-song suites (Of Matter, Of Mind, Of Reality, and Of Energy), the album also contains extremely dense metaphysical lyrical material to match its heightened musicality. In combination, all of these new circumstances result in Altered State being nothing short of a miraculous metamorphosis for the band— Tesseract in a literal altered state.

Prime cuts: "Of Matter: Proxy", "Of Mind: Nocturne"

  15. Mer de Noms – A Perfect Circle (2000)

Mer de Noms is a cryptic album, in the same way that Tool albums generally are. Furthermore, this is the only album of A Perfect Circle's where I really feel there's an apt comparison, if not in sound, then in attitude. Setting aside the music for a moment— can we talk about how much I geeked out over the band actually inventing their own arcane-looking alphabet to use in their liner notes? I was a nerdy teenager at the time I obtained this album, and being a lover of puzzles, naturally I decrypted it and then adopted it for my own use for encoding secret messages in my notebooks. But, I digress. What makes the music so interesting here, after listening to Tool for so long, is Maynard's voice being channeled into music with a completely different energy. Tool is logical, cerebral, and quite masculine; APC is much more of an emotional experience. That goes even for the harder-edged songs like "Judith", where Maynard's cry of "Fuck your God!" is intended less as a slight toward religion in general than as a frustrated outburst from a person who had watched his devout mother paralyzed in an accident when he was a child, and who was astounded that such a trial did not cause her to lose her faith. With nearly all of the song titles being names (hence the album's title, which translates to "sea of names" in French), much of the puzzle presented by this album comes from familiarity with the eponymous subjects; some are Biblical or legendary, while others are somehow personal connections to the band. But regardless of how much the listener may know about the myth of Orestes, the music is still a reward unto itself.

Prime cuts: "Judith", "Orestes"

  14. Ten – Pearl Jam (1991)

You know how certain songs are attached to memories or sensations so strongly, that you can't hear them without replaying those other associations in your head? Pearl Jam's Ten is like that for me. Yes, the entire album. It's an album that makes me feel the cool, crisp autumns of northern Georgia where I grew up, and see the leaves turning, and smell the hickory smoke of roadside boiled peanut vendors. It's an album that I see in dark reddish colors— maroon, sienna, burgundy. When I listen to "Black", I remember staying home from school for two weeks in 2001 due to a bad case of pneumonia, and the flannel blankets, and spending my daytime watching old episodes of SNL from the early 90s. When I listen to "Garden", I remember quiet, rainy nights in my on-campus apartment during my first year of college, just sitting in the dark after my roommates had gone to bed, drinking a cold glass of milk while watching the rain dance and glitter in the outside light with the windows narrowly slatted. When I listen to "Jeremy"— well, of course, that song makes me remember how terribly I was bullied all through middle school and ninth grade, and how reliant I was on that song to help me through one of the most miserable times of my life. (Seriously. This is another album I credit with literally keeping me alive.) I know none of this is concrete or tangible to anyone else but me, but… this is something that frustrates me about lists like this when music journalists write them. By the nature of their publication, they can't focus on the intangible impressions they get, because they're supposed to write about universally-appreciable things. In this case… I can't do that. Everyone already knows it's a goddamned brilliant album. But these impressions, and the way they make me feel— they're so strong here that they're basically half of the album's appeal to me, as far as I'm concerned. This is just an album that I've known so long, that it is deeply ingrained in me.

Prime cuts: "Jeremy", "Alive"

  13. Master of Puppets – Metallica (1986)

I was introduced to Metallica (and heavy metal itself) in ninth grade by a classmate of mine named John. On one fateful extended class field trip to Mentone, Alabama, for a trust-building workshop, John lent me his copy of Master of Puppets to listen to during leisure time. I didn't know it at the time, as I sat on my cot in that cabin in the forest and listened to my Discman, but there was absolutely no better album to initiate me to metal. It was revelatory. Up to that time, I was still finding my taste. I had never heard music so hard-edged, or drumbeats so fast, or guitarwork so intricate before. And 8-minute songs? Being a prog rock fan who now routinely listens to songs two to three times that length, it's funny to think about in retrospect, but when I was that age, my attention span wasn't used to anything longer than 5 minutes. I was used to the stuff being played on the radio at the time— stuff like Smash Mouth and Sugar Ray. It should be a testament to how much of an earthshaking experience it was for me, that I still even remember the trip to Mentone (which was otherwise pretty forgettable, honestly). When I got back to Georgia, one of the first things I did was buy my own copy. There are eight songs here, and not a single weak one among them. Lars Ulrich's drums are on point. Kirk Hammett's guitar is on point. The lyrics, and James Hetfield's vocals, are on point. To this day, I still get goosebumps listening to the opening of "Damage Inc.", or the instrumental "Orion" as it slows down into a more laidback tune, led by the incomparable bass grooves of the late Cliff Burton. And in addition to being technically impressive, it was a cathartic album, too; this was the album that first allowed me to tap into my inner adolescent rage, and to release it. "Fuck it all and fucking no regrets", as they say. Wherever you are, John… thanks.

Prime cuts: "Master of Puppets", "Battery"

  12. Superunknown – Soundgarden (1994)

It's sad for me to write this now, still only a few months out from Chris Cornell's passing. He was a hero to me when I was a teenager, and this was my first encounter with his music. First I got into Nirvana, then Pearl Jam, and then gradually I got into Soundgarden and Alice in Chains. Out of all the releases between the four of them, Superunknown is and probably always will be my personal favorite, even over Nevermind and Ten. The combination of Cornell's unearthly voice and Kim Thayil's guitar stirred something inside me that the others just couldn't quite reach. Maybe it's because, at the time, Soundgarden had been together longer than the other three bands, and they were able to reap the rewards of knowing and playing with each other for a longer time. Whatever the reason, it just felt (and still feels) to me like one of the most musically mature albums to come out of the whole grunge scene. And the sad thing is, I think a lot of people pay attention to it because of "Black Hole Sun" being such a gargantuan hit, and undersell the rest of the album. There are lesser known songs here, like the title track, or "Fresh Tendrils", or "Like Suicide", that are absolute sparkling gems. To listen to those songs, and to know now that the moment has passed, and that chemistry can never be truly replicated again with Cornell gone… it's really disheartening. But at least they left behind one hell of a masterpiece.

Prime cuts: "Black Hole Sun", "Superunknown"

  11. The Dark Side of the Moon – Pink Floyd (1973)

Did you really expect me to leave this one off my list? Pink Floyd has been showing up on my list with a fair amount of frequency, and I saved the best one for last. I mean, it's almost ridiculous how clichéd it is to talk about this album as an example of a musical tour de force. It's practically to the point where I can just say the words "great album", and this will be one of the ones that people automatically think about. And as I sit here writing, trying to come up with something to say to rationalize my choice, I realize— there's probably no other album in my life which has served more as a soundtrack to the truly awesome moments. I've painted to this album, and felt the invigorating high of inspiration. I've synched it up with The Wizard of Oz, not once, but twice. I've played it while taking a breathtaking car ride through Badlands National Park in South Dakota. I've listened to it while watching a total solar eclipse. There's no other album that fits these kinds of experiences as well. It's an album that compresses time with its mellow nature, and causes 42 minutes to disappear so rapidly you can scarcely understand where they've gone. It's an album that simultaneously makes you feel insignificant, as a tiny human in a grand cosmos billions of lightyears and aeons large, and important, as someone fortunate enough to bear witness to the splendor of the universe. In short, about as close to perfection as an album can aspire to be.

Prime cuts: "Money", "Time"

At last, we’re down to the final 10. Which ones made the cut? Find out the first half tomorrow, with Part 6, featuring #10 - #6!

Fantasy New Releases: 7 September, 2019

The week’s fantasy new releases feature an ancient mech standing ready for its just as ancient foe, the dread fall of a legion of post-human warriors, and a young radio engineer’s travels in search of an impossible metal hidden in an America that never was, but should have been

Archangel One – Evan Currie

Humanity has reached an uneasy truce with the Empire—but unless the allies bring the fight to the enemy, extinction is all but assured. In preparation for the inevitable next war, Commander Stephen Michaels is at the helm of the Archangel Squadron, and his orders are simple: go rogue.

Disguised as mercenaries, Commander Michaels and the Archangels seek valuable intelligence on their imposing foe. Their mission takes them deep into uncharted territory, where they make inroads with the Empire, fiercely guarding their true identities and purpose. Fighting for the enemy goes against everything they stand for, but these are desperate times.

As their deception increases, so does the risk. With the Empire’s deadliest secrets within reach, Commander Michaels and the Archangels accept a mission that will take them even deeper into the Imperial fold. They know all too well that one wrong step won’t just end their lives—it could end their entire civilization.

The Buried Dagger (The Horus Heresy #54) – James Swallow

The skies darken over Terra as the final battle for the Throne looms ever closer… As the Traitor primarchs muster to the Warmaster’s banner, it is Mortarion who is sent ahead as the vanguard of the Traitor forces.

But as he and his warriors make way, they become lost in the warp and stricken by a terrible plague. Once thought of as unbreakable, the legendary Death Guard are brought to their knees. To save his Legion, Mortarion must strike a most terrible bargain that will damn his sons for eternity.

Meanwhile, in the cloisters of Holy Terra, a plot is afoot to create sedition and carnage in advance of the Horus’s armies. Taking matters into his own hands, Malcador the Sigillite seeks to put a stop to any insurrection but discovers a plot that he will need all of his cunning and battle-craft to overcome.

Engines of Empire (Empire of Machines #1) – Max Carver

The upstart colony Carthage has conquered and dominated most of humanity’s settled planets, including Earth itself, with fleets of autonomous, AI-driven warships and armies of robotic infantry. Freedom from their empire is found only in rough outer worlds on the distant fringes of settled space.

On Galapagos, a free world, newly elected Minister-General Reginald Ellison had hoped he’d seen the end of war. He spent his youth fighting in battles across his planet’s vast oceans and small islands, and his later years working to build a coalition of peace among the world’s fragmented nations. Now the arrival of an unnerving android ambassador from the distant imperial planet of Carthage threatens his world’s hopes for a free and peaceful future.

On Earth, the machines patrol the post-apocalyptic ruins of bombed-out megacities, left over from Earth’s war with Carthage. In the fallen megalopolis of Chicago, a young scavenger makes a discovery that could empower Earthlings to finally fight back, but could also endanger everyone he loves.

On Carthage, the rulers of humanity enjoy extreme wealth and luxury, while machines carry out all forms of labor and provide for their every whim. Audrey Caracala, daughter of Carthage’s top political leader, has led a protected existence, groomed to help her family rule the known galaxy. Now her family’s enemies hunt her as she searches for her missing brother in the dangerous, unfamiliar territory of the Carthaginian underworld, where she begins to face hard truths about the machines and about her own family’s legacy.

Three people, on three very different worlds, must confront alternate faces of the ever-evolving machines, which spin their own designs beyond the vision of their human masters, forging a new kind of empire that will be ruled by no man.

Justified (Saga of the Nano-Templar #1) – Jon Del Arroz

To save a world he must rely on God.

After years of fighting for justice with his deadly nanotech, Templar Drin abandons his post, crash landing on a desert world controlled by a tyrannical alien empire. Its inhabitants are forced into slavery, broken where a once-proud race cultivated its lands.

For the first time in Drin’s life, he has no backup, no support, none of his brothers.

He stands alone against evil.

Drin must face overwhelming odds to liberate millions of slaves from their captors and bring faith to a downtrodden world. But in his way stands the most dangerous weapon in the galaxy.

Can Drin use his Templar training to survive?

The Messenger – J. N. Chaney and Terry Maggert

Dash never asked to be a mech pilot, but fate has other plans.

On the run and out of chances, he guides his ship and crew into the heart of a relic older than the galaxy itself–and finds himself on the edge of an eternal war he never knew existed.

The relic is a mech, lost to history and forgotten by all who remain. Built by an ancient race to be the ultimate weapon, the machine is capable of unspeakable destruction, and its discovery could unhinge the balance of power throughout known space.

Worse still, the A.I. inside the machine speaks of an ancient evil that will soon arrive–a race whose power far exceeds anything humanity has ever witnessed.

Only the Messenger can stand against them, the A.I. tells its new pilot. Only you can do what must be done.

Spartan’s Specialists (Four Horsemen Tales #12) – Alex Rath

Captain Markus ‘Spartan’ Nicolos is one of the Golden Horde’s premier hackers and communication specialists, and a top-tier CASPer pilot. His experimental Hoplite scout CASPer aided significantly in thwarting an attempt by a Besquith general to wipe out the Golden Horde.

Now, while most of the Golden Horde goes out on a major contract, Spartan has been given a small team of less than 30 mercenaries—specialists, all—to teach a race that has just joined the Galactic Union how to defend itself. And, in his spare time, Spartan is to spy on the Merchant Guild.

After arriving in the new system on a ship from the Intergalactic Haulers Mercenary Company, Spartan’s group of specialists begin completing their mission, but things rapidly go downhill when they find out the Omega Wars have begun and Human mercenary companies are being hunted.

Unable to contact his company’s leader, Colonel Sansar Enkh, Spartan is on his own to put the pieces together and figure out a new plan to deal with the changing situation. Can Spartan’s small team of Golden Horde specialists complete their mission and find a way to survive the Omega Wars on their own, or is this Spartan’s last ride?

Worldshift: Virtual Revolution – Scott Straughan

Ethan is young and unemployed. One of the many who fail to find a job and join the elite who run the government and the mega corporations. However, thanks to the economic support everyone gets, he can spend his idle days playing virtual reality games. Online, he can chase thrills and lash out without consequence.

Yet, despite his isolation, Ethan can’t help but feel that something is deeply wrong with society. It reaps the benefit of advanced automation, but forbids further scientific development. That feeling becomes inescapable when he starts playing the latest event in the world’s most popular VR game, Worldshift. Thousands of players are lured into climbing the Tower of Ascension by an incredible prize. Inside, the combat is intense, but nothing is as it seems. The tower is far more than a game. Not only are its rewards very real, but so are its dangers.

Change is coming to a long stagnant world -a virtual revolution- and everything Ethan knows will be threatened.

The Tower of the Bear (Yankee Republic #3) – Fenton Wood

From the bottom of the Arctic Ocean, to the forbidden lands west of the Mississippi, to the shores of a prehistoric inland sea … a young radio engineer enlists the aid of scientists, kings, ancient gods, and mythological beasts, in a search for a super-metal from another universe!

A blend of radio science, alt-history, tall tale, and myth, YANKEE REPUBLIC is an epic like no other.

Fantasy New Releases: 7 September, 2019 published first on https://sixchexus.weebly.com/

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part 1

on a side note, i have an alt heresy idea kicking around in my head thats basically just all the canon primarchs remain loyal and have to do battle with an equal number of fanon traitor primarchs, with the important caveat that all their backstories remain largely the same because to often do alt heresies hinge all the changes in loyalties on backstory changes. to writ the general ideas i have in mind for all of them though

fulgrim: never gets invited to the traitor party and is part of the loyalist forces betrayed on istvaan v. dies an istvaan but ferrus goes on a webway journey that culminates in ferrus giving his life up in exchange for fulgrims, with the 'reborn phoenix' popping out of the imperial webway on terra carrying ferruses corpse and crying sad tears. goes on to the lead the imperial frontlines against the traitor advance in conjunction with rogals overall strategic goals. disappears after the heresy allegedly because of some grief stricken self imposed exile over the emperor's internment the 40k emperor's children retain the preening perfectionist attitudes of their past with an emphasis on routine and ceremony to avoid the excesses that almost caused the legions fall. officially follow the codex but insist they are actually following the 'phoenicia tacticia' which is just the codex with a collection of fulgrims tactical and 'dress and ceremony' writings tacked on. this dectuples the length of the codex and your expected to memorize the 'phoenicia tacticia' in full before promotion to captain in the chapter.

perturabo: no one thought to invite him to either party and now perty is pissed off, in part because after istvaan both sides sent missives to invite him into either the loyalist or traitor parties assuming he'd automatically say yes. well his hatred for rogal initially pushed him in the direction of joining the traitors as a means of finally getting one over rogal, the representative of the traitor cause that was sent to 'officiate perturabos dedication to the cause of rebellion' so greatly irritated perturbo to the point of enragement and disparagement of the entire traitor force as 'preening peacocks' resulting in the engagement of hostilities at that very ceremony well an imperial assassination taskforce was getting prepared to strike. this proved to be more costly for the traitors then was thought, as the many iron warrior outposts and fleets across the galaxy began turning their guns on the traitors forces at perturabos word, where previously they had remained neutral, and many of which would hold out for years with some holding out the entire length of the heresy and the scouring. most notably was perturabos fortification of the olympia system into the 'iron cage' disrupting the forward lines and momentum of the traitor forces for a number of years as they fought to unstick the iron warriors form their home, only for perturabo to blow up any usable infrastructure on olympia anyways as he evacuated his force. perturabo would then find his way to terra where, at malcadors instruction he was to assist in further reinforcing the sol system in preparation of war, and well rogal and perturabos rivalry initially caused them to come to blows in their many disagreements it was this time reinforcing the sol system for war where perturabo and rogal grew a grudging respect for each others genius, allowing them and their legions to work expertly in concert during the solar war and the siege of terra. perturabo would later be greviously injured during the first black crusade, his ultimate fate unknown after the iron warriors records on the matter were lost. the 40k iron warriors are codex compliant and still retain a rivarly with the imperial fists, but it is a healthy one of competition rather then the bitter distaste both held for the other during the great crusade. on centennial basis they even participate together on a grand tournament of strategic wargame simulations based on one such game perturabo originally invented and which was refined through many a game with rogal before and during the solar war. in the wider imperial conscious both are marvelled for their engineering skills, the rebuilt marvel that is olympia a testament to the iron warriors architectural genius, but the imperial fists are regarded as stronger on the defence of a siege well the iron warriors are regarded as stronger on the offence of one.

konrad curze: gets backstabbed by the murders he let into the legion and dragged to nostramo in chains by vengful nostramo noble families eager for some mob justice, resulting in an extended session of awful torture made worse by his superhuman nature letting them get pretty extreme on him. with nothing else but pain to occupy his time konrad reflects on his life and how his visions were wrong [didn't see this shit coming and his visions still showed horus as the arch traitor], how he let that fear consume him, and how the night haunters a bit of a dick. gets saved by the sacrifice of a nameless mute civilian who ends up suffering horrible tortures in his place as he recovers, culminating in the rise of a third personality called the judge that coldly executes the entirety of nostramoses noble family houses and anyone in the night lords who directly betrayed him or are unwilling to 'repent'. decides to go for broke, gathers what loyalist night lord elements he can, and wages a guerrilla campaign against the traitors behind enemy lines disappearing during the scouring. the 40k night lords become more nobledark batmans instead of grimdark batmans and also eventually nostramos serves as the heart of a major imperial cult of worship to the 'silent martyr'. codex compliant but the individual captains enjoy more autonomy of movement and command then comparative chapters.

angron: never got invited to the traitor party because the arch traitor this time around disliked angron enough to uninvite him to rebellion. instead hes one of the loyalist forces to get betrayed on istvaan v, willingly throwing himself and his legion right into the thick of things with angron fully intending to die in battle right then and there. unfortunately for him his more level headed sons panic when angron does almost die, spiriting angrons mostly dead body from the fighting and going on the run from traitor pursuit, eventually ending up in ultramar around when the ruinstorm kicks off. agree to fight for roboute and the loyalists in exchange for protection and help for angrons still nearly dead corpse. this ultimately culminates in some wacky shenaniganary involving lorgar using the actual divine miracle powers of the emperor, the world eater librarius all sacrificing themselves, and some sketch ass daot stuff to successfully remove the butchers nails from angron finally letting his body properly recover. when he wakes up, the red angel makes a beeline for nuceria, 'officially' brings it under his legions control and institutes a conscription of the planets population to replenish his legions numbers as fast as possible before making a bloody rush for terra later called 'the crimson path' and reinforcing it in time for the siege. after the heresy angron would be at the forefront of the scouring disappearing shortly after is conclusion for reasons unknown. the 40k world eaters are a contradiction very much still the bloody gladiator berserkers they were fashioned into during the great crusade but also heavily tempered by ideals of justice, honour and liberation, frequently coming into conflict with other imperial institutions or chapters on conduct during war and their duties such as condemning the black templars 'dishonourable purges of innocent mutant populations'. the ultramarines let them have free reign over nuceria [which now serves as the world eaters homeworld and a world of gladiator warrior temples since their take over] and let their successors operate in ultramar in exchange for following the codex and sending representatives to the ultramarines lil meetings and ceremonies much to the world eaters annoyance on the second half of those responsibilities.